103 - 587     FINE and APPLIED ARTS, ART REFERENCE

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78 183 Commercial art Modern Publicity Year 1930 1981 78 183 Commercial art Modern Publicity Year 1930 1981
78/ 183 [Commercial art]. Modern Publicity. Year 1930-1981. London, The Studio/ Vista, 1930-1981, 28 vols., all richly illustrated, orig. not unif. cl. (18x w. dustwr.), 4to.

- Various defects.

= Comprises year 1930, 1931, 1949, 1951/52, 1952/53, 1955/56, 1958-1970, 1971-1981. Rare large run of this annual, which started as an annual of "Commercial Art (and industry)".

€ (300-500)
78 184 Commercial art Publicité Revue de la publicité et des arts graphiques en Suisse No 7 and 10 16 78 184 Commercial art Publicité Revue de la publicité et des arts graphiques en Suisse No 7 and 10 16
78/ 184 [Commercial art]. Publicité. Revue de la publicité et des arts graphiques en Suisse. No.7 and 10-16. Geneva, M. Collet, 1958-1969, 8 issues, richly illustrated, orig. not unif. wr., folio.
€ (70-90) 70
78 185 Concrete poetry Clavin H = H H A van der Heijden 78 185 Concrete poetry Clavin H = H H A van der Heijden
78/ 185 [Concrete poetry]. Clavin, H. (= H.H.A. van der Heijden). Porno graphic poetry. Subvers 2. IJmuiden, The Subvers Press, 1971, 10 col. lvs., loose as issued in orig. stiff paper wr., large 8vo. Simpson, N. (ed.). Notes from the Cosmic Typewriter. The Life and Work of Dom Sylvester Houédard. N.pl., Occasional Papers, (2012), 191p., (col.) ills., orig. wr., 4to. - AND 7 others, i.a. J.-F. BORY, Poésies provisoires (Paris, Maeght, 1991, ills., printed in 520 numb. copies (450), orig. wr., 4to); A. KNOWLES, Spoken Text (n.pl., Left Hand Books, 1993, ills., orig. wr.) and 4 works by TOM OCKERSE.
€ (120-150) 130
78 186 Concrete poetry Konkrete poezie uit Tsjechoslowakije 78 186 Concrete poetry Konkrete poezie uit Tsjechoslowakije
78/ 186 [Concrete poetry]. Konkrete poezie uit Tsjechoslowakije. Amst., n.pl., 1970, 12 loose plates by Grögerová, Bohumila, Josef Hiršal, Josef Honys, Jirí Kolár, Dana Konecná, Karel Milota, Ladislav Nebesky, Ladislav Novák, Jindrich Procházka, Karel Trinkewitz, Jirí Valoch and a mounted single sheet of rubber stamped ("M:erde") toilet paper by Jirí Valoch SIGNED in pencil, loose as issued in orig. green paper portfolio, folio.

- The final leaf with mounted toilet paper foxed; the plate by Nebeský (no.7) and the final plate w. traces on verso of former mounting. Frontwr. of portfolio sl. faded along margins, sl. stained in lower outer corner and sm. dam. in outer margin.

= A striking suite of concrete poetry broadsides published in Amsterdam during the Communist Party rule in Czechoslovakia by eleven different Czech poets and artists.

€ (100-150) 130
78 187 Contro lo stile Contre le style The end of style 78 187 Contro lo stile Contre le style The end of style
78/ 187 Contro lo stile. Contre le style. The end of style. Milan, Movimentio Arte Nucleare, 1957, 3 panel fold. leaf w. parallel text in Italian, French and English, recto printed in black on blueish paper, verso (text identical to recto) printed in green on black ground, loose as issued in blue tissue wr., narrow 4to.

- One panel w. sm. hole, sl. affecting letters. The vulnerable tissue wr. trifle frayed and partly faded; lacks piece of blank upper corner frontwr., backwr. sm. stain and w. sharp fold.

= The second manifesto of the Movimento Arte Nucleare, signed (in letterpress) by i.a. Armand, Enrico Baj, Hundertwasser, Yves Klein, Piero Manzoni, Pierre Restany and Saura. "(...) De Stijl is dead and buried, and it is now up to its opposite - ANTISTYLE - to break down the last remaining barriers of cliché-ridden convention that official stupidity still dares to oppose against this liberation - that has finally discovered its verbal definition - of art. Once upon a time impressionism helped painting get rid of conventional subject-matter; cubism and futurism later got rid of the need for the realistic reproduction of objects; and abstraction finally removed the last traces of representational illusion. A new - and final - link today completes this chain: we, nuclear painters, denounce, in order to destroy, the final convention, STYLE. The last stylistic works that we recognise are the "monochromes" of Yves Klein (1956-1957) (...)." SEE ILLUSTRATION PLATE VI.

€ (300-500) 300
78 188 Copley W N / Iannone D / Williams E 78 188 Copley W N / Iannone D / Williams E
78/ 188 Copley, W.N./ Iannone, D./ Williams, E. Techniques of Fornication./ Courting Ajaxander./ Aleph, Alpha and Alfalfa. Berlin, Haus am Lützowplatz, 1993, 3 vols., 1 tipped in col. plate, ills., each printed in 500 numb. and signed copies, orig. (not unif.) wr., together in orig. cl. slipcase.

