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112 - 771     FINE and APPLIED ARTS, ART REFERENCE

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Page 24 of 34 Results 461 - 480 of 661
76 571 Pynacker A Harwood L B 76 571 Pynacker A Harwood L B
76/ 571 [Pynacker, A.]. Harwood, L.B. Adam Pynacker (c.1620-1673). Doornspijk, Davaco, 1988, 257p., 19 col. plates, 286 monochr. ills. on plates, orig. cl. w. dustwr., large 4to.

= Aetas Aurea VII. Contains a catalogue raisonné.

€ (80-100)
76 572 Rafaelli J F Alexandre A 76 572 Rafaelli J F Alexandre A
76/ 572 [Rafaelli, J.-F.]. Alexandre, A. Jean-François Raffaelli. Peintre Graveur et Sculpteur. Paris, H. Floury, 1909, (4),237,(3)p., 7 engr. plates by J.-F. RAFFAELLI, num. (col.) plates and ills., contemp. gilt hcalf, t.e.g.

- Owner's entry on htitle; bookplate on upper pastedown. Binding rubbed/ sl. worn along extremities.

= SEE ILLUSTRATION PLATE XXVIII.

€ (150-250)
76 573 Rainer A 76 573 Rainer A
76/ 573 Rainer, A. Hiroshima. Group of 57 works. Bochum, M Bochum, 1982, no pagination, num. ills., orig. wr., folio.

= With texts by i.a. Samuel Beckett, Paul Celan, Jean-Paul Sartre a.o

Rainer, A. Schriften. Selbstzeugnisse und ausgewählte Interviews. Ostfildern, Hatje Cantz, 2010, 359,(1)p., ills., orig. hcl. - AND 4 by/ on the same, i.a. IDEM, Übermaler (Cologne, 2015, ills., orig. pict. boards) and B. ELSEN-SCHWEDLER and S. KLEE, Arnulf Rainer (Künzelsau, 2001, ills., orig. cl., 4to).

€ (60-80)
76 574 Rattemeyer V Helms D a o ed 76 574 Rattemeyer V Helms D a o ed
76/ 574 Rattemeyer, V., Helms, D. a.o. (ed.). "Typographie kann unter Umständen Kunst sein". Wiesbaden etc., Landesmus. etc., 1990, 3 (of 4) vols., 262,(1); 338,(1); 143p., num. (col.) ills., orig. unif. wr., 4to.

= Standard catalogues. 1. Kurt Schwitters - Typographie und Werbestaltung; 2. Vordemberge-Gildewart. Typographie und Werbegestaltung. 3. Ring 'neue werbegestalter'. Amsterdamer Ausstellung von 1931 (without the 4th vol. Ring 'neue werbegestalter' 1928-1933. Ein Überblick).

€ (60-80) 60
76 575 Rauch L and Reich M ed 76 575 Rauch L and Reich M ed
76/ 575 Rauch, L. and Reich, M. (ed.). Postschliessfach. Ein Bericht der Space Expedition ANDORA. Berlin, Reison, 1993, 79p., (col.) (photogr.) ills., printed in 500 numb. copies, orig. boards, obl. 4to. Fens, E. De menselijke maat. Amst., the artist, 2002, (39)p., 66 (col.)(mounted) ills. of picture postcards, all showing a bench in a landscape, printed in 35 numb. and signed copies (30), orig. limp boards, 4to.

= Alevering nul van de reeks Capita Selecta uit de Encyclopedie van zijn wereld door Fens.

AND 4 others, i.a. F. and J. ROBERT, Face to Face (Baden, 1996, photogr. ills., orig. wr., large 8vo); G. TILLIM, Second Nature (Munich/ London/ New York, 2002, col. photogr. ills., orig. cl. w. mounted plate, square sm. folio); B. CHATWIN, Photographs and Notebooks (London, 1993, col. photogr. ills., orig. boards w. dustwr., obl. sm. folio).

€ (60-80)
76 576 Rembrandt Rovinski D 76 576 Rembrandt Rovinski D
76/ 576 [Rembrandt]. Rovinski, D. L'Oeuvre gravé de Rembrandt. Reproduction des planches originales dans tous leurs états successifs (...) Avec un catalogue raisonné. Vienna, G. Goebel, 1923, new ed., 4 vols., 986 (incl. 2 bis-plates) (of 1003) tipped-in plates on 318 (of 321) leaves, orig. unif. cloth dropback box, folio.

- Without the text vol. Lacks 3 lvs. w. 17 plates; occas. (sl.) foxed; a few plates partly loose. Boxes covers scratched/ stained/ worn; cl. dam. at spine-edges.

