5700 - 6088     FINE ARTS - GRAPHIC ART, 16th-19th CENTURY

Page 17 of 20 Results 321 - 340 of 389
78 6020 Schongauer M  1430 1491  circle/ school of 78 6020 Schongauer M 1430 1491 circle/ school of
78/6020 Schongauer, M. (1430-1491) (circle/ school of). Wise virgin, half length. Engraving, 15x11 cm., monogrammed in the plate.

- Tiny piece of upper left corner repaired and redrawn; trifle foxed (more on verso).

= Rare. Bartsch 14, considers this print as a pendant to Schongauer's 'Foolish Virgin, half-length' (Hollstein 86). Bassenge auctioned another copy with the engraved address "Sk.exc." in 2021, not present on our copy, so this is perhaps an earlier state. With unread annotation in pencil on verso (collector's mark?). SEE ILLUSTRATION PLATE XCVI.

€ (700-900) 1300
78 6021 Schut C  1597 1655 78 6021 Schut C 1597 1655
78 6021 Schut C  1597 1655 78 6021 Schut C 1597 1655
78/6021 Schut, C. (1597-1655). The Holy family served by angels. Etching, 18,3x15,1 cm.

= Hollstein 85. With the collector's mark of J.F. Bianchi.

Huys, P. (1519-1584). The Flagellation. Engraving after P. VAN DER BORCHT, 11,5x7 cm., monogrammed "PH" and "PB" in the plate.

= Hollstein 7.

AND 2 other prints with Christian themes, i.a. the Pieta di Caprarola after A. CARRACCI (copy in reverse).

€ (70-90) 170
78 6022 Schut C  1597 1655 78 6022 Schut C 1597 1655
78 6022 Schut C  1597 1655 78 6022 Schut C 1597 1655
78/6022 Schut, C. (1597-1655). The Holy Virgin and Child. Etching, 11,6x9,4 cm. (Hollstein 40). - AND 2 etchings by R. VAN ORLEY.
€ (70-90)
78 6023 Schut C  1597 1655  style of 78 6023 Schut C 1597 1655 style of
78/6023 Schut, C. (1597-1655) (style of). (The body of Christ taken from the cross and supported by two angels, below the instruments of Passion). Etching, 13,8x9,7 cm. (platemark).

= Rare, not traced. Perhaps by Jonas Umbach. With the collector's mark of J.F. Bianchi (Lugt 3761).

€ (100-150)
78 6024 Schwegman H  1761 1816 78 6024 Schwegman H 1761 1816
78 6024 Schwegman H  1761 1816 78 6024 Schwegman H 1761 1816
78 6024 Schwegman H  1761 1816 78 6024 Schwegman H 1761 1816
78/6024 Schwegman, H. (1761-1816). "Het Haagsche Bosch. Ter plaatse daar een eike boom op den 8 Meij 1807, door den bliksem werd getroffen." Etching after F.A. MILARTZ, 26,5x31,3 cm., engr. captions below. - AND 2 other prints by W. ROELOFS (lithogr., "Premieplaat voor de Ned. Teekenportefeuille 1847") and P.L. DUBOURCQ (woodengr. on chine collé).
€ (70-90)
78 6025 Serwouters P  1586 1657 78 6025 Serwouters P 1586 1657
78 6025 Serwouters P  1586 1657 78 6025 Serwouters P 1586 1657
78/6025 Serwouters, P. (1586-1657). Rabbit-shooting. Etching from the series of Hunting scenes (10 numb. plates, incl. title (title and no. 6 and 8 by Visscher)) after D. VINCKBOONS, "DvB In.", "JCV" and "6" engr. in the image, 10,2x27 cm.

- Oblique yellowish scratch; greyish impression; sm. ruststain.

= With cancel stamps on verso of i.a. Rijks prenten kabinet. Hollstein 26, only state, but numb. "6".

AND 2 other hunting scenes. - ADDED: 2 others (View of Alckmaer and View of Ruermonde, both from GUICCIARDINI, both laid down on board. Yellowed).

