1726 - 1923     (SHEET)MUSIC (including AUTOGRAPHS and MANUSCRIPTS)

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75/1746 Badings H  Ter herinnering aan de opnamen van Orestes van Henk Badings in de Engelse versie In samenwerking van N R U en B B C uitgevoerd in de Hilversumse Studio's van 3 16 April 1955 75/1746 Badings H Ter herinnering aan de opnamen van Orestes van Henk Badings in de Engelse versie In samenwerking van N R U en B B C uitgevoerd in de Hilversumse Studio's van 3 16 April 1955
75/1746 Badings H  Ter herinnering aan de opnamen van Orestes van Henk Badings in de Engelse versie In samenwerking van N R U en B B C uitgevoerd in de Hilversumse Studio's van 3 16 April 1955 75/1746 Badings H Ter herinnering aan de opnamen van Orestes van Henk Badings in de Engelse versie In samenwerking van N R U en B B C uitgevoerd in de Hilversumse Studio's van 3 16 April 1955
75/1746 Badings H  Ter herinnering aan de opnamen van Orestes van Henk Badings in de Engelse versie In samenwerking van N R U en B B C uitgevoerd in de Hilversumse Studio's van 3 16 April 1955 75/1746 Badings H Ter herinnering aan de opnamen van Orestes van Henk Badings in de Engelse versie In samenwerking van N R U en B B C uitgevoerd in de Hilversumse Studio's van 3 16 April 1955
75/1746 Badings H  Ter herinnering aan de opnamen van Orestes van Henk Badings in de Engelse versie In samenwerking van N R U en B B C uitgevoerd in de Hilversumse Studio's van 3 16 April 1955 75/1746 Badings H Ter herinnering aan de opnamen van Orestes van Henk Badings in de Engelse versie In samenwerking van N R U en B B C uitgevoerd in de Hilversumse Studio's van 3 16 April 1955
75/1746 Badings H  Ter herinnering aan de opnamen van Orestes van Henk Badings in de Engelse versie In samenwerking van N R U en B B C uitgevoerd in de Hilversumse Studio's van 3 16 April 1955 75/1746 Badings H Ter herinnering aan de opnamen van Orestes van Henk Badings in de Engelse versie In samenwerking van N R U en B B C uitgevoerd in de Hilversumse Studio's van 3 16 April 1955
75/1746 Badings H  Ter herinnering aan de opnamen van Orestes van Henk Badings in de Engelse versie In samenwerking van N R U en B B C uitgevoerd in de Hilversumse Studio's van 3 16 April 1955 75/1746 Badings H Ter herinnering aan de opnamen van Orestes van Henk Badings in de Engelse versie In samenwerking van N R U en B B C uitgevoerd in de Hilversumse Studio's van 3 16 April 1955
75/1746 [Badings, H.]. "Ter herinnering aan de opnamen van "Orestes" van Henk Badings in de Engelse versie. In samenwerking van N.R.U. en B.B.C. uitgevoerd in de Hilversumse Studio's van 3-16 April 1955". Album containing 41 orig. mounted photographs (a few loose(ning)), mostly 9x13,5 cm., manuscript title and captions, obl. 8vo size.

= Memorial booklet, probably presented as a gift to the composer, showing the recording process of Badings' opera Orestes, for which he was granted the Prix Italia in 1954.

AND 2 others: a small private album with photographs of the Badings family, 1st half 20th cent., incl. a few photographs from colonial Indonesia (Badings was born in Bandung) and a memorial album "Aangeboden aan Henk Badings door de studentenvereniging Hucbald ter ere van zijn afscheid. 25 Mei 1977", signed by all students.

€ (100-150) 110
75 1747 Badings H 75 1747 Badings H
75 1747 Badings H 75 1747 Badings H
75 1747 Badings H 75 1747 Badings H
75 1747 Badings H 75 1747 Badings H
75/1747 Badings, H. Lot of 23 gramophone records with performances of compositions by HENK BADINGS, all in orig. (gatefold) sleeve, various labels, i.a. Musique électronique (with J.W. de Bruyn) (1958, 7"); Donemus Audio-Visual Series (4 records from the series, 1961-1966, 10"/ 12", each w. booklet); Concertino für Klavier und elektronische Begleitung (b/w F. CHOPIN, Ballade f-moll, op.52) (1968, 10"); BIELEFELDER DUO, Neue Cellomusik (1970, 12"); Sämtliche Sonaten für 2 Violinen (n.d., 12"); Herta Schulz singt Lieder nach Texten von Ottmar Lechler u. Etta Reich (n.d., 10"); Sonate I für Klavier/ Sonate II für Klavier/ Sonate IV und V für Klavier (n.d., all 10"); Sonate I und III für Violine und Klavier/ Sonate II und IV für Violine und Klavier (n.d., 12"/ 10"); Balletto Grotesco u. Balletto Notturno für 2 Klaviere (n.d., 10"); Rumänische Reiseskizzen. Tema con variazioni (n.d., 10").

