106 - 571 FINE and APPLIED ARTS, ART REFERENCE
75 206 Chagall M Prévert J 
- Fine copy. = Sorlier 89.
75 207 Chagall M Sorlier C 
75 207 Chagall M Sorlier C 
- Very fine copy. = Cramer 89; Sorlier 111.
75 208 Chagall M Sorlier C 
75 209 Chagall M Sorlier C 
- Backwr. trifle creased in upper outer corner. Fine copy.
75 210 Christo 
75/211 Chroniques de l'art vivant Ed J Clair No 1 57 
- Wrappers occas. trifle worn. A good/ fine run (lacks only no.0, published as supplement to Derrière le Miroir, no.173).
= Rare complete run of this important French art periodical of the 1970's, documenting all aspects of contemporary (avant-garde) art, and giving attention to established artists as well as upcoming artists, not only covering fine arts, but also cinema, music, literature, dance and theatre. Includes specials issues on the Russian avant-garde, the USA, Great Britain, Italy, Belgium, Germany, Spain, the (French) province, as well as thematic issues devoted to i.a. realism, death, the city, photography, light and the body.
75/212 Clocks and watches Patek Philippe trade catalogue 
- Spine-ends and letterpiece (sl.) worn. = Rare.
75 213 Clocks and watches Tardy = Lengellé H G 
- Trifle (finger)soiled. Wr. (sl.) creased/ soiled; spine cracked.
Idem. La pendule française des origines à nos jours. Des Origines au Louis XV./ Du Louis XVI á nos jours./ De l'Horloge Gothique á la Pendule Louis XV./ Du Louis XVI à nos jours./ Les Provinces Française Horloges et pendules étrangères. Ibid., idem, 1967-1974, 5 vols., num. (photogr.) ills., orig. unif. wr., large 4to.
- Wrs. sl. soiled/ rubbed.
75 214 Cobra Appel K 
= Slagter 153. Rare.
Idem. Pepie en Jaco. N.pl., Meulenhoff/ Landshoff, 1981, (16)p., 7 full-p. col. ills. and facs. col. text by KAREL APPEL, printed in 1000 numb. copies, orig. clothbacked boards, folio.
= SIGNED by the artist on first free endpaper. Reprint of the ms. made by Appel in Paris, 1951.
Tekeningen van Corneille. Amst., Stedelijk Mus. cat. 246, 1960, (24)p., ills., serigraph wr. in black and red by Corneille, 4to. - AND 10 others, incl. small publications, i.a. P. DAGEN, Constant Graveur (Paris, 2004, (col.) ills., orig. cl. w. dustwr., 4to); K. APPEL, De kleurige onbekende. Gedichten en tekeningen (Amst., 1986, ills., orig. wr., 4to); CONSTANT, Opstand van de homo ludens (Bussum, 1969, orig. wr.) and F. GARCIA LORCA, Dichter in New York (Zaandijk, 1959, ills. and orig. wr. by CORNEILLE).
75/215 Cobra R A Augustini présente trente et une peintures de Asger Jorn du 6 au 31 mai 1960 
= With owner's entry of ARMANDO on title-p.
Shinkichi Tajiri Universal Paradoxes. Ed. H. Westgeest a.o. Leyden, Leiden Publications, 2015, 176p., richly illustrated, orig. boards, square 8vo. Colpaart, A., Wingen, A. a.o. (ed.). Eugène Brands Schilderijen. Amst., Stichting Eugène Brands. 2001, 200p., num. (full-p.) (col.) ills., orig. cl. w .dustwr., square 4to. - AND 5 others, i.a. W. HAZEU, Lucebert. Biografie (Amst., 2018, (col.) plates, orig. boards) and CARL-HENNING PEDERSEN, ELSE ALFELT. Ed. M. Barbusse a.o. (Herning, 1993, richly illustrated, orig. cl. w. dustwr., 4to).
75 216 Codazzi V and N Marshall D R 
75 217 Commercial art Kiljan G 
- Mint.
= Purvis p.128; Maan '82, p.25; Maan/ Van der Ree '90, p.21; Broos/ Hefting p.77; cf. Dooijes/ Brattinga no.203 (larger size, w. sl. variant typography).
75 218 Commercial art Satz und Druckmusterheft 1932 
- A few lvs. sl. foxed. Wr. somewhat soiled and spine-end sl. worn.
= Yearly publication with many examples of mostly German graphic design.
75 219 Commercial art Schlesinger S 
- Spine sl. dam.
= With furniture designs by GERRIT RIETVELD, MIËS VAN DER ROHE, LE CORBUSIER and ANDRÉ LURÇAT. Van Dam/ Van Praag p.110; Timmer, Metz & Co, p.75: "Vanaf 1926 verzorgde de uit Wenen afkomstige reclame-ontwerper Stefan Schlesinger (...) Metz' typografie. De catalogi kregen een moderner en overzichtelijker aanzien (...). Schlesingers koele en evenwichtige zwart-wit ontwerpen pasten goed bij de verstrakking van het meubel en de vereenvoudiging in decoratie die in Metz' collectie optrad in die jaren."
75 220 Commercial art Schubert W F 
= With many examples of German graphic design of posters, advertisements, trademarks etc.
