103 - 678 FINE AND APPLIED ARTS, ART REFERENCE
= M. Fürst (Grieshaber Katalog) 113; Lutze (Horst Antes Catalogue de l'oeuvre gravé) 1. With loosely inserted the rare orig. prospectus for the book and a fold. brochure for an exhib. at the Groninger Museum.
= Facs. reprint of the ed. 1942.
H. N. Werkman. Kalender 1945. Gron., E. Forsten & Antiquariaat Janny Hazelhoff, 1995, 12 col. lithogr. lvs., printed in 500 numb. copies, loose as issued in orig. board portfolio, folio.
= Facs. reprint of the ed. 1945.
Idem. The Next Call. Utr., Reflex/ Gamm(a), 1995, 9 (of 10) fold. leaves/ parts, loose as issued in orig. board portfolio, sm. folio.
- Lacks one leaf.
= Facsimile reprint of the avant-garde writings by Hendrik Werkman published from September 1923 to November 1926 in Groningen. With the accomp. booklet: J. Martinet, Werkman's Call. A study devoted to Hendrik Werkman and The Next Call, supplemented by detailed descriptions of the successive issues and variant copies of The Next Call, biographical and bibliographical information, and an English translation of all texts (1995, 75p., Dutch/ English text, ills., orig. wr., 4to).
AND 3 others on/by the same: i.a. H.N. WERKMAN 1882-1945, Uit de Blauwe Schuit (Gron., n.d., introd. booklet and 7 facs. booklets, loose as issued in orig. cl. box, folio).
= Contains a catalogue raisonné.
Beeren, W.A.L. Co Westerik. Schilder, peintre, maler, painter. Venlo, Van Spijk, (1981), 204p., (full-p.) (col.) ills., orig. cl. w. dustwr., 4to.
- Sm. dents/ holes in upper pastedown and first 4 lvs. Dustwr. sl. worn.
ADDED 6 others, i.a. on Hendrik Chabot, Jaap Nanninga, Edgar Fernhout and Wout van Heusden.
= Contains a catalogue raisonné of the paintings.
- One quire loose. Bindings sl. worn/ rubbed along extremities.
= The original edition of the "standard dictionary of Dutch and Flemish artists" (Arntzen/ Rainwater E135).
AND 1 other: G.J. HOOGEWERFF, De Noord-Nederlandsche Schilderkunst (The Hague, 1947, 5 vols., orig. unif. gilt cl. Fine).
= One of 70 numb. copies (this copy "VII/X" of 10 Roman numb. copies) signed by the artist, in cloth slipcase together w. a stiff paper folder containing 2 orig. etchings by YSBRANT, both 16x23 cm., signed "Ysbrant '17" and numb. "VII/X" in pencil. With HANDWRITTEN DEDICATION (to Remco Campert) by the artist on the colophon: "dank je lieve vriend".
Ysbrant. Ed. W. Loos. N.pl., Stichting Vrienden van Ysbrant, (2002), 177,(4)p., num. (col.) ills., large 4to.
= Contains contributions by Florent Bex, Remco Campert, Jan Delceir and Wiepke Loos. One of 200 numb. copies bound in full cl., the copy "nr.12" with HANDWRITTEN SIGNED DEDICATION by the artist on the htitle: "Beste Remco, dank je voor het mooiste wat ik ooit gekregen heb. De lange Irene heeft het bizonder koud. je Ysbrant '17".
AND 3 others on the same, 1x w. handwritten signed dedication to Remco Campert.
- The name of Nikolai Bukharin on title-p. and at the end of the introduction blotted out with ink (he was arrested in 1937 and executed the following year; many copies of the book have the introduction pages torn out altogether).
= Monograph on socialist realist artist Konstantin Yuon, laureate of the Stalin prize in 1943.
- Binding trifle rubbed along extremities. Otherwise fine.
Malvasia, C.C. Le Pitture di Bologna. 1686. Ed. A. Emiliani. Bologna, Alfa, 1989, XIX,(1),517,(21)p., num. (col.) (facs.) plates/ ills., orig. boards w. dustwr., large 8vo. - AND 1 other.
- Lower outer corners lvs. sl. dogeared. Wr. sl. creased. = Rare.
- Owner's stamp on first free endpaper of vol.2. Dustwr. worn/ dam.
= Published as vol. VII and VIII of the series l'École de la Nature.
- (Sl.) foxed. Covers sl. soiled/ dampstained. = Rare.
- Backwr. w. crease near spine. Good/ fine copy.
= Zwart/ Hefting; Monguzzi p.16; Maan/ Van der Ree; p.14; Broos '70, p.70; Broos '96, p.44; Broos/ Hefting p.119; Purvis, ill. between p.122 and 123; Purvis/ De Jong p.164f; Forde p.26f; Dooijes p.94f; cf. Van Faassen; Brentjens, p.235ff: "Zoals Zwart zich al in 1930 had voorgenomen, krijgt het boekje inderdaad twee hoofdrolspelers: De Post en J. Zelf. Ze personifiëren respectievelijk het staatsbedrijf en de jeugdige lezer. (...) Hij vervaardigt de personages van opgerolde briefkaarten, papier, textiel en blik. (...) Hij laat ze balanceren op een vrachtwagen of op het dak van een gebouw. Hij plaatst ze achter een postloket, op een wolkendek of laat ze wegzakken in een telefoonboek. (...) In het boek duiken zo nu en dan ook ongewoon zoetsappige tekeningen op die niet de hand van Zwart maar van zijn assistent Dick Elffers verraden."
- Very fine.
= Zwart/ Hefting; Broos '68; Van Faassen p.45; Maan/ Van der Ree p.49. Showing i.a. page 39 from Het boek van PTT.
= Rosbeek 21, with facsimile illustrations of Piet Zwart's work Basis van Economie is Efficiency (Delft, 1924).
Piet Zwart. Typotekt. Amst., Sted. Mus., n.d., (24)p., ills., orig. wr.
= Stedelijk Museum Catalogus No. 257.
Gauss, U. (ed.). Stankowski 06. Aspekte des Gesamtwerks. Aspects of his Oeuve. Ostfoldern, Hatje Cantz, 2006, 405p., richly illustrated, orig. boards, folio. - AND 6 others, i.a. ANTON STANKOWSKI. FOTOGRAFIEN PHOTOS 1927-1962 (Cologne, 1990, ills., orig. boards, 4to) and a few sm. publications on Piet Zwart.