1228 - 1692 FINE PRINTING (including ILLUSTRATED BOOKS and CARICATURE)
- Some occas. offsetting. Otherwise very fine. = SEE ILLUSTRATION PLATE XLVII.
- Spine partly dam. Otherwise a fine and clean copy.
= Vicaire IV, p.1252/ 1253; Sander 516; Ray 186: "The illustrations for this book are among the most original and amusing in all of Johannot's work (...). The text is indeed a trifle, the chief merit of which lies in the opportunities it provides for Johannot's fantastic inventions. The macabre imagination which he sometimes displayed in his vignettes is fully developed here".
= SIGNED by the author on the colophon. One of the DELUXE copies with a loosely inserted silkscreen by J. VEERKAMP, also SIGNED in pencil by the artist.
AND ±75 others publ. by the same, incl. small publications (New Year's wishes etc.), i.a. K. VAN KOOTEN, Thalia. Televisie en theater (2001, printed in 225 numb. and signed copies, orig. hcl.); K. SCHIPPERS, De prinses zonder jaartal (2000, engr. frontisp. portrait, printed in 200 numb. and signed copies, orig. cl.); J.M.A. BIESHEUVEL, Angst (1996, woodcut frontisp. by P. LAZAROV, printed in 200 copies, orig. cl.); J. GRESHOFF, Mijn vriend Coster (1948, 2 portraits, printed in 400 copies, orig. hcl.) and A.M. HAMMACHER, Jean François van Royen 1878-1942 (1947, portrait, orig. hvellum).
= I.a. G.A. BREDERO, Sonnetten (1944, orig. hcl. With bookplate for H.E. Reeser by PYKE KOCH); A. NAVAGERO, Lusus/ J. DU BELLAY, Voeuz rustiques/ P. DE RONSARD, Ode (1947, orig. gilt cl. With annot. by L.C. Michels on the colophon leaf); Statuten en Huishoudelijk Reglement (1948, orig. wr.); R.H. VAN GULIK, De boek illustratie in het Ming tijdperk (1955, orig. cordbound wr.); J.M.A. BIESHEUVEL, Angst (1996, woodcut ill. by P. LAZAROV, orig. cl., large 8vo); K. KOETS, The Nulties (1999, orig. wr.); S. CARMIGGELT, Zes kronkels (1999, engr. portrait by R. COX, orig. cl.) and K. SCHIPPERS, De prinses zonder jaartal, (2000, engr. portrait by W. ZWIERS, SIGNED by the author on the colophon, orig. cl.).
- Corners trifle rubbed; scratch on backcover. A good/ fine copy.
= Braches 1619. The last 8 pages depicting advertisements for Philips' lamps.
- Sm. brown stain on frontwr. = Hubert 1; Kleykamp 5; cat. Ned. Boek 46.
AND 1 other: W.J. TUYN, Oude Hollandsche dorpen aan de Zuiderzee (ibid., 1900, 10 full-p. woodcut ills., woodcut frontisp., borders (1p.) and initials (printed in orange) by J.G. VELDHEER, orig. plain wr. with lithogr. (printed in green) vellum-paper wr. by the same, folio. Occas. foxed; wr. partly dam. Braches 2011).
= I.a. M. DE MONTAIGNE, Des livres (1951, orig. boards); P. DE RONSARD, Les bacchanales (1953, orig. boards, 12mo. Upper hinge broken); J. HUIZINGA, Sir Philip Sidney (1957, orig. wr.); P. MUIR, Private Presses (1966, orig. wr.); H. DE LA FONTAINE VERWEY, Bredero en zijn stad (1969, orig. wr.); Drie brieven van JOHN BUCKLAND WRIGHT aan ARTHUR VAN SCHENDEL Jr. Ed. K.J. Nijkerk (1998, orig. wr.); T. CROISET VAN UCHELEN (ed.), Het Gezelschap Nonpareil 1948-2002 (2002, printed in 60 numb. copies, orig. cl., sm. 8vo. With pencil annots. by Karel Nijkerk); K.J. NIJKERK, Geef mij maar Schaerbeek (n.d., printed in 70 copies by the Avalon Pers, orig. wr., 4to); K.J. NIJKERK, Met de beste wensen (2004, orig. wr. With autograph signed dedication); P. LARKIN, Days (2010, orig. wr.); F.A. JANSSEN, Didot en Bodoni (2011, orig. wr., bound by E. Schots) and H.A. WARMELINK, Benjamin Franklin, Printer (2014, printed in 40 numb. copies).
