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5340 - 5610     FINE ARTS - 16th-19th CENTURY DRAWINGS, WATERCOLOURS and PAINTINGS

(to search for a lot number: type # before the lot number)
Page 1 of 14 Results 1 - 20 of 271
69 5340 Aartman N M 1713 1793 69 5340 Aartman N M 1713 1793
69 5340 Aartman N M 1713 1793 69 5340 Aartman N M 1713 1793
69/5340 Aartman, N.M. (1713-1793). (Two horsemen addressing a shepherdess, a city in the background). (Two horsemen addressing a man with a donkey in front of an old gate). Two drawings, pen and ink and watercolour, each 8,9x12,5 cm.

- The first drawing w. narrow brown stain in upper outer margin, w. tiny chip missing from upper right corner and w. vague gluestains on verso (not visible on recto).

AND a nice anonymous pencil drawing on wove paper, showing a farmstead with a man leading a cow through a gate (13x15,5 cm.).

€ (200-300) 200
69 5341 Allers C W 1857 1915 after? 69 5341 Allers C W 1857 1915 after?
69 5341 Allers C W 1857 1915 after? 69 5341 Allers C W 1857 1915 after?
69/5341 Allers, C.W. (1857-1915) (after?). "Generalversammlung des Club Eintracht". Drawing, pencil, 17,5x24,3 cm., w. "M.P. [...?] C.W. Allers 1888 Hamburg Club Eintracht" in lower left corner, titled and w. caption at bottom centre.

- Upper right corner dam. (tear and missing portion).

= Skillful and exact copy of the original drawing? The image was published in the series "Club Eintracht" (Hamburg, 1888). "Wer von den Anwesenden einverstanden ist, dass die Tour in vorgeschlagenen Weize statt findet, den bitte ich - sitzen zu bleiben" below title.

AND a similar drawing, w. "M.P. [...?] C.W. Allers 1895 Berlin Haltestelle am Brandenburger-Tor" in lower left corner.

€ (70-90) 70
69 5342 Anonymous early 16th cent 69 5342 Anonymous early 16th cent
69/5342 Anonymous (early 16th cent.). (Mary Magdalene and Mary). Drawing, pen and brown ink w. brown wash, 10,6x5,4 cm., within framing line in black ink.

- Three closed tears (±13 and 2x 6 mm.) in left margin; a few small dam. spots in margins.

= SEE ILLUSTRATION PLATE XCV.

€ (500-700)
69 5343 Anonymous 16th cent 69 5343 Anonymous 16th cent
69 5343 Anonymous 16th cent 69 5343 Anonymous 16th cent
69/5343 Anonymous (16th cent.). (The Assumption of the Virgin Mary). Drawing, pen and brown ink, brush and grey wash, heightened with white, 32x21,6 cm., signed(?) illegibly in lower margin.

- Closed tear in lower margin (±1 cm.); small unobtrusive scattered shiny particles in paper; sl. foxed all over; vague oblique fold; small number in red crayon in lower outer corner.

= SEE ILLUSTRATION PLATE XCV.

€ (700-900) 700
69 5344 Anonymous 16th cent ? 69 5344 Anonymous 16th cent ?
69/5344 Anonymous (16th cent.?). (Adam in Paradise). Drawing, pen and ink, 20x14 cm.

- One closed hole (±2x2,5 cm.) w. image reproduced in pencil; strips of later paper along margins.

= Probably after an engraving, w. (vague) pencil grid.

€ (100-150) 400
69 5345 Anonymous 2nd half 16th cent 69 5345 Anonymous 2nd half 16th cent
69/5345 Anonymous (2nd half 16th cent.). (Resurrection of Christ). Drawing, pen and brown ink w. brown wash and w. some pencil, 31,5x22 cm.

- Flattened sharp vertical fold in the middle; several tiny closed wormholes; trifle chipped in margins; sl. duststained.

= With unidentified collector's mark (L.3685) in lower right corner; w. old annotation in pen on verso: "[Pa]rmigiano". SEE ILLUSTRATION PLATE XCV.

€ (1.000-1.500) 1000
69 5346 Anonymous early 17th cent 69 5346 Anonymous early 17th cent
69/5346 Anonymous (early 17th cent.). (The flight of Lot and his family from Sodom). Drawing, brown ink and brown wash, 15,8x23 cm., after P.P. RUBENS.

