103 - 678 FINE AND APPLIED ARTS, ART REFERENCE
- Occas. sl. ylelowed/ folds.
= Interesting collection of the neo-renaissance building by architects J. Verheul and W.Th.H. ten Bosch. The damages by the bombing during World War II are not visible, even though the drawings were made after that event. Comprising drawings of the façade, cross sections, floor plans and other details.
= SIGNED by G. ARNTZ on frontcover. Printed in an unspecified limited numbered edition. Mint condition.
= Comprises i.a. E. DE KEYSER, L'Occident Romantique (1965); G. DUBY, Adolescence de la Chrétienté Occidentale (1967) and A. CHASTEL, La Crise de la Renaissance (1968).
- Lacks 14 plates; sl. foxed; 2nd vol. bound w. 7 extra title-pages at the end. Bindings rubbed along extremities; corners showing; spines sl. discol./ rubbed.
= Contains a catalogue raisonné of the drawings.
Idem. Jan Asselijn nach 1610 bis 1652. Amst., Van Gendt & Co, 1971, 188p., num. ills., orig. cl. w. dustwr., large 4to.
= Contains catalogue raisonné.
- Corners and spine-ends rubbed (top of spine of vol.1 sl. dam.).
= Celebrated sale of the art collection of the wealthy copper magnate Pierre-Eugène Secrétan, who had to sell his collection when he went bankrupt in 1889.
AND 3 other auction catalogues: Catalogue des Tableaux de Maitres anciens et modernes des écoles Flamande, Française, Hollandaise (...) composant le musée formé à Anvers par Mr. Édouard Kums (Antw./ Paris, 1898, num. plates, contemp. gilt hmor., orig. frontwr. pres., 4to); Catalogue des tableaux anciens et modernes composant la collection Bourgeois Frères (Cologne, 1904, plates, contemp. gilt mor., orig. wr. pres., 4to) and Catalogue des tableaux anciens (...) provenant de la collection Maurice Kann (Paris, 1911, plates, modern hvellum w. red mor. letterpiece, orig. wr. pres., folio. Sl. waterstained in lower margin throughout, affecting plates and text).
- Vol. I plates sl. gluestained along inner margin, not touching image. Both vols. wr. sl. frayed.
= Vincent van Gogh was consulted for the auction of this collection of paintings, which was in two parts. The first part was auctioned in The Hague in 1875, second part in 1876 in Paris. First vol. w. prices and names of buyers.
- Sl. foxed (incl. wr.). = Rare.
= Comprises the sale of the following collections: Baron Königswarter. II. Abteilung: Gemälde alter Meister (1906); Sammlung Stroganoff Leningrad (1931); Galerie Weber Hamburg (1912); Kunstsammlung Oppolzer (1906); Sammlung Theodor Stroeffer (1937); Sammlung aus dem Besitz eines Skandinavischen Kunstfreundes (1908. Binding worn along extremities); Der Sammlung Oscar Huldschinsky (1928. Binding bumped/ worn along extremities); Collections Marczell de Nemes. Catalogues des Tableaux (1931); Collection Jacob Ankersmit (1905; wr. sl. duststained); Catalogues des tableaux anciens (...) Greco, Goya, Rembrandt (...) composant la collection de M. Marczell de Nemes (1913) and Collection of Pictures and Drawings of the late Alexander Young (...) third portion (1910; cloth sl. duststained).
- Folded once.
= First issue of 5, published as tabloid. With the loose insert of the editor. On video art. Rare.
- Spine-ends faded. = French language edition.
AND 2 others: a Dutch edition of the preceding (orig. cl. w. dustwr.) and M. VALLÈS-BLED (ed.), Vlaminck le peintre et la critique (Chartres, 1987, num. (col.) ills., orig. cl. w. dustwr., 4to).
- Covers sl. foxed; two sm. tears in dustwr.
Smeets, A. Van Ensor tot Permeke. Tielt/ Bussum, Lannoo, 1972, 2nd ed., 315,(1)p., num. tipped-in col. plates, num. ills., orig. giltlettered cl. w. dustwr., (sl. dam.) board slipcase, folio.
= Orbis Artium. Utrechtse Kunsthistorische Studieën V. Rare.
- Sl. foxed; sm. marginal tear in final leaf. Wr. soiled; lower portion of backcover torn off. = Rare.
= Still an important work on the subject.
AND 2 others, i.a. A. MAZE-SENCIER, Le livre des collectionneurs (Paris, 1885, ills., orig. giltlettered cl. "Sotheby's Old Master Paintings" stamp on htitle).
- One plate foxed in outer lower blank margin. Otherwise a very fine, unnumb. copy.