106 - 571     FINE and APPLIED ARTS, ART REFERENCE

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75 146 Arp H 75 146 Arp H
75/ 146 Arp, H. Arp 1. Prapoganda und Arp. Hannover/ Zürich, Redaktion des Arpverlages, 1923, 1 letterpress leaf printed in red on yellow ground, recto only, 27,5x21,5 cm.

- Fine.

= Probably a proof printed in red, before publishing in MERZ 6, Oct. 1923 and before the captions "Diese Zeitschrift heisst von hinten Merz. a.d. Inhalt: Arp. Tzara. Aufruf. Hirschel-Protsch. Mondrian. Neo Plasticisme. Arab. Sprüche" in upper margin. Verso w. stamp "Epreuve" and w. the collector's stamp of Emile Maeyens in red (Lugt 4178). SEE ILLUSTRATION PLATE IV.

€ (800-1.000)
75 147 L'Art Hollandais à l'exposition internationale des arts décoratifs et industriels modernes 75 147 L'Art Hollandais à l'exposition internationale des arts décoratifs et industriels modernes
75/ 147 L'Art Hollandais à l'exposition internationale des arts décoratifs et industriels modernes. Haarlem, Joh. Enschede, 1925, 155,(3)p., num. ills. i.a. by B.J. EILERS, typography by J. VAN KRIMPEN, orig. cl., 4to.

- Endpapers sl. browned.

= With contibutions by i.a. Berlage, Dudok, Lauweriks, Lion Cachet, Sluyters and Wichman. With loosely inserted letterpress fold. brochure leaf with order form.

€ (40-60) 90
75 148 L'Art Hollandais à l'exposition internationale des arts décoratifs et industriels modernes 75 148 L'Art Hollandais à l'exposition internationale des arts décoratifs et industriels modernes
75/ 148 L'Art Hollandais à l'exposition internationale des arts décoratifs et industriels modernes. Haarlem, Joh. Enschede, 1925, 155,(3)p., num. ills. i.a. by B.J. EILERS, typography by J. VAN KRIMPEN, contemp. gilt green cl., 4to.

- Owner's entry on first free endpaper.

= With contibutions by i.a. Berlage, Dudok, Lauweriks, Lion Cachet, Sluyters and Wichman. With loosely inserted letterpress fold. brochure leaf with order form.

€ (30-50) 30
75 149 Assem M van den  Speybroeck D Van and Prange M 75 149 Assem M van den Speybroeck D Van and Prange M
75 149 Assem M van den  Speybroeck D Van and Prange M 75 149 Assem M van den Speybroeck D Van and Prange M
75 149 Assem M van den  Speybroeck D Van and Prange M 75 149 Assem M van den Speybroeck D Van and Prange M
75 149 Assem M van den  Speybroeck D Van and Prange M 75 149 Assem M van den Speybroeck D Van and Prange M
75 149 Assem M van den  Speybroeck D Van and Prange M 75 149 Assem M van den Speybroeck D Van and Prange M
75 149 Assem M van den  Speybroeck D Van and Prange M 75 149 Assem M van den Speybroeck D Van and Prange M
75/ 149 [Assem, M. van den]. Speybroeck, D. Van and Prange, M. De taal van de dooiwind. Eindh., Timmer Art Books, 2014, 248p., num. (fold.) (double-p.) (full-p.) (col.) ills., orig. pict. boards, large 4to.

- Board sl. stained (w. blue paint?). = With dedication by the artist to ARMANDO on title-p.

Lindhorst, A. and Clifford Kocq van Breugel, E. Jan de Beus. Schilderijen/ Bilder 2000-2006. Oosterhout, idem, 2006, 64p., col. ills, orig. pict. boards, 4to.

= With SIGNED DEDICATION by the artist to ARMANDO on first free endpaper.

Garrel, B. van. Willem den Ouden. Boven de Waal. Varik, De Weideblik, 2010, 111,(1)p., col. ills., orig. (sl. soiled) boards w. mounted col. plate, large 4to.

= With dedication by the author to ARMANDO.