= Provenance: the estate of the composer.

€ (200-300) 200
75 1748 Baillot P 75 1748 Baillot P
75/1748 Baillot, P. l'Art du Violon. Nouvelle méthode Dédiée a ses Elèves. Paris, Imprimerie du Conservatoire de Musique, n.d. (±1840), plate no. 228 Bis, (2),279p., 3 lithogr. plates, entirely lithographed (text and scores), contemp. hcalf, sm. folio.

- Foxed throughout; upper hinge weak. Binding worn/ rubbed along extremities (lower out corner of frontcover dam.).

€ (80-100) 80
75 1749 Bambini F 75 1749 Bambini F
75/1749 Bambini, F. Six sonates Pour Clavecin Avec Accompagnement de Violon. Oeuvre 5. Paris, Au Bureau d'Abonnement Musical, n.d. (±1790), no plate-no., 2 parts in 1 vol., (2),32; (2),7p., engr. title-p. and scores, contemp. green vellum, folio.

- Occas. sl. stained in blank margin(s); title-p. of the loosely inserted violin part stained in outer blank margin. Vellum sl. warped.

= Attractive engr. bookplate on upper pastedown of the paper seller "Quentin, Succesr. de Mr. Jolivet l'ainé" (Paris). RISM B 792. Eitner III, p.323: "Bambini (...) geb. Bologna gegen 1742, kam 1752 mit seinem Vater, ein Schauspieldirektor, nach Frankreich und erhielt in Paris Unterricht bei Bordenave und Rigade. Er liess sich später als Klavierlehrer in Paris nieder (...)." He died in Paris in 1810. Rare.

€ (80-100) 160
75 1750 Baudiot C 75 1750 Baudiot C
75/1750 Baudiot, C. Méthode de Violoncelle. Vol.2. Paris, L. Pleyel, Fils ainé et Cie, 1827, plate no. 2182, (2),262p., entirely engr., contemp. hcalf, folio.

- A few owner's/ seller's stamps on title-p. and one on final page, otherwise contents fine. Binding sl. worn/ rubbed along extremities; top of spine sl. dam.

= With dedication (to?) signed by Ch. Person[?] on title-p., dated "14. 8bre 1867."

€ (80-100) 160
75 1751 Beethoven L van 75 1751 Beethoven L van
75/1751 Beethoven, L. van. Foreign and English Airs Arranged with Variations & as Rondos for the Piano Forte. London, Preston, n.d. (±1825), no plate-no., 11p., engr. title-p. and score, loose as issued, 4to.

- Sm. tear in left margin of title-p.

= WoO 46. The first vol. of an untraced series (numbered "no.1 " on title-p.). Not in Kinsky. Arrangement by? for violin or flute and piano forte, but without separate violin or flute part..

Schulthesius, J.P. Trois Sonates pour le clavecin ou forte-piano avec accompagnement d'un violon. Paris, Imbault/ Sieber, n.d. (early 19th cent.), no. plate-no., piano part only, 13,(1)p., engr. title-p. and score, folio.

- Fine. = Warranted by Imbault. RISM S 2307 (also piano part only).

Guest, J.M. Six Sonates pour le Clavecin ou Forte-piano avec accompagnement d'un Violon. Ibid., iidem, n.d. (early 19th cent.), no plate-no., piano part only, (2),32p., engr. title-p. and score, folio.

- Fine copy.

= Warranted by Imbault. RISM G 4888 (incomplete). Jane Mary Guest (±1762-1846), child prodigy, composer and pupil of i.a. Johann Christian Bach.

Smith, Th. Six Sonates Pour le Clavecin ou le Forte Piano avec Violon ad Libitum. Oeuvre VIII. Ibid., Boyer/ Le Menu, n.d. (early 19th cent.), no plate-no., piano part only, (2),21,(1)p., engr. title and score, folio

- Fine. = Warranted by Boyer. RISM S 3757 (2 copies, both one part only).

