5318 - 5509 FINE ARTS - JAPANESE PRINTS, DRAWINGS and ILLUSTRATED BOOKS, ORIENTAL ARTS
- Paper partly brittle; occas. w. the inevitable sm. imperfections (1x w. fold in margin).
= Showing fans, waves, birds, flowers, decorative ornaments etc. With 2 photograpic plates added; stencils and photographs partly w. pencil annot. concerning reproductions, i.a. "4 OCE drukken niet te zwart", "4 blauwdrukken", "1 diapositief, 1 gewoon, ware grootte". Possibly used as models for tissues produced for Metz & Co. Provenance: De Leeuw family, directors of Metz & Co, Amsterdam; sale Christie's Amsterdam, June 15th 2004, lot 378. SEE ILLUSTRATION PLATE LXIV.
- (Slightly) stained at upper right corner and one spot in the center; lower right corner trifle creased; verso edges reinforced w. brown paper and stamp NikkoCo. in lower left corner. A good impression.
= Brown, 424.
- Margins cut short; trifle/ sl. soiled.
= No. 33, from from Keinen kachô gafu (Keinen's Picture Book of Flowers and Birds), vol 4. (Winter).
Maekawa, Bunrei (1837-1917). (Pigeon in a blossom tree). Col. woodcut, 1885, 33x23 cm.
- Margins cut short; with red (collector's?) seal in lower right corner; sl. stained in lower left corner.
= From Bunrei gafu (Bunrei's Picture Book), vol. 1.
AND 2 others: Kôno, Bairei (1844-1895). (Kite in a ginkgo tree. Hawk in a pomegranate tree). Two col. woodcut diptychs (pasted together), both with red artist's seal, from Bairei hyakuchô gafu (Bairei's Picture Album of One Hundred Birds), (1881-1884), both 21x29 cm.
- Most lvs. and frontwr. w. closed wormholes; trifle/ sl. fingersoiled. Binding sl. worn; title-strip in brush and ink reading "Kitao Tokinobu ehon"; later ticket on frontwr. (incorrectly) attributing the vol. to Kita[w]o Shigemasa; new string.
= Provenance: Felix Tikotin. Rare work from this relatively unknown artist, active in Osaka in the mid- to late 18th century, showing people of different social backgrounds going about their day.
= Caricature of China as a paper tiger during the first Sino-Japanese war, after the fall of Port Arthur. From the series Nippon Banzei Hyakusen Hyakushô (Long Live Japan: One Hundred Victories. One Hundred Laughs).
AND 1 other by the same from the same series.
= SEE ILLUSTRATION PLATE LXV.
ADDED: 2 col. woodcut ôban by/ after HIROSHIGE I and II (a modern restrike of an unidentified print and a browned and creased copy of Iga Province).
= Chaïkin, p.150: "On the day of the battle in the Yellow Sea, before the start, two doves came flying to our Navy, and in the evening, after the battle, even during the battle, a falcon flew in and settled on the Takachiho's mast, as a sign of good omen. The bird was caught and later presented to the Emperor, at his headquarters. It was fully unexpected and taken as an omen of victory. The flight of crows was regarded as standing for the downfall of the Chinese".
= The Battle of Pyongyang was the second major land battle of the First Sino-Japanese War. It took place on 15 September 1894 in Pyongyang, Korea between the forces of Meiji Japan and Qing China.
- One closed hole in upper right corner; sl. soiled along margins. = Probably part of a triptych or diptych.
Kuniyoshi (1797-1861). (Actor, seated on the floor). Col. woodcut ôban, signed Ichiyûsai Kuniyoshi-ga, publ. Ômiya Heihachi, w. kiwame seal.
- Two sm. closed wormholes. = Appears to be a sl. later reprint/ restrike (1880s?).
AND 2 other col. woodcuts ôban by KUNITERU III (act. ca. 1880-1900) and HOKUEI (±1824-1837) (mounted under passepartout).
- With some closed wormholes along top and bottom; left blank margin and corners sl. creased.
Kunisada (1786-1865). (Samurai in the show with blossom tree). Col. woodcut ôban, signed Shimoto no ôju Toyokuni-ga, w. toshidama ring, publ. Moriya Jihei, w. two censor seals, 1847.
- Fold along right side of print; (sl.) browned and w. some light offsetting of red ink from another print.
Keisai Eisen (1790-1848) (after). (Woman lighting a lantern from under a mosquito net). Col. woodcut ôban, signed Keisai Eisen-ga (rebacked w. thin (used) Japanese; sl. browned) - AND 1 other col. woodcut ôban.
- Edges sl. wrinkled, otherwise fine. = A character in a play called Musume Soga Gaijin Yashima.
Anonymous (20th cent.). (Red snapper and a sardine). Col. woodcut, ±28,5x37 cm., two attached e-hon lvs., publ. unknown.
- Tipped onto mount. Side margins cut sl. short, w. loss of booktitle(?).
AND 1 other.
- Doubled; left margin cut sl. short w. partial loss of publishing information; minor traces of mounting tape in upper blank margin.
= From the series Baiko hyakushu no uchi (One Hundred Kabuki Roles by Onoe Baiko).
- Middle leaf trifle duststained. Otherwise fine.
- Colours faded and leaf yellowed.
= (Very) rare. Part of the series of Furyu Mutamagawa (Six fashionable Tama rivers) (6 prints). With the collector's mark of S. Take on verso.









































