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117 - 861     FINE AND APPLIED ARTS, ART REFERENCE

Page 11 of 38 Results 201 - 220 of 745
70/ 317 [Drawings]. Bolten, J. Method and Practice. Dutch and Flemish Drawing Books 1600-1750. Landau, PVA, 1985, 373,(3)p., num. ills., orig. cl. w. dustwr. Fischer, C. Fra Bartolommeo Master Draughtsman of the High Renaissance. Rott./ Seattle/ London, Mus. Boymans-Van Beuningen, 1990, 415p., richly illustrated, orig. cl. w. dustwr., large 4to.

- Sm. neat tear in dustwr. at top of lower joint.

Schapelhouman, M. and Schatborn, P. Dutch Drawings of the Seventeenth Century in the Rijksmuseum, Amsterdam. Arists born between 1580 and 1600. Amst./ London, Rijksmuseum/ Merrell Holberton, 1998, 2 vols., text vol.: VIII,248p.; plate vol.: 256p., 18 col. plates, 481 monochr. ills., orig. unif. cl. w. dustwr., 4to.

- Text vol. partly trifle dampstained in upper outer corner. Both vols. dustwr. sl. waterwrinkled in top margin.

AND 4 others, i.a. M. HIRST, Michelangelo and his Drawings (New Haven/ London, 1996, 3rd ed., num. (col.) plates, orig. wr.).

€ (50-70) 50
70/ 318 [Drawings]. Comyns Carr, J. (introd.). The Grosvenor Gallery Illustrated Catalogue. Winter exhibition (1877-1878) of drawings by the old masters, and water-colour drawings by deceased artists of the British School. London, Librairie de l'Art/ Chatto & Windus, (1877), XXXVI,158p., 14 (tinted) photo-engr. plates, contemp. cl. w. mor. letterpiece, t.e.g., large 4to.

- One plate and text leaf loose(ning). Covers stained; upper joint splitting; part of letterpiece lacking.

Robinson, J.C. Descriptive Catalogue of the Drawings by the Old Masters, forming the Collection of John Malcolm of Poltalloch, Esq. Ibid., privately printed at the Chiswick Press, 1869, XI,(1),280p., orig. gilt cl.

- Spine-ends sl. worn.

AND 2 others, i.a. J.C. ROBINSON, A Critical Account of the Drawings by Michel Angelo and Raffaello in the University Galleries, Oxford (Oxf., 1870, ills., orig. gilt cl.).

€ (80-100) 80
70/ 319 [Drawings]. Denon, V. Monuments des arts du dessin chez les peuples tant anciens que modernes (...) pour servir à l'histoire des arts; Lithographiés par ses soins et sous ses yeux. Décrits et expliqués par Amaury Duval. Paris, Brunet Denon, 1829, 4 vols., 314 (col./ tinted) lithogr. plates, contemp. unif. gilt green hmor., large folio.

- Occas. foxed; a few plates sl. wrinkled. Bindings sl. worn along extremities; corners bumped.

= Rare, complete copy (one print numbered separately, but printed together with another print on one leaf (plate 192bis printed on plate 181) and one plate skipped because it was already included in a previous vol. (plate 186 = plate 111)). A work of such an enormous scope that Denon, having begun it in 1814, left it unfinished at his death in 1825. It was published posthumously in 250 copies only. Brunet II, p.598; Thieme-Becker IX, p.79.

€ (500-700) 500
70/ 320 [Drawings]. Fuhring, P. Design into Art. Drawings for Architecture and Ornament. The Lodewijk Houthakker Collection. The Hague, Gary Schwartz/ SDU, 1989, 2 vols., 792p., richly illustrated, printed in 1000 numb. copies, orig. unif. cl. w. dustwr., slipcase, 4to (fine).
€ (150-250) 150
70/ 321 [Drawings]. Die Handzeichnungen von Guglielmo Cortese und Giovanni Battista Gaulli./ Die Handzeichnungen von Giuseppe Passeri. Both ed. D. Graf. Düsseldorf, Kunstmus. Düsseldorf, 1976-1995, 2 parts in 4 vols. (incl. 2 plate vols.), richly illustrated, orig. unif. wr.

= Kunstmuseum III, 2/1, 2/2, 5/1 and 5/2.