€ (50-70)
78 6026 Seymour Haden F  1818 1910 78 6026 Seymour Haden F 1818 1910
78/6026 Seymour Haden, F. (1818-1910). Shere Mill Pond, No. 2 (large plate). Etching w. drypoint, 18x3,5 cm., signed "Seymour Haden" and "S 36" in pencil, signed "Seymour Haden 1860" in the plate, on Japanese.

- Tear in lower blank and right blank margin.

= With the collector's stamp of Stanley C. Hauxhurst on verso (not in Lugt)

€ (100-150) 100
78 6027 Seymour Haden F  1818 1910 78 6027 Seymour Haden F 1818 1910
78/6027 Seymour Haden, F. (1818-1910). "The Towing Path." Drypoint, 13,8x21,4 cm., signed "Seymour Haden 1864" and titled in the plate.

- Sl. dam. and w. tear in upper left blank corner.

€ (60-80) 100
78 6028 Ships  Groenewegen G  1754 1826 78 6028 Ships Groenewegen G 1754 1826
78 6028 Ships  Groenewegen G  1754 1826 78 6028 Ships Groenewegen G 1754 1826
78 6028 Ships  Groenewegen G  1754 1826 78 6028 Ships Groenewegen G 1754 1826
78/6028 [Ships]. Groenewegen, G. (1754-1826). "Verscheide Soorten Hollandse Vaartuigen 6e Catern". Complete series of 12 etchings, each ±14x16 cm., all numb., marked "F" and titled in the plate below, no.1 w. the title of the series and "door G. Groenewegen 1791" engr. in the plate, together bound in late 19th/ early 20th cent. clothbacked board binding w. ms. label "G. Groenewegen. Hollandsche Vaartuigen. 6e. catern. F 1791" on frontcover.

- Some foxing; narrow margins.

= De Groot/ Vorstman 191-202, 2nd state (of 3). 1. "een Poon met een Paveljoen". 2. "een Kraak". 3. "een Keulenaar of Sammereurs." 4. "een Boeyer." 5. "een Heijnst." 6. "een Snik". 7. "een Turfschuit met een Emmerzeijl." 8. "een Schokker." 9. "een Beurtschip." 10. "een Friese praam." 11. "een Jacht met een bezaanzeijl." 12. "een Veerpont."

€ (300-500) 300
78 6029 Ships  Groenewegen G  1754 1826 78 6029 Ships Groenewegen G 1754 1826
78 6029 Ships  Groenewegen G  1754 1826 78 6029 Ships Groenewegen G 1754 1826
78 6029 Ships  Groenewegen G  1754 1826 78 6029 Ships Groenewegen G 1754 1826
78/6029 [Ships]. Groenewegen, G. (1754-1826). "Verscheide Soorten van Schepen en Vaartuijgen". Complete series of 12 etchings, each ±14x16 cm., all numb. and titled in the plate below, no.1 w. the title of the series and "geteekend en geëtst door G. Groenewegen 1801" engr. in the plate, together bound in late 19th/ early 20th cent. clothbacked board binding w. ms. label "G. Groenewegen. Schepen en Vaartuigen. 1801" on frontcover.

- Some foxing; narrow margins.

= 1. "Kraak aan de grond." 2. "Visschers Pinkje op 't strand." 3. "Garnaal of botvissertje aan de grond bezig met schoon maken." 4. "Zeeuws Beurtman zittende te banke of schoon te maken." 5. "Fregat aan de grond zijn stengen neer." 6. "Fregat dat leijt te kielen." 7. "Kof die leijt te Kielen." 8. "Kanonneer boot zeijlende bij de wind." 9. "Oorlogs-brik ten anker hangende zijn zeijlen te droogen." 10. "Oorlog schip met ligters of kameelen op zij." 11. "Oorlogs Fregat ten anker zijn groote steng neer." 12. "Brabandsch beurt-schip met een Paviljoen zeylende bij de wind."

