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95 - 588     FINE and APPLIED ARTS, ART REFERENCE

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Page 3 of 25 Results 41 - 60 of 494
77/135 Ark 51 Summer 1973 Ed S Coe S Mackinnon and M Leedham 77/135 Ark 51 Summer 1973 Ed S Coe S Mackinnon and M Leedham
77/ 135 Ark 51. Summer 1973. Ed. S. Coe, S. Mackinnon and M. Leedham. London, Royal College of Art, 1973, text booklet ((16)p., full-p. ills.) and 28 (col.) plates (1x fold.), together loose as issued in orig. paper portfolio, large folio.

- Portfolio sl. worn/ dam.

WITH: 5 fold. posters/ sheets by (i.a.?) M. LEEDHAM, prob. not part of this publication.

€ (60-80)
77 136 Armando 77 136 Armando
77/ 136 Armando. Der Baum. Amst., the author/ Stichting één op één, 1986, no pagination, plates by ARMANDO, orig. (limp) boards, 4to. Salvo. Salvo. Ibid., idem, 1986, no pagination, plates by SALVO, orig. (limp) boards, 4to. - AND 7 others, i.a. M. PLUG, Gronden van het schilderen (ibid., 1985, ills./ plates, orig. cordbound w., 4to).
€ (60-80)
77 137 Arntz G 77 137 Arntz G
77/ 137 Arntz, G. Kritische grafiek en beeldstatistiek. The Hague, Haags Gemeentemuseum, 1976, 96p., num. ills., orig. wr., 4to. Broos, K. (ed.). Gerd Arntz. De tijd onder het mes. Nijmegen, SUN, 1988, 204p., num. (col.) ills., orig. wr., sq. 8vo. - AND 3 exhibition catalogues on the same.

- Mostly w. blindst. ex-libris.

€ (40-60) 150
77/138 L'Artisan Liturgique No 1 51 77/138 L'Artisan Liturgique No 1 51
77/138 L'Artisan Liturgique No 1 51 77/138 L'Artisan Liturgique No 1 51
77/138 L'Artisan Liturgique No 1 51 77/138 L'Artisan Liturgique No 1 51
77/ 138 L'Artisan Liturgique. No.1-51. N.pl., Société Liturgique, 1927-1938, 51 issues, num. (col.) ills., orig. (unif.) wr., folio.

- Several issues backstrip worn/ wr. loose(ning); no.51 lacks backwr. and final leaf dam.

= Good run of this rare, initially bimonthly, but quickly turning into a quarterly periodical devoted to religious applied arts.

€ (100-150)
77/139 Association Porza Bal Paré! Die internationale Künstlergemeinschaft Porza veranstaltet am Sonntag den 3 Februar den großen Ball 77/139 Association Porza Bal Paré! Die internationale Künstlergemeinschaft Porza veranstaltet am Sonntag den 3 Februar den großen Ball
77/139 Association Porza Bal Paré! Die internationale Künstlergemeinschaft Porza veranstaltet am Sonntag den 3 Februar den großen Ball 77/139 Association Porza Bal Paré! Die internationale Künstlergemeinschaft Porza veranstaltet am Sonntag den 3 Februar den großen Ball
77/ 139 [Association Porza]. Bal-Paré! Die internationale Künstlergemeinschaft Porza veranstaltet am Sonntag, den 3.Februar den großen Ball (...). Berlin, Association Porza, n.d. (1930s?), fold. invitation, 22,5x44,5 cm. (unfold.), printed in black and blue on recto and verso, ill. and typography by R. BUSONI and M. DUNGERT.

= The Association Porza was founded in the 1920s by the Swiss sculptor Mario Bernasconi, the Russian painter Arthur Bryks and the German painter and poet Werner Alvo von Alvensleben. They met in the Italan village of Porza, where they came up with the idea to form an International organization that could supply temporary artist's residents in an environment of nature for a small rent. At one time there were several homes over Europe, and the Association Porza counted 1500 members in Germany and over 2000 members in France, among them Le Corbusier, Jean Cocteau, Antoine de Saint Exupery, Mauriac and Dimitri Marianoff, son in law of Albert Einstein. SEE ILLUSTRATION PLATE III.

€ (300-500) 475
77 140 Auction catalogues Mentmore 77 140 Auction catalogues Mentmore
77/ 140 [Auction catalogues]. Mentmore. (Mentmore Sale Catalogues). London, Sotheby Parke Bernet & Co, 1977, 5 vols., num. (col.) ills., orig. unif. boards w. dustwr. (vol. 1-4)/ orig. wr. (vol. 5), 4to.

