5002 - 5118 FINE ARTS - JAPANESE PRINTS, DRAWINGS and ILLUSTRATED BOOKS, ORIENTAL ARTS
81/5102 Tôshisen ehon Picture Book of Selected Tang Poems Vol 5 
81/5102 Tôshisen ehon Picture Book of Selected Tang Poems Vol 5 
- Covers sl. stained; cord replaced; title-strip (sl.) faded.
= Contains woodcut reproductions of calligraphed Chinese poems from the Tang dynasty in different styles, accompanied by explanations of the poems in Japanese and double-page illustrations.
81 5103 Toyokuni I 1769 1825 
- Sl. foxed in lower margin; tipped onto mount along upper and lower margin. Otherwise fine.
AND 1 other by KUNICHIKA (A masked actor holding a dagger in his hand) (part of an ōban triptych. Cut short).
81 5104 Tozan 19th cent 
81 5104 Tozan 19th cent 
81 5104 Tozan 19th cent 
81 5104 Tozan 19th cent 
- Image and signature/ caption cut short.
Eitoku Tatsunobu, Kano (1814-1891) (?). (The sage Lin Ho-Ch'ing feeding a crane). Drawing, brush and ink, 19,5x25,5 cm., signed "(...) Eitoku hitsu". Anonymous (19th cent.). (Immortal standing on a sword crossing a river). Drawing, 26,5x22 cm. - AND 5 other drawings, i.a. a man with a pack horse (Shijô-school).
81/5105 Ukiyo e shi Korei bijin gafu Masters of ukiyo e Picture album of beauties from ancient times 
81/5105 Ukiyo e shi Korei bijin gafu Masters of ukiyo e Picture album of beauties from ancient times 
- Occas. trifle/ sl. foxed, otherwise contents fine. One wormhole (±2x1cm.) in back cover.
= Woodcuts after many famous artists, such as Harunobu, Eisen, Koryûsai, and Toyokuni.
81 5106 Uryû Tora 1842 1923 
81 5106 Uryû Tora 1842 1923 
81 5106 Uryû Tora 1842 1923 
- Lacks vol. 4. One vol. (sl.) wormholed. Wrs. sl. worn, one vol. lacks hashira strip.
= Each vol. is about a different region of Japan, e.g. the Tôkaidô-area, the Tôsandô-area, the Hokurikudô-area, Hokkaidô and the Saikaidô-area (Kyûshû). The views are of rivers, mountains, deltas, and cityscapes.
81 5107 Yoshida 1876 1950 
- With brown spot on the lower inner blank margin, but otherwise a fine impression.
= This print also has a variant for "night". Provenance: from the Robert O. Muller Estate.
81 5108 Yoshida 1876 1950 
- With some sl. creasing in the upper left corner. Otherwise fine.
= From the series Sakura hachi-dai (Eight Scenes of Cherry Blossoms).
81 5109 Yoshida 1876 1950 
- With two sm. holes in the inner blank margin, probably from the printing process (registration marks). A fine impression.
81 5110 Yoshitoshi 1839 1892 
- Rebacked. A fine impression.
= From the series Tsuki hyakushi (One Hundred Aspects of the Moon). "The warrior Yamanaka Shikanosuke Yukimori (sixteenth century), a vassal of Amako Yoshihisa, and the crescent moon of faith as seen on his helmet." Van den Ing & Schaap, Beauty & Violence 54.22.
81 5111 Yoshitoshi 1839 1892 
- Rebacked w. Japanese; cut sl. short along right margin, not affecting image; sl. foxed, mostly unobtrusive but visible in the top half of the image.
= Showing nice gauffrage patterns in Fujiwara no Sanekata's black overcoat and white collar. From the series Shinkei sanjûroku kaisen (The New Forms of Thirty-six Ghosts), a series of yôkai-prints, featuring ghost-stories of Japanese folklore. Van den Ing & Schaap, Beauty & Violence 65.14.
81 5112 Yoshitoshi 1839 1892 
- Lacking sm. portion along middle of left margin (sl. affecting image); cut sl. short on the left margin, w. partial loss of the publisher's information; reinforced w. Japanese along left and right margin; w. some light bleeding in red dye in the upper left corner. Nevertheless a vibrant and attractive print.
= From the series Shinkei sanjûroku kaisen (The New Forms of Thirty-six Ghosts), a series of yôkai-prints, featuring ghost-stories of Japanese folklore. Van den Ing & Schaap, Beauty & Violence 65.11.
81 5113 Yoshitoshi 1839 1892 
= From the series Tsuki hyakushi (One Hundred Aspects of the Moon). Van der Ing/ Schaap 98. SEE ILLUSTRATION PLATE LIX.
81 5114 Yoshitoshi 1839 1892 
- With a closed wormhole in the upper left corner (blank margin); paper (sl.) soiled, but still a good impression.
= From the series Shinkei sanjûroku kaisen (The New Forms of Thirty-six Ghosts), a series of yôkai-prints, featuring ghost-stories of Japanese folklore. Van den Ing & Schaap, Beauty & Violence 65.21.
81 5115 Yoshitoshi 1839 1892 
- With a few sm. (unobtrusive) foxed spots; two sm. pinholes in upper corners and one invisible perforation at the woman's neck due to a paper flaw; w. some sl. creasing. A good impression.
= From the series Fûzoku sanjûnisô (Thirty-two Aspects of Customs and Manners), showing women from various time periods and varying social standing, each representing a trait or mannerism. Van den Ing & Schaap, Beauty & Violence 63.13.
81 5116 Yoshitoshi 1839 1892 
- With one weak spot in the paper in the upper left corner, otherwise a fine print.
= From the series Shinkei sanjûroku kaisen (The New Forms of Thirty-six Ghosts), a series of yôkai-prints, featuring ghost-stories of Japanese folklore. Van den Ing & Schaap, Beauty & Violence 65.3.
81 5117 Yoshitoshi 1839 1892 
- Reinforced w. Japanese along left margin; publisher's information lacking, only showing traces of red dye; w. a few sm. wormholes in blank margins; two sm. foxed spots in lower left corner of image and some in the blank margins. A detailed and vibrant print.
= From the series Shinkei sanjûroku kaisen (The New Forms of Thirty-six Ghosts), a series of yôkai-prints, featuring ghost-stories of Japanese folklore. Van den Ing & Schaap, Beauty & Violence 65.19.
81 5118 Yoshitoshi 1839 1892 
- With a vertical fold in the centre; a few soiled spots in blank lower margin, othewise fine.