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103 - 587     FINE and APPLIED ARTS, ART REFERENCE

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Page 12 of 25 Results 221 - 240 of 485
78 323 Lempicka T de Blondel A 78 323 Lempicka T de Blondel A
78/ 323 [Lempicka, T. de]. Blondel, A. Tamara de Lempicka. Catalogue raisonné 1921-1979. Lausanne, Acatos, 1999, 527,(1)p., richly illustrated, CD-rom loosely inserted in rear pocket, orig. boards w. dustwr., slipcase, folio (fine).
€ (100-150) 140
78 324 Levin A 78 324 Levin A
78/ 324 Levin, A. Colour study of group behaviour and the need to control. Amst., Rijksakademie van beeldende kunsten, 2006, no pagination, num. (tipped-in) (col.) ills., printed in 75 numb. copies, orig. stiff wr., 4to.

= "This edition was made on the occasion of the exhibition 'Zoo logical garden' at the family park Harry Malter, Gent, Belgium". This copy unnumbered.

€ (40-60)
78 325 Lewison J a o 78 325 Lewison J a o
78/ 325 Lewison, J. a.o. Alice Neel. Painted Truths. New Haven/ London, Yale Univ. Press, 2010, 295,(1)p., num. (col.) ills., orig. boards w. dustwr., 4to. Helene Schjerfbeck. 150 Years. Helsinki, Ateneum/ Finnish National Gallery, 2012, 393,(7)p., (col.) ills., orig. hcl. w. dustwr., 4to. - AND 7 others, i.a. D. RADYCKI, Paula Modersohn-Becker. The First Modern Woman Artist (London/ New Haven, 2013, (col.) ills., orig. cl. w. dustwr., 4to); J. BRADE, Suzanne Valadon. Vom Modell in Montmartre zur Malerin der Klassischen Moderne (Stuttg./ Zürich, 1994, (col.) ills., orig. cl. w. dustwr., 4to) and I. JANSEN, Gabriele Münter 1877-1962. Malen ohne Umschweife (Munich etc., 2018, col. ills., orig. boards, 4to).
€ (80-100) 90
78 326 LeWitt S 78 326 LeWitt S
78/ 326 LeWitt, S. Cock Fight Dance. New York, Rizzoli & Multiples, 1980, (50) leaves w. 48 full-p. col. photogr. plates, orig. wr., sm. square 8vo.

- Backcover tiny rubbed spot. Very fine copy.

€ (70-90) 70
78 327 Lichtenstein R Roy Lichtenstein schilderijen emails assemblages tekeningen 78 327 Lichtenstein R Roy Lichtenstein schilderijen emails assemblages tekeningen
78/ 327 [Lichtenstein, R.]. Roy Lichtenstein, schilderijen, emails, assemblages, tekeningen. Amst., Stedelijk Museum, 1968, no pagination, (col.) plates, text printed on pink leaves, orig. wr.

- Frontwrapper loose. = SEE ILLUSTRATION PLATE X.

€ (50-70) 180
78 328 Liebermann M Hancke E 78 328 Liebermann M Hancke E
78/ 328 [Liebermann, M.]. Hancke, E. Max Liebermann. Sein Leben und seine Werke. Berlin, B. Cassirer, 1914, 1st ed., VII,(1),547p., orig. etched frontisp. selfportrait by MAX LIEBERMANN, num. (col.) plates/ ills., orig. gilt hmor., t.e.g., 4to.

- Occas. trifle foxed. Binding trifle rubbed; spine faded.

€ (70-90)
78 329 Ligon G Rothkopf S ed 78 329 Ligon G Rothkopf S ed
78/ 329 [Ligon, G.]. Rothkopf, S. (ed.). Glenn Ligon. America. New Haven/ London, Yale Univ. Press, 2011, 303p., num. (col.) ills., orig. cl. w. dustwr., 4to.
€ (60-80) 70
78 330 Lilien E M Börries A C A H Freiherr von Münchhausen 78 330 Lilien E M Börries A C A H Freiherr von Münchhausen
78/ 330 [Lilien, E.M.]. Börries, (A.C.A.H.) Freiherr von Münchhausen. Juda. Gesänge. Berlin, E. Fleischel & Co., n.d. (±1920), 7th-9th thous., no pagination, printed in black and red, plates, bookdecoration, endpapers and contemp. clothbacked dec. boards by E.M. LILIEN, sm. 4to.

- Binding sl. worn/ sunned; backstrip dam. Contents fine.

ADDED: Regener, E.A. E.M. Lilien. Ein Beitrag zur Geschichte der zeichnenden Künste. Berlin/ Leipsic, F.A. Lattmann, 1905, 227,(7)p., mounted frontisp. portrait, num. (col.) plates/ ills., orig. dec. cl., 4to.

- Endpapers strengthened in inner margin; first lvs. reattached w. tape; one annot. in ink. Joints almost split (lower joint painted over w. green paint); binding sl. worn along edges.