= Reprint of the ed. St. Petersburg, 1890.

€ (500-700) 900
76 577 Renner P 76 577 Renner P
76/ 577 Renner, P. Mechanisierte grafik. Berlin, H. Reckendorf, 1931, 205,(3)p., 40 plates, ills., typography and orig. cl. by P. RENNER.

- Sl. yellowed. Binding sl. soiled.

= Early publication entirely set in the famous typeface Futura, designed by Paul Renner.

AND 2 others by the same: Der Künstler in der mechanisierten Welt (Munich, 1977, orig. wr.) and Die Kunst der Typographie (Augsb., 2003, ills., orig. boards. Reprint of the 1st ed., 1940). - ADDED: C. BURKE, Paul Renner, The Art of Typography (London, 1998, (col.) ills., orig. wr., large 8vo).

€ (50-70) 50
76 578 Renoir P A Duret T 76 578 Renoir P A Duret T
76/ 578 [Renoir, P.-A.]. Duret, T. Renoir. Paris, Bernheim-Jeune, 1924, 119,(7)p., 1 drypoint by P.-A. RENOIR (signed in reverse in lower left corner) and 40 (col.) plates, orig. wr., 4to.

- Fine copy.

= On the drypoint "Portrait de Berthe Morisot" (created in 1892), see Delteil 4. SEE ILLUSTRATION PLATE XXVIII.

€ (250-350) 250
76 579 Renoir P A Duret T 76 579 Renoir P A Duret T
76 579 Renoir P A Duret T 76 579 Renoir P A Duret T
76/ 579 [Renoir, P.-A.]. Duret, T. Renoir. Paris, Bernheim-Jeune, 1924, 119,(7)p., 1 drypoint by P.-A. RENOIR (signed in reverse in lower left corner) and 40 (col.) plates, orig. wr., 4to.

- Spine-ends worn dam.; frontwr. trifle foxed/ duststained.

= On the drypoint "Portrait de Berthe Morisot" (created in 1892) see Delteil 4.

€ (200-300) 200
76 580 Renoir P A Rivière G 76 580 Renoir P A Rivière G
76 580 Renoir P A Rivière G 76 580 Renoir P A Rivière G
76/ 580 [Renoir, P.-A.]. Rivière, G. Renoir et ses amis. Paris, H. Floury, 1921, (4),273,(3)p., 1 orig. etching by P.-A. RENOIR (signed in the plate in lower left corner), num. (col.) plates, contemp. gilt brown hmor., orig. wr. w. tinted lithograph by the artist pres., t.e.g., 4to.

- Provenance: bookplate of Brand Whitlock on upper pastedown. Backstrip a few trifle rubbed spots. Fine copy.

= On the drypoint by Renoir, "Le chapeau epingle" (titled "Jeunes filles fleurissant leurs chapeaux" in the book) see Delteil 8, 2nd state (of 2). SEE ILLUSTRATION PLATE XXVIII.

€ (500-700)
76 581 Renoir P A Rivière G 76 581 Renoir P A Rivière G
76/ 581 [Renoir, P.-A.]. Rivière, G. Renoir et ses amis. Paris, H. Floury, 1921, (4),273,(3)p., 1 orig. etching by P.-A. RENOIR (signed in the plate in lower left corner), num. (col.) plates, contemp. hcl., orig. frontwr. w. tinted lithograph by the artist laid down on frontcover, 4to.

- Outer margins of drypoint sl. darkened. Backcover sl. stained.

= On the drypoint by Renoir, "Le chapeau epingle" (titled "Jeunes filles fleurissant leurs chapeaux" in the book) see Delteil 8, 2nd state (of 2).

€ (300-500)
76 582 Rey R 76 582 Rey R
76/ 582 Rey, R. Carzou. l'Apocalypse. Paris, A. Sauret, 1959, 34,(1)p., 50 (double-p.) (col.) lithogr. plates and orig. col. lithogr. wr. by J. CARZOU, 4to.

- Title loosening; lower hinge splitting.

Janssen, H. A.R. Penck. How it works. Cologne, W. König, 2020, 499,(1)p., num. (full-p.) (col.) ills., orig. wr., 4to. - AND 3 others, i.a. M. ROWELL (ed.), Antonin Artaud. Works on paper (New York, 1996, num. ills., orig. hcl., 4to. Boards foxed; corners bumped).

