3624 - 4551 FINE ARTS - MODERN ART. PRINTS, DRAWINGS and PAINTINGS
80 3764 Brinks Kuno 1908 1992 
- Laid down on mount. Vague stain in lower margin. = Kersten 182.
80 3765 Brinks Kuno 1908 1992 
= Kersten 206.
80 3766 Brinks Kuno 1908 1992 
80 3766 Brinks Kuno 1908 1992 
80 3767 Brinks Kuno 1908 1992 
= Kersten 208.
80 3768 Brinks Kuno 1908 1992 
= Kersten 94.
80 3769 Brinks Kuno 1908 1992 
= Kersten 111.
80 3770 Brinks Kuno 1908 1992 
= Kersten 89 and p.44-45.
80 3771 Brinks Kuno 1908 1992 
80 3771 Brinks Kuno 1908 1992 
80 3771 Brinks Kuno 1908 1992 
= Kersten 38.
AND 1 other copperengraving by the same: René Descartes (frontisp. in a copy of R. DESCARTES, Discours de la méthode pour bien conduire sa raison et chercher la vérité dans les sciences (Utr., 1946, printed in 175 numb. copies (this copy hors commerce), orig. giltlettered hvellum, t.e.g., 4to) (Kersten 124)).
80 3772 Brinks Kuno 1908 1992 
= Kersten 166.
80 3773 Brinks Kuno 1908 1992 
80 3773 Brinks Kuno 1908 1992 
80 3773 Brinks Kuno 1908 1992 
= Kersten 152.
AND 1 other copperengraving by the same: René Descartes (frontisp. in a copy of R. DESCARTES, Discours de la méthode pour bien conduire sa raison et chercher la vérité dans les sciences (Utr., 1946, orig. giltlettered hvellum)(Kersten 124)).
80 3774 Brinks Kuno 1908 1992 
80 3774 Brinks Kuno 1908 1992 
80 3774 Brinks Kuno 1908 1992 
= Kersten 31 and probably 32 (Kersten 10,5x20 cm.). The second print with the same drypoint on verso.
AND 1 similar drypoint by the same: Liggende tijger (1930. Kersten 34).
80 3775 Brinks Kuno 1908 1992 
- Trifle yellowed. = Kersten 176. Rare.
80 3776 Broeksmit Frederika Henriette 1875 1945 
80 3776 Broeksmit Frederika Henriette 1875 1945 
80 3776 Broeksmit Frederika Henriette 1875 1945 
80 3776 Broeksmit Frederika Henriette 1875 1945 
80 3776 Broeksmit Frederika Henriette 1875 1945 
80 3777 Broel Georg 1884 1940 
80 3777 Broel Georg 1884 1940 
- Portfolio rubbed/ worn along boardedges; cloth torn at spine-ends; lower flap dam.
80 3778 Brood Herman 1946 2001 
- Scratch and dam. surface spot in right margin.
80 3779 Broodthaers Marcel 1924 1976 
- Folded in eight, but fine. = Provenance: the collection of Kees Broos and Liesbeth Brandt Corstius.
80 3780 Broodthaers Marcel 1924 1976 
- Formerly folded.
= "This is to certify that Marcel Broodthaers has been signed by my hand and therefore is to be considered as an authentic work of art for all intents and purposes as of the date below." Provenance: the collection of Kees Broos and Liesbeth Brandt Corstius. SEE ILLUSTRATION PLATE VI.
80 3781 Broodthaers Marcel 1924 1976 
- Tiny tear in upper blank margin.
AND 2 others similar: "A,B,C, Paysage d'Automne par Marcel Broodthaers" (invitation card, Paris, Galerie Yvon Lambert, 1973) and "Réclame pour la mer du nord" (invitation/ flyer, Édition Seriaal, 1974).
= Provenance: the collection of Kees Broos and Liesbeth Brandt Corstius.
80 3782 Broodthaers Marcel 1924 1976 
= Informing that the collection of objects presented at Burgplatz 12 in Düsseldorf in the "Départment des Aigles, (section cinéma) is on sale through the Wide White Space Gallery. "Catalogue spécial sur demande".
AND 4 others similar, all by the Wide White Space Gallery: "Figures anciennes et modernes" (1971, printed in black and red, recto only); "Édition Le Corbeau et le Renard (1967-1972)" (1972, fold. invitation card, printed in black and red. A few pinholes); "(...) présentera au Bailli quelques pièces anciennes et des éditions récentes" (1974, invitation card, printed in black on recto only); "Ne dites pas que je ne l'ai pas dit/ Zeg niet dat ik het niet gezegd heb" (1974, invitation card, printed in black and red on recto only).
= Provenance: the collection of Kees Broos and Liesbeth Brandt Corstius.
80 3783 Broodthaers Marcel 1924 1976 
- Both formerly folded and trifle creased in right margin.
= Two open letters from a series that Marcel Broodthaers published from 1968 to 1972 in a small edition and that were sent to people in the art-world to promote his conceptual art project, the initially fictitious Musée d'Art Moderne, a comment on the (social) context of art. Provenance: the collection of Kees Broos and Liesbeth Brandt Corstius.