€ (50-70) 50
78 331 Lion Cachet C A Bock Th de 78 331 Lion Cachet C A Bock Th de
78 331 Lion Cachet C A Bock Th de 78 331 Lion Cachet C A Bock Th de
78/ 331 [Lion Cachet, C.A.]. Bock, Th. de. Jacob Maris. Amst., Scheltema en Holkema, (1902-1903), (8),184,(1)p., 90 (full-p.) photo-engr. ills., printed on Hollandsch, orig. gilt and blindst. full calf designed by C.A. LION CACHET, t.e.g., large folio.

- Sm. stamp on first free endpaper and first blank. Covers rubbed at extremities and sl. sunned along margins; some (vague) scratches.

= Braches 1046.

€ (60-80) 60
78 332 Lion Cachet C A Kunstwereld Weekblad voor Nederland en België Gewijd aan Letteren Tooneel Muziek Schilder Bouw en Beeldhouwkunst Year I no 32 78 332 Lion Cachet C A Kunstwereld Weekblad voor Nederland en België Gewijd aan Letteren Tooneel Muziek Schilder Bouw en Beeldhouwkunst Year I no 32
78/ 332 [Lion Cachet, C.A.]. Kunstwereld. Weekblad voor Nederland en België. Gewijd aan Letteren, Tooneel, Muziek, Schilder-, Bouw en Beeldhouwkunst. Year I, no. 32. Amst., n.publ., 1894, (14)p. (incl. wr.), orig. lithogr. wr. by C.A. LION CACHET, printed in olive-green, folio.

= Braches 888. Rare.

€ (70-90) 110
78 333 Lion Cachet C A Pit A Steenhoff W Veth J and Vogelsang W 78 333 Lion Cachet C A Pit A Steenhoff W Veth J and Vogelsang W
78/ 333 [Lion Cachet, C.A.]. Pit, A., Steenhoff, W., Veth, J. and Vogelsang, W. George Hendrik Breitner. Indrukken en biographische aanteekeningen. Amst., Scheltema & Holkema, (1905), (8),178,(2)p., 90 (full-p.) photo-engr. ills., printed on Hollandsch, orig. gilt and blindst. full calf designed by C.A. LION CACHET, t.e.g., large folio.

- Sm. stamp on first free endpaper and first blank. Covers rubbed along extremities; frontcover 2 rubbed spots. Good copy.

= Braches 1056.

€ (150-250)
78 334 Lissim S Tessier A 78 334 Lissim S Tessier A
78/ 334 [Lissim, S.]. Tessier, A. Simon Lissim. Étude critique. Paris, Les Éditions du Trident, 1928, 56,(2)p., 22 phototype plates (6x pochoir col.), printed in 651 numb. copies (500), orig. wr., sm. 8vo.

- Bookplate on first blank; inside wr. foxed.

= Early monograph on Ukrainian émigré artist Simon Lissim. With delicate plates.

€ (100-150)
78 335 Löffler F 78 335 Löffler F
78/ 335 Löffler, F. Otto Dix 1891-1969. Oeuvre der Gemälde. Recklinghausen, A. Bongers, (1981), 328p., num. (col.) ills., orig. cl. w. dustwr., 4to.

- Dustwr. dam. = Contains a catalogue raisonnée of the paintings.

Gribaudo, P. (ed.). Botero Women. New York, Rizzoli, 2003, 1st ed., 223,(1)p., num. (full-p.) col. ills., orig. cl. w. mounted col. plate, 4to. Picasso, D.W. Picasso, "Art Can Only Be Erotic". Munich etc., Prestel, 2005, 142,(2)p., (full-p.) col. ills., orig. boards, 4to. - AND 7 others, i.a. P. BIDAINE (introd.), Boris Zaborov (Paris/ Amst., 1991, col. ills., orig. boards, 4to) and M. STASSEN a.o., Panta Rhei. Josef Jan Michnia (Berg en Terblijt, 2010, col. ills., 4to. Signed by the artist on htitle).

€ (80-100) 80
78 336 Long R 78 336 Long R
78/ 336 Long, R. Mexico. Eindhoven, Van Abbemuseum, 1982, no pagination, num. (full-p.) (col.) ills., orig. wr., obl. 8vo.

- Trifle discol. near spine; nevertheless fine.

€ (50-70) 50
78 337 Long R 78 337 Long R
78/ 337 Long, R. Seven views of a sculpture made for Martin and Mia Visser of Bergeijk, Holland. N.pl. (Berlin, Fernsehgalerie Gerry Shüm, 1969, (9) lvs. of which 7 are photogr. plates, text in German and English, printed in 500 copies, orig. photogr. wr., obl. 8vo.

- Fine.

= The rare first artist's book by Richard Long. The text reading: "Richard Long's 'sculpture for Martin and Mia Visser' was conceived for the purpose of photographic reproduction. Richard Long made a system of trenches, which was created according to special camera views. Seen from these camera views relations become evident between marks in the landscape such as stone-walls, water-falls, lanes and Long's trenches. The collectors Martin and Mia Visser aquired Richard Long's work as a photographic reproduction for publication in an edition of 500 issues. According to Richard Long's idea the photographs in hand do not have the function of a documentation: It is the 'sculpture made for Martin and Mia Visser'." SEE ILLUSTRATION PLATE XI.