Abraham, M. Du Faux Lord. Ouverture et Morceaux arrangée en duo Pour Deux Violons. Paris, Bignon, n.d. (early 19th cent.), plate-no.52, 2 parts, both p.102-103, engr. title and scores, loose as issued, folio.

- Title-p. a few stains and sl. soiled.

€ (100-150) 160
75 1752 Beethoven L van 75 1752 Beethoven L van
75/1752 Beethoven, L. van. Grand Quintet in Eb for Piano Forte, Violon, Flute, Tenor, & Violoncello. Op.16. London, R. Cocks & Co., n.d. (±1840), plate-no. 4324, 5 parts, lithogr. scores, 4 vols., folio.

- Frontwr. of piano part dustsoiled, a few repaired sm. tears and backstrip strengthened w. paper tape; backwr. soiled.

= Cf. Kinsky p.38.

AND 8 others, all chamber music for flute(s) with accompaniment, all early editions, i.a. F.E. FESCA, Quatuor Brillant. Oeuvre 37 and 38 (Paris, Richault, n.d. (±1835), 2 vols., both in 4 parts, plate-no. 1022 R. No.17 and 1023 R. No.18, lithogr. scores, no.18 w. orig. wr., folio. Title-p. of no.17 sl. frayed and foxed); J. OLIVER Y ASTORGA, Six Sonatas for two German Flutes or two Violins and a Bass (London, Preston and Son, n.d. (1789), 3 vols., without plate-no., engr. scores, sm. folio. Spines partly broken/ weak) and P. HAENSEL, Quatuor pour Flûte, Violon, Alto & Violoncelle. Oeuvre 17 (Mainz, B. Schott, n.d. (±1810), plate-no. 736, 4 vols., engr. scores, 4to. Occas. sl. foxed; backstrip of flute part strengthened w. tape).

€ (120-150) 140
75 1753 Beethoven L van 75 1753 Beethoven L van
75 1753 Beethoven L van 75 1753 Beethoven L van
75/1753 Beethoven, L. van. IIme Grande Simphonie en Ré majeur (D dur). Oeuvre XXXVI./ Grande Simphonie en Sib majeur (B dur). Op. 60. Full scores. Bonn/ Cologne, N. Simrock, n.d. (both ±1823), 2 parts in 1 vol., plate-nos. 1959 and 2078, 2 parts in 1 vol., (4),162,(2); (4),195p., 2 diff. engr. title-p., engr. scores, contemp. gilt red hcalf.

- Second work traces of former wrapper in inner margin of title-p. Binding sl. worn along extremities, otherwise fine.

= Ad 1. Kinsky p.91: first German edition of the full score. Rare. Ad 2. The first edition of the full score. "Die Bezeichnung "4me" auf besonderer Zeile vor "Grande Simphonie" tritt erst bei einer späteren Variante auf" (Kinsky p.145). SEE ILLUSTRATION PLATE LV.

€ (500-700) 550
75 1754 Beethoven L van 75 1754 Beethoven L van
75 1754 Beethoven L van 75 1754 Beethoven L van
75/1754 Beethoven, L. van. Messa a quattro Voci coll' accompagnamento dell' Orchestra (...) Drey Hymnen für vier Singstimmen mit Begleitung des Orchesters. 86s Werk [Mass in C]. Leipsic, Breitkopf & Härtel, n.d. (1812?), plate-no. 1667, 107p., engr. full score, later gilt hmor., obl. 4to.

- Majority of leaves w. professional restorations and foxing (occas. sl. browning) in upper margin, affecting notes and staves of the upper three lines; title-p. also w. professionally restored tears in upper margin and foxed/ browned; occas. stains in upper blank margin.

= Unidentified vague old signature on title-p. Kinsky p.239f: "Originalausgabe der Partitur (Oktober 1812) (...) Bei späteren Abzügen ist die Rückseite des Titelblatts freigelassen und die Anmerkung am Schlüsse der Partitur abgedruckt." Compared to the copy of the first edition listed by the Beethoven Haus, our copy has some (typographical) differences, the most important being that the "Anmerkung" is printed on the verso of the title-p. (contrary to the copy of the Beethoven Haus copies, in which it is printed on the verso of the final leaf), and with some other small differences: our copy without the larger first capitals of the words "Erster Hymnus", "Zweiter Hymnus" and "Dritter Hymnus"; another difference is the spelling of "Zweiter" instead of "Zweyter" in the title to the second hymn. A very rare and early variant (not traced by us). SEE ILLUSTRATION PLATE LV.