Berge-Gerbaud, M. van. Rembrandt en zijn school. Tekeningen uit de collectie Frits Lugt. Paris, Fondation Custodia, 1997, XXIX,(1),294,(3)p., num. (col.) plates and ills., orig. cl. w. dustwr., 4to. - AND 4 others, i.a. C. FISCHER, Fra Bartolommeo Master Draughtsman of the High Renaissance (...) (Rott. etc., 1990, richly illustrated, orig. cl. w. dustwr., large 4to).

€ (70-90)
70/ 322 [Drawings]. Lugt, F. Inventaire général des dessins des écoles du nord. Maîtres des anciens Pays-Bas nés avant 1550. Paris, Musées Nationaux Palais du Louvre, 1968, (6),XIV,147,(17)p., 203 plates, facs. plates of watermarks, orig. cl., 4to.

- Fine.

= Arntzen/ Rainwater L69: "The final volume of the series of inventory catalogues of the Dutch and Flemish schools and the culminating achievement of the author."

Sciolla, G.C. I Disegni Fiamminghi e Olandesi delle Biblioteca Reale di Torino, con un saggio sulle carte e le filigrane di Piera Giovanna Tordella. N.pl., L.S. Olschki, 2007, XXIV,397,(5)p., col. plates and 22 col. ills. on 16 plates, 320 monochr. ills., 100 ills. of watermarks, orig. giltlettered (trifle waterstained) cl., sm. folio.

= Publ. as vol. 7 in the series Rariora et Mirabilia.

AND 2 others similar, i.a. P. SCHATBORN, Tekenen van warmte. 17e Eeuwse Nederlandse tekenaars in Italië (Amst./ Zwolle, 2001, richly illustrated, orig. cl. w. dustwr., large 4to).

€ (50-70) 70
70/ 323 [Drawings]. Musée Wicar. Catalogue des Dessins et Objets d'Art légués par J.-B. Wicar. Lille, Lefebvre-Ducrocq, 1856, XXII,332p., modern hleather, orig. wr. pres. Chennevièrs, Le Marquis de. Les Dessins de Maitres Anciens exposés à l'École des Beaux-Arts en 1879. Paris, Gazette des Beaux Arts, 1880, (6),156p., plates, ills., contemp. gilt hmor., t.e.g., 4to.

- Joints and spine-ends rubbed.

AND 8 other catalogues of drawings, i.a. in the Musée National du Louvre.

€ (50-70)
70/ 324 [Drawings]. Reveley, H. Notices illustrative of the Drawings and Sketches of some of the most Distinguished Masters in all the Principal Schools of Design. London, Longman etc., 1820, XXVII,(1),278p., lithogr. plate, contemp. boards w. mor. letterpiece.

- Partly foxed; bound w. a large number of clippings, (later) manuscript annots. etc.

Robinson, J.C. Descriptive Catalogue of the Drawings by the Old Masters, forming the Collection of John Malcolm of Poltalloch, Esq. Ibid., privately printed at the Chiswick Press, 1876, 2nd ed., XIII,(3),284p., orig. gilt cl.

- Binding trifle scratched and rubbed.

AND 1 other: L. FAGAN, Handbook to the Department of Prints and Drawings in the British Museum (London, 1876, engr. frontisp., orig. cl.).

€ (100-150)
70/ 325 [Drawings]. Weigel, R. Die Werke der Maler in ihren Handzeichnungen. Beschreibende Verzeichniss der in Kupfer gestochenen, lithographirten und photographirten Facsimiles von Originalzeichnungen grosser Meister. Leipsic, R. Weigel, 1865, 2 parts in 1 vol., XVI,85,(3); 760p., sl. later hcl., orig. wr. pres.

- Bookplate on upper pastedown. A fine copy.

= Rare catalogue listing plates in various techniques after the paintings of the great masters.

Catalog einer Sammlung von Original-Handzeichnungen der deutschen, holländischen, flandrischen, italienischen, französischen, spanischen und englischen Schule. Gegründet und hinterlassen von J.A.G. Weigel in Leipzig. Ibid., T.O. Weigel, 1869, IV,244p., orig. (trifle worn) hcl. - AND 1 other: W. KOOPMANN, Raffaels Handzeichnungen (Marburg, 1897, orig. wr. Backwr. loose).

