117 - 861     FINE AND APPLIED ARTS, ART REFERENCE

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70 217 Bódi K 70 217 Bódi K
70/ 217 Bódi, K. St. Galler Abenteuer. Hartung, Tàpies, Uecker und das Erker-Phänomen. Budapest, Museum der Bildenden Künste, 2012, 198p., German and Hungarian text, (col.) ills., orig. wr., folio.

= One of 300 numb. copies w. the fold. wr. (unfolded 75x32 cm.) by Günther Uecker SIGNED and dated in pencil.

Aubertin, B. 75x Aubertin. N.pl., Stiftung für konkrete Kunst, 2009, 2 textp. and 94 full-p. col. photogr. ills., orig. pict. boards, obl. 8vo.

= SIGNED "Bernand Aubertin 29-07-2009" in pencil on first free endpaper and w. loosely inserted SIGNED invitation for an exhib. on ZERO at the Museum Kunst Palast Düsseldorf, 2006.

AND 5 others on GETULIA ALVIANI, HANS BISCHOFFSHAUS, JAN HENDERIKSE, HENK PEETERS (w. loosely inserted New Year wish) and HERMAN DE VRIES.

€ (100-150) 150
70 218 Bois J H de 70 218 Bois J H de
70/ 218 Bois, J.H. de. Collection of 41 publications, 1924-1945.

- Some occas. foxing; a few Bulletins w. postal stamp.

= Johannes Hendricus de Bois founded his art dealership in 1913, at the Kruisweg 68 in Haarlem. He specialized in 19th and 20th century French art, and was an expert in the field of printmaking. He was the one who introduced artists like Rassenfosse, Kollwitz and Kees van Dongen to the Dutch art-loving public. His art dealership was well known, even internationally, and very succesful until his death in 1946. This collection comprises 31 Bulletins (no. 74, 1924 - no. 190, 1945; incl. Fondscatalogus belonging to (or being?) Bulletin 101, 1928 (incl. supplement); Editions d'art 1930 Fonds Catalogus 2de supplement belonging to (or being?) Bulletin 109; "Invitatie Januari-Februari 1932 Expositie van werken door P. Ouborg" belonging to (or being?) Bulletin 126), 4x Bulletin Prentkunst-Kwartaalschrift 1941 A./ B./ C.D./ 1942 A., Zomer-Tentoonstelling 1928 catalogue, Catalogus Zomer 1942 and Herfst 1942, and advertising card "Expositie van reproducties naar moderne kunstwerken in kleuren-lichtdruk à f10".

€ (200-300) 200
70/ 219 Boltanski, C. Les vacances à Berck-Plage (Août 1975). Stuttg., Oktagon, 1995, no pagination, 22 orig. col. mounted photographs by C. BOLTANSKI, printed in 500 numb. and signed copies, orig. giltlettered cl., sm. 8vo (fine). - AND 10 others by/ on the same, incl. duplicates and small publications, i.a. C. BOLTANSKI and C. GRENIER, The possible life of Christian Boltanski (Boston, 2009, ills., orig. boards w. dustwr. SIGNED by the artist on htitle) and J. FLAY (ed.), Christian Boltanski. Catalogue. Books, Printed Matter, Ephemera 1966-1991 (Cologne etc., 1992, ills., orig. boards, 4to).
€ (150-250) 170
70/ 220 Boschloo, A.W.O. a.o. Aemulatio. Imitation, emulation and invention in Netherlandish art from 1500 to 1800. Essays in honor of Eric Jan Sluijter. Zwolle, Waanders, 2011, 512p., richly illustrated, orig. cl. w. dustwr. Kröll, K. and Steger, H. Mein ganzer Körper ist Gesicht. Groteske Darstellungen in der europäischen Kunst und Literatur des Mittelalters. Freiburg i.Br., Rombach, 1994, 450,(2)p., num. (col.) ills., orig. wr.

= Rombach Wissenschaft - Reihe Litterae vol. 26.