€ (300-500)
78 6030 Ships  Rigaud J  ±1671 1754  after 78 6030 Ships Rigaud J ±1671 1754 after
78 6030 Ships  Rigaud J  ±1671 1754  after 78 6030 Ships Rigaud J ±1671 1754 after
78 6030 Ships  Rigaud J  ±1671 1754  after 78 6030 Ships Rigaud J ±1671 1754 after
78/6030 [Ships]. Rigaud, J. (±1671-1754) (after). "Der Streit zu Schiffe. Praelium Navale". Etching, 20,4x35 cm. (platemark), 4-line caption in German and Latin below, w. the address of Martin Engelbrecht, Augsb., ±1730.

= Part of a series of probably six naval views, from shipbuilding to wreckage.

"View of the Race Horse & Carcass (...) inclosed in the Ice (...) when prosecuting their Celebrated Expedition to the North Pole". Handcol. engraving by EASTGATE, 20,1x35,7cm., publ. A. Hogg, London, ±1780.

- Sl. duststained in the margins.

= Showing an episode of the 1773 Phipps expedition towards the North Pole. Amongst the crew of the Race Horse was Olaudah Equiano, a former slave and later famous abolitionist. The expedition resulted i.a. in the first scientific description of the polar bear.

AND 7 others, all views with ships, i.a. by S. VAN DER MEULEN, D. STOOPENDAAL and J. LUIKEN.

€ (100-150) 160
78 6031 Ships  Rugendas G P  1701 1774 and J G L  1730 1799  ? 78 6031 Ships Rugendas G P 1701 1774 and J G L 1730 1799 ?
78 6031 Ships  Rugendas G P  1701 1774 and J G L  1730 1799  ? 78 6031 Ships Rugendas G P 1701 1774 and J G L 1730 1799 ?
78/6031 [Ships]. Rugendas, G.P. (1701-1774) and J.G.L. (1730-1799) (?). "Wie viel bequemlichkeit verschafft dem Kaufman nicht Ein wohlgebautes Schiff, das nüzlich zugericht". Etching and engraving, 17,3x24,5 cm., "G.P. et Joh: Lorenz Rugendas, sculp: et excud: Aug: Vind:" in the plate. - AND 4 other 18th/ 19th cent. prints, i.a. later impression of a sea view by W. HOLLAR.
€ (60-80) 80
78 6032 Simonneau C L  1645 1728 78 6032 Simonneau C L 1645 1728
78 6032 Simonneau C L  1645 1728 78 6032 Simonneau C L 1645 1728
78/6032 Simonneau, C.L. (1645-1728). "La Moisson". "Les Foins". Two engravings, 25x32,5 cm. each, engr. captions below, w. the address of Simonneau, Rue de Noyers, Paris.

- Upper blank corners w. traces of sellotape; pinholes in blank corners.

Stradanus, J. (1523-1605) (after). Hare hunt. Engraving, 21,5x29,5 cm., numb. "7" in lower right corner and engr. captions below.

- Sl. yellowed; flattened middel-fold. = Cf. Hollstein 417 (but our copy without address).

AND 1 anonymous engraving "Non est hic aliud nisi domus (...)" (24x32 cm.) (margins partly laid down on mount w. glue shining through).

€ (100-150)
78 6033 Solis V  1514 1562 78 6033 Solis V 1514 1562
78/6033 Solis, V. (1514-1562). Autumn. Engraving, 5,5x24 cm., monogrammed in the plate.

- Stained.

= From the series of 4 engravings showing Triumphal Processions of the Four Seasons. Hollstein 375.

€ (50-70) 50
78 6034 Spranger B  1546 1611  after 78 6034 Spranger B 1546 1611 after
78/6034 Spranger, B. (1546-1611) (after). The holy family with Joseph holding a rose. Engraving after B. SPRANGER, 23,5x16,8 cm., w. the address of C.J. Visscher, 4 lines text below.

- Sl./ trifle foxed; brown spot in lower margin.

