5698 - 5999
FINE ARTS - 16th-19th CENTURY DRAWINGS, WATERCOLOURS and PAINTINGS
(incl. drawings of Haarlem and surroundings from the collection A.M. van den Broek)
80 5778 Bramer Leonaert 1596 1674 
- Soiled and somewhat browned; laid down on mount, w. a closed tear near centre of lower edge (and possibly two smaller ones in upper part) and two small holes in upper left section.
= Provenance: bought by the present owner in 1989 at Christie's Amsterdam. From the collection of the art dealer Charles E. Duits (1882-1969) with his collector's mark on recto (Lugt 533a). On verso of mount a dedication in pencil by the collector sir Robert Cleremont Witt (1872-1952) to the London art dealer J.H.J. Mellaert (act. 1926-1929), dated 1919. SEE ILLUSTRATION PLATE LXXVI.
80 5779 Bruckman Willem Leendert 1866 1928 
80 5780 Brugghen Guillaume Anne van der 1811 1891 
80 5780 Brugghen Guillaume Anne van der 1811 1891 
= Provenance: the collection of A.M. van den Broek, both w. his collector's stamp on verso.
80 5781 Bulthuis Jan 1750 1801 
80 5781 Bulthuis Jan 1750 1801 
80 5782 Capelle Jan van de ±1624 1679 attrib 
80 5782 Capelle Jan van de ±1624 1679 attrib 
= Attrib. to Jan van de Capellen in pencil in 19th cent. hand on verso. Provenance: Sir Bruce Ingram (Lugt 1956); Berliner Kupferkabinett; the "Nachlass Galerie Kurt Meissner, Zürich". SEE ILLUSTRATION PLATE LXXVII.
80 5783 Carré II Hendrik 1696 1775 
- Various restorations, mostly along edges; portion of right part painted over w. lighter grey.
= Grisaille painting for an unidentified home, the original shape of the frame still visible along the upper edge. In 2017 a very similar painting with a very similar subject was auctioned in The Hague, dated with the same year. Very probably from the same home. SEE ILLUSTRATION PLATE LXXVII.
80 5784 Carré H 18th cent 
80 5784 Carré H 18th cent 
= Possibly Hendrik II Carree (1696-1775).
Anonymous (18th/ 19th cent.). (Full-length portrait of a man holding an axe). Drawing, pencil, 27x21 cm. - AND 4 other (academical) figure studies, 19th/ eary 20th cent.
80 5785 Cassiers Henri 1858 1944 
- Trifle yellowed. A few chipped spots on frame. = A fine view.
= The artist was asked, together with 26 other renowned European artists, to create the design of one of the 100 plates for one of the most ambitious publications of the Dutch Nieuwe Kunst, the Juliana-bible of 1900, i.a. with designs by Walter Crane, Lawrence Alma Tadema, Edward Burne-Jones, Benjamin Constant, Jean-Léon Gérôme, Pierre Puvis de Chavannes, James Tissot, Arthur Kampf, Max Liebermann, Sascha Schneider and Fritz von Uhde, Jozef Israëls, Ilja Repin, José Villegas Cordero and Juliaan De Vriendt. On this project and publication, cf. Anne van BUUL, Een eerbiedwaardig reuzenwerk De Geïllustreerde Bijbel (1900) (De Moderne Tijd, 2017, no.2, p.160-179). The engraving used in the Juliana bible was made after this painting.
80 5787 Costanzi Placido ±1690/ 1702 1759 
- Sl. duststained and w. a few tiny holes (from acid biting?).
= Annotation (signature?) on verso "Placido Costanzi" in pen and ink. On thick 18th century laid paper, no watermark visible. SEE ILLUSTRATION PLATE LXXVIII.
80 5788 Cranenburgh Hendrik van 1754 1832 
= On laid paper with a part of a large crowned watermark. Provenance: the collection A.M. van den Broek, with his collector's mark on verso.
80 5789 Cranenburgh Pieter van 1792 1858 
80 5789 Cranenburgh Pieter van 1792 1858 
= On laid paper with a large "Pro Patria" watermark.
AND 1 similar by the same: "Aan de Bloemendaalsche Weg op de Beek te zien" (signed).
= Provenance: the collection A.M. van den Broek, with his manuscript collector's mark on verso.
80 5790 Does Simon van 1653 ±1717 school of 
- The outlines of the putto are perforated w. minuscule holes; ink sl. fading in areas; a few unobtrusive oblique folds.
80 5791 Dominichino = D Zampieri 1581 1641 school of 
- With "74" in contemp. manuscript in centre; sm. closed hole in left margin.
80 5792 Dongen Dionys van 1748 1819 
80 5792 Dongen Dionys van 1748 1819 
- Browned; closed tear in left part.
= With a small manuscript note with biographical records written by one of the organizers of a lottery at the Groningen art society in November 1905. This drawing was one of the prizes.
80 5793 Drift Johannes Adrianus van der 1808 1883 
80 5793 Drift Johannes Adrianus van der 1808 1883 
= Johannes Adrianus van der Drift, pupil of Andreas Schelfhout and one of the founders of the Haagsche Etsclub. Provenance: the collection A.M. van den Broek. SEE ILLUSTRATION PLATE LXXVIII.
80 5794 Eversen Adrianus 1818 1897 attrib 
- A few foxed spots. = Title supplied in pencil on verso.
80 5795 Eymer Arnoldus Johannes 1803 1863 
80 5795 Eymer Arnoldus Johannes 1803 1863 
80 5795 Eymer Arnoldus Johannes 1803 1863 
- Occas. sl. yellowed; some creases. = Provenance: the collection A.M. van den Broek.
80 5796 Eymer Arnoldus Johannes 1803 1863 
80 5796 Eymer Arnoldus Johannes 1803 1863 
80 5796 Eymer Arnoldus Johannes 1803 1863 
80 5796 Eymer Arnoldus Johannes 1803 1863 
80 5796 Eymer Arnoldus Johannes 1803 1863 
- Both trifle yellowed; a few tiny holes; one lacks tiny portion of left margin.
AND 7 others, all anonymous drawings, possibly by the same or by Leonard Johannes EYMER.
= Provenance: the collection A.M. van den Broek.
80 5797 Flowers Anonymous 2nd half 17th cent 
- Two folds in left blank part.
= Fine and delicate watercolour by an unidentified artist. With a watermark of the Seven Provinces (Churchill 110); verso mount numb. "No:57 in pen and ink in a contemp. hand.