- Contents sl. dampstained and frontwrapper browned along margins. SEE ILLUSTRATION PLATE LXI.

Idem. Rondeaux, Walses, Cavatines, et airs variés arrangé pour la guitare d'après les plus beaux motifs du Croisé en Egypte (...) Musique de Meyerbeer. Opus 33. Paris, Marescot, n.d. (±1830), plate-no.117, (1),11p. engr. score, bound unif. w. the preceding.

= Berlioz writes extensively in his Evenings with the Orchestra about the publisher/ composer Marescot, specifically on how he managed to make money by publishing works by i.a. Weber without transgressing the laws of copyright.

AND 4 others, all compositions for the guitar, all early editions (±1825) w. engr. scores, all unif. bound w. the preceding: L. CASTELLACCI, Le départ du grenadier, Varié pour la guitare/ M. DE RAOULX, Theme avec variations (Paris, A. Meissonnier/ Paris, Pacini, n.d., 2 parts in 1 vol., plate no.598/ 1390. Sl. foxed; waterstained in lower outer corner throughout); P. ROUGEON, Mon Carnaval. Air de Meissonnier (ibid., Meissonnier, n.d., plate no. 23); MÉLANGE D'AIRS DE DIFFERENS CARACTÈRES (Paris, Victor Dufaut, n.d., 2 vols., plate-nos. 408-410 and 397-399).