- Some sm. thin/ rubbed spots and a few sm. holes; some flattened folds; repaired tear in lower margin.

= Drawing in reverse after the painting by Peter Paul Rubens (1613-1615) on paper with a late 16th/ early 17th century watermark (Briquet 9821). With the collector's stamp of W. König on verso (Lugt 2653b). SEE ILLUSTRATION PLATE XCVI.

€ (300-500) 450
69 5347 Anonymous 17th cent Italian school 69 5347 Anonymous 17th cent Italian school
69/5347 Anonymous (17th cent., Italian school). (Study of figures). Drawing, red chalk, 39,5x28 cm.

- On paper with watermark of an escutcheon with a kneeling saint holding a crucifix (Briquet 7628). Old horizontal fold w. creases; trifle foxed/ spotted; a few sm. holes in right margin.

= Fine study of two full-length men and in upper corner the heads of four conversing (church) men. SEE ILLUSTRATION PLATE XCV.

€ (400-600) 425
69 5348 Anonymous 17th cent 69 5348 Anonymous 17th cent
69/5348 Anonymous (17th cent.). (Landscape with two towers, measuring sightlines between them). Drawing, pen and brown ink and some watercolour, brown framing line, 18x15,7 cm., numb. "5" in upper right corner.

- On paper with unidentified watermark. Sl. foxed.

= Attached w. strips of paper to blue laid paper mount, w. unidentified (late 18th cent.?) collector's stamp partly on mount, partly on blank margin of drawing ("J.T." within circle; Lugt 1539c). Mount w. attrib. to "Seb. Serlio" (Sebastiano Serlio, 1475-1554) in old hand in pencil. SEE ILLUSTRATION PLATE XCVI.

€ (150-250) 190
69 5349 Anonymous 17th cent 69 5349 Anonymous 17th cent
69/5349 Anonymous (17th cent.). (Neptune fountain). Drawing, orange crayon, 20,5x15,2 cm.

- Folded 3 times w. folds col. orange from offsetting of crayon; a few inkstains.

= On paper with top half of Seven provinces watermark. SEE ILLUSTRATION PLATE XCVII.

AND 2 others, i.a. an anonymous study of two nude women (orange crayon, 20x33 cm., 18th cent.).

€ (150-250) 210
69 5350 Anonymous 17th cent 69 5350 Anonymous 17th cent
69 5350 Anonymous 17th cent 69 5350 Anonymous 17th cent
69/5350 Anonymous (17th cent.). (Robed kneeling figure looking upwards). Drawing, black and white chalk, on 17th cent. blue laid paper, 31,5x20 cm. - ON VERSO: Anonymous (17th cent.). (Bearded robed kneeling figure looking upwards). Drawing, black and white chalk, 30x20 cm.

- Large tear in lower part; paper and glue remnants on corners and edges, from former passepartout; a few sm. marginal tears; sm. portion of left edge torn off; recto duststained; verso brown stains in lower part.

= On 17th century paper with a watermark showing a crowned winged eagle within a circle. Probably Italian paper, cf. Heawood 1258 (Modena, 1635).

€ (100-150) 160
69 5351 Anonymous 17th cent 69 5351 Anonymous 17th cent
69 5351 Anonymous 17th cent 69 5351 Anonymous 17th cent
69/5351 Anonymous (17th cent.). (Two landscapes with buildings). Two drawings, pencil and grey wash, w. framing line in black ink or pencil, 18,5x14/ 10x16,7 cm.

- Both foxed. = Both w. attribution "J. Weenix"/ "Wenix" on verso.

AND a contemp. anonymous landscape drawing with a watermill (watercolour and black pen, 16,8x25 cm., mounted).

€ (100-150) 210
69 5352 Anonymous 17th cent 69 5352 Anonymous 17th cent
69/5352 Anonymous (17th cent.). (A young man near a globe addressing an older man). Leaf from a German album amicorum, 17th cent., gouache on vellum, captions in pen and ink, 11,7x17,7 cm., framed.

- Some loss of gouache along margins (mainly in upper margin). Not examined outside of frame.

