5092 - 5387     FINE ARTS - 16th-19th CENTURY DRAWINGS, WATERCOLOURS and PAINTINGS

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75 5092 Akkeringa J E H  1861 1942 75 5092 Akkeringa J E H 1861 1942
75/5092 Akkeringa, J.E.H. (1861-1942). (Two boys sitting at a writing desk). Drawing, black chalk, 30,7x22,5 cm., signed in lower left corner.

- Trifle yellowed/ sl. foxed.

€ (80-100) 80
75 5093 Allebé A  1838 1927 75 5093 Allebé A 1838 1927
75/5093 Allebé, A. (1838-1927). (Interior with three witches and a dead baby). Drawing, pen and ink and watercolour, 30,8x38,1 cm., signed "Album Aug. Allebé" in pen and ink.

= SEE ILLUSTRATION PLATE XLVIII.

€ (500-700) 750
75 5094 Andriessen J  1742 1819  circle of 75 5094 Andriessen J 1742 1819 circle of
75 5094 Andriessen J  1742 1819  circle of 75 5094 Andriessen J 1742 1819 circle of
75/5094 Andriessen, J. (1742-1819) (circle of). (The cheater gets cheated on). Drawing, pen and black ink, grey wash, 12,5x9,4 cm.

- Sl. soiled; tipped onto paper; crease in lower corner.

AND ±15 other drawings.

€ (100-150) 375
75 5095 Anonymous early 17th cent  75 5095 Anonymous early 17th cent
75 5095 Anonymous early 17th cent  75 5095 Anonymous early 17th cent
75/5095 Anonymous (early 17th cent.). (Poseidon rescuing the child of a nereid abducted by a centaur). Drawing, brush and black ink, heightened with white grey wash, monogrammed "NB S", 7x26,8 cm., laid down and framed.

= The monogram resembling Nagler 2325 ("Nicolas Briot, Kupferstecher, war zu Anfang des 17. Jahrhunderts in Lyon thätig (...)"). SEE ILLUSTRATION PLATE XLVII.

€ (250-350) 550
75 5096 Anonymous 1st half 17th cent  75 5096 Anonymous 1st half 17th cent
75/5096 Anonymous (1st half 17th cent.). (Hercules fighting the dragon). Drawing, brush and black and grey wash, 18,1x14,5 cm., on paper with part of the watermark of a Fleur-de-lys in shield.

- Corners cut off. = Later "L" in pencil on verso. SEE ILLUSTRATION PLATE XLVIII.

€ (300-500) 300
75 5097 Anonymous 1st half 17th cent  75 5097 Anonymous 1st half 17th cent
75/5097 Anonymous (1st half 17th cent.). (Tobias and the angel Raphaël). Drawing, brush and pen in brown and black ink, heightened w. white, 28,8x21 cm., on brown paper with IHS watermark within oval.

- Possibly part of a signature in lower left margin (illegible). A few tiny holes/ thin spots, otherwise fine.

= SEE ILLUSTRATION PLATE XLVI.

€ (400-600)
75 5098 Anonymous 17th cent  Italian school 75 5098 Anonymous 17th cent Italian school
75/5098 Anonymous (17th cent., Italian school). (Kneeling monk, surrounded by angels). Drawing, pencil, 24x18,8 cm.

- Formerly folded; some soiling/ foxing.

€ (150-250) 180
75 5099 Anonymous 17th cent  Italian school 75 5099 Anonymous 17th cent Italian school
75/5099 Anonymous (17th cent., Italian school). (Mary and the infant Jesus in the clouds). Drawing, pencil, 22,1x16 cm.

- Doubled; vaguely foxed/ soiled; restoration in upper corner.

= With attribution on mount to G. Reni (1575-1642). SEE ILLUSTRATION PLATE XLIX.

€ (150-250) 325
75 5100 Anonymous 17th cent  75 5100 Anonymous 17th cent
75/5100 Anonymous (17th cent.). (Allegorical scene with a goddess and a woman burning a scarf). Drawing, pencil, 21,7x15,7 cm.

- Partly traced w. some pen and brown ink; some stains/ sl. dustsoiled.

€ (100-150) 275
75 5101 Anonymous 17th cent  75 5101 Anonymous 17th cent
75/5101 Anonymous (17th cent.). (Allegorical scene with a King and Queen). Drawing, red crayon, 42,8x55,5 cm.

- Mediocre condition. Formerly folded; lower corners cut off; (repaired) tears in margins.

= Impressive drawing, probably French School.

€ (300-400) 300
75 5102 Anonymous 17th cent  75 5102 Anonymous 17th cent
75/5102 Anonymous (17th cent.). (Diana directing Aeneas to Carthage). Drawing, pen and brown ink, 21,2x17,7 cm.

- Lower corner reattached.

= Or perhaps the scene shows Aeneas meeting the ghost of his wife Creusa. On laid paper with a watermark showing 3 crescent moons in a row, from big to small.