AND 14 others (incl. 2 duplicates), mostly w. dedication by the artist/ author to ARMANDO, i.a. H. PLAAT, Fotocollages 1965-1985 (Amst., 1986, col. ills., orig. wr., sq. 8vo, dedication by the artist to ARMANDO); F. GRIBLING, In search of nowhereland. A space odyssey in 75 lightyears (Amst., 2008, ills., orig. wr., sm. 4to) and P. WAGEMAN, Waanzin en Liefde. Love and madness. Frank van Hemert (Eelde, 2016, num. col. ills., orig. pict. wr., folio, dedication by the artist to ARMANDO).

€ (100-150)
75 150 Bakker B 75 150 Bakker B
75/ 150 Bakker, B. Landschap en Wereldbeeld van Van Eyck tot Rembrandt. Bussum, Thoth, 2004, 486,(1)p., 32 col. plates, num. monochr. ills., orig. cl. w. dustwr. Borchert, T.-H. (ed.). Van Eyck tot Dürer. De Vlaamse Primitieven & Centraal-Europa 1430-1530. Tielt, Lannoo, 2010, 552p., num. col. ills., orig. cl. w. dustwr., 4to. Messling, G. (ed.). De wereld van Lucas Cranach. Een kunstenaar ten tijde van Dürer, Titiaan an Metsys. Ibid., idem, 272p., num. col. ills., orig. gilt boards, 4to. - AND 3 others, i.a. on Michelangelo and Grünewald.
€ (50-70) 50
75 151 Barney M  Spector N 75 151 Barney M Spector N
75/ 151 [Barney, M.]. Spector, N. Matthew Barney. The Cremaster Cycle. New York, Solomon R. Guggenheim Mus., 2002, XV,(1),522,(1)p., num. (full-p.) photogr. plates/ stills from video art by MATTHEW BARNEY, orig. cl. w. transparent dustwr., folio.

= The five films of Matthew Barney's Cremaster project presented in numerological order, with extensive introductory essay, its exhibition history, film credits and screening history and a 'Cremaster Glossary' by Neville Wakefield.

€ (50-70) 60
75 152 Bartsch A 75 152 Bartsch A
75/ 152 Bartsch, A. Le peintre graveur. Leipsic, J.A. Barth, 1866-1876, new ed., 23 vols., 80 engr./ lithogr. plates, contemp. unif. hmor. (1x 4to).

- All vols. binding rubbed/ sl. worn along extremities (one vol. covers also dampstained). Otherwise a good set.

= Including (uniformly bound) the following two vols.: R. WEIGEL, Suppléments au peintre-graveur de Adam Bartsch. Vol.I. Leipsic, 1843, VIII,350p., orig. wr. and a plate vol. with 16 engr. plates by A. BARTSCH after i.a. N. BERCHEM, H. ROOS and J. VAN DER MEER DE JONGE. All published.Arntzen/Rainwater N13: "The foundation work for the modern systematic study of Dutch, Flemish, German and Italian painter-engravers through the 17th century. Although now outdated in many instances, subsequent oeuvre-catalogues and histories refer to Bartsch almost universally and for some lesser artists, Bartsch remains the only, or most important source."

€ (250-350)
75/153 Baselitz G  Georg Baselitz Kunstverein in Hamburg 20 4 21 5 72 75/153 Baselitz G Georg Baselitz Kunstverein in Hamburg 20 4 21 5 72
75/153 Baselitz G  Georg Baselitz Kunstverein in Hamburg 20 4 21 5 72 75/153 Baselitz G Georg Baselitz Kunstverein in Hamburg 20 4 21 5 72
75/ 153 [Baselitz, G.]. Georg Baselitz. Kunstverein in Hamburg. 20.4-21.5.72. Hamb., Kunstverein in Hamburg, 1972, (40)p., (full-p.) (col.) ills., orig. wr., folio.

- Wrappers (sl.) yellowed along margins. Contents fine.

= With loosely inserted overview sheet of 1962-1972 exhibitions and works by the artist.

AND 2 others on the same, i.a. Georg Baselitz. Bilder 1977-1978 (Eindh., 1979, ills., wr., 4to).

= From the library of ARMANDO.

