5092 - 5387 FINE ARTS - 16th-19th CENTURY DRAWINGS, WATERCOLOURS and PAINTINGS
75 5192 Anonymous early 20th cent 
75 5192 Anonymous early 20th cent - Nibbled by silverfish.
WITH: correspondence with the Van Gogh Museum concerning the provenance/ authenticity of both works and several newspaper clippings on (lost) works by Van Gogh. - ADDED: ANONYMOUS (early 20th century), (Canal view) (drawing, ink and black chalk on (sl. browned/ creased) paper, 37,5x24,5 cm.).
75 5193 Anonymous early 20th cent 
75 5193 Anonymous early 20th cent - Yellowed and some sl. foxing; sm. tear on 1 framing line due to ink corrosion.
= Verso with various ms. annotations in brown and black ink and 2 tiny sketches. I.a. reading "een paartje aan de theems bij avond met lichten", "de 4 kollommen church", "kerkhof", "Westminster het uitgaan". Possibly by KO COSSAAR (1874-1966).
Anonymous (1st half 20th cent.). (Person standing in a doorway at the top of a staircase). Small ORIGINAL DRAWING, pen and ink, 4,8x3,3 cm., w. annot. in outer lower blank margin "Zuster Knutsenburg/ Congres[?] straat 107".
= On verso of a printed invitation card (11x15 cm.) for an exhibition of members of the Hollandsche Teeken-Maatschappij at Pulchri Studio, The Hague, September 1921 (soiled/ yellowed and sl. worn/ bumped along in upper margin, not affecting the drawing on verso). Possibly by the same artist as the above.
75 5194 Architecture Meltzer S early 19th cent 
75 5194 Architecture Meltzer S early 19th cent 
75 5194 Architecture Meltzer S early 19th cent - With folds.
AND 6 other (sm.) architectural drawings, late 18th-19th cent.
75 5196 Ast B van der 1593/ 1594 1657 circle of 
75 5196 Ast B van der 1593/ 1594 1657 circle of 
75 5196 Ast B van der 1593/ 1594 1657 circle of 
- Heavily foxed.
= The drawing bears great similarities to drawings in a collection of 19 drawings attributed to Balthasar van der Ast by S. Segal in 1994. That collection was sold in The Hague by art dealer S. Nijstad. The RKD states this collection was formerly part of a large collection of 483 drawings of flowers. They were numbered in lower left and often monogrammed by Van der Ast in lower right. The collection sold by Nijstad however occas. lacks these characteristics. The lower left number is often covered by a piece of paper. Our drawings appear to be uncut at the left margin. Before Segals attribution to Balthasar van der Ast, the collection of drawings was believed to be created by Bartholomeus Assteijn (1607-1667), an apprentice of Van der Ast. On 17th century paper with coat of arms of Amsterdam watermark with initials "VG" below, which Laurentius dates as 2nd half 17th century. SEE ILLUSTRATION PLATE LIII.
75 5197 Ast B van der 1593/ 1594 1657 circle of 
75 5197 Ast B van der 1593/ 1594 1657 circle of 
75 5197 Ast B van der 1593/ 1594 1657 circle of 
- Heavily foxed.
= The drawing bears great similarities to drawings in a collection of 19 drawings attributed to Balthasar van der Ast by S. Segal in 1994. That collection was sold in The Hague by art dealer S. Nijstad. The RKD states this collection was formerly part of a large collection of 483 drawings of flowers. They were numbered in lower left and often monogrammed by Van der Ast in lower right. The collection sold by Nijstad however occas. lacks these characteristics. The lower left number is often covered by a piece of paper. Our drawings appear to be uncut at the left margin. Before Segals attribution to Balthasar van der Ast, the collection of drawings was believed to be created by Bartholomeus Assteijn (1607-1667), an apprentice of Van der Ast. On 17th century paper with coat of arms of Amsterdam watermark with initials "VG" below, which Laurentius dates as 2nd half 17th century. SEE ILLUSTRATION PLATE LIV.
75 5198 Barbiers Bzn P 1772 1837 attrib 
= SEE ILLUSTRATION PLATE LIV.
75 5199 Barbiers Bzn P 1772 1837 attrib 
= Title in later pen on mount. SEE ILLUSTRATION PLATE LV.
75 5200 Beever E S van 1876 1912 
- Sl. yellowed; tipped onto mount.
= With collector's mark in lower right corner (possibly Lugt 2799a, Hans van Leeuwen).
75 5201 Beijer J de 1703 1780 
= With the collector's numbering by Jacob Helmont (1747-1808) on verso. SEE ILLUSTRATION PLATE LV.
75 5202 Bendorp C F 1736 1814 
- A few thin spots in left margin. Otherwise fine. = SEE ILLUSTRATION PLATE LVI.
75 5203 Berg S van den 1812 1891 
75 5204 Berge B G ten 1825 1875 
- Upper left corner trifle dam. from detaching drawing from mount; trifle foxed.
75 5205 Bles D J 1821 1899 
75 5206 Bles D J 1821 1899 
75 5207 Bloemaert A 1564 1651 after/ surroundings 
- Mounted under passepartout; foxed and browned; waterstained.
= There is a very similar copy with almost the same dimensions in the Staatsgalerie Stuttgart, cf. Bolten 755a.
75 5208 Boch A 1848 1936 attrib 
75 5208 Boch A 1848 1936 attrib 
75 5208 Boch A 1848 1936 attrib 
75 5208 Boch A 1848 1936 attrib 
75 5208 Boch A 1848 1936 attrib 
- Tipped onto mount. = According to annotation on passepartout from the collection of I. van Harewijn.
Anonymous (19th cent.). (Dutch landscape with several windmills). Drawing, pencil, brush, ink and watercolour, 18x37 cm.
- Sl. soiled and sunned; a few rubbed spots; laid down on later grey paper.
Anonymous (early 19th cent.). (A large farm with people in front). Drawing, pencil, grey and red wash, heightened w. white, 17x20,7 cm.
- Browned.
AND 9 other drawings, all Dutch landscapes, 18th-early 20th cent., i.a. a sketch of a festive arch.
75 5209 Bock Th E A de 1851 1904 
- Heavy craquelure to the surface (mainly) in the upper part.
75 5210 Bonheur R 1822 1899 
= With pencil annots. by the artist in upper blank margin: "rue de l'orangerie 99 Mme Jareau" and remarks on the bull: "Devonne [= Devon breed] (...) robe baie[?] (...) coron[?] blanche au bout noire". Tipped under passepartout w. mounted exhib. ticket of the Singer Memorial Foundation Laren and inlay waxseal "Vente Rosa Bonheur 1900" from verso of the orig frame. SEE ILLUSTRATION PLATE LVI.
75 5211 Bonvin F 1817 1887 
- Vaguely dustsoiled/ foxed.
= Tipped under passepartout w. mounted exhib. ticket of the Singer Memorial Foundation Laren.