5700 - 6088 FINE ARTS - GRAPHIC ART, 16th-19th CENTURY
- Fine print with ample margins.
AND 8 other landscapes by the same, for the greater part w. the address of P. Aubry, from various series, i.a. a view of Terrweiler.
= Partly with an 18th/19th cent.(?) manuscript collector's mark or inventory number "(2P. 27)".
= Very rare. Hollstein 1. With the collector's mark of Thomas Graf (Lugt 1092a) and an unidentified double blindstamp of a clover shape and "c"? (Not in Lugt).
= Landscapes with travellers (2x) and a farmhouse.
- First print w. dam. spot in lower margin; 2nd print sl. waterst. and lower margin strengthened on verso.
= Both prints showing the sovereign in a military setting with their armies in the background.
- Soiled, w. a few stains.
= A view of a busy harbour, with Dutch merchants trading all kinds of goods with oriental looking merchants, i.a. books, maps, coffee, pearls, porcelain, tobacco, ivory. Ships lying in the harbour of the West India and East India Companies. A semi-allegorical print of the Dutch commercial spirit.
- Occas. trifle foxed. Otherwise fine.
- Closed tear in lower margin (touching caption)
Bartolozzi, F. (1727-1815). "Specchio son l'acque a rustica beltade". Etching after F. ZUCARELLI, 33x44 cm., "Bartolozzi inc. appo I. Wagner vea C.P.E.S." and "F. Zucarelli pin. in Domo I. Smith." engr. below the image.
- Small tear in lower margin.
AND 7 others, all. large engravings, i.a. by N. COLIBERT after F. CASANOVA, "Dépouille d'un Cavalier après le Combat" (1781, in oval borders. Sl. foxed; trifle browned, left margin sl. frayed); F. VIVARES after G.P. PANNINI, (Arcadian landscape with people gathered around a fountain) (1755, w. engr. captions. Yellowed; sm. tears in lower margin affecting the caption) and P.Q. CHEDEL after P. WOUWERMANS, "Port" (±1750, engr. captions. Some tears in blank margins).
- (Finger)soiled and sl. foxed; doubled w. thin paper, w. 2 closed tears in lower left corner and margin.
= New Hollstein 72, 3rd state of 4.
- Cut on/ just within the borderline; a few foxed spots; tiny closed tear in left edge.
= Rare. New Hollstein 6, 2nd state of 4. On laid paper with watermark showing a Basle crozier within a shield, topped by a crown, below a cross with 3 rings (New Hollstein, p.296, watermark 3, late 16th cent.). SEE ILLUSTRATION PLATE LXXXVI.
- Trimmed just outside the borderline, with the address cut off; vague central vertical creases.
= From the series Hollstein 76-111, 3rd state (of 5). With the collector's mark of Collection d'Arenberg on verso (Lugt 567).
= Hollstein 95-103; F.M. 1793.
- Sl. duststained; ample margins.
= Hollstein 14, the 2nd and final state, with the title and the number added.
AND 2 late 18th cent. views.
- All w. ample margins; the first print the words "Derde deel" erased, causing sm. holes in the paper; other prints partly w. sm. tape ghost in outer margins; trifle fingersoiled (first print sl. more). A fine set.
= Without no.12. On laid paper with foolscap watermarks. With the collector's s mark of Vester de Moor (not in Lugt). Hollstein 53 (3rd state of 4), 54-63, all 1st state of 2 (with the numbers). SEE ILLUSTRATION PLATE LXXXVIII.
Idem. "Het nut en Vermakelik Gebruyk van Verscheyde Binne-waters". Set of 4 (of 8) etchings, each ±13,3x20,4 cm., each signed in the plate.
- The 2nd title print foxed and w. repaired corner; H. 108 w. repaired tears and stained; H.109 somewhat browned and upper right corner cut short diagonally; H.111 trimmed just outside the platemark, upper left corner chipped; a few sm. spots.
= The title print supplied in 2 copies. Hollstein 104, 7th state of 8 (w. the address of M. de Broen and an unknown state (9th?) with the address of "Chez Pillot" (not mentioned by Hollstein); 108, 109 and 111, all 2nd state of 2 (w. the double border line). With the same collector's mark as above.
- Some sl. yellowing, mainly visible on verso.
= Copies in reverse of New Hollstein 115 (w. engr. caption "Liure de plusieurs Navires de Guerre et Vaisseaux Marchands"), 116 and 119.
- Lower blank margin thin sections.
AND 10 other prints, 17th/ 18th cent.
- Second print browned and w. a few sm. stains.
= Two of the earliest Dutch lithographs. On the first print: De eerste jaren der lithografische prentkunst in Nederland, p. 66, cat.nr. 88.
- Ample margins; sl. browned.
= From the work Theatrum Pictorium by David Teniers. Hollstein 74. With the collection stamps of museum Boymans van Beuningen (Lugt 356b (bequest Domela Nieuwenhuis) and 700a (stamp indicating duplicates)) and collector's stamp of Hermann Detmold (1807-1856) (Lugt 760).
AND 3 others by the same, all from the same work: after J. PALMA, L. BASSANO ('Winter' from the 4 seasons) and D. FETTI.
= Hollstein/ Godefroy 2, 5th and final state.
Idem. Peasant in pointed fur cap. Etching, ±1640, 6,8x5,7 cm., "Av.O" in the plate.
- Somewhat grey impression (although the borderline is very dark); ample margins.
= Hollstein/ Godefroy 3, 5th state of 7.
- Strong and fine impression on thin (17th cent?) laid paper, trimmed just outside the platemark.
= Hollstein/ Godefroy 22, the 4th state (of 7), 'rarissime' ("RRRRR") according to Godefroy. With a manuscript annotation/ collector's mark "rh 91267" and "B[artsch].22." in pen and ink on verso. SEE ILLUSTRATION PLATE LXXXVIII.