103 - 587 FINE and APPLIED ARTS, ART REFERENCE
= With ORIGINAL DRAWING, pen and ink, on title, with manuscript dedication by the artist: "voor onze lieve vrienden Liesbeth Brandt Corstius. Heleen en Klaas Gubbels 13-4 '19".
Gubbels, K. en Bless, F. (ed.). Klaas Gubbels peintures. Tables, cafetières et autres natures mortes. Paris, Institut Néerlandais, 1992, 47,(1)p., (col.) ills., printed in 1500 copies, orig. wr.
= With ORIGINAL DRAWING, monogrammed "KG 92", pen and ink, on htitle, with manuscript dedication [to Liesbeth Brandt Corstius] by the artist: "Lieve Schat wat was ik blij dat je er was en: zeer goed gesproken. Je Klaas".
AND 8 others by the same, incl. 2 with orig. drawing and dedication to the same, i.a. J. BRAND and K. BROOS (ed.), Klaas Gubbels (Zwolle, 1997, num. (col.) ills., orig. cl. w. dustwr., 4to).
= Cat. no.550. The 3 photographs each show a "Circle made by throwing a stone of equal weight as sheet".
AND 2 others by the same: The longest night in Venice (Biennale 1982) and an untitled publication w. 3 plates showing horizontal and vertical lines (Haarlem, Frans Hals Mus., 1974). - ADDED: 4 works by/ on SIGURDUR GUDMUNDSSON, i.a. The Ten Commandments/ Joining The Ten Commandments (2 vols. w. diff. title but identical contents, Haarlem, Frans Hals Mus., 1974).
= SIGNED by the artist on first free endpaper.
AND 2 others by/ on the same: With Landscape. Houtskooltekeningen (Amst., 1985, tinted ills., orig. cl. w. dustwr., obl. folio) and Situaties/ Situations (Amst., 1980, (col.) ills., orig. wr., 4to. Cat. Sted. Mus. 671).
= Junge Kunst 22.
Hannah Höch. 1889-1978. Ihr Werk, Ihr Leben, Ihre Freunde. Berlin, Argon/ Berlinische Galerie, 1989, 223,(2)p., richly illustrated, orig. wr., large 8vo. - AND 14 others, i.a. on Eva Hesse (3x), Marie Laurencin and Eileen Gray.
- All vols w. ex-libris stamp on verso backwr.; otherwise contents fine. One wr. foxed; occas tiny tear.
= Rare COMPLETE RUN of this Danish journal. Volume titles: 1. Aksel Jorgensen. 2. Anton Hansen. 3. Käthe Kollwitz. 4. Drawings from the USA. 5. Robert Storm Petersen. 6. Tegnekunsten i Sovjetunionen. 7. Anton Hansen. 8. Foto-Montage. 9. George Grosz.
- One vol. frontwr. upper corner torn off; sleeve torn/ dam. Slipcase sl. worn.
= Experimental literature/ speech-composition/ radio play.
AND 10 others, i.a. G. FRANCO MAFFINA, Trentacinque artisti Varesini (Varese, 1971, ills., orig. boards, large 8vo. SIGNED by the author); C. DEROUET, Domela. Gouaches de la période Parisienne (Utr., 1984, col. ills., orig. cl. w. dustwr., sq. 8vo. SIGNED dedication by the artist on title) and V. MANIN and J. STULLE (ed.), O.H. Hajek (Moscow/ Stuttg., 1989, orig. wr., 4to. SIGNED dedication by the artist on paper tipped onto htitle).
= WITH three ORIGINAL DRAWINGS by ANTON HEYBOER on inside frontwr. in brown crayon and brush and black ink, 2x signed "Anton Heyboer 1987." Published on occasion of the exhibition of works by Heyboer from the "collectie Fam. Timmermans en kunsthandel Petra Timmermans". Rare.
- Fine copy. = Van Dam 142.
- Dam. spot on lower edge frontcover (incl. dustwr.). = Aetas Aurea XIV. Catalogue raisonné.
- Good, complete run of the first year and 3 issues of the second year. Some sl. occas. foxing. Wrappers occas. trifle soiled/ foxed (the issues of the second year somewhat more); frontwr. occas. sl. sunned on spine and along outer margins; frontwr. of no.7 w. circular stain of a glass, frontwr. of no.11 a few sm. stains and vague fold in lower corner. A very good/ fine set.
= Bolliger IV, 362. i10, the renowned Dutch avantgarde magazine, was published between 1927 and 1929 in 22 issues. Its editorial board consisted of A. Müller Lehning, J.J.P. Oud, W. Pijper and L. Moholy-Nagy. Contributors included H. Arp, M. ter Braak, C. van Eesteren, V. Huszar, E. Kallai, W. Kandinsky, El Lissitzky, H. Marsman, L. Moholy-Nagy, P. Mondriaan, J.J.P. Oud, G. Rietveld, P. Schuitema, K. Schwitters, M. Stam and G. Vantongerloo. SEE ILLUSTRATION PLATE IX.
= Published for the exhibtion at the Haus am Lützowplatz, Berlin, 1978. Contains contributions by i.a. Konrad Klapheck, Robert Filliou, Daniel Spoerri, George Brecht and Ben Vautier.
- Owner's entry "Liesbeth Brandt Corstius Arnhem" on first free endpaper. Wrappers a few sl. rubbed spots at extremities.
= The book was written in response to the 1970 Bern exhibition scandal. At that exhibition at the Kunsthalle, Iannone's works were partly covered because of their provocative depiction of genitals, prompting Iannone and Roth to cancel their participation.
ADDED: 3 copies of a small exhibition poster of Dorothy Iannone, "Love Is Forever, Isn't It" (Berlin, 1997, showing an ilustration referring to the scandal mentioned above).
- Owner's entry "Liesbeth Brandt Corstius Arnhem" on first free endpaper. Wrappers a few sl. rubbed spots at extremities.
= The book was written in response to the 1970 Bern exhibition scandal. At that exhibition at the Kunsthalle, Iannone's works were partly covered because of their provocative depiction of genitals, prompting Iannone and Roth to cancel their participation.
= With ms. dedication "For Liesbeth [Brandt Corstius] and Kees [Broos], love from Dorothy".
AND 2 others by/ on the same. - ADDED: an autograph letter signed by DOROTHY IANNONE, citing Sonnet 90 by William Shakespeare, dated "Berlin, 23 april 1999", and a small number of documents, i.a. concerning the publication of Iannone's Censorship And The Irrepressible Drive Toward Love And Divinity.
- Both vols. stamp on title-p.; bookblocks sl. warped. Bindings sl. worn along extremities.
= SEE ILLUSTRATION PLATE IX.