= Edice Olymp 11.

- Backstrip sl. creased; edges of wr. trifle worn.

= Vloemans 331; Primus cat. 328. Contributions by i.a. V. Nezval, M. Haller, K. Čapek, J. Seifert and J. Hora. Contains a list of publishers and their (future) publications at the end.

- A few sm. inkstains and fingerprints; a few lvs. loose(ning).

= Vloemans 169; Bolliger VI, 689. The title, printed in red, yellow and black, incorporating El Lissitzky's self portrait "The Constructor". With text contributions by i.a. V. Nezval, T. Tzara and G. Apollinaire.

= One of 175 copies on handmade Eggerth paper. Very rare.

- Owner's entry on title-p. Otherwise fine.

= Vloemans 61; Primus cat. 35 and ill. 99; Bolliger VI, 690; Dluhosch/ Švácha p.75. "The Czech translation of 'Les mamelles de Tiresias', inclusive of the author's preface in which surrealism was first discussed. Coincided with the first production of the play by the 'Osvobozené Divadlo' (Liberated Theatre). The 4 full page surrealist collage/ drawings by Šíma are not only of a surprising quality, but they are also the only collages he made to illustrate a book." (Vloemans).

= Published on occasion of the 10th anniversary of Apollinaire's death.

- Some foxing.

= Fine woodcuts of South Bohemian landscapes. Probably a private publication, or intended as a gift.

- Bookblock loose.

= Anděl, The avant-garde across media p.230. Blok series. Very rare collection of poems and drawings by the founding member of the Linie group, inspired by the Spanish civil war. "The simple, geometric stylisation of the illustrations originated in the artist's prints with social themes. The introductory drawing in the book features the motif of barbed wire forming a grid, a theme that appeared in a photograph by Bartuška at the time." (Anděl).

- Tiny stain in upper inner margin. = Anděl, The avant-garde across media p.273.

- Backwr. sl. waterst. along spine.

= Anděl, The avant-garde across media p.144ff. The author's first bookpublication, influenced by Josef Čapek, as well as the Devětsil movement. "For the Linie artists, Josef Bartuška in particular, Čapek's graphic work was a significant, even if certainly not the only source of inspiration. This is evident in a few designs by Bartuška such as the cover for the collection of poems Velikonoce [Easter] from 1923, which has a decorative motif that draws on Čapek's cover design for Charles Vildrac's book Michael Auclair". (Anděl). With AUTOGRAPH SIGNED SENTIMENT on htitle.

- Fine copy.

= Anděl, The avant-garde across media p.177. Festive publication on occasion of Emil Pitter's 50th birthday, by his fellow members of the Linie artistic Group.

- Frontisp. and first lvs. loose.

= Vloemans 84; Primus cat. 56; Global Avantgarde Czechoslovakia 27.

= Vloemans 85. Rare collection of satirical poems and epigrams (i.a. mocking "Teigeismus") with interesting free typographic design.

- Fine, unopened copy.

= Edície mladých slovenských autorov vol. 57. Publication by the Slovak Students Union.

- Fine copy. = Vloemans 205: "Teige's design shows the Bauhaus influence, eliminating capital letters."

- Top of spine chipped. = Vloemans 146; Primus cat. 101.

- Bookblock loose (as publlished?).

= One of 20 copies handcol. (by Teige), out of 100 numbered and SIGNED copies on Van Gelder with a variant wrapper design. Edice Odeon 46. Vloemans 115; Primus cat. 80 and ill. 76; Global Avantgarde Czechoslovakia 33; Dluhosch/ Švácha p.6; Bollinger VI, no.692. Second, enlarged edition of Biebl's surrealistic poems from the years 1923-1928 (1st ed. 1925), the first with Teige's typographical compositions in red and black on yellow paper, one of which was included as an exemplary piece of modern design in Jan Tschichold's Typographische Gestaltung (1935).

- Bookblock loose (as published?).

= One of 100 numbered and SIGNED copies on Van Gelder with a variant wrapper design. Edice Odeon 46. Vloemans 115; Primus cat. 80 and ill. 76; Global Avantgarde Czechoslovakia 33; Dluhosch/ Švácha p.6; Bollinger VI, no.692. Second, enlarged edition of Biebl's surrealistic poems from the years 1923-1928 (1st ed. 1925), the first with Teige's typographical compositions in red and black on yellow paper, one of which was included as an exemplary piece of modern design in Jan Tschichold's Typographische Gestaltung (1935).

- Backstrip sl. worn; wr. fingersoiled; frontwr. reattached.

= Edice Odeon 46. Vloemans 115; Primus cat. 80 and ill. 76; Global Avantgarde Czechoslovakia 33; Dluhosch/ Švácha p.6; Bollinger VI, no.692. Second, enlarged edition of Biebl's surrealistic poems from the years 1923-1928 (1st ed. 1925), the first with Teige's typographical compositions in red and black on yellow paper, one of which was included as an exemplary piece of modern design in Jan Tschichold's Typographische Gestaltung (1935).