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5381 - 5728     FINE ARTS - 16th-19th CENTURY DRAWINGS, WATERCOLOURS and PAINTINGS

Page 2 of 18 Results 21 - 40 of 348
72 5401 Anonymous early 17th cent 72 5401 Anonymous early 17th cent
72/5401 Anonymous (early 17th cent). (Man in robe stepping forward). Drawing, pen and brown ink, 23x15,5 cm. - ON VERSO: part of a sketch in black chalk of a robed man holding a book and pen.

- Leaf sl. soiled; verso partly pasted over w. paper; some holes/ sm. tears from acid biting, repaired on verso w. very thin Japanese.

€ (200-300) 800
72 5402 Anonymous early 17th cent  72 5402 Anonymous early 17th cent
72/5402 Anonymous (early 17th cent.). (Two shepherdesses seated near a fountain and a pillar in an arcadian landscape). Drawing, orange crayon, heightened with white, 10x18 cm.

= Attractive drawing on brownish paper. SEE ILLUSTRATION PLATE LXXIX.

€ (700-900) 700
72 5403 Anonymous 17th cent  Dutch school 72 5403 Anonymous 17th cent Dutch school
72/5403 Anonymous (17th cent., Dutch school). "Huis op de Zeedyk". Drawing, pen and ink, watercolour, lead pencil underdrawing, 17,2x17,2 cm., titled and "Roghman inv. 1664" in pen and ink on verso.

= Perhaps later attribution (?) to Roeland Roghman in pen and ink on verso. According to the extensive annotation on the mount, this house could be identified as one of the houses visible on the plan of Amsterdam by Balthasar Florisz. van Berkenrode, on the Zeedijk, near the St. Anthonisgate. SEE ILLUSTRATION PLATE LXXX.

€ (1.000-1.500) 1100
72 5404 Anonymous 17th cent  Bolognese School 72 5404 Anonymous 17th cent Bolognese School
72/5404 Anonymous (17th cent., Bolognese School). (The Crucifixion of Saint Peter). Drawing in chiaroscuro style after GUIDO RENI, pen and brush and brown ink, heightened w. white, ±40x23,5 cm., in a contemp. wooden carved frame.

- Closed hole in upper part, affecting the hands of the left person and feet of St. Peter; some sm. holes/ tiny tears due to ink corrosion.

= Perhaps by Bartolomeo Coriolano who made several chiaroscuro prints after Reni. According to annotations on verso frame, bought by John O. Goodwin from a Catholic Irish tinkers community in 1972, inherited by his children and from 2018 part of the collection of E.J. Warren (?) from Shipston-on-Stour. SEE ILLUSTRATION PLATE LXXX.

€ (400-600)
72 5405 Anonymous 17th cent  Dutch school 72 5405 Anonymous 17th cent Dutch school
72/5405 Anonymous (17th cent., Dutch school). (A small castle with buildings in a wooded landscape). Drawing, pen and brown ink, heigthened w. white in the sky, 16,8x37,3 cm. (framing line).

- Brown offsetting along edges from former passepartout; sl. (finger)soiled; chip in upper edge.

= On verso a (later?) rough sketch in pencil of a sailing vessel. On laid paper with a partial watermark showing a crowned coat of arms with a horn.

€ (200-300) 1800
72 5406 Anonymous 17th cent  Dutch school 72 5406 Anonymous 17th cent Dutch school
72/5406 Anonymous (17th cent., Dutch school). (Woman standing outside city walls near a stream). Drawing, black chalk and grey wash, 14x17,8 cm.

- A few foxed spots.

€ (100-150) 200
72 5407 Anonymous 17th cent  Flemish school 72 5407 Anonymous 17th cent Flemish school
72 5407 Anonymous 17th cent  Flemish school 72 5407 Anonymous 17th cent Flemish school
72/5407 Anonymous (17th cent., Flemish school). (Christ visiting Martha and Maria). Drawing, pen and brown ink, a few lines in black ink, 19,6x26,5 cm.

= In 2012 an oil on copper painting was sold at Hampel auctions, Munich, with the same subject and the same composition as the drawing above. Most notable are the exact same position of the hands and feet of Christ and the profile of the face of Martha. According to Hampel auctions, it was painted by an unknown Flemish artist in possible cooperation with the artist Jan van Kessel (1626-1679), although the painting was dated 1638. Either this is a prepatory sketch for that painting or after the painting, but there are many details which seem to point to the first suggestion. According to an annotation on the mount, bought at Christies, Amsterdam in november 1988. SEE ILLUSTRATION PLATE LXXX .

ON VERSO: Anonymous (17th cent.). (A female shopkeeper hands a parcel to a beggar monk). Drawing, red chalk, 25,5x19 cm.

€ (700-900) 700
72 5408 Anonymous 17th cent  Flemish school 72 5408 Anonymous 17th cent Flemish school
72/5408 Anonymous (17th cent., Flemish school). (Saint Norbert of Xanten holding a monstrance and staff and overcoming the heretic Tanchelm and the devil). Oil on paper, laid down on panel, 28,8x17,6 cm., framed.

- Sm. portion of paper in lower left corner worn off.

= Appears to be painted on a letterpress broadside, dated "M.DC.III (?) [1603], die XI Februarii". Tanchelm was a dissident preacher from Antwerp.

