6089 - 6356 FINE ARTS - 16th-19th CENTURY DRAWINGS, WATERCOLOURS and PAINTINGS
78 6329 Troostwijk W J van 1782 1810 
- Sl. agetoned.
= Attractive delicate drawing, full of details. SEE ILLUSTRATION PLATE CXIII.
78 6330 Valenciennes P H 1750 1819 style of 
- Crease near left edge; nevertheless fine.
= On paper with large "Pro Patria" watermark. With attribution on verso mount.
78 6331 Verbeet W 19th cent 
78 6331 Verbeet W 19th cent 
78 6331 Verbeet W 19th cent 
= Perhaps Willem Verbeet (1801-1887).
AND 10 other drawings, (prob.) partly by the same (1x monogrammed "WV" ), mostly classical scenes, but also a small drawing showing a curious scene of probably a female fortune teller, all kept in together in a 19th cent. bookshaped box, blue hcalf, folio (spine dam.).
78 6332 Vermeersch I A 1810 1852 attrib 
78 6332 Vermeersch I A 1810 1852 attrib 
78 6332 Vermeersch I A 1810 1852 attrib 
- Slightly yellowed; a few foxed spots.
AND 4 pencil drawings by J.C. SERVAIS (1x) and anonymous artists, all showing landscape or town views.
78 6333 Verschuring H 1627 1690 
= Provenance: private collection, collection Houtappel Maastricht (https://rkd.nl/explore/images/32546). SEE ILLUSTRATION PLATE CXV.
78 6334 Verschuring H 1627 1690 attrib 
- Vague grease(?) stain in right part.
= On paper with a large watermark showing the coat of arms of Amsterdam.
78 6335 Verwer A de 1585 1650 surroundings of 
- Doubled w. old flattened vertical fold; stain in upper left corner.
78 6336 Vlieger S J de 1601 1653 attrib 
= On paper showing a large crowned coat of arms with a fleur-de-lis.
78 6337 Vliet J J van active ±1628 1637 style of 
- Vaguely foxed.
= Free interpretation of the etching listed in New Hollstein 90 (Selfportrait of Rembrandt by J.J. van Vliet after Rembrandt). W. the collector's stmap of J.W. Nahl on verso (Lugt 1954).
78 6338 Voogd H 1766 1839 
78 6339 Voogd H 1766 1839 
78 6340 Vos J early 19th cent ? 
- Laid down on a framed canvas, some (large) closed tears; unevenly browned and with mould; in need of cleaning and restoration.
= Detailed drawing showing the working of ship camels.
78 6341 Vos J Jacobsz 1735 1833 
78 6341 Vos J Jacobsz 1735 1833 
- Tear in left margin.
AND 3 other drawings by the same, brush and grey wash (2x) and crayon (1x), all signed etc. on verso, all tipped onto mount.
78 6342 Vos Maria 1824 1906 attrib 
- Sl. yellowed and foxed.
78 6343 Waterloo A 1609 1690 
- Sl. foxed/ dustsoiled; edges sl. worn, especially corners; tipped onto mount
= The Pellecussenpoort was destroyed by the French troops in 1672. SEE ILLUSTRATION PLATE CXVI.
78 6344 Waterloo A 1609 1690 
= On verso in 17th century manuscript black chalk, probably by the artist: "Het lant Werden/ als een redoet an de weeg naer Steenbeck wesende een dorpe daer een grote beek door [or daer] lopt". And in a slightly later handwriting: "aan de Steenwech Buyten hamburg". And in light brown chalk "WS Blanck neese" (which would indicate the area of Blankenese near Hamburg, but probably not depicted). There is a village called Steinbeck, near Buchholz, ±30 kilometer south of Hamburg. "lant Werden" is probably the historical area of the Prince-Bishopric of Verden, of which Buchholz and Steinbeck were once part of. But there is also a village called Oststeinbek, that lies directly east of Hamburg. One of the drawings made by Waterloo during his voyage to Hamburg and surroundings between 1658 and 1660. SEE ILLUSTRATION PLATE CXVI.
78 6345 Waterloo A 1609 1690 
- Upper left corner vague brown stain; verso traces of former passepartout in corners.
= The prepatory drawing for the etching, see New Hollstein 9. SEE ILLUSTRATION PLATE CXVII.
78 6346 Watteau J A 1684 1721 after 
- Slightly yellowed; a few grease stains in outer blank margins.
78 6347 Weigand K 1842 1897 
78 6347 Weigand K 1842 1897 
- Sl. soiled.
78 6348 Weissenbruch J H 1824 1903 
- Dam. in top margin; laid down on board.