€ (150-250) 150
75 5103 Anonymous 17th cent  75 5103 Anonymous 17th cent
75/5103 Anonymous (17th cent.). "Gesprongen Buskruijt Magazijn Overblijfselen A° 1654 den 12 October". Drawing, pen and ink and grey wash, 14,7x20,2 cm., w. manuscript caption in pen and ink in upper blank margin, tipped onto mount.

= With a small contemp. letterpress clipping describing the event that took place in Delft tipped onto mount. Another unrelated 18th cent. manuscript note is tipped onto the mount (stating the total sum collected on 10 September 1731 for the needy displaced Piemontese (Waldensians) in Delft and surroundings amounted to "f.11437-8-". A huge amount of money was collected throughout Calvinist Holland (over f.250.000 on that one day alone)).

€ (150-250) 180
75 5104 Anonymous 17th cent  75 5104 Anonymous 17th cent
75/5104 Anonymous (17th cent.). (Head of a young man looking upwards). Drawing, graphite and white wash, 22,5x18 cm.

- Laid down; browned; various holes and chips; paper brittle.

= With an attribution below in pencil to BACCIO DEL BIANCO.

€ (100-150) 3750
75 5105 Anonymous 17th cent  75 5105 Anonymous 17th cent
75/5105 Anonymous (17th cent.). (Innkeeper and two barrels of wine). Drawing, pen and brown ink and upper margin finished w. grey wash, brown ink framing line, 14,7x13,8 cm.

- Upper margin dam. and repaired on verso; glue (badly) shining through.

AND 1 other drawing probably by the same artist, (Working man) (pen and brown ink, brown ink framing line, 13,5x12,7 cm. Waterst.; lower corner torn off (repaired)).

€ (100-150) 240
75 5106 Anonymous 17th cent  75 5106 Anonymous 17th cent
75/5106 Anonymous (17th cent.). (Menagerie in a classical setting). Drawing, brush and ink w. grey wash, on blue laid paper, 29,7x53,1 cm., black framing line, w. later added "Snijders fec:" in lower margin.

- Attached to mount along upper margin. Sl. soiled/ foxed; some vague flattened folds and creases (vertical middlefold strengthened on verso at ends); tiny wormholes; verso w. remnants of former mounting along left margin.

= SEE ILLUSTRATION PLATE XLVII.

€ (700-900) 800
75 5107 Anonymous 17th cent  75 5107 Anonymous 17th cent
75 5107 Anonymous 17th cent  75 5107 Anonymous 17th cent
75 5107 Anonymous 17th cent  75 5107 Anonymous 17th cent
75/5107 Anonymous (17th cent.). (People between ruinous antique classical buildings). Circular drawing, brush and brown ink, Ø 15 cm.

= On 17th century laid paper with part of a watermark showing part of a horn in a heraldic shield.

AND 7 other drawings, all showing buildings or architectural designs, 18th-early 20th cent.

€ (100-150) 160
75 5108 Anonymous 17th cent 75 5108 Anonymous 17th cent
75 5108 Anonymous 17th cent 75 5108 Anonymous 17th cent
75/5108 Anonymous (17th cent.) (Scene from a Roman relief sculpture). Drawing, pen and brown ink and wash, 22,5x16,5 cm. - ON VERSO: a design for an ornamental sculpted border w. animals and vegetal scrolls, pen and brown ink and grey wash.

- Foxed.; attached to passepartout w. yellow painter's tape.

€ (100-150) 160
75 5109 Anonymous 17th cent  75 5109 Anonymous 17th cent
75/5109 Anonymous (17th cent.). (Seascape with sailingvessels and a headland in the background). Drawing, pen and black ink, 4x29,8 cm.

- A few restorations; vertical fold in left margin; lacks portion in upper blank margin.; sl. foxed.

= Very much in the style of Abraham de Verwer (1585-1650). SEE ILLUSTRATION PLATE XLVII.

€ (500-700) 4500
75 5110 Anonymous 17th cent  75 5110 Anonymous 17th cent
75/5110 Anonymous (17th cent.). (Sepulchral monument in a walled garden, several people on the wall looking down at the scene). Drawing, pencil and brown wash, 15,8x21,2 cm.

- Laid down on board. = SEE ILLUSTRATION PLATE XLIX.

€ (150-250) 220
75 5111 Anonymous 17th cent  75 5111 Anonymous 17th cent
75/5111 Anonymous (17th cent.). (Study for a portrait of a lady facing left). Drawing, pencil and black crayon, 28,5x19,5 cm.

- Doubled; 2 large closed tears through image (repaired and only sl. visible); margins occas. sl. chipped; tipped-in.

= Attributed to ADRIAEN HANNEMAN (ca.1601-1671) by the previous owner (see: O. ter Kuile. Adriaan Hanneman 1604-1671, ill.16 en 70 for the portraits of Sophie van der Palts showing great similarities). With pencil annotation on mount stating the drawing was previously in the collection of Johan Lord Somers (Lugt 2981). With annotation in pencil on verso "Original drawing by Van Dyck". And with annotation in pencil on verso mount "Sir Peter Lely".

€ (700-900)
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