Jacques Callot. 1592-1635. Paris, Réunion des Musées Nationaux, 1992, 559,(1)p., richly illustrated, orig. boards w. dustwr., large 4to. - AND 6 others, i.a. R. HUGHES, Goya (London, 2003, num. col. ills., orig. boards w. dustwr.); H. LANGDON, Caravaggio: a Life (London, 1998, num. (col.) plates and ills., orig. boards w. dustwr.) and C. QUARLES VAN UFFORD, Andreas Schelfhout (1787-1870) Landschapschilder in Den Haag (Leyden, 2009, num. (col.) ills., orig. boards w. dustwr., large 4to).

€ (70-90)
70/ 221 Boyens, J. Oscar Jespers. Zijn beeldhouwwerk met een overzicht van de tekeningen (...). Antw., Mercator-Plantijn, 1982, (8),421p., ills., orig. cl. w. dustwr., 4to (fine). Hoozee, R. a.o. Theo Van Rysselberghe neo-impressionist. Ghent, Pandora, 1993, 205,(2)p., col. ills., orig. cl. w. dustwr., 4to (fine). - AND 3 others, all on Henry van de Velde, i.a. K.J. SEMBACH and B. SCHULTE, Henry van de Velde. Een Europees kunstenaar in zijn tijd (Ghent, 1993, ills., orig. pict. wr., 4to).
€ (50-70) 50
70/ 222 [Brands, E.]. Colpaart, A. (ed.). Eugène Brands. Werk op papier./ Collages en Assemblages./ Schilderijen. Amst., Stichting Eugène Brands, 1997-2001, 3 vols., 192; 96; 200p., richly illustrated, orig. unif. cl. w. dustwr., obl. 4to, together in blindst. cl. dropback box.

- Mint. = All copies w. manuscript dedication by the editor on first free endpaper.

€ (80-100) 80
70/223 Braque G  Derrière le Miroir No 4 and 48 49 70/223 Braque G Derrière le Miroir No 4 and 48 49
70/ 223 [Braque, G.]. Derrière le Miroir. No.4 and 48-49. Paris, Ed. Pierre à Feu, Maeght, 1947-1952, reprint ed./ 1st ed., 2 vols., (8); (16)p., in total 6 col. lithogr. plates (incl. wr.) by G. BRAQUE, orig. wr., folio.

- First vol. a reprint ed. Second vol. sl. foxed.

AND 1 other: ROBERT DELAUNAY (Amst., exhib. cat. Stedelijk Museum, 1957, orig. wr. w. pochoir col. design by R. DELAUNAY on frontwr. Wrappers sl. yellowed./ trifle foxed).

€ (150-250)
70 224 Braque G  Reverdy P 70 224 Braque G Reverdy P
70 224 Braque G  Reverdy P 70 224 Braque G Reverdy P
70 224 Braque G  Reverdy P 70 224 Braque G Reverdy P
70/ 224 [Braque, G.]. Reverdy, P. Braque. (Paris), F. Mourlot, 1949, 60,(4)p., 1 pochoir col. lithograph ("l'Aquarium multi-colore"), (hand)col. frontisp., 11 col. plates (1x double-p.), num. ills. and orig. wr. by G. BRAQUE, printed in 265 numb. copies signed by the author and the artist (250), loose as issued in orig. wr., in orig. cl. box, folio.

- Occas. sl. foxed (not affecting the orig. lithograph or the plates).

€ (500-700) 500
70 225 Brouwn S 70 225 Brouwn S
70/ 225 Brouwn, S. 1 step - 100000 steps. Utr./ Amst., Utrechtse Kring and Art & Project, 1972, no pagination, printed in 275 copies, orig. wr.,

= Rare. Conceptual artist's book with each page filled with rows of xerox-printed lines going from "1 step", "2 steps", "3 steps" etc. all the way to "100000 steps". SEE ILLUSTRATION PLATE VI.

