5323 - 5647 FINE ARTS - GRAPHIC ART, 16th-19th CENTURY
79 5543 Onghena Charles 1806 1886 
79 5543 Onghena Charles 1806 1886 
- Three plates w. tears closed w. yellowing tape in blank margins on verso (showing on recto).
79 5544 Ornaments Winter Athonie de 1652/53 1713? 
79 5544 Ornaments Winter Athonie de 1652/53 1713? 
79 5544 Ornaments Winter Athonie de 1652/53 1713? 
= Hollstein 377, state 1 or 2 ("Copied in same direction after Vaquer's set, pl. 4").
AND 9 other ornament prints, 17th-18th cent., i.a. after STEFANO DELLA BELLA.
79 5545 Ostade Adriaen van 1610 1685 
- Dark impression; sm. chip and stain in upper right corner, not affecting the image; trimmed 1 or 2 mm outside the platemark.
= Hollstein and Godefroy 23, 9th state (of 10).
79 5546 Ostade Adriaen van 1610 1685 
79 5546 Ostade Adriaen van 1610 1685 
= Hollstein/ Godefroy 2, 5th and final state.
Idem. Peasant in pointed fur cap. Etching, ±1640, 6,8x5,7 cm., "Av.O" in the plate.
- Somewhat grey impression (although the borderline is very dark); ample margins.
= Hollstein/ Godefroy 3, 5th state of 7.
79 5547 Passe I Crispijn de 1564 1637 
- Sl. foxed. = Hollstein 233. SEE ILLUSTRATION PLATE CVI.
79 5548 Passe I Crispijn de 1564 1637 
- A few small foxed spots/ stains. = Cf. Hollstein 524 (larger size). SEE ILLUSTRATION PLATE CVII.
79 5549 Passe II Crispijn de ±1597 ±1670 attrib 
79 5549 Passe II Crispijn de ±1597 ±1670 attrib 
- Laid down and foxed.
= Rare. Franken 359; not in Hollstein. The series show couples from all over the world in local dresses, combined with astrological signs. These engravings are attributed to Crispijn de Passe II, probably because the plates of the series appear in the inventories of the De Passe firm from 1639 (Veldman, p. 453, nr. 199: 'Twaelf maenden in drachten in 12 plaetgen') and 1653 (Veldman, p. 456, nr. 32). Franken was the first to ascribe the engravings (on the basis of only six plates: described as those 'très belles gravures') to Crispijn II.
Backer, Jacob de (1540/45-1590/91). (Allegory of Taste). Etching, 15x19,6 cm., "Iacob de Backer invenit" in the plate.
- Sl. fingersoiled; trimmed a few mm outside the borderline.
= Hollstein 4, 2nd state of 2. From the series of the Five Senses. According to annotation on the mount from the collection of Fred. J. Bianchi (but withoout his usual stamp).
79 5550 Passe Magdalena de 1600 1638 
- Good, dark impression w. small margins. Old flattened middle-fold.
= Hollstein 21, only state. Scene from the history of Elijah.
79 5551 Pencz Georg ±1500 1550 
- Lacks part of lower left corner (repaired). = Hollstein 159.
79 5552 Piranesi Giovanni Battista 1720 1778 
- Fine and clean copy, in a strong impression.
= From the series Vedute di Roma. Focillon 771; Hind 85, prob. the 2nd state of 4 (rare). SEE ILLUSTRATION PLATE CVII.
79 5553 Plonski Michal 1778 1812 
79 5553 Plonski Michal 1778 1812 
- Some foxing in blank margins.
= "Michal Plonski, poln. Zeichner, Radierer u. Miniaturmaler (...). Weitergebildet in Berlin, Kopenhagen u. Amsterdam. (...) begabter Graphiker (...)." (Thieme-Becker).
AND 5 other etchings by the same, incl. 3 printed on the same leaf and numb. "4" to "6".
79 5554 Ploos van Amstel Cornelis 1726 1798 
79 5554 Ploos van Amstel Cornelis 1726 1798 
79 5555 Portraits Galle Philip 1537 1612 
79 5555 Portraits Galle Philip 1537 1612 
79 5555 Portraits Galle Philip 1537 1612 
79 5555 Portraits Galle Philip 1537 1612 
79 5555 Portraits Galle Philip 1537 1612 
79 5555 Portraits Galle Philip 1537 1612 
79 5555 Portraits Galle Philip 1537 1612 
= New Hollstein 675.
AND 24 other portraits of artists, scientists and rulers, i.a. Rogier van der Weyden, Dirk Bouts, Bernard van Orley, Abraham Bloemaert and the Duke of Alva (by Hessel GERRITSZ).
79 5556 Portraits Portraits of Martin Luther his wife and son Johannes and Johannes Hus 
79 5556 Portraits Portraits of Martin Luther his wife and son Johannes and Johannes Hus 
79 5557 Portraits Visscher Cornelis 1628 1658 
79 5557 Portraits Visscher Cornelis 1628 1658 
79 5557 Portraits Visscher Cornelis 1628 1658 
- A few portraits frayed in blank margins, otherwise fine, with ample margins.
= Hollstein, 77-116, the 3rd and final state.
79 5559 Potter Paulus 1625 1654 
79 5559 Potter Paulus 1625 1654 
79 5559 Potter Paulus 1625 1654 
79 5559 Potter Paulus 1625 1654 
79 5559 Potter Paulus 1625 1654 
- Hollstein 9 doubled; Hollstein 12 sl. foxed and sl. yellowed.
= The Frisian horse (Hollstein 9, 3rd state (of 3), the tail lengthened. Without watermark); The neighing horse (Hollstein 10, 2nd state (of 2), with the rework of the foreground and church in background. Unidentified watermark; The cropped horse (Hollstein 11, 3rd state (of 3), the tail made thinner. Unidentified watermark (identical to H.10)); The plough horses (Hollstein 12, 2nd state (of 3). Without watermark); The worn-out horse (Hollstein 13, copy with "Ex formis N. Visscher cum. Privil. 6" below lower right corner). SEE ILLUSTRATION PLATE CVIII.
79 5560 Potter Paulus 1625 1654 after 
- On paper w. unidentified watermark. = Hollstein 12, 3rd state (of 3).
79 5561 Prestel Maria Katharina 1747 1794 
79 5561 Prestel Maria Katharina 1747 1794 
79 5561 Prestel Maria Katharina 1747 1794 
79 5561 Prestel Maria Katharina 1747 1794 
- All prints w. some fading; partly also w. black. stains (from sloppy printing?) in blank margins/ corners and w. whitish spots (from rubbing or silverfish activity); all prints without captions.
= I.a. one of Le Blanc 54-55 (Evening or Morning). "(...) she produced some plates which are etched with spirit and finished in aquatint in a picturesque manner." (Prideau p.57). The print signed "Prestel" shows a landscape with a shepherd returning with his cattle to a village on a hill, with a mill on top of the hill.
- Leather clasp broken.
= Large print stand, with the possibility of displaying large prints when the frontpanel is folded 90 degrees.