4919 - 5415     FINE ARTS - GRAPHIC ART, 16th-19th CENTURY

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74 5219 Passe I C de 1564 1637 74 5219 Passe I C de 1564 1637
74 5219 Passe I C de 1564 1637 74 5219 Passe I C de 1564 1637
74 5219 Passe I C de 1564 1637 74 5219 Passe I C de 1564 1637
74/5219 Passe I, C. de (1564-1637). Visiting the imprisoned. Engraving after GABRIEL SPILBERG, 20,3x25,2 cm. (including caption), 1608.

- Trimmed on/ just within the borderline; brown spot/ stain in lower right corner.

= From the series Opera Misericordiae (Acts of Mercy). Hollstein (German) 468, 1st state of 2. Rare.

Idem. The Circumcision. Christ among the doctors. Two oval engravings after M. DE VOS, 13,8x10,5 cm.

- Ample margins w. some fingersoiling.

= Both from the series of 12 scenes of The Life and Passion of Christ. Hollstein 74 and 77.

€ (100-150) 190
74 5220 Pedro F del 1740 1806 74 5220 Pedro F del 1740 1806
74 5220 Pedro F del 1740 1806 74 5220 Pedro F del 1740 1806
74/5220 Pedro, F. del (1740-1806). "Necquicquam Deus absidit (...)". Engraving after C. VERNET, 29,7x40 cm., "Franco Pedro sculp. ap N. Cavalli Venetijs", "Vernet pinx" and titled in the plate below image (vague middle fold; sm. closed tears in upper edge). - AND 1 other large anonymous engraving.
€ (60-80)
74 5221 Pencz G ±1500 1550 74 5221 Pencz G ±1500 1550
74/5221 Pencz, G. (±1500-1550). "Arthimesia". Copperengraving, 19,1x13,5 cm., monogrammed "GP" in the plate, titled in the plate.

- Lacks portion from upper left margin (w. manuscript restoration); doubled on laid paper; trifle foxed.

= Hollstein 135.

€ (100-150) 325
74 5222 Perelle G 1604 1677 74 5222 Perelle G 1604 1677
74 5222 Perelle G 1604 1677 74 5222 Perelle G 1604 1677
74 5222 Perelle G 1604 1677 74 5222 Perelle G 1604 1677
74/5222 Perelle, G. (1604-1677). (Boys swimming in a river or watching from the river bank). Etching, 15,6x22,8 cm., w. the address of N. Langlois, Paris.

- Trimmed to the border line.

= Probably part of a series of children's activities. See also the print in similar style and size of children playing blindman's bluff in the British Museum (1983,U.394). Earlier state with the printer's address and without the number.

AND 8 others by the same, all landscapes, incl. 3x circular, i.a. with addresses of I.van Merlen, N. Langlois, Le Blond and G. Jollain.

€ (100-150)
74 5223 Perelle G 1604 1677 74 5223 Perelle G 1604 1677
74/5223 Perelle, G. (1604-1677). Paysages ornés de ruines et d'édifices antiques. Two engravings (of 6) from the series, 10x21 cm., "Perelle In et fecit" and "le Blond avec privilège" engr. below the image.

- One print w. vague fold in lower corner; the other sl. foxed. = From the series Le Blanc 71-76.

€ (70-90)
74 5224 Perelle G 1604 1677 74 5224 Perelle G 1604 1677
74 5224 Perelle G 1604 1677 74 5224 Perelle G 1604 1677
74 5224 Perelle G 1604 1677 74 5224 Perelle G 1604 1677
74/5224 Perelle, G. (1604-1677). "Veue de la fonteine de Tyvoli". Etching and engraving, 16,2x21,1 cm. (image), w. the address of N. Langlois, Paris.

Perelle, N. (1631-1677). (River landscape with houses in the background, mule and rider resting along the shore). Etching, 11,1x17,7 cm., "Perrelle In fe" and "11" in the plate.

- Some handcolouring w. red chalk. = Le Blanc 3-152.

AND 5 other etchings by members of the Perelle family, i.a. a harbour view w. a classical ruin by ADAM PERELLE (printed by N. de Poilly). - AND 3 other sm. landscape etchings by R. NOOMS and I.. SILVESTRE.