€ (300-500) 500
70/ 226 Bryson, N., Fer, B., Sanromán, L. and Adrichem, J. van. Anya Gallaccio. London, Ridinghouse, 2013, 254,(2)p., richly illustrated, orig. cl. w. dustwr., 4to (very fine). Harris, S. a.o. Richard Tuttle. Amst./ The Hague, Institute of Contemp. Art/ Sdu, 1991, 203p., num. (col.) (full-p.) ills., orig. cl. w. dustwr., 4to. - AND 2 others: L.B. LARSEN a.o., The Populism Catalogue (New York, 2005, (col.) (full-p.) ills., orig. cl. w. dustwr., obl. sm. 4to) and S. STEINER a.o., Wolfgang Walkensteiner Mut des Malers (Klagenfurt/ Vienna, 1999, num. (col.) (full-p.) ills., printed in 1000 copies, orig. boards, 4to).
€ (50-70)
70 227 Buranelli F  pref  70 227 Buranelli F pref
70/ 227 Buranelli, F. (pref.). The Last Judgement. I. The Restoration/ II. The Plates. New York, Rizzoli, 1999, 2 vols., VII,359; without pagination, num. (full-p.) (col.) ills., orig. unif. gilt cl., slipcase, folio.

= A sumptuous publication.

(Pfinzing, M.). Kaiser Maximilian I. Die Abenteuer des Ritters Theuerdank. (Cologne), Taschen, n.d. (2003), without pagination, num. col. ills., orig. dec. cl., folio.

- Without the commentary booklet. = Facs. reprint of a handcol. copy of the 1517 ed.

AND 2 monographs on Caravaggio and Titian.

€ (40-60) 40
70/228 Cahiers d'art Lot of 60 issues in 30 parts from year 1 14 70/228 Cahiers d'art Lot of 60 issues in 30 parts from year 1 14
70/ 228 Cahiers d'art. Lot of 60 issues in 30 parts from year 1-14, Paris, Cahiers de'Art, 1926-1939, 29 vols., num. (full-p.) ills., orig. wr., folio.

- Wrappers partly foxed/ occas. soiled and w. usual wear; some backstrips dam.

= Parts for the first years of one of the greatest modern art periodicals ever published, with much attention given to Picasso, Chagall, Dufy, Matisse, De Vlaminck, Masson, Braque, but also to architecture and primitive art. Arntzen/ Rainwater Q124: "An important source for modern art; occasional articles on earlier art periods allied to contemporary movements; fine color plates". Comprises year 1, no.6 (margins of wr. dam. by silverfish, partly repaired); year 2, no.1, 2, 4/5, 7/8, 10; year 4, no.4, 5, 6; year 5, no.1, 2, 3, 4, 5, 10; year 6, no.3, 4, 7/8; year 7, no.6/7, 8/10 (sl. waterwrinkled); year 8, no.7/10; year 9, no.1/4 (lacks the lithograph by Miró; last part waterwrinkled in upper margin), 5/8; year 10, no.1/4, 5/6; year 11, no.3/5 (Dessins de Matisse), 6/7 (special issue on Surrealism), 8/10; year 13, no.1/2; year 14, no.5/10.

€ (600-800) 600
70/229 Cahiers d'art Year 20/21 33/35 70/229 Cahiers d'art Year 20/21 33/35
70/ 229 Cahiers d'art. Year 20/21-33/35, Paris, Cahiers d'Art, 1945/46-1958/60, 13 (of 19) vols., num. (col.) (tipped-in) plates, (full-p.) ills., orig. wr. (1x later cl.), folio.

- Lacks year 23/ part 2, 24, 25/ 2 and 26. Year 20/21 lacks backstrip and wr. worn; year 29/1 wr. stained and worn/ sl. dam. and 29/2 top of spine sl. dam.; year 31/32 clothbound and w. scattered libr. stamps. Wrappers partly occas. soiled and w. usual wear; some backstrips dam.

