1 - 672 FINE AND APPLIED ARTS, ART REFERENCE
- Dustwrs. discol. mainly at spine; sm. tear at top of spine.
= Arntzen/ Rainwater E133: "An authoritative dictionary (...). Based on original research. Good bibliographies; excellent illustrations."
Immerzeel Jr., j. De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende tot op de helft der negentiende eeuw. Ed. C.H. and C. Immerzeel. Amst., B.M. Israël, 1974, 3 parts in 1 vol., XXXII,300,(2); (4),336,(1); VIII,307,(1)p., frontisp. portrait, num. portraits in text and monograms/ signatures, orig. cl. (fine).
= Facs. reprint of the (second) ed. Amst., 1855.
Kramm, C. De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van den vroegsten tot op onzen tijd. Ibid., idem, 1974, 2 vols., XXIV,960,(1); (6),961-1910,(6),172p., bound unif. w. the preceding (fine).
= Arntzen/Rainwater E130. Facsimile reprint of the ed. Amst., 1857-1864, with the "Aanhangzel".
- Endpapers partly w. sl. abrasions.
= Arntzen/ Rainwater E133: "An authoritative dictionary (...). Based on original research. Good bibliographies; excellent illustrations."
- Vertical fold. throughout; textp. browned. Wrapper foxed and sl. dam. on backstrip.
= Auction catalogue of Galerie Helbing, Munich, 4-6 June 1906.
Wisselingh, E.J. van. Half a century of picture dealing. Introd. J. Veth. Amst., n.publ., 1923, no pagination, num. (col.) ills. on plates, printed in 300 numb. copies, orig. wr., folio.
- Some offsetting from ills. on opposite page.
AND 2 others, i.a. O. VAN TUSSENBROEK, Gebruiks- en siervoorwerpen in het binnenhuis (Amst., (1933), num. photogr. ills., orig. giltlettered wr.).
- Sl. foxed, mainly in blank margins; endpapers browned. Lettering on spine partly worn away.
= Contains an oeuvre-catalogue.
- Bookplate on upper pastedown; sm. stamp on first free endpaper. Dustwr. worn at spine-ends.
= W.L.&J. Brusse 759; Maan p.67.
AND another copy of the same work in orig. (sl. dam.) wr. by P. SCHUITEMA, in custom-made board box.
- A fine set, with the often lacking separately published index.
= Arntzen/ Rainwater K99 (vol. 1). Standard reference work.
= 1. O. VON FALKE and E. MEYER, Romanische Leuchter und Gefäße. Gießgefäße der Gotik; 2. U. MENDE, Die Türzieker des Mittelalters; 3. P. SPRINGER, Kreuzfüße; 4. A.-E. THEUERKAUFF-LIEDERWALD, Mittelalterliche Bronze- und Messinggefäße. Eimer, Kannen, Lavabokessel; 5. P. BLOCH, Romanische Bronzekruzifixe.
Blühm, A., a.o. The Colour of Sculpture, 1840-1910. Amst./ Zwolle, Van Gogh Museum/ Waanders, 1996, 277,(3)p., num. (full-p.) col. photogr. ills., orig cl. w. dustwr., 4to.
- Owner's entry on first free endpaper.
AND 2 others, i.a. C. GIMÉNEZ and S. E. NASH, A Century of Sculpture. The Nasher Collection (New York, 1996, num. ills., orig. cl. w. dustwr., 4to).
- Owner's entry on first free endpaper.
AND 8 others, i.a. Y. KOOPMANS, John Rädecker. De droom van het levende beeld (Zwolle, 2006, num. ills., orig. cl. w. dustwr., large 8vo); J. TEEUWISSE, a.o., De Grote Curve/ The Great Curve. Henri Laurens 1885-1954. Retrospectief/ Retrospective (ibid., 2014, num. ills., orig. pict. boards, 8vo) and J.-L. PRAT, Die Skulpturen der Maler. Malerei und Plastik im Dialog (n.pl. (Berlin), 2008, num. ills., orig. boards w. dustwr., narrow 4to).
= 1. Donatello und seine Zeit; 2. Michelangelo und seine Zeit.
Vlierden, M. van. Hout- en steensculptuur van Museum Catharijneconvent ca. 1200-1600. Zwolle/ Utr., Waanders/ Mus. Catharijneconvent, 2004, 527,(1)p., num. (col.) ills., orig. cl. w. dustwr., 4to. Scholten, F. and Werd, G. de. Een hoge werkelijkheid. Duitse en Franse beeldhouwkunst 1200-1600 uit het Rijksmuseum Amsterdam. Amst., SUN, 2004, 207,(1)p., (col.) ills., orig. cl. w. dustwr., 4to. - AND 5 others, i.a. F. SCHOLTEN a.o., Adriaen de Vries 1556-1626 (Amst. etc., 1998, (col.) ills., orig. cl. w. dustwr., large 4to); T. KUNZ, Skulptur um 1200. Das Kölner Atelier der Viklau-Madonna auf Gotland (...) (Petersberg, 2007, ills., orig. cl. w. dustwr., 4to) and J.W. STEYAERT a.o., Laat-gotische beeldhouwkunst (Ghent, 1994, (col.) ills., orig. cl. w. dustwr., large 4to).
- Vague owner's stamp on title-p.; endpapers sl. discol.
= Bayerisches Nationalmuseum München, Kataloge Band XIII,5.
Meller, S. Die Deutschen Bronzestatuetten der Renaissance. Florence/ Munich, Pantheon Casa Editrice/ Kurt Wolff Verlag, 1926, 49,(1)p., 90 plates, orig. hcl.
- Vague owner's stamp on title-p.
AND 8 others, i.a. L.I. LAUGHLIN, Pewter in America. Its Makers and Their Marks (New York, 1981, 3 parts in 1 vol., ills., orig. hcl. w. dustwr., 4to) and J. MACKAY, The Dictionary of Sculptors in Bronze (Woodbridge, 1977, orig. cl. w. dustwr., 4to).
- Binding of the 2nd vol. partly faded and sl. creased.
= The first 2 vols. from the "International (Parisian) edition" and the 3rd vol. from the "International British Edition".
- Frontwr. trifle faded. Otherwise fine.
- Owner's entry on first page. Wr. sl. worn along extremities; top edge sl. foxed; top of lower joint split over 3 cm. Final blank p. sl. knibbled by silverfish in lower outer corner. Contents otherwise fine.
= The "International edition".