434 - 583
AMERICAN LITERARY AVANT-GARDE
BLACK MOUNTAIN, SAN FRANCISCO RENAISSANCE, BEAT GENERATION and NEW YORK POETS
- Wrappers occas. sl. sunned/ trifle soiled.
= Some issues with a different cover title, i.a. no.3: "Young poets of India" and no.8: "Nightlatch" by Laura Chester. Contributions by i.a. David Meltzer, David Curry, Douglas Blazek and John Brandi.
- Without issue no. 5. Four issues w. library stamp on frontwrapper; annot. in ballpoint on frontwr. no.10; no.15 sl. yellowed around edges.
= Very rare large collection of The Miscellaneous Man. "The miscellaneous man is the individual man, the human being who, as a dynamic entity, never quite fits under any label and is constantly bulging out of categories. He stands alone, but not aloof; self-sufficient, and yet co-operative. He is searching constantly for a closer approach to truth; criticizing those things which, to his mind and to his animal nature, are false. He is seeking and testing creative approaches to the problems that face individual men and women, that limit their humanity and chain them in a cage of mere existence." (No.1, p.1). No. 11/12 devoted to Gil Orlovitz's Statement of Ericka Keith. Contributions by i.a. James Boyer May, S.E. Laurila, Bern Porter, Jay Pell, John Henrik Clarke and S.Z. Perkoff. Incl. a duplicate of no.4. SEE ILLUSTRATION PLATE XVI.
- Sl. soiled.
- Each issue w. owner's entry of Tom Clark on frontwrapper and sticker w. address on backwrapper.
= With contributions by i.a. Paul Blackburn, Allen Ginsberg, Diana di Parma, Toby Olson, Paul Metcalf and John Wieners. Clay and Phillips, p.287.
WITH: four broadsides, all publ. by Mulch Press, New York, 1971, in orig. publisher's envelope.
= Published as an appendage to the periodical.
= One of the most important of the several little magazines edited by Crew, each number printed in a relatively small edition (with a circulation of between 100 and 200 copies). For distribution among allied poets, editors and associates. Contributions by i.a. Robert Creeley, Henri Miller, Charles Bukowski, Michael McClure, Le Roi Jones and Diane di Prima. Illustrations and photographs by i.a. Mildred Tolbert, Cordray Hearne and Hyacinthe Hill.
- Issue no. 2 w. some sm. marginal tears in left of frontwrapper; wrappers of Supplement to Now sl. waterstained.
= Magazine with a focus on studying the craft of poetry and prose, for example proper use of American idiom and natural speech. Clay and Philips, p.287. "Today "The Black Mountain Poets" have far less trouble getting their work published: and their counterparts in unfashion among more recent generations of poets have such a variety of mimeographed (sometimes even glossy) outlets, that it's hard to recall the lack of reputation and lack of publishing opportunities characteristic of the literary scene during those damp, encased, mid-fifties McCarthyite years. Yes, there had been Origin - and after The Black Mountain Review folded in 1957, there was again to be an outlet for innovation: Gil Sorrentino's Neon, LeRoi Jones's Yugen, Ron Padgett's White Dove Review. But not until the early sixties - coincidentally with the breaking open of so many areas of American life - was there to be a variety, happily almost a tumult, of corresponding energies and outlets" (M. Duberman, Black Mountain: an Exploration in Community, 1972).
- Backstrips rubbed/ worn/ occas. sl. waterstained.
= Neurotica served as an outlet for young writers and gained a reputation for publishing edgy material dealing with sex, the arts and neuroticism. This edginess was the magazine's downfall with issue 9, titled "The Castration Complex" gaining the attention of censors. Contributors i.a. Kenneth Patchen, Leonard Bernstein, Richard Rubenstein, Marshall McLuhan, Allan Ginsburg, William Steig, Lawrence Durrell, Henri Michaux and even a poem by F. Scott Fitzgerald. Including a 2nd printing of the first issue.
- All issues sl. soiled and backstrips worn.
= The journal reflects the influence of the Beat Generation in Britain and was important for considering poetry as a performing art. No. 4 is a special issue on jazz and poetry. Contributions by i.a. Samuel Beckett, William Burroughs, Kurt Schwitters, Stefan Themerson, John Cage, Allen Ginsberg, Jack Kerouac, Raymond Queneau and Eugene Ionesco. The publication was revived in 1970.
- Wrappers sl. rubbed.
= Contributions by i.a. Charles Olson, Le Roi Jones, Piero Heliczer, Robert Creeley, Herbert Huncke, Robert Duncan, Edward Dorn, Gary Snyder, John Wieners, George Butterick and Ezra Pound. Clay and Phillips, p.287.
- Fine set.