= Van Laar 14. One of 150 numb. copies printed for friends of R.-L. Doyon and C. Nypels. This copy (numb. "2") printed for [manuscript]: "Germaine Nypels-Malherbe", signed "12 fevr. '25, Charles" in red pencil and bound in contemp. overlapping vellum w. gilt central ornament on both covers, orig. wr. pres.
Idem. Les regrets. Ibid., idem, 1925, 122,(3)p., woodengr. portr. by R. STEINER, initials and vignettes by S.H. DE ROOS, printed in black, blue, red and silver in 380 numb. copies by C. NYPELS, contemp. gilt hmor., spine w. raised bands, t.e.g., large 8vo.
= Collection d'art de la connaissance 14; Van Laar 15.
- Wr. sl. yellowed. = One of 50 copies reserved for the Netherlands. Van Laar 57.
Deyssel, L. van. Schetsen. Ibid., idem, 1926, 1st ed., 69,(2)p., portrait by S.H. DE ROOS, printed in black and red in 300 numb. copies by C. NYPELS, orig. gilt wr.
- Wr. dam. at spine-ends and sl. yellowed. = Van Laar 23.
AND 4 others, i.a. J.R.T. CAMPERT, Verzen (1925, 1st ed., frontisp. portrait by W. MEIJER, printed in 250 numb. copies, orig. gilt wr. Bookblock loose. Van Laar 16) and C. HUYGENS, 't Voor-hout & 't Kostelick mal (1927, printed in black, red and blue in 250 copies, orig. gilt (sl. yellowed) wr. Van Laar 43).
= Van Laar 136.
Moréas, J. Les Stances. Maastr., Leiter-Nypels, 1927, 184,(2)p., bookdec. by B. ESSERS, printed in black and red in 430 copies (50) by C. NYPELS, orig. wr.
- Backstrip sl. dam. at top of spine; spine faded. Otherwise fine.
= One of 50 copies printed on Van Gelder, our copy printed for M. HERTZBERGER, signed and dated in the colophon by C. Nypels. Collection d'art de la connaissance 17. Van Laar 52.
AND 4 others printed by the same, i.a. F. ERENS, Dansen en rhytmen (Maastr., 1924, woodcut frontisp. portrait by H. JONAS, printed in 200 numb. copies, orig. wr.) and A. PLASSCHAERT, Liefde's onrust (Maastr., 1928, printed in 50 numb. copies not for the trade, orig. wr., obl. sm. 8vo). - WITH: Charles Nypels. Meester-Drukker. Maastr., C. Nypels Stichting, 1986, 95p., (col.) ills., orig. wr., sq. 8vo (contains the bibliography by M. and K. van Laar).
= Fine copy bound (by ?) in full giltlettered vellum, t.e.g., slipcase. Van Laar 11.
- Letterpiece on spine chipped; backstrip sl. sunned. Otherwise fine. = Mardersteig 2.
- Endpapers and binding triflle/ sl. foxed. = Mardersteig 14.
- Some foxing, especially on first blanks and title. Spine of box w. 2 sm. specks. Otherwise fine. = Mardersteig 9.
= Mardersteig 3.
- Some sl. occas. foxing (incl. vaguely on binding). = Mardersteig 6.
- Fine, partly unopened copy. = Mardersteig 8.
- Trifle yellowed, but fine. = Numb. "No.83" in pen and ink on the colophon. Mardersteig 16.
- Upper hinge sl. split and w. narrow stain at top. Upper left corner of frontcover w. tiny crack and vague stain. Otherwise a fine, unopened copy.
= Marderstein 1. The first publication of the Officina Bodoni.