= Published on occasion of the exhibition "Berliner Amerikaner".

Johnson, R. The Paper Snake. New York, The Something Else Press, 1965, 1st ed., no pagination, ills., printed in blue and brown, orig. dec. cl. w. dustwr., obl. 4to. - AND 4 others, i.a. D. SPOERRI, An Anecdoted Topography of Chance (New York etc., idem, 1966, 1st ed., ills. by R. TOPOR, orig. boards w. dustwr.); D. HIGGINS, Foew&ombwhnw, A Grammar of the Mind and a Phenomenology of Love and a Science of the Arts as seen by a Stalker of the Wild Mushroom (ibid., idem, 1969, 1st ed., ills., orig. rexine) and T. PHILLIPS, A Humument. A treated Victorian Novel (London, Thames & Huson, 1980, 1st trade ed., num. col. ills., orig. cl. w. dustwr.).

€ (120-150)
78 189 Cordier Th de 78 189 Cordier Th de
78/ 189 Cordier, Th. de. Over de Kamer der gedachten (Scriptorium) e.a. zoals getoond in het Belgisch Paviljoen van de tentoonstellingstuinen "Giardini di Castello" te Venetië n.a.v.d. XLVIIe Biënnale, 1997. N.pl., Min. van de Vlaamse Gemeenschap, 1997, 53,(6)p., 17 (col.) plates, loose as published in orig. wr., folio.
€ (70-90) 80
78 190 Corneille 78 190 Corneille
78 190 Corneille 78 190 Corneille
78 190 Corneille 78 190 Corneille
78 190 Corneille 78 190 Corneille
78 190 Corneille 78 190 Corneille
78/ 190 Corneille. Africa 3. Corneille - 146, Rue Cligrancourt - Paris, 18/e. Maesta' di Urbisaglia, Cegna Editore, 1977, no pagination, num. (col.) photogr. ills., published in 300 copies, orig. boards w. dustwr., folio.

- Leaves easily loosening. Dustwr. sl. frayed.

€ (150-250)
78 191 Corneille 78 191 Corneille
78 191 Corneille 78 191 Corneille
78/ 191 Corneille. Poezie. Journal de la Tour. Amst., Galerie Elisabeth den Biemand de Haas, 2001, 142,(2)p., num. (full-p.) ills., orig. cl., 4to.

= With an ORIGINAL DRAWING and w. autogr. dedication signed "Corneille/ Amsterdam 23 april 2001" in black pen on title-p.

€ (50-70) 100
78 192 Crane W 78 192 Crane W
78 192 Crane W 78 192 Crane W
78 192 Crane W 78 192 Crane W
78/ 192 Crane, W. Kunst en samenleving. Dutch adapt. J. Veth. Amst., Scheltema en Holkema, 1894, 1st ed., IX,(3),171p., 35 woodcut vignettes, endpapers and design of orig. gilt and dec. hleather binding by G.W. DIJSSELHOF, t.e.g.

- Ex libris stamp on htitle. Backstrip some cracks; sm. vague stains on frontcover. A good/ fine copy.

= Fine Dutch Art Nouveau publication. Braches 360; Cat. Ned. Boek 16.

€ (150-250) 150
78 193 Creuzet R 78 193 Creuzet R
78/ 193 Creuzet, R. Serge Charchoune. Paris, the author, 1975, 1 vol. (of 3), 251,(5)p., richly illustrated, orig. cl. w. dustwr., 4to.

= The 1st vol. of the rare catalogue raisonné.

€ (40-60) 40
78 194 Da aquileia a Venezia Una mediazione tra l'Europa e l'Oriente dal II secolo a C al VI secolo d C 78 194 Da aquileia a Venezia Una mediazione tra l'Europa e l'Oriente dal II secolo a C al VI secolo d C
78/ 194 Da aquileia a Venezia. Una mediazione tra l'Europa e l'Oriente dal II secolo a. C. al VI secolo d. C. Milan, Libri Scheiwiller, 1980, 774,(2)p., richly illustrated, orig. cl. w. dustwr., slipcase, 4to. Cresti, C. and Rendina, C. Palazzi of Rome. Cologne, Könemann, (1998), 398p., (col.) ills., orig. boards w. dustwr., folio. Bianchi, L.G. and Poleggi, E. Una citta' portuale del medioevo Genova nei secoli X-XVI. Genova, Sagep, 1980, 337p., (col.) ills., orig. cl. w. dustwr., slipcase, folio. - AND 5 others similar, i.a. A. ZALAPÌ, Palazzi of Sicily (Cologne, 2000, (col.) ills., orig. cl. w. dustwr., 4to).
€ (50-70) 50
78/195 Dada International exhibition of Modern Art The Armory Show 78/195 Dada International exhibition of Modern Art The Armory Show
78/195 Dada International exhibition of Modern Art The Armory Show 78/195 Dada International exhibition of Modern Art The Armory Show
78/ 195 [Dada]. "International exhibition of Modern Art". (The Armory Show). New York, Association of American Painters and Sculptors, 1913, postcard, 9x14 cm., printed in black on recto and verso, w. "Portrait of Mdsle Pogany. By Brancusi" printed on recto.

