5119 - 5325 FINE ARTS - DUTCH TOPOGRAPHY. MAPS, PLANS and VIEWS
- Both trifle yellowed; w. horizonal fold in centre (1x w. parallel crease); pinholes in blank corners.
= Cat. Harlemia Illustrata 450 and 451; the rare first state w. the text. Provenance: the collection A.M. van den Broek.
- Tiny closed tear in left edge touching the image; trimmed on/ just outside the border line.
= Not in Hollstein and Cat. Harlemia Illustrata. Very rare.
"Haerlem". Handcol. engr. plan, coat of arms and legend, 21x26,5 cm., Frankf. a.M., M. Merian, ±1636. - AND 2 others, a 17th cent. plan and a 20th cent. view of Haarlem.
= Cf. F.M. 413-134. Showing scenes with executions of Haarlem residents after the surrender of the city on July 13 1573, after the siege by the Spanish.
= Provenance: the collection A.M. van den Broek.
- Fine. = Cat. Harlemia Illustrata 616.
AND 4 similar, i.a. "Gezigt het dorp Velzen, met des zelfs Kerk (...)" and "Gezigt 't dorp Sparendam, komende van 't Gemeen Landshuys" (both from A. RADEMAKER and G. TYSENS, Hollands Tempe Verhérelykt, 1728) and "Het Binnen Spaarne te Haarlem" (by K.F. BENDORP after J. BULTHUIS, from the series Vaderlandsche Gezichten, 1800).
- A few foxed/ yellowed spots in image; some foxing in upper margin (also in the image).
= Cat. Harlemia illustrata 396 (dating approx. 1730). One of a pair of "zeer zeldzame" (cat. Harlemia illustrata) engraved views. Very attractive view. SEE ILLUSTRATION PLATE LXV.
- Neatly restored tears in the image near lower and right margin. = Cf. F.M. 413-131.
- Second print w. a few sm. stains in upper part.
= Hollstein 418, only state and 420, 1st state of 3; Cat. Harlemia Illustrata 122 ("behoren tot de oudste en fraaiste stadsgezichten van Haarlem").
- Occas. sl. yellowed.
= Rare. Cat. Harlemia Illustrata 806-809 (807: 2x, from different angles); described on p.47: "Deze vier zijn geëtste prenttekeningen, opgewerkt met penseel. De onderschriften werden door Pannebakker met de pen geschreven." Comprises "Vriesche- of Vrouwenhek, te Haarlem"; "Kennemerpoort, te Haarlem" (2x); "Dijmans-poort, te Haarlem. Afgebroken 1807" and "Zijl-poort te Haarlem". Provenance: the collection A.M. van den Broek.
- Lacks 1 print; occas. sl. yellowed.
= Rare. Cat. Harlemia Illustrata 810, 812 and 813; described on p.47: "Dit zijn vier aquatinten door Nieuwhoff, zonder opwerking met pen of penseel". However, two of these have additions in watercolour. Comprises "Groote Hout poort te Haarlem"; "Schalkwijker poort te Haarlem" and "Spaarwouder poort te Haarlem". Provenance: the collection A.M. van den Broek.
- Fine
= Hollstein 5 ("De Harreberg Emaús"), 7 ("Te Scholenaer") and 11 ("Half wegen Overveen"), each 3rd and final state; cat. Harlemia Illustrata 211.
AND 2 others by Roelant ROGHMAN and Ludwig Gottlieb PORTMAN (after Franciscus Andreas MILATZ).
- All w. ample margins, no.10 cut 2 mm. outside the borderline; no.12 w. sm. brown stain in the sky; no. 9 w. 2 rubbed spots in the sky.
= Hollstein 149-160, first state (of 2); cat. Harlemia illustrata 57-67; Ekama 409; De Groot, Landscape 23-34; Ackley 36: "The first of a number of etched landscape series published in the period 1611-1616 in which a new, native vision of the Dutch landscape, its modest pleasures and characteristic spaces, was formulated." and Freedberg p.31: "(...) it is the neighbourhood of Haarlem, the indigenous countryside, that is now recognised as capable of offering what art lovers expected from a landscape - and the emphasis is on its pleasurable element."
- Title and one other plate w. sm. brown stain.
= Hollstein 149-160, first state (of 2); cat. Harlemia illustrata 57-67; Ekama 409; De Groot, Landscape 23-34; Ackley 36: "The first of a number of etched landscape series published in the period 1611-1616 in which a new, native vision of the Dutch landscape, its modest pleasures and characteristic spaces, was formulated." and Freedberg p.31: "(...) it is the neighbourhood of Haarlem, the indigenous countryside, that is now recognised as capable of offering what art lovers expected from a landscape - and the emphasis is on its pleasurable element."
- Vague horizontal fold.
= Cat. Harlemia Illustrata 449: "(...) grote en zeldzame prent (...). Het is een van de weinige interieurgezichten van de Grote Kerk en beklemtoont het majestueuze van het orgel."
AND 4 other engr. (1x lithogr.) views of Haarlem (interiors), i.a. "Ancienne Vûe de Haarlem" (by J.P. LE BAS after J. VAN RUISDAEL, 1753) and "Een landschap" (lithogr. view on chine-collé after J. VAN RUISDAEL, early 19th cent.).
= Provenance: the collection A.M. van den Broek.
- Occas. yellowed; mostly fine.
- Occas. worn; mostly fine.
= With i.a. "Vicit Vim Virtus. Innemen van Damiaten en nieuw Stads wapenschild" (engraving by Romeyn DE HOOGHE, 1688), "Lettergietery van Joannes Enschede te Haarlem" (engraving by Cornelis VAN NOORDE, 1768), "'t dorp Slooten" (engr. view by Herman SCHOUTEN, 1750) "Buiten Haarlem te zien van de Klopjes-Cingel" (engr. view by Cornelis VAN NOORDE, 1760), "Velsen" (engr. view by Roelant ROGHMAN, ±1660) and "'t Huis Aalbrechtsberg" (engr. view by Hendrik SPILMAN, 1740). Provenance: the collection A.M. van den Broek.
- Vague stain in the image near left edge. = Van der Krogt/ Koeman IV-2/1, 1730.
ADDED 2 others from the same work: "Schiedam" and "Salt-Boemel" (both sl. yellowed/ foxed).
- Trifle browned/ sl. foxed. Small tear in lower blank margin on middlefold.
= Blonk-van der Wijst 55, w. French text on verso.
- Some folds/ creases; upper corners partly restored w. some retouching of outer part of border line. Neverteless attractive.
= Very decorative map. Blonk/ Van der Wijst 43.1h, D3 1st state (of 2), French text on verso.