5510 - 5732 FINE ARTS - DUTCH TOPOGRAPHY. MAPS, PLANS and VIEWS
- Some trifle browned areas; tiny (pin)hole in centre.
= Rare and fine map. Provenance: the collection A.M. van den Broek.
- Trimmed just outside the border line. = Van H. 105. Rare; not in Cat. Harlemia Illustrata.
AND a handcol. engraving by the same: "Spaarendam".
= Provenance: the collection A.M. van den Broek.
- One sm. closed tear in outer blank margin.
= Landwehr, Dutch Books w. Col. Plates 381 ("the first Dutch topographical work published with (coloured) aquatint plates"); Nijhoff/ Van Hattum 217; Harlemia Illustrata 737 and 738. Very fine and rare prints, originally published in instalments: "Numan could (...) paint subtle water-colours and, in 1793, sent out a circular letter with two coloured prints of two mansions, inviting subscriptions for a whole series of such pictures. During the period 1793-1797, he published this series of extremely fine engravings (...)" (Landwehr, p.37f). Provenance: the collection A.M. van den Broek.
= Landwehr, Dutch Books w. Col. Plates 381 ("the first Dutch topographical work published with (coloured) aquatint plates"); Nijhoff/ Van Hattum 217; Harlemia Illustrata 733 and 734. Very fine and rare prints, originally published in instalments: "Numan could (...) paint subtle water-colours and, in 1793, sent out a circular letter with two coloured prints of two mansions, inviting subscriptions for a whole series of such pictures. During the period 1793-1797, he published this series of extremely fine engravings (...)" (Landwehr, p.37f). Provenance: the collection A.M. van den Broek.
= Landwehr, Dutch Books w. Col. Plates 381 ("the first Dutch topographical work published with (coloured) aquatint plates"); Nijhoff/ Van Hattum 217; Harlemia Illustrata 729 and 730. Very fine and rare prints, originally published in instalments: "Numan could (...) paint subtle water-colours and, in 1793, sent out a circular letter with two coloured prints of two mansions, inviting subscriptions for a whole series of such pictures. During the period 1793-1797, he published this series of extremely fine engravings (...)" (Landwehr, p.37f). Provenance: the collection A.M. van den Broek.
- Both cut to the borderline (w. loss of title).
= Landwehr, Dutch Books w. Col. Plates 381 ("the first Dutch topographical work published with (coloured) aquatint plates"); Nijhoff/ Van Hattum 217; Harlemia Illustrata 727 and 735.
= Landwehr, Dutch Books w. Col. Plates 381 ("the first Dutch topographical work published with (coloured) aquatint plates"); Nijhoff/ Van Hattum 217; Harlemia Illustrata 735 and 736. Very fine and rare prints, originally published in instalments: "Numan could (...) paint subtle water-colours and, in 1793, sent out a circular letter with two coloured prints of two mansions, inviting subscriptions for a whole series of such pictures. During the period 1793-1797, he published this series of extremely fine engravings (...)" (Landwehr, p.37f). Provenance: the collection A.M. van den Broek.
- Both numbers vague; lvs. attached to each other along margin.
= Cat. Harlemia Illustrata 175 and 176. Provenance: the collection A.M. van den Broek.
- Very vaguely soiled in corners. = Hollstein 20.
Roghman, Geertruydt (1625-?). "Het Dorp Spaerwouw" and "Spaerwouw aen de Laegewech". Two etchings from the series Thirteen landscapes with villages near Amsterdam ("Plaisante Lantschappen ofte vermackelijcke Gesichten na 't Leeven geteekent door Roelant Rogman"), each ±12x21,8 cm., numb. "11" and "12" and w. title engr. below.
- Fine. = Cat. Harlemia Illustrata 175 and 176. Provenance: the collection A.M. van den Broek.
- Occas. sl. foxed/ waterst. (mainly) in margins.
= Cat. Harlemia Illustrata 1126-1133. Quite rare complete series, comprising "Station", "Buiten-gasthuis", "Paviljoen", "De Dreef", "Societeit in Den Hout", "Kenau Park", "Overveen" and "Bloemendaal". Provenance: the collection A.M. van den Broek.
= Hollstein 422, only state; cat. Harlemia Illustrata 123 ("behoren tot de oudste en fraaiste stadsgezichten van Haarlem").
AND 6 engr./ lithogr. views of Brederode, i.a. a rare unidentified 18th cent. engraving, printed in red.
= Provenance: the collection A.M. van den Broek.
- A few foxed spots; otherwise fine.
= Hollstein 189, 2nd state (of 2); Cat. Harlemia Illustrata 90.
AND 2 similar views of Huis te Kleef, 1x by the same and 1x by H. SPILMAN.
= Provenance: the collection A.M. van den Broek.
= Hollstein 348, the 2nd and final state; cat. Harlemia Illustrata 102.
"Kleine Hout Poort te Haarlem". Etching and aquatint by W. NIEUWHOFF after J. PANNEBAKKER, 15,6x22,8 cm., titled, "J. Pannebakker ad. viv. fec." and "W.N. Sculp." engr. below (Cat. Harlemia Illustrata 811). - AND 3 others, all engr./ lithogr. views of the Kleine Houtpoort.
= Provenance: the collection A.M. van den Broek.
- One etching w. some very vague foxing; 1x doubled w. Japanese; 1x fine.
= Hollstein 420 (1st state of 3), 421 (2nd state of 4); 422 (only state); Cat. Harlemia Illustrata 123, 124 and 126 ("behoren tot de oudste en fraaiste stadsgezichten van Haarlem"). Provenance: the collection A.M. van den Broek.
AND 1 other etching by the same: 'Het Huis te Kleef', near Haarlem (from the series of 18 Landscapes and ruins).
- Second print w. a few sm. stains in upper part.
= Hollstein 418, only state and 420, 1st state of 3; Cat. Harlemia Illustrata 122 ("behoren tot de oudste en fraaiste stadsgezichten van Haarlem").
= Very rare. Cat. Harlemia Illustrata 806-810, 812, 813 and the 4 drawings without a number, described on p.47: "Dit zijn vier tekeningen die moesten lijken op de acht prenten". Provenance: the collection A.M. van den Broek.
= Van der Krogt/ Koeman IV-2.1, 1675. Provenance: the collection A.M. van den Broek.
- Fine.
= Hollstein 5 ("De Harreberg Emaús"), 7 ("Te Scholenaer") and 11 ("Half wegen Overveen"), each 3rd and final state; cat. Harlemia Illustrata 211.
AND 1 other etching by Roelant ROGHMAN.
- All w. ample margins, each w. vague contemp. ms. title below; each yellowed; 2x w. a sm. marginal tear (1x just affecting the image); some vague creases.
= Hollstein 151, 153 and 155, only state; cat. Harlemia illustrata 57-67; Ekama 409; De Groot, Landscape 23-34; Ackley 36: "The first of a number of etched landscape series published in the period 1611-1616 in which a new, native vision of the Dutch landscape, its modest pleasures and characteristic spaces, was formulated." and Freedberg p.31: "(...) it is the neighbourhood of Haarlem, the indigenous countryside, that is now recognised as capable of offering what art lovers expected from a landscape - and the emphasis is on its pleasurable element."
- Occas. trifle foxed; mostly fine.
= Ekama 928; Cat. Harlemia illustrata p. 55/56. On the book: one of the rarest and finest 19th cent. books on Haarlem and surroundings, mainly depicting stately homes, often not existing anymore. Provenance: the collection A.M. van den Broek.