= Fully illustrated sale catalogues.

AND 2 other Sotheby's auction catalogues in 7 vols.: THE ROYAL HOUSE OF HANOVER. DAS KÖNIGSHAUS VON HANNOVER (n.pl., 2005, 3 vols., num. col. ills., DVD in stiff paper folder, orig. unif. wr., board drop back box, 4to) and THE ROBERT VON HIRSCH COLLECTION (London, 1978, 4 vols, num. (col.) ills., orig. unif. boards w. dustwr., 4to).

€ (50-70) 50
77 141 Auction catalogues Nieuwenhuis C J 77 141 Auction catalogues Nieuwenhuis C J
77/ 141 [Auction catalogues]. Nieuwenhuis, C.J. Description de la Collection des Tableaux qui ornent le Palais de S.A.R.Mgr. le Prince d'Orange, à Bruxelles. Brussels, A. de Mat, 1837, (6),126p., contemp. gilt hcalf. - BOUND WITH: Catalogue des Tableaux Anciens et Modernes, de diverses écoles; Dessins et Statues, formant la Galerie de feu Sa Majesté Guillaume II (...). Amst., W. Willems, 1850-1851, 2 parts, (6),174; (4),76p.

= Catalogues of the art collection of Dutch King Willem II and the controversial auction that took place in order to pay off a large debt Willem had with czar Nicolas I of Russia. With manuscript prices and names of buyers, mostly representatives (i.a. "Engelbert, pour le musée de Francfort" and "Bruni, pour l'Empereur de Russie").

€ (150-250) 230
77 142 Auction catalogues Willem II King of the Netherlands 77 142 Auction catalogues Willem II King of the Netherlands
77/ 142 [Auction catalogues]. Willem II, King of the Netherlands. Catalogue des Tableaux Anciens et Modernes, de diverses écoles; Dessins et Statues, formant la Galerie de feu Sa Majesté Gaullaume II (...). Amst., W. Willems, 1850-1851, 2 parts in 1 vol., (6),174; (4),76p., contemp. gilt hcalf.

= Catalogue of the controversial auction of the art collection of Dutch King Willem II that took place in order to pay off a large debt Willem had with czar Nicolas I of Russia. Interleaved copy with manuscript prices and names of buyers, mostly representatives (i.a. "Engelbert, pour le musée de Francfort" and "Bruni, pour l'Empereur de Russie").

€ (100-150) 100
77 143 Barbarus J = J Vares 77 143 Barbarus J = J Vares
77/ 143 Barbarus, J. (= J. Vares). Katastroofid. Tallinn, Auringo, 1920, 63,(1)p., 1 vignette and orig. wr. by A. MÜLBER.

= Johannes Vares was a prominent Estonian avant-garde poet and politician. With modernist wrapper design by Aleksander Mülber. SEE ILLUSTRATION PLATE IV.

€ (250-350)
77 144 Bartsch A 77 144 Bartsch A
77/ 144 Bartsch, A. Le peintre graveur. Leipsic, J.A. Barth, 1866-1876, new ed., 23 vols., 80 engr./ lithogr. plates, contemp. unif. hmor. (1x 4to).

- All vols. binding rubbed/ sl. worn along extremities (one vol. covers also dampstained). Otherwise a good set.

= Including (uniformly bound) the following two vols.: R. WEIGEL, Suppléments au peintre-graveur de Adam Bartsch. Vol.I. Leipsic, 1843, VIII,350p., orig. wr. and a plate vol. with 16 engr. plates by A. BARTSCH after i.a. N. BERCHEM, H. ROOS and J. VAN DER MEER DE JONGE. All published.Arntzen/Rainwater N13: "The foundation work for the modern systematic study of Dutch, Flemish, German and Italian painter-engravers through the 17th century. Although now outdated in many instances, subsequent oeuvre-catalogues and histories refer to Bartsch almost universally and for some lesser artists, Bartsch remains the only, or most important source."

€ (150-250)
77/145 Barykady Miesiecznik literacko spoleczny Year 1 no 1 Continued as Dzwigary Year 1 no 2 Ed J Lobodowski and K Wójcik 77/145 Barykady Miesiecznik literacko spoleczny Year 1 no 1 Continued as Dzwigary Year 1 no 2 Ed J Lobodowski and K Wójcik
77/ 145 Barykady. Miesięcznik literacko-społeczny. Year 1, no.1. [Continued as:] DŸwigary. Year 1, no.2. Ed. J. Łobodowski and K. Wójcik. Lublin, n.publ., 1932-1934, 2 vols., 47,(1); 89-151,(1)p., tipped-in plates, orig. unif. linocut wr. by J.S. MIKLASZEWSKI.

