5698 - 5999
FINE ARTS - 16th-19th CENTURY DRAWINGS, WATERCOLOURS and PAINTINGS
(incl. drawings of Haarlem and surroundings from the collection A.M. van den Broek)
- Some damage in top margin and left margin caused by silverfish. = Artist identified in pencil on verso.
= Provenance: the collection of A.M. van den Broek, w. his collector's stamp on verso.
= Fine delicate drawing. Provenance: the collection of A.M. van den Broek, w. his collector's stamp on verso.
= Provenance: the collection of A.M. van den Broek, w. his collector's stamp on verso.
- Both drawings trimmed to the outer framing line; the 2nd drawing on 3 attached pieces of paper.
= Provenance: the collection A.M. van den Broek, with his collector's mark and attribution on verso.
- Surface sl. nibbled by silverfish near left edge; closed tear in image in upper edge.
= Provenance: the collection A.M. van den Broek, with his collector's mark on verso.
= Provenance: the collection A.M. van den Broek, each w. his collector's stamp on verso.
- A few foxed spots. = Provenance: the collection of A.M. van den Broek.
- A few foxed spots.
= Provenance: the collection of A.M. van den Broek, w. his collector's stamp on verso.
- Neatly restored in upper right corner; extended margins. = SEE ILLUSTRATION PLATE LXXXIII.
- Mediocre condition. Waterst./ browned; tear in left margin; verso traces of former mounting.
AND 3 other drawings: a gouache by monogrammist "L.M." and an early 19th cent. arcadian watercolour landscape by P.O SNIJDERS.
- Varnish yellowed; worn spots/ sm. scratches along edges.
= View of the alley nowadays called Achter de Kerk towards the small gate in one of the buttresses. The original design drawing is in the Rijksmuseum (RP-T-1900-A-4438). Lamberts changed the design slightly. The buttress on the left was probably added for the sake of the composition.
- Lower left corner bunmped/ restored; trimmed to the framing line.
= The original drawing is in the Rijksmuseum (RP-T-FM-80). Provenance: the collection A.M. van den Broek, with his collector's mark on verso.
= From the collection of the artist Francina Schot (1816-1894).
= SEE ILLUSTRATION PLATE LXXXIV.
- Trimmed to the framing line; a few foxed spots. = With Van den Broek's attribution on verso. SEE ILLUSTRATION PLATE LXXXV.
AND 2 similar drawings of the same subject, i.a. an anonymous pen and brush drawing after the first drawing.
= Provenance: the collection A.M. van den Broek.
- Drawing trimmed to the framing line; very vague oblique fold.
= Provenance: the collection A.M. van den Broek, with his collector's marks and attribution on verso. Previously attributed to Jan de Beijer.
- Drawing trimmed to the outer framing line; a few foxed spots; trifle yellowed.
= In the early 18th century, the church was restored at the expense of Paulus Loot, master craftsman of Zandvoort. In 1728 he had the burial chapel built for his family, which is clearly visible in this drawing. Provenance: the collection A.M. van den Broek, with his collector's mark and attribution on verso.