€ (1.500-2.500)
75 1755 Beethoven L van 75 1755 Beethoven L van
75 1755 Beethoven L van 75 1755 Beethoven L van
75/1755 Beethoven, L. van. Siebente Grosse Sinfonie von Ludw. van Beethoven, 92tes Werk. Partitur. Vienna, T. Haslinger, n.d. (1831), 2nd engr. ed. of the full score, plate-no. 2560, (2),180p., engr. title-p. and score, modern giltlettered hcl., orig. wr. pres., folio.

- As often without the dedication leaf. Sl. foxed (occas. trifle dampstained) in outer blank margin. Otherwise fine.

= Kinsky p.261. SEE ILLUSTRATION PLATE LV.

€ (200-300)
75 1756 Beethoven L van 75 1756 Beethoven L van
75 1756 Beethoven L van 75 1756 Beethoven L van
75/1756 Beethoven, L. van. Six quatuors Pour 2 Violons, Viola et Violoncelle./ Trois quatuors (...). Paris, "Magasin de Musique de Pacini", n.d. (±1825-1828), 9 quartets in 4 vols., plate nos. 2006/ 2007/ 2008, 3 engr. title-p., engr. scores, contemp. unif. marbled boards w. paper title ticket on frontcover, sm. folio. - WITH: Idem. Trois Quatuors Concertants pour deux violons, viola et violoncello./ Onzième Quatuor (...)/ Dixhuitième Quatuor (...)/ Dixième Quatuor. Ibid., idem, n.d. (±1825-1828), 9 quartets in 4 vols., plate-nos. 2011/ 2019/ 2010/ no plate-no./ 2009, 5 engr. title-pages, engr. scores, unif. bound with the preceding, sm. folio.

- All vols. w. remains of (unidentified) heraldic bookplate on upper pastedown. All vols. w. later annot. in pen/ pencil on ticket on frontcover. Bindings sl. rubbed along extremities.

= Part of a complete edition by the publisher Pacini of Beethoven's string quartets, with a continuous pagination running from p.64-197 (but not bound sequentially). Francesco Gaetano Saverio Antonio Pacini (1778-1866) worked in Paris from 1806-1840 and was an esteemed publisher with many well wishers amongst composers, as was proven when his business went up in flames in 1835, and he lost his whole stock: his business was saved by the massive support given to him by musicians and composers both French and foreign who sent him their compositions for free. SEE ILLUSTRATION PLATE LVI.

€ (400-600)
75 1757 Beethoven L van 75 1757 Beethoven L van
75/1757 Beethoven, L. van. Sonate Appassionata. Paris, l'Edition d'Art H. Piazza, n.d. (1927), (22) facs. leaves and (1) colophon leaf, printed in 1000 numb. copies, orig. clothbacked boards, obl. 4to. Idem. Recueil Thématique de L. v. Beethoven. N.pl., n.publ., n.d., (38) facs. leaves, orig. gilt cl., obl. 4to.

- Occas. pencil annots. on opposite blank pages. A few sl. soiled/ stained spots on covers. Otherwise fine.

AND 4 other facsimiles, i.a. IDEM, Sonate Op. 27, nr. 2 (Die sogenannte Mondscheinsonate) (Vienna/ New York, 1921, VIII,(1) textp., facs. plates of the entire Mondscheinsonate, orig. giltlettered cl., obl. 4to. Spine-ends and corners worn) and G. MAHLER, "Zehnte Symphonie" (Vienna etc., 1924, scores and "Skizzen Blätter", orig. hcl. portfolio w. ties, (obl.) folio. Without the accomp. booklet. Binding of portfolio dam. Incl. various annots. in blue in facsimile).

€ (80-100) 80
75 1758 Benincori A M 75 1758 Benincori A M
75/1758 Benincori, A.M. Trois Quatuors Concertants Pour deux Violons, Alto et Basse. Oeuvre 4. Paris, Pleyel, n.d. (±1805), plate-no. 476, 4 vols., engr. scores, loose as issued, folio.

- Lacks one title-p.; most titles sl. duststained.

Bertoni, F. Six Quartetto's for Two Violins, a Tenor, and Violoncello. London, for the Author, n.d. (1782), 1st ed., no plate-no., 4 vols., 4 identical engr. decorated frontwrs., engr. scores, orig. wr., folio.