€ (100-150)
74 5225 Pillement J B 1728 1808 74 5225 Pillement J B 1728 1808
74 5225 Pillement J B 1728 1808 74 5225 Pillement J B 1728 1808
74 5225 Pillement J B 1728 1808 74 5225 Pillement J B 1728 1808
74/5225 Pillement, J.-B. (1728-1808). (Fantasy rococo branches with flowers). Lot of 4 etchings, each ± 35x27,5 cm. (platemark), 1760, 2x signed in the plate.

- All (sl.) fingersoiled.

AND 9 other Rococo ornament prints, some chinoiserie themed, by/ after i.a. F.X. HABERMANN, MODON and F. BOUCHER.

€ (100-150) 100
74 5226 Piranesi G B 1720 1778 74 5226 Piranesi G B 1720 1778
74/5226 Piranesi, G.B. (1720-1778). "Chiesa di S. Carlino alle Quattro fontane". Etching, 12,2x18,5 cm. (incl. caption).

= Focillon 86; Wilton-Ely 73. View on the iconic building by Borromini, that defined Baroque architecture.

€ (60-80) 80
74 5227 Piranesi G B 1720 1778 74 5227 Piranesi G B 1720 1778
74 5227 Piranesi G B 1720 1778 74 5227 Piranesi G B 1720 1778
74/5227 Piranesi, G.B. (1720-1778). "Mattoni quadrati, segati a linee diagonali per formare i Mattoni triangolari." "Parte della gran Muraglia, la quale circondava la grand 'Area dell' Ustrino." Two etchings from the series Le Antichità Romane, 34,9x23,5/ 32,3x23,1 cm., w. "Piranesi Archit. dis. ed inc." below, "Tom. III" and "V"/ "IV" in upper corners.

- Fine. = Wilton-Ely 425/ 424 (watermark R17, late 1760's- early 1770s).

€ (100-150) 100
74 5228 Piranesi G B 1720 1778 74 5228 Piranesi G B 1720 1778
74 5228 Piranesi G B 1720 1778 74 5228 Piranesi G B 1720 1778
74/5228 Piranesi, G.B. (1720-1778). "Pianta del serraglio delle fiere fabbricato da Domiziano per uso dell'anfiteatro." "Veduta di uno de' fianchi della facciata del portico di Ottavia." Two etchings from Le Antichità Romane, 39,5x59,5/ 39,2x58,5 cm., w. "Piranesi Archit. dis. inc." below, "Tom. IV" and "LIII"/ "XLI" in upper corners.

- Waterstain in lower part on fold.

= Ad. 1 Plan of the animal cages of the so-called Curia Hostilia, which form the substructure of the Temple of Divus Claudius, where nowadays stands the basilica of Santi Giovanni e Paolo. They are said to have been the dens of the wild animals used in the nearby Colosseum, but this is dubious. The print shows part of the elevation and the still buried storey below. Wilton-Ely 524/ 510 (watermark R33 or 35, mid 1760's; Focillon 391.

€ (150-250)
74 5229 Piranesi G B 1720 1778 74 5229 Piranesi G B 1720 1778
74 5229 Piranesi G B 1720 1778 74 5229 Piranesi G B 1720 1778
74/5229 Piranesi, G.B. (1720-1778). "Pianta e Frammenti della Camera sepolcrale esisterne nella Vigna Casali a Porta S. Sebastiano." "Scala di Palmi Romani". Two etchings from Le Antichità Romane, 36x50/ 36x51 cm., w. "Piranesi Archit. dis. ed inc." below, "Tom. II" and "LX"/ "XXXVII" in upper corners.

- On paper w. heraldic watermark. No. LX waterstained in upper blank margin w. loss of paper and repairs in lower margin; no. XXXVII dampstained in upper blank margin

= Wilton-Ely 412 / 394 (watermark R33 or 35, early -mid 1760s).