€ (300-500) 300
78/338 Lubaina Himid Workshop Manual 78/338 Lubaina Himid Workshop Manual
78/ 338 Lubaina Himid. Workshop Manual. London, Koenig Books, 2018, 311,(1)p., richly illustrated, orig. wr., 4to. Klein, J. Grayson Perry. Ibid., Thames and Hudson, 2015, 288p., num. col. ills., orig. wr., 4to. - AND 5 others, i.a. J.-M. CAMPAGNE, Alfred Courmes. Prospecteur de Mirages entre Ciel et Chair (Paris, 1973, (col.) ills., orig. boards w. dustwr., 4to) and THEOPHILOS (Athens, 1966, (col.) ills., orig. cl. w. dustwr., 4to).
€ (50-70) 50
78 339 Lucebert 78 339 Lucebert
78/ 339 Lucebert. Honderd tekeningen uit de collectie van F. van Lanschot Bankiers. Introd. A. Petersen. (Amst.), Van Lanschot, 1996, no pagination, 100 full-p. (col.) ills., printed in 4500 copies (1500), 4to.

- Dustwr. w. some dam. spots repaired w. sellotape. = One of 1500 numb. copies in blindst. hcl. w. dustwr.

Idem. Gedichte und Zeichnungen. Epilogue L. Kunz. N.pl. (Hamburg), H. Ellermann, 1962, no pagination, num. (full-p.) ills. and orig. wr. LUCEBERT, 4to.

= Signed by Tony Swaanswijk-Koek on first free endpaper.

AND 2 others by/ on the same: H. GROENEWEGEN, Het handschrift van Lucebert (Gron., 2009, (col.) ills., orig. boards, 4to) and LUCEBERT, J.C. JENSEN and K. SZÉKESSY, Van de maltentige losbol./ Op bezoek bij Lucebert (Amst., 1994, 2 vols., (col.) ills., orig. unif. wr., (obl.) 4to).

€ (100-150)
78 340 Lucebert 78 340 Lucebert
78/ 340 Lucebert. Poppetgom. The Hague, Studio Scarabee, n.d. (1969), (8)p., full-p. ill. and orig. wr. by LUCEBERT, narrow folio.

= Rare program booklet.

Vijftien keer Karel Appel. Amst., Krikhaar, 1964, fold. brochure/ poster, text by S. Vinkenoog, (col.) ills. by KAREL APPEL.

- Sl. yellowed in upper and lower margin; sl. worn on folds.

Constant exposeert tekeningen. Ibid., idem, 1966, fold. invitation/ poster.

- Two sm. tears in upper and lower margin.

AND ±25 other invitations, brochures, cards etc., i.a. by /on Karel Appel (The Hague, Nova Spectra/ J.W. Nieuwenhuizen Segaar, 1963), Constant (Amst., Krikhaar, 1965), Herman Gordijn (New Year wishing card, 1962, w. orig. etching, 9,9x9,8 cm.), Ouborg (Voorburg, Mus. Hofwijck, 1958), Zoltin Peeter (Leeuwarden, Kunstzaal Van Hulsen, 1963), Jan Sierhuis (Amst., Moderne Boekhandel Bas, 1966), Stedelijk Museum Amsterdam (2 variant copies of the "restaurant (...) tariefkaart", n.d., des. by?), C. Timmer (Amst., Zoölogisch Mus., 1954) and Jan Wolkers (The Hague, Kunstzaal Van Stockum, 1964).

€ (70-90) 70
78 341 Lützow C von 78 341 Lützow C von
78/ 341 Lützow, C. von. Die Kunstschätze Italiens in geographisch-historischer Übersicht. Stuttg., J. Engelhorn, n.d. (1884), 2 vols., 1st ed., 216; 217-520p, 2 woodengr. htitles, tinted frontisp., num. steelengr. plates, woodengr. plates/ ills., contemp. unif. richly gilt dec. cl., a.e.g., folio.

- Slight occas. foxing; both vols. waterst. in lower blank margin; both vols w. two owner's entries. Vol.1 lacks portion of spine; both bindings sl. worn along extremities.

= Contains i.a. fine steelengr. plates after old Italian masters, and a fine steelengr. view of the Dom of Milan and the San Marco square in Venice.

AND 2 others, i.a. W. UNGER, Kunst-juweeltjes (Leyden, (1875), 9 engr. plates by W. UNGER, contemp. richly dec. gilt cl., 4to).

€ (60-80)
78/342 Magazijn Rotterdamse kunststichting No 1 19 24 27 45 and 58 78/342 Magazijn Rotterdamse kunststichting No 1 19 24 27 45 and 58
78/ 342 Magazijn. Rotterdamse kunststichting. No. 1-19, 24, 27, 45 and 58. Rott., Rott. Kunststichting, ±1971-1977, 28 vols. (incl. 6 duplicates), ills., orig. not unif. wr., 4to.

= Rare periodical on the art and music scene in Rotterdam in the early '70s

€ (50-70)
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