- Title-p. of the Violino primo part foxed in margins. Otherwise fine.

= These quartets are dedicated to William Beckford who greatly admired the composer. RISM B 2405.

Bonjour, F. Quintetto pour deux Violons, Alto, Violoncelle et Basse. Paris, Pleyel, n.d. (±1830), plate-no. 2554, 5 vols., engr. scores, loose as issued, folio (occas. sl. foxed). - AND one other: S. TINTI, Tre Quintetti Per due Violini, due Viole e Violoncello (Florence, n.d., 1st ed., no plate-no., 5 vols., engr. title-p., engr. scores, loose as issued, folio. Title-p. foxed/ soiled; RISM T 809).

€ (150-250) 150
75 1759 Berbiguier B T 75 1759 Berbiguier B T
75/1759 Berbiguier, B.T. Trois Grands Trios Concertante Pour trois Flûtes. Opera 70, 6e livre. Paris, Janet et Cotelle, n.d. (±1817), 3 vols., plate-no. 26, (4),19,(1); 17,(1); (2),13,(1)p., engr. title-p. and scores, contemp. unif. plain blue wr., folio. Viotti, J.B. Trois divertissemens (...). Adapt. for flute and piano by T. Berbiguier. Ibid., idem, n.d. (±1819), 2 vols., plate-no. 1088, (2),32; (2),10p., 2 ident. engr. title-p. and scores, loose as issued, folio.

- First title-p. sl. foxed.

AND 6 others in 9 vols. by B.T. BERBIGUIER (incl. a few mediocre copies), i.a. Fantaisie Sur la Cavatine de la Gazza Ladra de Rossini Pour Flûte. Opéra 65 (Leipsic, H.A. Probst, (before 1830), 2 vols., plate-no. 97a and 97b, engr. title-p. and scores, folio. Fine) and IDEM, 12 Grand Waltzes, for the Flute (London, R. Cocks & Co., (±1860), plate-no. 1069, engr. title and score, sm. folio. Partly loosening).

€ (70-90)
75 1760 Berbiguier T 75 1760 Berbiguier T
75/1760 Berbiguier, T. Three Duetts, Concertante, for Two Flutes. Opus 15, book 2. London, Monzani & Hill, n.d. (±1820), 2 vols., no plate-no., (2),20,(2 (publ. cat.)); 20p., 2 ident. engr. title-p., engr. scores, folio (fine). Vern, A. Trois Grands Duos Concertans pour Deux Flûtes. Opus 10. Cologne/ Bonn, N. Simrock (pasted over with address of B. Schott, Mainz), n.d. (±1818), 2 vols., plate-no. 1559, 43,(1); 39,(1)p., engr. title-p. and scores, folio.

- Annots. in pen and bookseller's stamp on (sl. yellowed) title-p.

AND 4 others in 8 vols., i.a. M. JANUSCH, Unterhaltungsstück für eine Floete. 2tes Heft (Prague, M. Berra, n.d. (±1820), plate-no. M.B. No.135, engr. title-p. w. vignette and score, folio. Foxed copy; title-p. frayed in left margin); W. FORDE, The Favourite Air, from the Finale of Der Freyschutz and Ombra Adorata, from Romeo & Juliet Arranged for Two Flutes & Piano Forte (London, R. Cocks & Co., (±1830), 3 vols., no plate-no., engr. title-p. and scores, folio. Sl. yellowed; fine) and IDEM, Mercadante's Favorite Duet, Ah! non lasciarmi. Arranged for Two Flutes & Piano Forte (ibid., idem, (±1830), 3 vols., plate-no. 345, engr. title-p. and scores, folio. Fine).

€ (100-150)
75 1761 Berbiguier T 75 1761 Berbiguier T
75/1761 Berbiguier, T. Trois Duos brillans et faciles Pour deux Flûtes. Leipsic, Breitkopf & Härtel, n.d. (1823), 2 vols., plate-no. 3771, 11,(1); 13,(1)p., engr. title-p. and scores, in parts as issued, contemp. unif. plain wr., folio (fine). Idem. Trois grands duos Concertans Pour deux Flûtes. Paris, Janet et Cotelle, n.d. (±1825), 2 vols., plate-no. 15, (2),26; 23,(1)p., engr. title-p. and scores, in parts as issued, folio.