= Not in Bolliger. From a set of 12 postcards for the Armory show of 1913.

€ (250-350) 250
78 196 Daix P 78 196 Daix P
78/ 196 Daix, P. Journal du Cubisme. Geneva, Albert Skira, 1991, new ed., 170,(2)p., richly illustrated, orig. cl. w. dustwr., board publisher's slipcase, 4to. Dube, W.-D. Journal de l'Expressionisme. Ibid., idem, 1992, new ed., 170,(2)p., richly illustrated, orig. cl. w. dustwr., board publisher's slipcase, 4to. - AND 3 similar books publ. by the same: Journal de Surréalisme, Histoire d'un Art l'Illustration and Dubuffet.
€ (50-70) 50
78 197 Dalí S Hammacher van den Brande R and Brandt Corstius L ed 78 197 Dalí S Hammacher van den Brande R and Brandt Corstius L ed
78/ 197 [Dalí, S.]. Hammacher-van den Brande, R. and Brandt Corstius, L. (ed.). Dali. Rott., Museum Boymans-van Beuningen, 1970, 1st ed., without pagination, num. (col.) ills., orig. wr. w. dustwr., 4to.

= With large SIGNED DEDICATION "Pour Brandt (...) Liesbet 1970" by the artist on the half-title and an ORIGINAL DRAWING in black ballpoint on verso frontwr. SEE ILLUSTRATION PLATE VII.

€ (300-500) 500
78 198 Daumier H Bouvy E 78 198 Daumier H Bouvy E
78/ 198 [Daumier, H.]. Bouvy, E. Daumier. L'oeuvre gravé du maître. Reproduction de toutes les Planches, Notices sur chaque Ouvrage et sur chaque Planche, Introduction Historique et Index Alphabetique. Paris, M. le Garrec, 1933, 2 vols., no pagination, num. ills., printed in 550 copies (500), orig. unif. wr., folio.

- Very fine, unopened copy.

€ (100-150) 100
78 199 Daumier H Fuchs E ed 78 199 Daumier H Fuchs E ed
78/ 199 [Daumier, H.]. Fuchs, E. (ed.). Honoré Daumier. Holzschnitte: 1833-1870. Munich, A. Langen, n.d. (±1918), 217,(3)p., 522 ills., printed in 100 numb. copies, orig. giltlettered hvellum w. dustwr., board dropback box w. mounted paper letterpiece, t.e.g., folio.

- Dustwr. sl. foxed. Dropback box foxed; upper joint split(ting); corners worn/ dam.

€ (80-100)
78 200 Daumier H Hazard N A and Delteil L 78 200 Daumier H Hazard N A and Delteil L
78/ 200 [Daumier, H.]. Hazard, N.-A. and Delteil, L. Catalogue raisonné de l'oeuvre lithographié de Honoré Daumier. Orrouy, N.-A. Hazard, 1904, (4),X,841,(3)p., etched portrait of DAUMIER by A. DELTEIL, printed in 800 numb. copies, contemp. gilt cl., orig. frontwr. pres., 4to.

- Corners and spine-ends sl. rubbed/ worn.

€ (80-100) 90
78/201 De Juan Hidalgo 1957 1997 78/201 De Juan Hidalgo 1957 1997
78/ 201 De Juan Hidalgo (1957-1997). Las Palmas, CAAM, 1997, 395,(2)p., richly illustrated, partly printed on col. paper, 3 loosely inserted CDs w. booklet, orig. hcl., 4to. Hank Willis Thomas. All Things Being Equal. New York, Aperture, 2018, 252,(16)p., richly illustrated, orig. blindst. pict. cl., 4to. - AND 15 others, i.a. FRANZ WEST. AUTOTHEATER (Graz etc., 2009, (col.) ills., orig. boards w. dustwr., 4to); J. AULT (ed.), Show and Tell. A Chronicle of Group Material (London, 2010, richly illustrated, orig. wr., 4to); H.D. CHRIST and I. DRESSLER (ed.), Subversive Practices. Art under Conditions of Political Repression (Stuttg., n.d., (col.) ills., orig. boards) and REINER RUTHENBECK. Werkverzeichnis der Installationen, Objekte und Konzeptarbeiten (Cologne, 2008, (col.) ills., orig. boards, folio).
€ (100-150)
78 202 Dekkers A 78 202 Dekkers A
78/ 202 Dekkers, A. Reliefs. Introd. J. Leering. N.pl., Bonnefanten Hedge House Foundation, 2014, (11) textp., 9 embossed plates, printed in 30 numb. copies, bound as a blockbook, orig. wr., in orig. board box, sq. 4to.

- Fine. = Facs. reprint of the ed. Frankf. a.M., 1969.

€ (40-60) 50
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