€ (50-70)
76 583 Richter G Heinzelmann M ed 76 583 Richter G Heinzelmann M ed
76/ 583 [Richter, G.]. Heinzelmann, M. (ed.). Gerhard Richter. Übermalte Fotografien. Ostfildern, Hatje Cantz, 2008, 390,(2)p., richly illustrated, orig. cl. w. mounted plate on frontcover, 4to.

= Catalogue for the 2008 exhibition in Museum Morsbroich (Leverkusen) and Centre de la photographie (Geneva).

€ (40-60) 60
76 584 Richter G Schwarz D and Pelzer B 76 584 Richter G Schwarz D and Pelzer B
76/ 584 [Richter, G.]. Schwarz, D. and Pelzer, B. Gerhard Richter. Drawings 1964-1999. Catalogue Raisonné. Düsseldorf, Kunstmuseum Winterthur, Richter Verlag, 1999, 339,(1)p., num. (col.) ills., orig. cl. w. dustwr., large 4to. Westheider, O and Philipp, M. (ed.). Gerhard Richter. Abstraction. Munich/ London/ New York, Prestel, 2018, 239,(1)p., richly illustrated, orig. boards. w. dustwr., 4to. - AND 3 others by/ on the same, i.a. G. RICHTER, 18. Oktober 1977 (Cologne, 1989, ills., w. AUTOGRAPH SIGNED DEDICATION to Rudi Fuchs in pencil on htitle, orig. cl., 4to).
€ (100-150) 170
76 585 Rosci N del and Illies F 76 585 Rosci N del and Illies F
76/ 585 Rosci, N. del and Illies, F. Cy Twombly. Homes & Studios visitied by Master Photographers. Munich, Schirmer/ Mosel, 2019, 261,(1)p., richly illustrated, orig. cl. w. dustwr., 4to. Seidner, D. Artists at Work. Inside the Studios of Today's most celebrated Artists. New York, Rizzoli, 1999, 200,(14)p., richly illustrated, orig. cl. w. dustwr., 4to. - AND 3 others on artists and their studios, i.a. M. GIOACCHINI, Portraits of Artists (New York, 2016, richly illustrated, orig. cl. w. plate mounted on frontcover, 4to. With SIGNED dedication by the author).
€ (60-80) 90
76 586 Roth D 76 586 Roth D
76 586 Roth D 76 586 Roth D
76/ 586 Roth, D. Boeken. Amst., Stedelijk Museum Amsterdam, 1975, 4to.

= Dobke p.196. Eight large folded leaves w. drawings, bound together: i.a. "120 Köpfe von Dieter Roth, 44 Jahre alt, 8 Köpfe von Vera Roth, 11 Jahre alt". Inserted: Dieter Roth, complete lijst van Boeken. Amst., Sted. Museum, 1975, (31)p., stencilled.

€ (60-80) 60
76/587 Rückriem U Collection of 29 photographs of an art project by Ulrich Rückriem 76/587 Rückriem U Collection of 29 photographs of an art project by Ulrich Rückriem
76/587 Rückriem U Collection of 29 photographs of an art project by Ulrich Rückriem 76/587 Rückriem U Collection of 29 photographs of an art project by Ulrich Rückriem
76/587 Rückriem U Collection of 29 photographs of an art project by Ulrich Rückriem 76/587 Rückriem U Collection of 29 photographs of an art project by Ulrich Rückriem
76/587 Rückriem U Collection of 29 photographs of an art project by Ulrich Rückriem 76/587 Rückriem U Collection of 29 photographs of an art project by Ulrich Rückriem
76/587 Rückriem U Collection of 29 photographs of an art project by Ulrich Rückriem 76/587 Rückriem U Collection of 29 photographs of an art project by Ulrich Rückriem
76/587 Rückriem U Collection of 29 photographs of an art project by Ulrich Rückriem 76/587 Rückriem U Collection of 29 photographs of an art project by Ulrich Rückriem
76/ 587 [Rückriem, U.]. Collection of 29 photographs of an art project by Ulrich Rückriem, all gelatin silver prints, 40,5x31,5 cm., (leaf size), 25x25 cm. (image size), w. sm. circular stamp "Photo Hannappel" on verso, loosely inserted in cl. dropback box.

= Photograhps showing parts of the process of Rückriem's working method: collecting stones from the stone-pit; marking stones; Rückriem overseeing the process; splitting large stones and placing stones in their new environment.

WITH photocopies of sketches of potentially another project by Rückriem "Stele Block Wandrelief. Bodenrelief. Spalten schneiden schleifen + polieren" (14 lvs, 31x43 cm., stapled together).