75 221 Commercial art Zwart P 
75 221 Commercial art Zwart P 
- Some wear and tiny scratches. = Rare. SEE ILLUSTRATION PLATE VI.
75 222 Commercial art Zwart P 
75 222 Commercial art Zwart P 
75 222 Commercial art Zwart P 
75 222 Commercial art Zwart P 
75 222 Commercial art Zwart P 
- Stamp and sm. ticket on first free endpaper. Binding some very vague rubbed spots and decoration a few tiny (marginal) imperfections. A very fine copy.
= Copy of the extremely rare DELUXE EDITION of what is generally considered the 'magnum opus' of Piet Zwart, bound in grey cloth w. decoration on front- and backcover in blue, whilst the regular paperbound edition has the decoration in black on a yellow ground. WITH the loosely inserted EXTRA LEAF "?60 50? 60kM 50kV-kabel geleverd en in bedrijf (...)". Brentjens p.166ff; Broos p.46ff; Monguzzi p.39-59; Müller p.49-63 (odd pages only); Spencer p.124f; Purvis p.72ff; Broos/ Hefting p.86f; Andel p.209 and 264; Maan/ Van der Ree p.44; Rattemeyer p.100 ff. "In de zomer van 1926 schrijft Piet Zwart, dat hij bezig is met het ontwerpen van een catalogus 'waarin zeer opmerkelijke dingen komen, waarin ik allerlei experimenten uithaal, die, meen ik, nog niet vertoond zijn op reclamegebied'. Het is de catalogus van de Nederlandse Kabelfabriek, waarvan een nederlandse en engelse versie in 1928 en 1929 verschenen. De catalogus was inderdaad een 'zeer opmerkelijk ding'. De mogelijkheiden van een elementaire typografie, zoals Zwart die enkele jaren had kunnen uitproberen in de NKF-advertenties, werden hier aan één omvangrijk werkstuk gedemonstreerd, samen met de mogelijkheden van de door hemzelf tot op dat moment nog nauwelijks ontgonnen gebieden van fotografie, fotogram en fotomontage (...)" (Broos p.46). "(...) een van de hoogtepunten in Zwarts typografische carrière" (Brentjens p.168); "His first use of photographs was in the 1928-29 catalog for NKF in which he incorporated close-up cross-section photographs of electric cables. Products had never before been presented with such clarity. He achieved a dynamic balance between text, photograph, and white space on the page. Double-page spreads work as single compositions, and the catalogue is distinguished by dramatic contrasts, asymmetry and spaciousness" (Purvis p.72). SEE ILLUSTRATIONS PLATE VI.
75 223 Commercial art Zwart P 
- Vague vertical middle fold in first and final leaf; final few leaves vague fold in lower outer corner. Wrappers partly sunned. Good/ fine copy.
= Brentjens p.182f; Müller p.95ff; Monguzzi p.64f; Purvis p.126; Van Faassen p.42f; Maan/ Van der Ree '90, p.45; Broos '68, no.34; Broos '73, p.67; Broos '96, p.8; Broos/ Hefting p.84; Belleguie p.54; PZ-097; Dutch historical avantgarde typography - The collection Marius Wagner lot 785. "Ook in 1929 verscheen een boekje onder de titel 'Ook post voor u?', dat reclame maakte voor de luchtpost en waarin Piet Zwart vindingrijke typografische vondsten toepaste om de PTT-boodschap zo beeldend mogelijk te begeleiden" (Broos '73, p.64). "De brochure telt zestien [sic] liggende pagina's en krijgt een gehalveerde blauwe omslag (...). De acht rechterpagina's bestemt Zwart hoofdzakelijk voor tekst en hij combineert deze met enkele aansprekende kreten en feiten in een speelse combinatie van zwart en rood. Op de linkerpagina's leeft hij zich voor het eerst volledig uit in fotomontages (...)" (Brentjens p.182). "Zwart designed the booklet to promote air mail titled Ook post voor U (also post for you) in 1929 (...). His exclusive use of lowercase letters precipitated a controversy, and while such was consistent with the new international style, people in general simply considered it to be a blatant desecration of the Dutch language (...). Zwart retorted by saying that he "could not have predicted that there would be such a close semblance between Roman capital letters and pure, undiluted Dutch blood"." (Purvis p.124f). "Ook post van u? (post from you too?) was a small book distributed by the PTT in 1929 to promote its recently introduced mail flights to the Dutch East Indies. Piet Zwart lavishly illustrated the book with montages of news photographs" (Broos '96, p.8).
75 224 Computer art Willsberger J 
- Plasticized.
75 225 Dada Schwitters K Steinitz K and Doesburg T van 
75 225 Dada Schwitters K Steinitz K and Doesburg T van 
- First leaf w. brown stain. = Published as the 5th part of the Dada-Bibliotheek. Facs. reprint of the ed. 1925.
AND 15 similar facsimile publications, i.a. DER DADA NO. 3 (Hamburg, 1978, orig. wr.), DADAMETER (ibid., 1978, orig. wr., 4to), 5x5=25. RUSSIAN AVANT-GARDE EXHIBITION MOSCOW, 1921. A CATALOGUE IN FACSIMILE (Budapest, 1992, 2 vols., together in orig wr.) and T. VAN DOESBURG, Mécano 1 - 4/5 (Amst., 1980, 4 vols., together in orig. cl. portfolio).