- Sm. tear in left margin of title-p.

= WoO 46. The first vol. of an untraced series (numbered "no.1 " on title-p.). Not in Kinsky. Arrangement by? for violin or flute and piano forte, but without separate violin or flute part..

Schulthesius, J.P. Trois Sonates pour le clavecin ou forte-piano avec accompagnement d'un violon. Paris, Imbault/ Sieber, n.d. (early 19th cent.), no. plate-no., piano part only, 13,(1)p., engr. title-p. and score, folio.

- Fine. = Warranted by Imbault. RISM S 2307 (also piano part only).

Guest, J.M. Six Sonates pour le Clavecin ou Forte-piano avec accompagnement d'un Violon. Ibid., iidem, n.d. (early 19th cent.), no plate-no., piano part only, (2),32p., engr. title-p. and score, folio.

- Fine copy.

= Warranted by Imbault. RISM G 4888 (incomplete). Jane Mary Guest (±1762-1846), child prodigy, composer and pupil of i.a. Johann Christian Bach.

Smith, Th. Six Sonates Pour le Clavecin ou le Forte Piano avec Violon ad Libitum. Oeuvre VIII. Ibid., Boyer/ Le Menu, n.d. (early 19th cent.), no plate-no., piano part only, (2),21,(1)p., engr. title and score, folio

- Fine. = Warranted by Boyer. RISM S 3757 (2 copies, both one part only).

Abraham, M. Du Faux Lord. Ouverture et Morceaux arrangée en duo Pour Deux Violons. Paris, Bignon, n.d. (early 19th cent.), plate-no.52, 2 parts, both p.102-103, engr. title and scores, loose as issued, folio.