= With an AUTOGRAPH SIGNED DEDICATION by the artist to "lieber Rudi [Fuchs]" on first leaf: "Morgen flieg ich nach Madrid zu prüfe, ob neue Pläne der Realität "Wandhalten"! Vermude dich Montag-Dienstag [...] anzurufen! Die Fotos müssen wieder neu kopiert werden. Ich könnte nach dem 17-20 September nach Den Haag kommen [...]."

AND 1 other: U. RÜCKRIEM, Arbeiten (Munich, 1994, richly illustrated, orig. limp boards, 4to).

€ (250-350)
76 588 Russian avant garde Edschmid K 76 588 Russian avant garde Edschmid K
76 588 Russian avant garde Edschmid K 76 588 Russian avant garde Edschmid K
76/ 588 [Russian avant-garde]. Edschmid, K. Baski Byki Araby. Russian transl. A. Eichenhold. Moscow/ Leningrad, Gosizdat, 1929, 235,(4)p., typography, layout and orig. wr. by F. TAGIROV.

- Wr. strengthened along edges on verso; backstrip creased.

= Russian translation of Kasimir Edschmid's Basken, Stiere, Araber (Berlin, 1927).

€ (100-150)
76 589 Russian avant garde Erenburg I 76 589 Russian avant garde Erenburg I
76/ 589 [Russian avant-garde]. Erenburg, I. Materializatsia fantastiki (Materialisation of the fantastic). Moscow/ Leningrad, Kinopechat', 1927, 30,(2)p., orig. photomontage wr. by A. RODCHENKO.

- Lower corner title-p. torn off (just affecting address) and restored w. some offsetting on next leaf. Backstrip sl. rubbed.

= Khan-Magomedov p.141; Rowell/ Wye 714 and p.215; Compton, Russian Avant-Garde Books 1917-34, p.90 and ill. p.80. For the frontcover, Rodchenko used the same photograph as he had used for Mayakovsky's Syphilis (1926). "The superlative quality of the printing shows up the poor quality of the earlier Syphilis which had been printed in Tiflis. No doubt this is because the publisher of Erenburg's theoretical discussion about film was Film-press (Kino-pechat') which evidently had access to superior equipment." (Compton). SEE ILLUSTRATION PLATE XXIX.

€ (600-800)
76/590 Russian avant garde Futuristy Pervyj zhurnal russkikh futuristov First journal of Russian futurists No 1 2 Ed V Kamensky 76/590 Russian avant garde Futuristy Pervyj zhurnal russkikh futuristov First journal of Russian futurists No 1 2 Ed V Kamensky
76/590 Russian avant garde Futuristy Pervyj zhurnal russkikh futuristov First journal of Russian futurists No 1 2 Ed V Kamensky 76/590 Russian avant garde Futuristy Pervyj zhurnal russkikh futuristov First journal of Russian futurists No 1 2 Ed V Kamensky
76/590 Russian avant garde Futuristy Pervyj zhurnal russkikh futuristov First journal of Russian futurists No 1 2 Ed V Kamensky 76/590 Russian avant garde Futuristy Pervyj zhurnal russkikh futuristov First journal of Russian futurists No 1 2 Ed V Kamensky
76/590 Russian avant garde Futuristy Pervyj zhurnal russkikh futuristov First journal of Russian futurists No 1 2 Ed V Kamensky 76/590 Russian avant garde Futuristy Pervyj zhurnal russkikh futuristov First journal of Russian futurists No 1 2 Ed V Kamensky
76/ 590 [Russian avant-garde]. Futuristy. Pervyj zhurnal russkikh futuristov (First journal of Russian futurists). No.1-2. Ed. V. Kamensky. Moscow, D. Burlyuk, 1914, (4),157,(3)p., 2 lithogr. plates printed in black, red and yellow by V. BURLYUK, 2 plates after A. EKSTER, 2 full-p. ills. by D. BURLYUK, orig. wr., 4to.

- Occas. sl. foxed and fingersoiled. Wr. soiled, sl. browned and frayed, w. repaired portions in margins; spine strengthened.

= Compton, Russian Futurist Books 1912-16, p.38f and passim; Rowell/ Wye 90. The only (double) issue published of one of the first Russian futurist periodicals, which was intended to be published 6 times a year. With literary contributions by i.a. V. Mayakovsky, V. Khlebnikov, V. Shershenevitch and B. Livshits, partly with free/ experimental typography. Very rare. SEE ILLUSTRATION PLATE XXIX.

€ (2.000-3.000) 2100
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