103 - 587 FINE and APPLIED ARTS, ART REFERENCE
= Arntzen/ Rainwater K164: "The best introduction to Italian sculpture for the student and art lover. The scholarly notes are most valuable to the specialist (...)".
Sauerländer, W. Gothic sculpture in France 1140-1270. Transl. J. Sondheimer. New York, H.N. Abrams, 1972, 527p., richly illustrated, orig. cl. w. dustwr., 4to.
- One quire loose, otherwise fine. = Rare.
Vuillaume, J.-M. (ed.). La légèreté de l'homme. Collection Jeunes Hommes No. 5. Paris, the editor, n.d. (±1980), (64)p., num. (full-p.) (photogr.) plates, orig. wr., 4to.
- Bookblock loose. - Rare.
= The first 2 vols. of the "International (Parisian) edition".
= "A year's report on Robert Smit's Towards the liberation of drawings 1-10. 5 January 1978-12 Januari 1979" (lid). SIGNED by the artist on the lid.
Gijzen, W. De zin van het tekenen. Text K. Schampers. Delft, Kunstcentrum, 1988, no pagination, ills. by WIM GIJZEN, printed in 250 copies (150), orig. clothbacked boards.
= One of 150 numb. and signed copies. With signed ("Wim") dedication to Kees [Broos] and Liesbeth [Brandt Corstius].
AND 9 others by/ on i.a. Jurjen de Haan, Matt Mullican, Hendri van der Putten (2x) and Jan Roeland.
= Michael Snow's artist's book in the guise of a school notebook.
Godard, K. and Williams, E. Holdup. New York, Works, 1980, 1st ed., (59)p., photogr. ills., printed in black and green, orig. wr., square 8vo. Thomkins, A. Gesammelte Anagramme. Ed. D. Schwarz. Zürich, Seedorn, 1987, 1st ed., 134p., ills., printed in 1000 copies, orig. wr. Knowles, A. Natural Assemblages and the True Crow. New York, Printed Editions, 1980, 1st ed., (80)p., ills., orig. wr. - AND 10 others by/ on i.a. Gerhard von Graevenitz, Alison Knowles, Raul Marroquin, Ásta Ólifsdóttir, Dan Riesinger and Michael Snow and Oogentroost (Nijm., KNUST/ PlaatsMaken, 1989, col. ills., printed in 500 copies, orig. wr., square sm. 8vo).
- All fine.
= Comprises i.a. In Holland staat een huis (without no., 1941), Stad en land (without no., 1942), Campigli (without no., 1947), Paul Klee (no.41), Hodler (no.42), Figuren uit de Italiaanse kunst (no.69), 19 schilders uit Haïti (no.75), Honderd meesterwerken (no.89), Kunst uit Oostenrijk (no.155), Chagall (no.156), Jacques Lipchitz (no.184), Jong Amerika schildert (no.194), Alechinsky+Reinoud (no.273) and Henri Moore (no.275). Inlcuding duplicates.
= I.a. Georges Rouault (no.27), Jan Sluijters (no.48), Floris Verster (no.91), August Macke (no.114), John Raedeker (no.148), Isaac Israëls (no.196a), Fayga Ostrower (no.202); Robert Jacobsen (no.228), Chr. J. van Geel (no.284), Maillol (no.294), "Design for Industry" (no.321), Antonio Saura (no.358), Jan van Munster (no.470), Carel Visser (no.523), Markus Raetz (no.654b), Antoni Tàpies (no.679) and Gilbert & George (no.795).
- All (but a few) fine.
= Comprises i.a. Rondom Rodin (without no., 1939), Moderne primitieven (without no., 1941), In Holland staat een huis (without no., 1941), Picasso/ Matisse (without no., 1946), Agoes Djaya en Otto Djaya (without no., 1947), Kandinsky (without no., 1947), Voor jonge mensen. Wikor (no.7), Zadkine (no.40), Paul Klee (no.41), Hodler (no.42), Twaalf Britse schilders (no.56), 19 schilders uit Haïti (no.75), Alexander Calder (no.76), Rembrandt, Hokusai, Van Gogh (no.83), Edgar Degas (no.87), Honderd meesterwerken (no.89), Elf tijdgenoten uit Parijs (no.101), Pablo Picasso (no.103), Saul Steinberg (no.106), Acht Argentijnse Abstracten (no.108), August Macke (no.114), Collectie Philippe Dotremont (no.116), M.C. Escher (no.118), Ben Nicholson (no.122), Lyonel Feininger (no.123), Franz Marc (no.128), Campigli (no.130), Adam (no.132), Liliy Benz (no.139), Hoe laat was het? (no.145), John Raedecker 1885-1956 (no.148), Kurt Schwitters (no.152), Chagall (no.156), Léger. De wegbereider (no.158), Johannes Itten (no.169), Jacques Lipchitz (no.184), Jackson Pollock (no.189), Jean Lurçat (no.201), Bart van der Leck (no.204), Alexander Calder Stabilen Mobilen (no.208), Zweedse vormgeving (no.215), Henri Matisse (no.237), Arp (no.238), Corneille (no.246), Arikha Panter (no.248), Arden (no.251), Hans Richter (no.262), Alechinsky+Reinoud (no.273), Umberto Boccioni (no.304), Francis Bacon (no.326), Que d'encre (no.327), Design for Industry (no.321) and Paul Klee (no.341).
= With typography reproduced from the original Polish ed. of 1929. Also contains photographs from the film "Europa" made in 1930 by Stefan and Franciszka Themerson.
AND facsimile editons of the periodicals Die Pleite 1919-1923 (n.d., loose as issued in orig. stiff paper portfolio, folio), De Driehoek 1925-1926 (1978, loose as issued in orig. stiff paper portfolio, 4to) and Cercl et Carré 1930 (1977, bound in orig. wr., folio).
= Hoek 659b3; Purvis/ De Jong p.79.
- Sm. owner's stamps on title and fore-edge. Covers trifle rubbed/ soiled; slipcase stained and discol.
= Facsimile reprint of one of the most important and influential modernist periodicals of the 20th century. Contributions by i.a. Th. van Doesburg (I.K. Bonset, A. Camini), J.J.P. Oud, P. Mondriaan, G. Vantongerloo, Anthony Kok, T. Brugman, H. Arp, and reproductions of works by i.a. P. Mondriaan, A. Archipenko, J.J.P. Oud, G. Rietveld, Man Ray, Th. van Doesburg, C. Domela.
Jaffé, H.L.C. De Stijl. 1917-1931. The Dutch Contribution to Modern Art. Amst., J.M. Meulenhoff, 1956, VIII,293,(2)p., 48 plates, orig. cl., large 8vo.
= Complete run of this bi-annual magazine (vol. 1 annual), focusing on the "New Art", an outgrowth of earlier movements such as Cubism, De Stijl, and Constructivism, and with contributions by i.a. the editors, Charles Biederman, Anthony Hill, Georges Vantongerloo, Kenneth Martin and Dick van Woerkom.
= "Tecno Forum wil functioneren als platform voor een dialoog tussen mensen uit de verschillende vormgevingsdisciplines, die zich op hoog niveau bezighouden met identiteitsvorming van ondernemingen" (colophon no.1). No.2 contains a numb. and signed red, white and blue banner by BONIES.