5700 - 6088 FINE ARTS - GRAPHIC ART, 16th-19th CENTURY
78 6000 Sadeler I J 1550 ±1600 
- Trimmed on/ just outside the platemark; vague yellowing; paper remnants of former mount on verso.
= From the series The Four Winds. Hollstein 516.
78 6001 Sadeler I J 1550 ±1600 
- Ample margins, but soiled; closed tear in lower margin. = Hollstein 122.
78 6002 Sadeler I J 1550 ±1600 after 
= Hollstein 133 (copy). From the series of Solomon's Song.
78 6003 Sadeler I R 1560 1628 or 1632 
- Laid down; sl. soiled, mostly along edges; two sm. closed tears.
= Hollstein 11, only state. Rare.
78 6004 Sadeler I R 1560 1628 or 1632 and/or J 1550 1600 
- A few sm. stains; ample margins. = Hollstein (Sadeler) 377.
AND 2 others.
78 6005 Sadeler A ±1570 1629 
- Laid down on modern Japanese; horizontal closed tear (±3 cm.) on the right; trimmed on/ just within the image; sl. browned and foxed.
= Hollstein 61, the third state (of 3).
78 6006 Sadeler A ±1570 1629 
78 6006 Sadeler A ±1570 1629 
78 6006 Sadeler A ±1570 1629 
- Lower margin cut short, just within the plate (±2 mm); soiled and perhaps printed from a dirty plate.
= Hollstein 89, 2nd state of 2. Hollstein does not mention this address.
Jode, G. de (1509 or 1517-1591) (publ.). Hezekiah cutting off the water supply outside Jerusalem. Engraving (by P. Galle (?)), 20x29,2 cm., w. Latin caption below and "2" in the plate.
= From the series Thesaurus sacrarum (...). Hollstein 130, 2nd state.
AND 13 others, all w. biblical or Christian theme, i.a. from the same series, i.a. by N. DE BRUYN (Daniel in the Lion's Den) and by J. SAENREDAM (after A. BLOEMAERT) (Eve and Adam mourning over Abel) (Hollstein 6, poor copy).
78 6007 Sadeler A ±1570 1629 
- Some creases; tiny tear in upper margin.
= Hollstein 234, first state (of 2), before the address of Marco Sadeler.
78 6008 Sadeler A ±1570 1629 
78 6008 Sadeler A ±1570 1629 
= On thick laid paper. Hollstein Add. no.2.
Bril, P. (1554-1626) (after). (Landscape with shepherd and his flock near a farm). Etching and engraving, 11,4x8,1 cm., "Paulus Bril in." in the plate.
= Copy in reverse. Part of the series of Landscapes in octogons. Cf. Hollstein 14.
AND 1 other by B.A. BOLSWERT after A. BLOEMAERT, from the set of Landscapes with farmhouses.
78 6009 Saenredam J P 1565 1607 
- Sl. soiled, w. transparent brownish stains in upper right corner; sl. grey impression; trimmed a few mm. outside the borderline.
= Hollstein 11, the 3rd state (of 5).
78 6010 Saenredam J P 1565 1607 
- Cut on the platemark; vague yellowing/ foxing. = Hollstein 29, only state. SEE ILLUSTRATION PLATE XCVII.
78 6011 Saenredam J P 1565 1607 after 
- Fine impression. Small repaired tear in lower blank margin; verso tiny foxed spots/ vague brown stains (probably washed).
= Cf. Hollstein 102 (in reverse).
78 6012 Saftleven H 1609 1685 
- Somewhat foxed; cut ±1 mm outside the platemark.
= Hollstein 20. First print from the series of 5 Landscapes. Rare.
78 6013 Sande J van de 1600 1664 
78 6013 Sande J van de 1600 1664 
78 6013 Sande J van de 1600 1664 
= Rare. On greenish (18th century?) laid paper.
AND 22 others, all on the same paper, partly w. coat of arms with fleur de lis watermark, all showing biblical scenes, mostly by ABRAHAM DE BRUYN and/ or PIETER HUYS, but also by HIERONYMUS and JOHANNES WIERIX, perhaps after C. VAN DEN BROECK.
= From an 18th(?) century edition of "Biblia Sacra". Cf. Hollstein 455-468.
78 6014 Sandrart j von 1606 1688 after 
= Both from J. VON SANDRART, L'Academia Todesca della Architectura, Scultura & Pittura: Oder Teutsche Academie der Edlen Bau-Bild- und Mahlerey-Künste (1675).
78 6015 Saverij S 1594 1683 
78 6015 Saverij S 1594 1683 
78 6015 Saverij S 1594 1683 
78 6015 Saverij S 1594 1683 
78 6015 Saverij S 1594 1683 
78 6015 Saverij S 1594 1683 
78 6015 Saverij S 1594 1683 
78 6015 Saverij S 1594 1683 
78 6015 Saverij S 1594 1683 
78 6015 Saverij S 1594 1683 
78 6015 Saverij S 1594 1683 
- Title-print somewhat soiled and lower part weakly printed; H.77 ('I. Propdarm') w. a few sm. stains; last print heavily stained; all others w. minor imperfections. All cut a few mm. outside the platemark.
= Hollstein (Saverij) 72-77, 79-83, all 1st state of 2.
78 6016 Saverij S 1594 1683 
78 6016 Saverij S 1594 1683 
- Both sl. foxed. = Hollstein 144-e and f, both final 3rd state, with the number added.
78 6017 Schäufelein H L ±1480 1540 
- Both cut to the borderline; first print foxed; 2nd print sl. browned and 2 sm. stains.
= Hollstein 713 and 725, two of 29 woodcuts in "Ulrich Pinder, Speculum Passionis domini nostri ihesu christi. In quo relucet hec omnia ... manifestissime coprobat ..., Nuremberg: [Friedrich Peypus for Ulrich Pinder], 1507 (4)." Ecce homo with a large watermark showing an elongated crown topped by a cross.
78 6018 Schirmer J W 1807 1863 
78 6018 Schirmer J W 1807 1863 
- Ample margins. Sl. browned. = Vomm, D1845:2, 1st state (of 2).
Adam, A. (1786-1862). (A man on horseback leading another horse away from a stream). Etching, heigthened w. white gouache (by the artist?), 22,5x32 cm., printed on blue laid paper.
- Margins sl. brownedl; waterstain in lower right corner margins.
78 6019 Schirmer J W 1807 1863 
78 6019 Schirmer J W 1807 1863 
- Good margins; foxed. From the collection of William Karrmann, w. his pencil annotations on verso and "Aetzdruck" below image.
= Vomm, D 1839:2, unrecorded proof before (?) 1st state (of 4). Our copy before the white parts of the cabbage leaves in the foreground left etched-in; before the white portions of the landscape around the doe and to the left of the stag mostly etched-in; before the two white spots in the lower right corner were filled in and the corner squared. Vomm mentions a copy in Karlsruhe, Staatl. Kunsthalle, Kupferstichtkabinett (Inv.1950-197) w. same pencil addition "Aetzdruck" below image.
Idem. (The same print).
- Ample margins; trifle foxed. From the collection of William Karrmann, w. his pencil annotations on verso.
= Vomm, D 1839:2, 1st recorded state (of 4).