€ (80-100)
70/ 326 [Dubuffet, J.]. Abadie, D. Dubuffet. Paris, Centre Pompidou, 2001, 459,(1)p., num. (col.) ills., orig. stiff wr., 4to. Jean Dubuffet. A Retrospective. New York, Solomon R. Gugenheim foundation, 1973, 304,(1)p., ills., orig. wr., 4to. - AND 2 others on the same.
€ (40-60)
70 327 Dubuffet J  Loreau B 70 327 Dubuffet J Loreau B
70/ 327 [Dubuffet, J.]. Loreau, B. Cerceaux 'sorcellent. Paris/ Basel, J. Bucher/ Beyeler, 1967, 20 col. silkscreens by J. DUBUFFET, printed in 800 numb. copies, orig. serigr. wr., board slipcase, 4to.

- Contents loosening. Spine sl. worn. Otherwise a good copy.

= Monod 7280; The Artist and the Book 140: "Dubuffet's illustrations here are in the manner he developed after 1962 in the HOURLOUPE series which began, according to Loreau, when the artist was drawing distractedly during a telephone call in July 1962 and which was shown in the Jeanne Bucher Gallery in 1967."

€ (200-300) 220
70 328 Dumas M  Coelewij L  Sainsbury H and Vischer T 70 328 Dumas M Coelewij L Sainsbury H and Vischer T
70 328 Dumas M  Coelewij L  Sainsbury H and Vischer T 70 328 Dumas M Coelewij L Sainsbury H and Vischer T
70/ 328 [Dumas, M.]. Coelewij, L., Sainsbury, H. and Vischer, T. Marlene Dumas. The Image as Burden. London/ Amst., Tate Enterprices/ Stedelijk Museum, 2014, 191p., num. col. photogr. ills., orig. wr., 4to.

- A sm. stain on frontcover near spine. = SIGNED in ballpoint by the artist on title-page.

€ (50-70) 120
70/ 329 Duncan, A. Art Nouveau and Art Deco lighting. London, Thames and Hudson, 1978, 208p., num. (col.) ills., orig. cl. w. dustwr., 4to. Mentasti, R.B. a.o. Mille anni di arte del vetro a Venezia. Venice, Albrizzi editore, 1982, 327p., num. ills., orig. cl. w. dustwr., 4to. - AND 7 others, i.a. T.M. ELIËNS a.o. Kunstnijverheid in Nederland 1880-1940 (Bussum, (1997), ills., orig. cl. w. dustwr., 4to) and W.A.L. BEEREN, Industrie & vormgeving in Nederland (Amst., 1985, ills., orig. wr., 4to).
€ (60-80) 60
70 330 Dürer A  Amand Durand and Duplessis G 70 330 Dürer A Amand Durand and Duplessis G
70/ 330 [Dürer, A.]. Amand-Durand and Duplessis, G. Oeuvre de Albert Dürer. Paris, Amand-Durand, Goupil & Cie etc., n.d. (1877), (2),IV,20p., 108 tipped-in helio-engraved facs. prints, bound by RAMAGE (London) in contemp. crushed darkblue morocco w. strapwork borders and spine-ornaments, gilt inside dentelles, a.e.g., folio.

- A few rubbed spots on joints. = SEE ILLUSTRATION PLATE XI.

€ (600-800) 2750
70 331 Duyts G den  Heins A 70 331 Duyts G den Heins A
70/ 331 [Duyts, G. den]. Heins, A. Kunstschilder Gustaaf den Duyts 1850-1897. Ed. O. Roelandts. Ghent, A. Herckenrath, n.d. (1932), 101,(2)p., 3 tipped-in orig. etchings, num. ills., orig. wr., 4to.

- Wrapppers partly faded and sl. dogeared.