€ (400-600) 1600
72 5409 Anonymous 17th cent  French school 72 5409 Anonymous 17th cent French school
72/5409 Anonymous (17th cent., French school). (A kneeling young woman holding a thurible). Drawing, red chalk, 21,5x17,2 cm., "Lattiery" or "la Hierry" in pen and ink.

= On 17th cent. laid paper with a watermark showing a bunch of grapes.

€ (300-500)
72 5410 Anonymous 17th cent  72 5410 Anonymous 17th cent
72 5410 Anonymous 17th cent  72 5410 Anonymous 17th cent
72 5410 Anonymous 17th cent  72 5410 Anonymous 17th cent
72/5410 Anonymous (17th cent.). (Abigail, Judith, Maria Prophetessa, Rebecca). Drawing, pen and ink, 8,5x16 cm.

= Perhaps ornamental designs or designs for an illustration.

AND 2 other sm. drawings, both pen and ink, tipped onto the same mount, i.a. showing a man in a robe.

€ (100-150) 325
72 5411 Anonymous 17th cent  72 5411 Anonymous 17th cent
72 5411 Anonymous 17th cent  72 5411 Anonymous 17th cent
72/5411 Anonymous (17th cent.). (Adoration of the infant Christ and the coronation of Mary). Drawing, pen and brown ink, 30,5x20 cm., w. annot. "Parmeziani" in lower right corner.

- Doubled; old folds and tears.

AND a 17th cent. pencil drawing (Presentation in the temple of the Christ Child) after TITIAN.

€ (100-150) 200
72 5412 Anonymous 17th cent  72 5412 Anonymous 17th cent
72/5412 Anonymous (17th cent.). (Apostles Matthew, Jacobus Minor, Bartholomew, Thomas, Simon and John). Counterproof of a red chalk drawing, 29x18,5 cm.

- Leaf sl. (finger)soiled.

€ (250-350) 250
72 5413 Anonymous 17th cent  72 5413 Anonymous 17th cent
72/5413 Anonymous (17th cent.). (Christ as a gardener). Drawing, pen and brown ink and brown wash, 17,7x17,8 cm.

- Restored; laid down on mount.

= With attribution to F. Zuccarro (1539-1609) on mount. With unidentified collector's mark ("XIIII" topped by a crown, printed in red). SEE ILLUSTRATION PLATE LXXXI.

€ (300-500) 900
72 5414 Anonymous 17th cent  72 5414 Anonymous 17th cent
72/5414 Anonymous (17th cent.). (Cimon and Pero). Drawing, pen and ink, 8x8,6 cm.

- Trifle soiled. = SEE ILLUSTRATION PLATE LXXXI.

€ (300-500) 300
72 5415 Anonymous 17th cent  72 5415 Anonymous 17th cent
72/5415 Anonymous (17th cent.). (A classical figure throwing a sacrifice in a font with fire). Drawing, black chalk, 22,7x15,7 cm, on pink tinted paper.

- Sl. soiled.

= With the collector's marks of Victor Wintrop Newman (Lugt 2540) and an unidentified mark "A?" or "R?" on recto.

€ (200-300) 230
72 5416 Anonymous 17th cent  72 5416 Anonymous 17th cent
72/5416 Anonymous (17th cent.). (Diana and Calisto). Drawing, pen and brown ink, red chalk underdrawing, 21,5x15,5 cm.

- Tiny tear near left edge from acid biting.

= With an unidentified and unread oval red collector's mark. SEE ILLUSTRATION PLATE LXXXI.

€ (500-700) 1300
72 5417 Anonymous 17th cent  72 5417 Anonymous 17th cent
72/5417 Anonymous (17th cent.). (A dilapidated well). Drawing, red chalk, 12x19,7 cm., monogram (?) "D".

= On laid paper with small monogram watermark "LR" or "LB". SEE ILLUSTRATION PLATE LXXXII.

€ (500-700) 2000
72 5418 Anonymous 17th cent  72 5418 Anonymous 17th cent
72/5418 Anonymous (17th cent.). (A dilapidated windmill). Drawing, graphite, grey wash, 30x23,5 cm.

= SEE ILLUSTRATION PLATE LXXXI.

€ (250-350) 300
72 5419 Anonymous 17th cent  72 5419 Anonymous 17th cent
72 5419 Anonymous 17th cent  72 5419 Anonymous 17th cent
72/5419 Anonymous (17th cent.). "De Groenstraat Doelen van den handboog en colveniers". Drawing, pencil, 19,5x35,7 cm., annotation in pencil and pen and ink.

= The seventeenth century annotation in pencil is overwritten in pen and ink in 19th century handwriting. View of the Groenstraat in Mechelen, Belgium, towards the Onze-Lieve-Vrouw-over-de-Dijle church. With small annotations, i.a. next to the churchtower "wat hooger". On verso a drawing of samples of the ionic order in pen and ink (perhaps copied after a book illustration), dated "30 april 1624" and small sketches in pencil, i.a. people with a bow and arrow and some buildings. SEE ILLUSTRATION PLATE LXXXII.

€ (300-500) 750
72 5420 Anonymous 17th cent  72 5420 Anonymous 17th cent
72/5420 Anonymous (17th cent.). (A group of three men and a man walking away). Drawing, graphite, heigthened w. white chalk, 14,5x15 cm., on grey prepared paper.

- Vague waterstain near left edge; drawing sl. faded; tiny duststains.

= With part of an unidentified collector's mark in lower right corner recto. SEE ILLUSTRATION PLATE LXXXIII.

€ (800-1.000)