€ (40-60)
75 154 Basquiat J M  Pfeffer Levy G  ed  75 154 Basquiat J M Pfeffer Levy G ed
75 154 Basquiat J M  Pfeffer Levy G  ed  75 154 Basquiat J M Pfeffer Levy G ed
75/ 154 [Basquiat, J.M.]. Pfeffer-Levy, G. (ed.). Jean-Michel Baquiat. Paris, Galerie Enrico Navarra, (2000), 3rd ed., 3 vols., 370; 312; 61,(2)p., num. col. ills., orig. unif. dec. boards, together in orig. dec. board slipcase, 4to.

- Slipcase partly worn on edges. Otherwise fine.

= Sumptuous publication. The most comprehensive catalogue of the oeuvre of Jean-Michel Basquiat (1960-1988).

€ (500-700) 600
75 155 Bauhaus  Kandinsky W 75 155 Bauhaus Kandinsky W
75/ 155 [Bauhaus]. Kandinsky, W. Punkt und Linie zu Fläche. Beitrag zur Analyse der malerischen Elemente. Munich, A. Langen, (1928), 2nd ed., 192,(4)p., 1 col. plate, 127 plates/ ills., orig. cl.

- Binding sl. foxed; frontcover w. some offsetting in lower edge; spine faded.

= Bauhausbücher 9.

€ (250-350) 450
75 156 Bauhaus  Moholy Nagy L 75 156 Bauhaus Moholy Nagy L
75 156 Bauhaus  Moholy Nagy L 75 156 Bauhaus Moholy Nagy L
75/ 156 [Bauhaus]. Moholy-Nagy, L. Živopis' ili Fotografija (Painting or Photography). Russian transl. A.N. Telešev. Moscow, Ogonyok, 1929, 87p., 33 photogr. ills. by i.a. L. MOHOLY-NAGY, A. RENGER-PATZCH, A. STIEGLITZ and MAN RAY, orig. wr. (by ?), sm. 4to.

- Backstrip lacks a portions at spine-ends; frontwr. w. large tear closed on verso and sl. frayed/ creased; sm. stamps on backwr.

= The rare Russian edition of Malerei, Fotografie, Film (Munich, 1925; Bauhausbücher 8) with a different cover design. Parr/ Badger I, p.92; Rowell/ Wye no.851.

€ (300-500)
75 157 Becker F  Wangler W  introd  75 157 Becker F Wangler W introd
75/ 157 [Becker, F.]. Wangler, W. (introd.). Friedrich Becker Kinetische Objekte. Cologne, W. Wangler Verlag der Zeitschift "Symbol", 1985, 39,(4)p., orig. wr., 4to.

- Wrappers trifle dustsoiled.

= One of 75 numb. and signed copies, with the accomp. silkscreen print "Hausfassade Ubierring 6-8" (80x60 cm., signed, "85" and "37/75" in pencil.

€ (40-60)
75 158 Beelden in het heden Stedelijk Museum Amsterdam 24 december 1959 1 februari 1960 75 158 Beelden in het heden Stedelijk Museum Amsterdam 24 december 1959 1 februari 1960
75/ 158 Beelden in het heden. Stedelijk Museum Amsterdam 24 december 1959- 1 februari 1960. Amst., Stedelijk Museum, 1959, (20)p., 5 col. silkscreen lvs. and orig. wr. by W. CROUWEL and LUCEBERT.

- Sm. tear in frontcover. = With loosely inserted menu card of the restaurant, designed by ?

AND 12 other exhibition catalogues/ folders.

€ (50-70) 70
75 159 Bénézit E 75 159 Bénézit E
75/ 159 Bénézit, E. Dictionnaire critique et documentaire des peintres, sculpteurs, dessinateurs et graveurs de tous les temps et de tous les pays. Paris, Gründ, 1976, new ed., 10 vols., frontisp. portrait, num. facsimile signatures, orig. unif. cl.

= Arntzen/ Rainwater E37: "After Thieme-Becker the most useful universal dictionary of artists".

€ (50-70) 50
75 160 Beuys J 75 160 Beuys J
75/ 160 Beuys, J. Postkarten. Heidelberg, Staeck, n.d. (±1975), 26 (of 30?) loosely inserted postcards, orig. board box w. silkscreen lid, 8vo.

- Lacks possibly postcards.