= Complete run of this little magazine. Contributions by i.a. William S. Burroughs, Allen Ginsberg, Charles Bukowski, Kenneth Rexroth, Judson Crews, Carl Larsen, Jack Micheline, Gil Orlovitz, John Reed, Clarence Major, Emilie Glen, Ben Tibbs, Robert Creeley, Gregory Corso, Louis Zukofsky, Gary Snyder, Denise Levertov, LeRoi Jones, and Lew Welch. Designs for the covers by i.a. L. Peffer, R. Langendorf, M. Todd and D. Factor. The final issue is titled "Nomad New York" and presents work by the poets of the New York scene. Clay and Philips, p.286.
- Fine set.
= No. 1 is a mimeographed anthology, including the first appearance of Cassady's First Third, a letter from Jack to Neal and contributions by Bukowski, Ginsberg, Patchen, Bob Kaufman, Meltzer, etc. With a kamasutra statue on the cover (reportedly confiscated by police). No. 2 incl. The Psychedelic Cookbook, etc. No. 3 is published like a comic book with cover by Grimshaw. No. 4 was published in 1977, nine years after the third issue, with the title "Bitch, Butch, Black & Bad".
- Wrappers of no. 2 sl. nibbled by silverfish and sl. stained; no.3 w. horizontal crease.
= With AUTOGRAPH SIGNED DEDICATION by Michael McClure on verso frontwrapper of first issue. Contributions by i.a. Allen Ginsberg, Michael McClure, Robert Branaman, Philip Whalen, Claude Pelieu, William Burroughs and Ben Talbot. SEE ILLUSTRATION ON THE TITLE-PAGE.
= With contributions by i.a. Charles Bukowski, Al Purdy, Harold Norse, Philip Wantling, Jeff Nuttall and Lee Harwood. No. 1: "Dedicated to the cause of making poetry dangerous"; no. 2: "A magazine for all those unacknowledged legislators of the world, especially those who are really unacknowledged"; no. 3: "The original Consciousness-Expanding magazine"; no 4: The poetfood for champions; no. 5: Harold Norse special; no. 6: The weird harvest special; no. 7: a review and no. 8: "after the release of the next issue [issue 8 was published before issue 7] OLE will change its name to OPEN SKULL (...)". No. 7 in orig. publ. envelope. Clay and Philips, p.288.
- Good/ fine complete run.
= As well as the excerpts from the Press's own books - including by Burroughs, Harriet Daimler, Donleavy's The Ginger Man, Miller's Sexus, there is a column by Terry Southern, Spy's Corner, in the first three issues, an article on chastity belts by Henry Crannach, selections from Robert Giraud's photographs of French criminal tattoos, and erotic postcards from the same collection, and instructions by Brion Gysin on how to construct your own 'Dream Machine'.
= A very rare complete run of Tom Clark's one shot magazine, called the Once Series (Clay and Philips, p.288). Each issue differently titled: Frice, Ice, Nice, Once, Slice 1:1, Slice 1:2, Spice, Thrice, Thrice and a 1/2 and Vice. Contributions by i.a. Joe Brainard, Aram Saroyan, Frank O'Hara, Ted Berrigan, Allen Ginsberg, Matthew McClure and Tom Pickard. A bridge between the older New York poets and the new. In very good/ fine condition. SEE ILLUSTRATION PLATE XVII.
= Contributions by i.a Jack Spicer, Larry Eigner, Sister Mary Norbert Korte, Stephen Midel, Philip Whalen, Margaret Randall, Richard Brautigan, Jim Thurber, Charles Upton, John Sinclair and Gail Dusenbery. Clay and Philips, p.289.
- A few issues sl. rubbed/ worn.
= A rare, complete run of this important poetry periodical with contributions by numerous writers and poets. Clay and Phillips, p.112f: "The first issue featured a major section of work by Charles Olson, then barely published, and established the presence of an important magazine for new writing. As Olson wrote to Corman, Origin gave him "the fullest satisfaction I have ever had from print, lad, the fullest. And I am so damned moved by yr [sic] push, pertinence, accuracy, taste, that it is wholly inadequate to say thanks." The second issue featured Robert Creeley. Origin published a wide range of writers workng in poetry and prose (...) The possibilities for writing explored and enacted in the pages of Origin exerted considerable influence in the postwar literary scene - indeed as Paul Blackburn wrote in the early 1960s, "Origin and The Black Mountain Review; What other solid ground was there in the last decade?"" SEE ILLUSTRATION PLATE XVII.
= British Beat-magazine with contributions by i.a. Geoffrey Holloway, Brian Patten, Dave Duncliffe, Steve Sneyd, Lee Harwood, Penelope Shuttle and Tina Morris.