1228 - 1692 FINE PRINTING (including ILLUSTRATED BOOKS and CARICATURE)
= SEE ILLUSTRATION PLATE XLV.
- Spine faded; spine-ends sl. worn. = Jurgens 215.
Idem. Acht kleurenlitho's bij het lied van Heer Halewijn. Text ed. J.F. Willems. Ibid., idem, 1956, (39)p., 8 tipped-in col. lithogr. plates H. VAN KRUININGEN, all signed in pencil by the artist, all under passepartout, printed in black and red in 250 numb. copies signed by the artist, loose as issued in orig. wr., folio.
- Covers sl. soiled. = Our copy h.c. Jurgens 261.
- Spine sl. faded; joints splitting.
= One of 50 copies with the lithographs printed on Japanese silk. Jurgens 236. SEE ILLUSTRATION PLATE XLV.
- Lacks 1 etching. Upper joint wr. almost split. = Jurgens 317ff.
= Printed in an unspecified limited edition. Contains a great variety of original artwork, printed in colours and in various techniques, using i.a. typographical material. Rare.
= Printed in an unspecified limited edition. Contains a great variety of original artwork, printed in colours and in various techniques, using i.a. typographical material. Rare.
AND 2 others, i.a. M. WIELINGA, Der Revolution gewidmet (Bedum, Exponent, 1990, title-p. and colophon, 7 plates w. pamphlets by M. WIELINGA, signed, dated and numb. in pencil by the artist, loose as issued in orig. stiff paper portfolio, folio).
- Backstrip dam. and sl. soiled. Contents fine.
= One of 35 copies printed on imperial Japanese, w. a loosely inserted extra suite of the woodengravings.
- Leather title-piece pasted over worn/ dam. backstrip.
= One of 100 copies w. all etchings signed by the artist.
AND 14 others by/ on the same, i.a. Sonnets (Maastr., 1924, portrait after CH. EYCK, printed in black and red in 150 numb. copies, (browned) orig. wr.) and Oeuvres complètes. Ed. P.C. Boutens. Introd. J.-J. Salverda de Grave (Ibid., 1928, printed in black and red in 650 numb. copies, orig. (sl. worn) wr.).
= With three translations of the text (orig. unif. wr.).
- Free endpapers browned as usual; bookplate (C.J. Asselbergs of the Eenhoorn Pers) on upper pastedown. Cloth sl. foxed/ browned along margins; lower corners sl. worn. Fine copy.
= This copy numb. in pencil. Beautiful bookproduction, entirely lithographed in ochre (decoration) and olive-green (text). Cat. Ned. Boek 242.
= Orig. published in 2 vols. in 500 numb. copies, this is prob. the 2nd (trade) edition.
- Box corners bumped.
AND an advertising brochure w. 15 printing samples by the same press, orig. paper portfolio, 4to.
= One of an unspecified number of copies bound by L. HODNÝ JR. in full gilt leather w. leather onlay piece on frontcover, top edge gilt and gauffered, 4to.
Liesler, J. Také jedno Faunovo odpoledne. Ibid., idem, 1987, 32,(2)p., 6 col. etchings and aquatint (incl. vignettes on frontcover, title-p. and colophon) by JOSEF LIESLER, 3x signed in pencil, printed in 200 numb. copies, orig. wr., 4to. - AND 1 other illustrated by the same.
- Vague stain on frontwr. Otherwise fine.
= One of 200 DELUXE copies bound in cloth and signed by the artist.
Bordewijk, F. Huissens. Een climacterium. The Hague, Nijgh & Van Ditmar, 1982, 57,(6)p., ills. by K. LÖB, printed in 200 numb. copies, signed by the artist, orig. slipcase. Schnitzler, A. Reidans. Zedenkomedie in tien dialogen. Amst., n.publ., 1982, 142,(5)p., ills. by K. LÖB, printed in 750 copies (185), orig. boards w. dustwr.
= This copy numb. "10 / X". With SIGNED DEDICATION and loosely inserted manuscript note by the artist.
AND 13 others, i.a. N. GOGOL, De mantel. Transl. A.G. Schot (Meppel, 1984, ills. and orig. boards by K. LÖB, printed in 400 copies (300). With 2 loosely inserted wishing cards signed by the artist); A. POESJKIN, De verhalen van wijlen Ivan Petrovitsj Bjelkin II. Transl. A.G. Schot (Meppel, 1987, ills. by K. LÖB, signed by the artist, orig. boards) and S. ZWEIG, De onzichtbare verzameling. Transl. T. Duquesnoy (n.pl., 1989, ills., orig. boards w. dustwr. by K. LÖB, signed by the artist, sm. 8vo).
- Wrappers duststained and sl. foxed.
= Monod 10924; not in Carteret. Rare work, "publié avec l'autorisation de Séverine", describing the world of the Mazas prison, where both Jules Vallès, in 1853, and Maximilien Luce, in 1894, were detained and the images of which became famous in the history of French anarchism. SEE ILLUSTRATION PLATE XLVI.
- Bookplate on verso frontwr. = With the prospectus loosely inserted.
AND 2 others.