= SIGNED in pencil by artist on frontcover lid. The postcard series was published between 1968 and 1986 by Staeck.

€ (80-100) 80
75 161 Beuys J a o 75 161 Beuys J a o
75/ 161 Beuys, J. a.o. 24 Stunden. Itzehoe-Vosskate, Hansen & Hansen, 1965, 592p., 3 fold. plates, loosely inserted plastic bag with flour, num. full-p. photogr. ills., orig. wr., 12mo.

- Endpapers sl. foxed. A sm. tear in frontcover.

= Documenting the happening "24 Stunden" (24 hours) that began at midnight on June 5, 1965 at the Galerie Parnass in Wuppertal, with artists Joseph Beuys, Bazon Brock, Rolf Jährling, Ute Klophaus, Charlotte Moorman, Nam June Paik, Eckart Rahn and Tomas Schmit. Contains flour in a sealed plastic bag in the final part of the work.

€ (200-300)
75 162 Beuys J  Hafner J and Stüttgen J 75 162 Beuys J Hafner J and Stüttgen J
75 162 Beuys J  Hafner J and Stüttgen J 75 162 Beuys J Hafner J and Stüttgen J
75/ 162 Beuys, J., Hafner, J. and Stüttgen, J. "Ein Vergleich zweier Gesellschaftsformen (...)." "Tragetasche aus Polyäthylen mit Filzplastik" (plastic bag), Art Intermedia Edition, 1971, 74x51,5 cm., printed in black, green and red in 10.000 copies, SIGNED "Joseph Beuys" in red ballpoint on verso.

- Without contents; folded.

€ (50-70) 80
75 163 Beuys J  Hafner J and Stüttgen J 75 163 Beuys J Hafner J and Stüttgen J
75/ 163 Beuys, J., Hafner, J. and Stüttgen, J. "Ein Vergleich zweier Gesellschaftsformen (...)." "Tragetasche aus Polyäthylen mit Filzplastik" (plastic bag), Art Intermedia Edition, 1971, 74x51,5 cm., printed in black, green and (faded) red in 10.000 copies, framed in perspex.

- Without contents; red faded.

€ (30-50) 30
75 164 Beuys J  Ackermann M and Malz I 75 164 Beuys J Ackermann M and Malz I
75/ 164 [Beuys, J.]. Ackermann, M. and Malz, I. Parallel processes. Munich, Schirmer/ Mosel, 2010, 430,(2)p., richly illustrated, orig. boards w. dustwr., 4to. Leve, M. Leve sieht Beuys. Block Beuys Photografien. Göttingen, Steidl, 2004, 255,(1)p., orig. boards w. dustwr., 4to. - AND 11 others by/ on Joseph Beuys, i.a. K. STAECK and G. STEIDL (ed.), Beuys in Amerika (Heidelberg, 1987, plates/ ills., orig. cl., 4to); V. LOERS and P. WITZMANN, Joseph Beuys. Documenta. Arbeit (Stuttg., 1993, num. ills., orig. stiff wr., 4to) and K. STAECK and G. STEIDL (ed.), Joseph Beuys. Das Wirtschaftswertprinzip (Heidelberg, 1990, plates, orig. cl. w. dustwr., 4to).
€ (120-150) 150
75 165 Beuys J  Westermann Amngerhausen H and Täube D  ed  75 165 Beuys J Westermann Amngerhausen H and Täube D ed
75/ 165 [Beuys, J.]. Westermann-Amngerhausen, H. and Täube, D. (ed.). Joseph Beuys und das Mittelalter. Stuttg., Hatje Cantz, 1997, 197p., richly illustrated, orig. cl. w. dustwr., 4to. Adriani, G. a.o. Joseph Beuys. Drawings, Objects and Prints. Ibid., Institute for Foreign Cultural Relations, 1994, 167p., col. (full-p.) ills., orig. stiff wr., 4to. - AND 5 others on the same, i.a. HAUPTSTROM JUPITER. BEUYS UND DIE ANTIKE (Munich, 1993, ills., orig. stiff wr., 4to) and JOSEPH BEUYS WASSERFARBEN (Düsseldorf, 1986, ills., orig. stiff wr., sm. 4to).
€ (50-70) 100