€ (150-250)
74 5230 Piranesi G B 1720 1778 74 5230 Piranesi G B 1720 1778
74/5230 Piranesi, G.B. (1720-1778). "Veduta della gran Piazza e Basilica di S. Pietro (...)." Calcography, 46x70 cm., w. blindst. "Calcografia Regia di Roma" in lower right corner.
€ (70-90) 170
74 5231 Pissarro C 1830 1903 74 5231 Pissarro C 1830 1903
74/5231 Pissarro, C. (1830-1903). Femmes nues. Lithograph on chine collé, 21,5x27,8 cm., w. the artist's monogram stamp and "2/18" in pencil on mount.

- Chine collé loosening; a few vague foxed spots. = Delteil 157.

€ (300-400) 325
74 5232 Pissarro C 1830 1903 74 5232 Pissarro C 1830 1903
74/5232 Pissarro, C. (1830-1903). Vachère au bord de l'eau. Etching, 19,5x12,8 cm., from Gazette des Beaux-Arts, 1904.

= Delteil 93, 8th and final state.

€ (250-350)
74 5233 Ploos van Amstel C 1726 1798 74 5233 Ploos van Amstel C 1726 1798
74 5233 Ploos van Amstel C 1726 1798 74 5233 Ploos van Amstel C 1726 1798
74 5233 Ploos van Amstel C 1726 1798 74 5233 Ploos van Amstel C 1726 1798
74 5233 Ploos van Amstel C 1726 1798 74 5233 Ploos van Amstel C 1726 1798
74 5233 Ploos van Amstel C 1726 1798 74 5233 Ploos van Amstel C 1726 1798
74/5233 Ploos van Amstel, C. (1726-1798). Dronken boer in herberg. Contemp. handcol. printdrawing by B. SCHREUDER after A. BROUWER, 19,1x15,6 cm., with the Ploos stamp on verso.

- Dark stain in upper right corner. = LNP 25.

AND 4 other printdrawings by A. BROUWER, i.a. after A. VAN DE VELDE and J. BOTH (tear).

€ (80-100) 80
74 5234 Ploos van Amstel C 1726 1798 74 5234 Ploos van Amstel C 1726 1798
74/5234 Ploos van Amstel, C. (1726-1798). Kaarssnuitende man. Printdrawing by C. BROUWER after J. LUYKEN, 9,1x12 cm., with the Ploos stamp on verso.

- Tipped onto mount. Fine. = LNP 45, the 2nd state of 2; Van Huffel 76.

€ (70-90)
74 5235 Ploos van Amstel C 1726 1798 74 5235 Ploos van Amstel C 1726 1798
74 5235 Ploos van Amstel C 1726 1798 74 5235 Ploos van Amstel C 1726 1798
74 5235 Ploos van Amstel C 1726 1798 74 5235 Ploos van Amstel C 1726 1798
74/5235 Ploos van Amstel, C. (1726-1798). Zeegezicht met volle maan. Printdrawing after L. BAKHUIZEN, 13,7x20,8 cm., with the Ploos stamp on verso, tipped onto mount.

= LNP 33, 5th or 6th state of 6.

Idem. Man met zak op de schouder bij zonsopgang. Printdrawing after L. BAKHUIZEN, 14,2x21,1 cm., with the Ploos stamp on verso, tipped onto mount.

= LPN 32, 3rd or 4th state of 4.

AND 1 other printdrawing by the same (LPN 41, with the Ploos stamp on verso).

€ (80-100) 130
74 5236 Portraits Brouwer A 1605 1638 after 74 5236 Portraits Brouwer A 1605 1638 after
74 5236 Portraits Brouwer A 1605 1638 after 74 5236 Portraits Brouwer A 1605 1638 after
74 5236 Portraits Brouwer A 1605 1638 after 74 5236 Portraits Brouwer A 1605 1638 after
74/5236 [Portraits]. Brouwer, A. (1605-1638) (after). (Portrait of Jan Jansz., alias of Jan de Dood). Engraving, 17,4x11,8 cm. (incl. caption).

- Browned; soiled; w. sm. holes and marginal tears.

= With a caption citing Cato: "Nec te collaudes, nec te culpaveris ipse. Hoc faciunt stulti, quos gloria vexat inanis". Cf. Hollstein 10 and Hollstein 89 (Bloteling). This state not found. SEE ILLUSTRATION PLATE CX.