= Year 33/35 was the last year published of this periodical, one of the greatest modern art periodicals ever published. Year 1950/ part 1 w. pochoir col. print by BALLA on frontwr. Arntzen/ Rainwater Q124: "An important source for modern art; occasional articles on earlier art periods allied to contemporary movements; fine color plates".

€ (300-500)
70 230 Carrier Belleuse A 70 230 Carrier Belleuse A
70/ 230 Carrier-Belleuse, A. Application de la figue humaine à la décoration et à l'ornementation industrielles. Collection of 200 helio-engr. plates, 1884, Paris, Guerinet, printed by Goupil et cie., kept in modern portfolio.

- Margins cut short(er), sometimes w. loss of caption.

= Rare collection of plates, reproducing the designs by the French sculptor Albert-Ernst Carrier-Belleuse.

€ (300-500)
70/ 231 Cavanah Murphy, J. The Arabian Antiquities of Spain. Zurich, TRI Publishing, 1982, 2 vols., (4),21; (8),19,(1)p., 97 plates in 1st vol., printed in 1000 numb. copies (500), orig. unif. silverlettered cl., matching slipcase, folio.

= Reprint of the 1815 edition. One of 500 numb. copies w. supplement in Arabic.

€ (70-90) 90
70/ 232 Celant, G. Arte povera. Milan, G. Mazzotta, 1969, 240p., illustrated throughout, orig. pict. wr., square 8vo (sm. stamp on backwr.). Laabs, A. (ed.). La Poetica dell' Arte Povera. Ostfildern, Hatje Cantz, 2003, 239p., num. ills., orig. pict. boards, 4to. - AND 1 other on Arte Povera.
€ (70-90)
70 233 Celant G  ed  70 233 Celant G ed
70/ 233 Celant, G. (ed.). Art Povera. Conceptual, Actual or Impossible Art? London, Studio Vista, 1969, 240p., num. ills., orig. wr.

- Small stamp on htitle. Sl. yellowed.

€ (40-60) 80
70/234 Ceramics  Chinese Porcelain The S C Ko Tianminlou Collection 70/234 Ceramics Chinese Porcelain The S C Ko Tianminlou Collection
70/ 234 [Ceramics]. Chinese Porcelain. The S.C. Ko Tianminlou Collection. Hong Kong, Hong Kong Museum of Art, 1987, 2 vols., 29; 237p., num. col. ills. (on plates), orig. unif. blindst. cl., folio.

- Spine and backcover vol. 2 trifle stained.

€ (100-150) 230
70/ 235 [Ceramics]. Oort, H.A. van. Chinese Porcelain of the 19th and 20th centuries. Lochem, De Tijdstroom, 1977, 198p., over 275 (col.) ills., orig. cl. w. dustwr.

- Dustwr. sl. frayed, otherwise fine. = Scarce work.

AND 1 other similar. - ADDED: 4 others, i.a. a fine copy of Y. BRUNHAMMER, René Lalique Bijoux d'exeption 1890-1912 (Milan etc., 2007, richly illustrated, orig. boards w. dustwr., 4to) and D.F. CERA, Glanzstücke - Modeschmuck vom Jugendstil bis zur Gegenwart (Munich, 1991, richly illustrated, orig. wr., 4to).

€ (50-70) 50
70/ 236 [Ceramics]. Simões, J.M. dos Santos. Azulejaria em Portugal nos Séculos XV e XVI. Introdução geral./ - no Século XVII. Lisbon, Fundaçao Calouste Gulbenkian, 1969-1971, 3 vols., 197,(1); 240; 309,(2)p., maps, (fold.) col. plates, orig. unif. giltlettered cl. w. dustwr., 4to.

= Vol. 1 with AUTOGRAPH SIGNED DEDICATION on verso htitle.

AND 2 others similar by the same: Azulejaria Portuguesa nos Açores e na Madeira (1963) and Azulejaria Portuguesa no Brasil 1500-1822 (1965).

€ (100-150) 300