- Some underlining in pencil; occas. sl. stained. Backstrip sl. worn at foot of spine.

= Rare Polish literary periodical, containing i.a. Polish translations of J.A. Rimbaud and S. Yesenin.

€ (150-250) 240
77 146 Baschet R 77 146 Baschet R
77 146 Baschet R 77 146 Baschet R
77 146 Baschet R 77 146 Baschet R
77/ 146 Baschet, R. Le Panorama. La Parisienne par l'Image. Paris, L. Baschet, n.d. (±1900), 30 vols., num. ills., orig. unif. wr., modern hcl. portfolio w. ties, obl. 4to.

- First vol. wrs. sl. frayed.

€ (50-70)
77/147 Bauhaus Bauhaus Zeitschrift für Bau und Gestaltung Year 2 no 1 Ed W Gropius and L Moholy Nagy 77/147 Bauhaus Bauhaus Zeitschrift für Bau und Gestaltung Year 2 no 1 Ed W Gropius and L Moholy Nagy
77/ 147 [Bauhaus]. Bauhaus. Zeitschrift für Bau und Gestaltung. Year 2, no.1. Ed. W. Gropius and L. Moholy Nagy. Dessau, Bauhaus, 1928, 16p., ills., orig. wr. by HERBERT BAYER, 4to.

- (Vague) vertical middle fold throughout (splitting at ends on wr., repaired on verso); (sl.) soiled.

= Andel p.194; Bolliger IV, 330 ("seltenen Zeitschrift"), VI, 735. Rare. Contains contributions by i.a. LASZLO MOHOLY NAGY ("Fotografie is Lichtgestaltung") and HERBERT BAYER ("Typografie und Werbsachengestaltung").

€ (500-700) 500
77 148 Bauhaus Oud J J 77 148 Bauhaus Oud J J
77/ 148 [Bauhaus]. Oud, J.J. Holländische Architektur. Ed. W. Gropius and L. Moholy-Nagy. Munich, A. Langen, 1926, 1st ed., 85,(1)p., (full-p.) ills., typography and orig. wr. L. MOHOLY-NAGY.

- (Vaguely) waterst. and wrinkled in upper corner and lower inner margin almost throughout. Wrappers waterwrinkled, scratched and worn; backstrip sl. dam.

= Bauhausbücher 10. Passuth p.52-54; Fleischmann p.168; Bolliger VI, 74.

€ (250-350) 350
77 149 Bébert 'From source to use' Contemporary Archeology Pandora Part One Ed Pandora Tabatabai Asbaghi 77 149 Bébert 'From source to use' Contemporary Archeology Pandora Part One Ed Pandora Tabatabai Asbaghi
77 149 Bébert 'From source to use' Contemporary Archeology Pandora Part One Ed Pandora Tabatabai Asbaghi 77 149 Bébert 'From source to use' Contemporary Archeology Pandora Part One Ed Pandora Tabatabai Asbaghi
77 149 Bébert 'From source to use' Contemporary Archeology Pandora Part One Ed Pandora Tabatabai Asbaghi 77 149 Bébert 'From source to use' Contemporary Archeology Pandora Part One Ed Pandora Tabatabai Asbaghi
77/ 149 [Bébert]. 'From source to use'. Contemporary Archeology, Pandora Part One. Ed. Pandora Tabatabai Asbaghi. Rott., Bébert, 1985, title-leaf, htitle, colophon and 2 contents lvs., published in 200 numb. copies (100), 11 orig. art contributions by various artists, loose as issued in orig. (sl. soiled) pink heavy wooden box w. blue title printed on upper lid (total size 35,5x28,3x25,5 cm.).

- Text lvs. occas. foxing.

= I. J. Beuys, Neues vom Gold. (Diptych: silkscreen, printed on wood and felt sheet, both 32,3x24,9 cm., the wood signed "Joseph Beuys", "117 / 200" and with a drawing of a hat in pencil).