Idem. The same print, but with the monogram "AB" in upper left corner and without the caption below.

- Laid down; upper right corner chipped; sl. soiled.

= Probably a later state of the first print. Both prints (very) rare. Probably a copy in reverse of the print by Cornelis Visscher (Hollstein 172).

€ (100-150)
74 5237 Portraits Carracci A 1557 1602 74 5237 Portraits Carracci A 1557 1602
74 5237 Portraits Carracci A 1557 1602 74 5237 Portraits Carracci A 1557 1602
74 5237 Portraits Carracci A 1557 1602 74 5237 Portraits Carracci A 1557 1602
74 5237 Portraits Carracci A 1557 1602 74 5237 Portraits Carracci A 1557 1602
74 5237 Portraits Carracci A 1557 1602 74 5237 Portraits Carracci A 1557 1602
74 5237 Portraits Carracci A 1557 1602 74 5237 Portraits Carracci A 1557 1602
74 5237 Portraits Carracci A 1557 1602 74 5237 Portraits Carracci A 1557 1602
74/5237 [Portraits]. Carracci, A. (1557-1602). (Portrait of grand duke Ferdinand of Tuscany). Engraving, ±1589, 25,8x20,2 cm., engr. caption below.

- Trimmed to/ on the borderline; 2 sm. chips in right en lower edge near lower corner; unevenly browned.

= Rare portrait. Companion to the portrait of the grand duchess of Tuscany by the same artist. With manuscript collector's mark of M. Ferrajoli, topped by a crown in pen and ink (not found in Lugt). Watermark of the leaf shows an eagle inside a shield.

AND 21 other portraits, i.a. of Paulus Pontius (by A. VAN DYCK, New Hollstein 8, 7th state of 7), czar Alexander I of Russia (stipple-engraving by F. VENDRAMINI after L. DE ST. AUBIN), Sebastian Munster (16th cent. engraving. With unidentified collector's mark Lugt 2836); Guillaume de Bloys dict Treslong Admiral de Zelande (engraving by H. WIERIX); Cornelis Ploos van Amstel (engraving after G. VAN DER MIJN. According to contemporary annotation below engraved by J. VAN DER SCHLEY) and king W³adys³aw IV of Poland (large engr., partly after P. SOUTMAN. Poor copy, w. tears and lacking portion. Rare).

€ (200-300) 750
74 5238 Portraits Dyck A van 1599 1641 after 74 5238 Portraits Dyck A van 1599 1641 after
74 5238 Portraits Dyck A van 1599 1641 after 74 5238 Portraits Dyck A van 1599 1641 after
74 5238 Portraits Dyck A van 1599 1641 after 74 5238 Portraits Dyck A van 1599 1641 after
74 5238 Portraits Dyck A van 1599 1641 after 74 5238 Portraits Dyck A van 1599 1641 after
74/5238 [Portraits]. Dyck, A. van (1599-1641) (after). (Portrait of Peter Symons). Engraving, 26,8x19,2 cm., "Jacobus de Man" in the plate in lower right corner below the image.

- Sl. foxed in blank margins; image trifle foxed; two sm. closed tears in lower blank margin.

= Hollstein (Van Dyck) 171, 2nd state of 4. "Engraved by an unknown printmaker, possibly Adriaan Lommelin". With the collector's stamp of L.A. de Vries on verso (not in Lugt).

Suyderhoef, J. (±1613-1686). "Martinus Trompius H.F. Hollandia et Occidentalis Frisiae Rerum Maritimarum Vicepraefectus"." Engr. oval portrait after H. POT, dec. border of laurel and palm leaves and w. i.a. conchs, cannons and smoking cannon balls, 40,7x31,7 cm., captions within cartouche and "H. Pot Pinxit" and "I. Suiderhoef Sculp." in the plate.

- On paper w. grapes watermark. Vague oblique crease; one corner carefully restored (unobtrusive) and another sl. thin; a few specks.

= Hollstein 125; F.M. 5439c.

AND 2 portraits by P. PHILIPPE and M. DE SALLIETH.

€ (70-90)
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