- Foxed/ dampstained throughout.

Marschner, H. Lieblings Stücke aus der Oper Hans Heiling für zwei Flöten. Adapt. for 2 flutes by C.G. Belcke. Leipsic, F. Hofmeister, n.d. (1833), 2 vols., plate no. 1943, 11,(1); 9,(1)p., engr. title-p. and scores, in parts as issued, folio. Idem. Lieblings Stücke aus der Oper: Der Templer und die Judin. Adapt. for 2 flutes by C.G. Belcke. Ibid., idem/ London, Johanning & Whatmore, n.d. (1830), plate no. 1495, 2 vols., 7,(1); 6p., engr. title-p. and scores, in parts as issued, folio.

- Partly sl. foxed. Otherwise fine.

AND 3 others in 5 vols., i.a. P. JENSEN, Sonate pour le Pianoforte et Flûte. Oeuvre 18 (Copenhagen, C.C. Lose, (±1835), 2 vols., no plate-no., engr. title-p. and scores, obl. 4to. Fine).

€ (100-150)
75 1762 Berbiguier T 75 1762 Berbiguier T
75/1762 Berbiguier, T. Trois Grands Trios Concertans Pour deux Flûtes et Basse, ou pour Flûte, Violon et Basse. Oeuvre 5, 1ere Partie/ 2e Partie; 3e Livre de Trios; 5e Livre de Trios. Paris, Janet et Cotelle, n.d. (±1825-1830), plate no. 240/ 302/ 1229, 3 vols. (flute, violin and bass), each containing 5 parts, engr. scores, contemp. unif. gilt black hcalf w. red mor. letterpiece on frontcover and spine, folio.

- Bindings sl. rubbed along extremities; frontcover of flute vol. sl. dampstained.

€ (100-150)
75 1763 Berbiguier T 75 1763 Berbiguier T
75/1763 Berbiguier, T. Trois Grands Trios Concertans Pour trois Flûtes. Oeuvre 13; Oeuvre ?; Oeuvre 40. Paris, Janet et Cotelle, n.d. (±1825-1830), plate-nos. 280/ 303/ 1082, 3 vols., each containing 3 trios, first vol. w. 3 different engr. titles, each vol. entirely engraved, contemp. unif. boards w. contemp. manuscript paper ticket on frontcover, unif. modern mor. backstrips, sm. folio.

- A few leaves loose; one leaf w. 2 inkstains (p.3 of the second flute part of the first trio); a few leaves sl. foxed; owner's stamp on first title-p.

= Rare, no copy traced.

€ (50-70)
75 1764 Bériot C de 75 1764 Bériot C de
75/1764 Bériot, C. de. École transcendante du Violon. Annexe de la méthode. Op. 123. Mainz, les Fils de B. Schott, n.d. (±1875), (4),125p., entirely lithogr. text and score, orig. wr., sm. folio.

- Contents loosening. Rebacked.

Idem. Méthode de Violon. Op. 102. Paris etc., the author, n.d. (±1860), 1st(?) ed., 3 parts in 1 vol. w. continuous pagination, (2),XII,253,(3)p., 1 lithogr. plate, entirely lithographed, contemp. gilt hcalf, sm. folio.

- Two leaves dam. from fire (affecting score); foxed. Backstrip (sl.) dam. and corners sl. worn.

Baillot, P. l'Art du Violon. Nouvelle méthode Dédiée a ses Elèves. Paris, Imprimerie du Conservatoire de Musique, n.d. (±1840), plate no. 228 Bis, (2),279p., 3 lithogr. plates, entirely lithographed (text and scores), contemp. giltlettered hcalf, sm. folio.

- Partly waterstained in lower half; foxed almost throughout; one leaf w. closed tear. Binding worn/ rubbed along extremities; backstrip dam. at spine-ends.

€ (120-150)
75 1765 Blanchini Veronensis F 75 1765 Blanchini Veronensis F
75/1765 Blanchini Veronensis, F. De tribus generibus instrumentorum musicae veterum organicae dissertatio. Rome, F. Amideus, 1742, XI,(1),58p., engr. title-vignette, head- and tail-pieces and capitals, 8 engr. plates, contemp. vellum, 4to.

- Contents loose(ning), but fine. Backstrip dam.

= Eitner II, p.32; Fétis I, p.407. Rare treatise on ancient musical instruments. SEE ILLUSTRATION PLATE LVI.

€ (250-350)