€ (40-60) 40
70/ 332 Einfach. Eigen. Einzig. Otto Mueller 1874-1930. N.pl., n.publ., 2012, 3 vols., 171; 167; 151p., (col.) ills., orig. unif. boards, slipcase, 4to. Silcox, D.P. The Group of Seven and Tom Thomson. N.pl., Firefly Books, 2006, 441p., richly illustrated, orig. boards w. dustwr., 4to. - AND 9 others, all illustrated, i.a. H. FRIEDEL and A. HOBERG, The Blue Rider in the Lenbachhaus, Munich (Munich etc., 2000, orig. cl. w. dustwr., 4to); I. DE GROOT a.o., Willem Witsen. Schilderijen, tekeningen, prenten, foto's 1860-1923 (Bussum, 2003, orig. cl. w. dustwr., 4to); A. OTTEVANGER a.o., Jan Mankes 1889-1920 (Zwolle, 2007, orig. boards, 4to); MIRÓ. MALEREI ALS POESIE (Munich, 2015, orig. boards w. dustwr., 4to) and J.R. DE LORM a.o., Leo Gestel 1881-1941 (Bussum, 2015, orig. boards, 4to).
€ (80-100) 100
70/ 333 Elderfield, J. De Kooning, a Retrospective. New York, MoMA, 2011, 504p., num. (col.) plates and ills., orig. cl. w. dustwr., folio. Cummings, P. a.o. Willem de Kooning. Retrospektive. Zeichnungen, Gemälde, Skulpturen. Munich, 1984, 326,(2)p., num. (full-p.) (col.) ills., orig. cl. w. dustwr., 4to. Axsom, R.H. and Platzker, D. Printed Stuff. Prints, Posters and Ephemera by Claes Oldenburg. New York, Hudson Hills, 1997, 453p., richly illustrated, orig. cl. w. dustwr., 4to. - AND 8 others, mainly on the Documenta (7, 8, 12 and 13).
€ (80-100)
70 334 Elffers D  Blankenstein M van 70 334 Elffers D Blankenstein M van
70/ 334 [Elffers, D.]. Blankenstein, M. van. Het jaar 1933. Wereldgeschiedenis. Foto's verzameld en van onderschriften voorzien door L. Cohen. Zeist., De Torentrans N.V., 1933, 151,(3)p., (photomontage) ills., orig. photomontage front- and backwr. by DICK ELFFERS, 4to.

- Backstrip cracking/ sl. dam. and w. traces of glue.

= Broos/ Hefting p.120; Maan/ Van der Ree 97 and p.35: "Evenals Schuitema in zijn ontwerp voor het speciale nummer 'Oorlog aan den oorlog' van het antimilitaristisch tijdschrift 'De Wapens Neder', weet Elffers, ondanks zijn gecompliceerde beeldvorming, de dramatische betekeins van het historische jaar 1933 door middel van een direct appèl op de beschouwer over te brengen en toont hiermee op zijn krachtigst de beeldende mogelijkheden van Typo-foto".

€ (60-80) 130
70 335 Elk G van 70 335 Elk G van
70/ 335 Elk, G. van. De 1970 octopus decimale kalender. (Deventer, Stichting Octopus, 1970), block calendar in 2 parts with 2 accomp. blocks of 19 photogr. plates, all tipped on fold. board.

= Rare artist's publication by this important conceptual artist. The calendar doesn't follow the traditional calendar, but states only weekdays and "1e periode" to "36e periode" warm or cold. The left series of plates are stills from Van Elk's How van Elk inflates his left foot with his right one (1969). The right series are stills from The well-shaven cactus (1970).

€ (100-150) 210
70 336 Elk G van 70 336 Elk G van
70/ 336 Elk, G. van. Ger van Elk. The Well Shaven Cactus (1969) (...). Amst., Art & Project, 1972, 1st ed., (19)p., ills., printed in 300 copies, orig. wr., narrow 8vo.

= Rare. Photographs of 5 art works by conceptual artist Ger van Elk. The Well Shaven Cactus (1969), Paul Klee - um den Fisch 1926 (1970), The Co-Founder of the Word O.K. (1971), The Discovery of the Sardines (1971) and The Symmetry of Diplomacy (1971).

Ger van Elk. Art & Project Bulletin. No.19, 55, 65, 74, 100, 132 and 139. Ibid., idem, 1970-1984, 7 fold. lvs., w. (col.) ills.

= Gallery bulletin showing works by Van Elk. I.a. w. address label/ sticker to the artist Peter Struycken and to author K. Schippers, 1x with a large manuscript annotation in pen and ink by the latter, with various random thoughts ("Jezus ze maken een liedje van me (...) Sommige woorden zijn intelligenter dan de gedachte (...)").

AND 3 others on the same.

€ (100-150) 150