574 - 1278 FINE and APPLIED ARTS, ART REFERENCE
- Fine copy. = For the etchings by Renoir, see Delteil 12 and 15. SEE ILLUSTRATION PLATE XIV.
= Verso frontwr. w. offset reproduction of a drawing by Dieter ROTH, signed in pencil by the artist.
Idem. Verlagsverzeichnis 1974, 1976-1982, Herbst 1983-Herbst 1985 and Herbst 1987. Stuttg./ London/ Reykjavik, 1974-1984, 12 vols., (photogr.) ills., (partly) printed in a lim. number of copies, orig. wr., large 8vo.
= Rare run of publisher's catalogues. Design, illustrations and wrappers i.a. by Dieter ROTH, Richard HAMILTON, Tom PHILLIPS, Andre THOMKINS and Mark BOYLE. Catalogue for 1978 w. loosely inserted list by "Dieter Roth's Verlag"
- Owner's entry on first free endpaper; hinges weak; inner margin of several lvs. strengthened w. sellotape.
= Maan/ Van der Ree 93.
- Covers sl. fingersoiled.
Devisscher, H. Kerstiaen de Keuninck 1560-1633. De schilderijen met catalogue raisonné. Ibid., idem, 1987, 223,(1)p., num. (col.) plates/ ills., orig. boards w. dustwr., 4to.
= Flemish Painters in the Circle of the Great Masters (Vlaamse schilders uit de tijd van de grote meesters), vol. 1 and 3.
Ertz, K. Jan Brueghel der Ältere (1568-1625). Die Gemälde mit kritischem Oeuvrekatalog. Cologne, DuMont, 1979, 645p., 630 (tipped-in) col./ monochr. plates/ ills., orig. cl. w. dustwr., large 4to. - AND 1 other in 2 vols. on Pieter Bruegel the Elder.
- All vols. w. sm. stamp on first free endpaper.
- Fine, unused. = Not in Hoek.
- One copy lacks wr.
AND 8 others similar for the similar exhibition in Rotterdam, 1840, 1846, 1860, 1862, 1864, 1873, 1876 (2x).
= Probably all duplicates from the library of the Rijksmuseum.
= With loosely inserted fold. leaf w. Dutch translations of the orig. Spanish text.
Bordier, R. a.o. Pillet. Paris, G. Fall, 1967, 193,(6)p., 6 orig. col. serigraphs by PILLET, num. (col.) ills., orig. blindst. cl., 4to.
- Spine worn and dam. at top; frontw. stained/ spotted and creased.
= Quarterly magazine founded in 1972 by the Toronto-based artists' group General Idea.
= Provenance: the collection of Johan Deumens.
= A rare monthly journal on mail art and ephemeral works in the late seventies. With contributions by i.a. Bill Gaglione, Jorge Caraballo, G.J. de Rook, Maurizio Nannucci. Provenance: the collection of Johan Deumens.
- Fine.
= Realized as an artists newspaper intended to be hand stamped throughout using original artists stamps by various artists, such as G. Bleus, C. Goulart, R. Peli, K. Groh, L. Patella, and A. Flores. SEE ILLUSTRATION PLATE XV.
= Rare neo-dada periodical published as an artists' newspaper with contributions by i.a. A. Banana, B. Gaglione, C.G. Cicatelli, U. Carrión, and T. Mancusi.
= Comprises: 11. Takako Saito, Blaues Regenbogen - Weinschachspiel; 33. Joe Jones, Music Book; 34. Claus Böhmler, Bild-Partituren.
AND 2 others similar, i.a. Studio Marconi. No.1/2 (Milan, 1978, num. ills., orig. wr.).
= Provenance: the collection of Johan Deumens.
= With a SIGNED DEDICATION to "Lieve Michel [van Overbeeke]".
Snitker, W. Méandres. Heemstede, Galerie de Bleeker, 2001, entirely illustrated by W. SNITKER (no text), no pagination, printed in 1000 signed and numb. copies, orig. wr., 4to. Idem. Land Marks. Ibid., idem, 2000, entirely illustrated by W. SNITKER (no text), no pagination, printed in 500 signed and numb. copies, orig. cl., 4to. - AND 2 miscell. others on Marissa EVERS and Edu WOLF.
= Provenance: the collection of Michel van Overbeeke.





























