1 - 672 FINE AND APPLIED ARTS, ART REFERENCE
= Maan/ Van der Ree p.30 and 62f; Purvis p.129 and ill. between p.122 and 123; Van Faassen p.43; Maan '82, p.23. "Eveneens voor PTT verscheen in 1932 een gebruiksaanwijzing voor een telefooninstallatie, waarin de mogelijkheden van de combinatie typografie/ fotomontage volledig werden uitgebuit ten behoeve van het instructieve doel. Kiljans strikt zakelijke benadering bereikte hierin de zuiverste vorm. De gelijktijdigheid van verschillende handelingen op verschillende plaatsen drukt hij uit en deelt hij op door middel van fotomontages, grafische middelen en symbolen; in één beeld geeft hij analyse en synthese." (Maan/ Van der Ree p.19f). SEE ILLUSTRATION PLATE III.
- Left corners trifle bumped. Fine. = Maan/ Van der Ree '90, p.61. SEE ILLUSTRATION PLATE IV.
- Wrappers some sl. foxing; otherwise fine.
= A variant of the more common edition published in 1936; cf. PZ-046 and Brentjens p.203. SEE ILLUSTRATION PLATE IV.
- Covers trifle soiled.
= Catalogue raisonnée of the prints made between 1913 and 1925. Sequel of K. Schwarz, Das Graphische Werk von Lovis Corinth (1922).
- Top of spine dam.; covers sl. yellowed.
- Bookplate on upper pastedown.
= Contains facs. text in French by CORNEILLE, with letterpress Italian translation.
Paquet, M. Corneille of de sensualiteit van het gevoel. Dutch transl. L. van 't Hoff. Wijdenes, Jaski Art Productions, (1988), 149,(4)p., (fold.) (col.) ills. by CORNEILLE, orig. cl. w. dustwr., 4to.
- Lacks the four loosely inserted lithographs and orig. cl. box; duswr. sl. soiled. Otherwise fine.
= Copy of the DELUXE edition printed in 200 numb. copies, signed by the author and artist.
- Tape-ghost in corners of first and last free endpaper.
Popham, A.E. Correggio's Drawings. Ibid., O.U.P., 1957, XIX,(1),218p., 110 plates, orig. cl., 4to.
- Tiny chip from top of spine; backstrip some vague cracks, corners trifle rubbed. A fine copy.
= Fine Dutch Art Nouveau publication. Braches 360; Cat. Ned. Boek 16.
- Occas. sticking together due to the used printing technique. = Rare.
Artzien. A monthly review of art in Amsterdam. Amst., Kontexts, 1978-1982, 11 parts in 10 vols., ills., orig. wr.
= Rare periodical with a focus on new, contemporary and innovative art, edited by Michael Gibbs and Harry Ruhé. Comprises: vol.1, no.1, 2, 4, 6, 9; vol.2, no.1, 2/3, 5, 9; and no.28.
Code. No.1, 3 and 4. Amst., n.publ., 1983-1985, 3 vols., plates/ ills., printed in 250 (no.1)/ 450 copies, orig. wr., folio.
= Contains i.a. double-p. silkscreens by F. VAN DEN BROECK (monogr. in pencil), MARTIN VAN VREDEN and ROB SCHOLTE (titled "Utopia" and signed in pencil).
Transit. Tijdschrift aan de muur. 's-Hertogenbosch, exhib. cat. De Moriaan, 1977, (10),69,(4)p., ills., orig. (foxed) wr., ringbinder, A4. - AND 25 issues (incl. 1 duplicate) of other art periodicals, i.a. KUNSTINFORMATIE (no.11, 13, 33, 37, 38 and 40, 1976-1983), KUNST PUBLIKATIE (year 1, no.1 and year 2, no.1, 1978/1979); 1HOUD2 ("Lentenummer", 1987), R.E.M. (6 issues, 1990-1992) and VIDEO FESTIVALKRANT (no.2-6, 1992).
- Dustwr. trifle rubbed and frayed along extremities. Nevertheless an attractive copy.
= English translation of the famous work on extravagant dining by Salvador Dali.
Idem. Les vins de Gala. Paris, Draeger, (1977), 293,(1)p., num. (full-p./ double-p.) (col.) ills. i.a. by S. DALÍ, orig. pict. cl. w. gilt/ embossed dustwr., large 4to.
- Dustwr. trifle rubbed and frayed along extremities. Nevertheless an attractive copy.
= Two identical decks, verso resp. printed in blue and red. Each deck comprises 52 suited cards, plus 2 Jokers, plus a 'title'-card, each 9x5,9 cm., edges gilt and corners rounded.
AND 2 other cardgames, i.a. a set of bridge cards designed by S. DELAUNAY.
= Standard anthology on typography in avant garde art.
- Owner's entry and stamp on first free endpaper. Board edges sl. discoloured.
Fuchs, R.H. (ed.). Markus Lüpertz. Schilderijen/ Paintings. Amst., Stedelijk Museum, 1994, 215,(1)p., richly illustrated, orig. wr., 4to. Glaesemer, J. (ed.). "Das Beobachten des Beobachtens". Markus Raetz. Zeichnungen. Bern, Kunstmuseum Bern, 1977, without pagination, num. (full-p.) (col.) ills., orig. clothbacked boards w. dustwr., 4to.
- Small tear in upper left corner of dustwr. Contents fine.
= With booklet listing exhibited works and advertisements.
Vries, G. de (ed.). Hanne Darboven. Die geflügelte Erde. Requiem. Stuttg., Cantz, 1991, (262)p., orig. wr., 4to.
- Owner's entry and stamp on first free endpaper.
= With 4 gelatine silverprints, i.a. one of the artist (in her home?), according to text on verso by Jim Rakete.
AND 2 others.
- Some foxing.
= With prices in pen and ink behind each work. I.a. the work Arc en ciel, here titled "Regenboog" (no.7) now in the Centraal Museum Utrecht (on loan), priced at 1.000 guilders.
- Upper corner bumped.
Müller, C. (ed.). Bas Jan Ader. Filme, Fotografien, Projektionen, Videos und Zeichnungen aus den Jahren 1967-1976. Braunschweig etc., Kunstverein, 2000, 79,(1)p., (col.) ills., orig. wr., 4to. Hans Haacke. Volume I/ Volume II. Oxford and London/ Eindhoven, Mus. of Modern Art and Tate Gallery, Van Abbemuseum, 1978/ 1984, 2 vols., 82,(2); 116,(8)p., ills., orig. unif. wr., 4to. Mucci, E. Sarenco. Brescia, Edizione UP Arte, 1974, without pagination, ills., orig. wr., folio. - AND 7 others.