= Hollstein 4, the 2nd state (of 2): "Formerly as by H. Goltzius (B. 297; Hollstein VIII, 430, as after Goltzius)." Filedt Kok, Hendrick Goltzius (Ned. Kunsthist. Jaarboek 41-42), p.184: "Several prints by De Jode after Spranger are accompanied by poems by Estius and were engraved in Goltzius' 'dough style'. Perhaps for these reasons, Bartsch attributed The Holy Family after Spranger, a print which must have been made in Goltzius' workshop, to Pieter de Jode." SEE ILLUSTRATION PLATE XCVII.

€ (400-600) 400
78 6035 Stimmer T  1539 1584 78 6035 Stimmer T 1539 1584
78 6035 Stimmer T  1539 1584 78 6035 Stimmer T 1539 1584
78 6035 Stimmer T  1539 1584 78 6035 Stimmer T 1539 1584
78 6035 Stimmer T  1539 1584 78 6035 Stimmer T 1539 1584
78/6035 Stimmer, T. (1539-1584). Lot of 16 woodcuts, mainly showing scenes with people fighting and killing, each ±11x15 cm., occas. monogrammed, each tipped on paper mount in upper corners.

= All book illustrations from an unidentified work.

€ (100-150) 100
78 6036 Stolker J  1724 1785 78 6036 Stolker J 1724 1785
78/6036 Stolker, J. (1724-1785). (Backgammon players in a pub). Mezzotint after J. STEEN, 28x36,8 cm., w. the address "S. Conys excud".

- Fine.

= On the artist as mezzotint engraver: "Vooral Jan Stolker bereikte er mooie resultaten mee." (Laurentius, Oude Prenten, p.61). Wurzbach 16.

€ (200-300) 200
78 6037 Stoop D  1610 1686 78 6037 Stoop D 1610 1686
78 6037 Stoop D  1610 1686 78 6037 Stoop D 1610 1686
78 6037 Stoop D  1610 1686 78 6037 Stoop D 1610 1686
78/6037 Stoop, D. (1610-1686). Series of Horses. Complete series of 12 etchings, each ±15x19,5 cm.

- No.1-9, 11 and 12 all. w. ample margins, occas. w. spots, 1x w. waterstain; no.10 cut 1 or 2 mm outside the borderline.

= Hollstein 1-9 and 12, all final state (of 3, 4 or 5); no.10 3rd state of 4, before the number; no.11, 3rd state of 4.

€ (500-700) 500
78 6038 Swanevelt H van ±1600 1655 78 6038 Swanevelt H van ±1600 1655
78/6038 Swanevelt, H. van (±1600-1655). Balaam and the Ass. Etching, 23x31,5 cm., w. "H. Swanevelt Fecit Rom" and "K. Audran Excudit" in upper right corner.

- Ample margins; tiny closed tears in margins; vague brown spot in centre near upper edge.

= On 17th century laid paper with watermark "Catinaud". Hollstein 5, 4th state of 8. With a curious stamp of "Hotel Victoria Coblenz am Rhein" on verso (collector's mark?).

€ (50-70) 60
78 6039 Swanevelt H van ±1600 1655 78 6039 Swanevelt H van ±1600 1655
78 6039 Swanevelt H van ±1600 1655 78 6039 Swanevelt H van ±1600 1655
78/6039 Swanevelt, H. van (±1600-1655). Landscape with the cardinal. Etching from a series of 12 Landscapes, 17,3x27,3 cm., w. engr. address of Mondhare below image.

- Sl. grey impression. = Hollstein 87, 3rd state (of 4).

Idem. House on a rock. Etching from a series of 12 Landscapes, 17,3x27,3 cm., w. engr. address of Mondhare below image.

- Ample margins; sl. foxed.

= Hollstein 98, 4th state (of 5). With partial collector's mark "No.", unidentified.

Idem. The Mountain. Etching, 31x24 cm.

- Fingersoiled and creased in corners; vague stain near upper right corner.

= Hollstein 100, 5th state (of 5), the address of Bonnard erased (vaguely still visible). From the series of 4 vertical Landscapes.

AND 3 others by the same: A group of trees (Hollstein 102, 4th state of 4); Venus lamenting over Adonis's death (Hollstein 23, 3rd state of 3); The Two Horsemen (Hollstein 105, 4th state of 4).

€ (120-150) 250