II. H. Duchateau, "Tekenboekje" and "Schilderboekje" (two booklets w. drawings in col. pencil and paint on edges, both signed "Hugo Duchateau" and "1985" in pencil on backwrapper);

III. M. van Elk, (Untitled) (fold. col. lithograph, 28,3x22,3 cm., signed "Maria van Elk" and "'85" in pencil.

IV. A. van Geest, (Untitled) (drawing, col. watercolour, 17,6x17 cm., signed "Arie van Geest in pencil);

V. R. Hamilton, (Untitled) (collotype photograph, 15x16,7 cm., monogrammed "RH" in pencil, tipped onto mount);

VI. General Idea, (Cigarbox) (multiple, 13,3x16,9x2,9 cm., containing real cigars) (lacks the paper sheet signed "General Idea" and unnumbered);

VII. G. Van Der Kaap, "Kaap's Mona Lisa" (col. printed transparent overhead sheet, 30x25 cm., signed "Gérald v / d Kaap", "1985" and "1177 / 200" in pencil);

VIII. J. van 't Slot, (Untitled) (fold. col. woodcut, 26x35 cm. (image), signed "John van 't Slot '85" in pencil);

IX. P. Stockmans, (Shattered ceramic object) (multiple, leaf w. facs. manuscipt poem in black and blue, 9 fragments of a blueish ceramic tile, together in board box, lined w. bubble plastic (not signed));

X. M. Abramovic and Ulay, (Cassette tape) (cassette tape loosely inserted in pocket in board box w. printed coat of arms of Amsterdam, signed "Marina Abramovic", "Ulay" and "117 / 200" in felt-tip pen on box);

XI. L. Weiner, "From source to use" (sheet of perspex w. letterpress text, 32,3x24,9 cm., monogrammed "L.W.", "84" and "117 / 200" in felt-tip pen). SEE ILLUSTRATION PLATE IV.

€ (1.200-1.500) 1200
77 150 Bolten J 77 150 Bolten J
77/ 150 Bolten, J. Dutch Banknote Design. A Compendium. Amst., De Nederlandsche Bank, 1999, VI,398p., num. (col.) ills., orig. cl. w. dustwr., 4to.

= Fine, comprehensive monograph, listing all Dutch banknotes, also the unpublished. Much attention being paid to design.

Glaser, M., Folon, J.M. a.o. Milton Glaser. Graphic design. Amst., De Arbeiderspers, 1973, 239,(3)p., richly illustrated, orig. cl. w. dustwr., 4to.

€ (30-50) 40
77 151 Bool F Beeren W a o 77 151 Bool F Beeren W a o
77/ 151 Bool, F., Beeren, W. a.o. Jan Schoonhoven retrospectief. Tekeningen en reliëfs. Den Haag/ Weesp, Haags Gemeentemuseum/ Openbaar Kunstbezit, 1984, 144p., num. (col.) ills., orig. cl. w. mounted plate on frontcover, 4to. Brouwers, A., Dumas, M. and Klein Essink, S. Marlene Dumas. Misinterpreted. Eindhoven, the authors/ Stedelijk Van Abbemuseum, 1992, 116p., num. (col.) ills., orig. pict. boards, 4to. - AND 5 others on modern artists, i.a. A. TILROE a.o., Lucassen. Schilderijen, tekeningen, assemblages 1960-1986 (Amst., 1986, num. (col.) ills., orig/ pict. limp boards, 4to).
€ (70-90) 70
77 152 Boom I Danto A C and Simon J 77 152 Boom I Danto A C and Simon J
77 152 Boom I Danto A C and Simon J 77 152 Boom I Danto A C and Simon J
77/ 152 [Boom, I.]. Danto, A.C. and Simon, J. Sheila Hicks. Weaving as Metaphor. Ed. N. Stritzler-Levine. New Haven/ London, Yale Univ. Press, 2006, 1st ed., 415,(1)p., richly illustrated, roughly cut page edges, orig. pict./ blindst. boards.

= Designed by Irma Boom.

€ (150-250) 200
77 153 Bredius A and Hirschmann O 77 153 Bredius A and Hirschmann O
77/ 153 Bredius, A. and Hirschmann, O. Künstler-Inventare. Urkunden zur Geschichte der Holländischen Kunst des XVIten, XVIIten und XVIIIten Jahrhunderts. The Hague, M. Nijhoff, 1915-1922, 8 parts in 4 vols., plates/ ills., contemp. unif. gilt hcl., 4to.

- Fine, complete set. = Arntzen/ Rainwater H201. From the library of artdealer A. Vecht.

€ (400-600)
77 154 Brianchon M Roger Marx C 77 154 Brianchon M Roger Marx C
77/ 154 [Brianchon, M.]. Roger-Marx, C. Éloge de Brianchon. (Paris), Manuel Bruker, 1955, no pagination, 7 (6 col.) lithogr. by M. BRIANCHON (4x double-p.), printed in 200 numb. copies (20), orig. wr., 4to.

= One of the first 20 numb. copies with an extra suite of the lithographs, loosely inserted, incl. one signed and numb. "6/20" in pencil.

€ (120-150) 130
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