= The drawing shows two men, a young man with drawn sword, asking another elder man: "Hör alter gib mir zu verstehen wie man recht dürch die welt soll gehen". The eldery man answers the young gentleman: "Ich bin hindürch ... dier nicht lügen! hab mich oft müssen bücken und schmügen!". SEE ILLUSTRATION PLATE XCVII.

€ (300-500)
69 5353 Anonymous 17th cent ? 69 5353 Anonymous 17th cent ?
69/5353 Anonymous (17th cent.?). (Flowering narcissus bulbs). Drawing, pen and brown ink and watercolour, 31x18 cm., framed.

- On very thin laid paper without watermark. Trifle spotted; some rubbed spots; pieces of brown paper on verso in corners shining through.

= SEE ILLUSTRATION PLATE XCVII.

€ (200-300) 700
69 5354 Anonymous late 17th cent ? 69 5354 Anonymous late 17th cent ?
69/5354 Anonymous (late 17th cent.?). (View of Gorcum[?], showing several houses along a river, a small rowing boat with three fishermen in the foreground). Watercolour, 26,1x36,8 cm., illegibly signed in lower right corner.

- Traces of former tipping-in visible in corners on verso.

= On paper with Strasbourg lily w. letters "JH" below. With old annot. on verso: "Op deze teekening staat E. Teijlen[?], dog deselven is origineel van Jan van Gooijen 1652, soo als op de muur geteekend staat." The signature of the first is vaguely and illegibly visible in the lower right corner and the name of Van Goyen is vaguely visible on the wall to the left. SEE ILLUSTRATION PLATE XCVIII.

€ (150-250) 230
69 5355 Anonymous early 18th cent 69 5355 Anonymous early 18th cent
69/5355 Anonymous (early 18th cent.). (View of a canal along sawmills, with numerous stacks of wooden planks on the waterfront). Drawing, pen and ink and grey wash, 13,1x23,5 cm.

- Closed tear and irregularly trimmed (without loss of image) in top margin; sm. section of lower right corner reattached; folded twice (hardly disturbing); a few sm. foxed spots.

= On paper w. lower half of Pro Patria watermark. Probably a view in a village in the Zaanstreek. Very attractive drawing. SEE ILLUSTRATION PLATE XCVIII.

€ (500-700)
69 5356 Anonymous 1st half 18th cent 69 5356 Anonymous 1st half 18th cent
69/5356 Anonymous (1st half 18th cent.). (Study of birds). Drawing, watercolour/ gouache, 25x37 cm.

- On paper w. Pro Patria and crowned "GR" watermark. Possibly sl. cut short; trifle creased/ soiled/ stained.

= Nice, 'free-style' study of a pigeon and two smaller, thrush-like birds, numb. "5"-"7" in black watercolour. SEE ILLUSTRATION PLATE XCIX.

€ (200-300) 210
69 5357 Anonymous 1st half 18th cent 69 5357 Anonymous 1st half 18th cent
69/5357 Anonymous (1st half 18th cent.). (Trompe l'oeil showing two drawings and seven (calligraphed) manuscript and printed leaves an a green ground). Drawing, pen and ink, pencil and watercolour, 30x19 cm.

- Lacks small portion of lower left blank corner; verso w. thin spots in corners. Otherwise fine.

= The central drawing signed "C. Pronk". SEE ILLUSTRATION PLATE CI.

€ (200-300) 275
69 5358 Anonymous 18th cent 69 5358 Anonymous 18th cent
69/5358 Anonymous (18th cent.). Brugje in 't Oranje Woud bij Heerenveen. Drawing, pen and ink w. grey wash, 28,3x20,4 cm., black framing border in brush and ink.

- Tipped onto mount along top margin; sl. creased in right margin; owner's stamp on verso ("M. v.d. Burgh Huis en Decoratieschilder Schiedam").

= Titled in yellow ink on verso. Attractive scene with men angling near the bridge.

€ (80-100) 250
69 5359 Anonymous 18th cent 69 5359 Anonymous 18th cent
69 5359 Anonymous 18th cent 69 5359 Anonymous 18th cent
69 5359 Anonymous 18th cent 69 5359 Anonymous 18th cent
69/5359 Anonymous (18th cent.). (A gentleman and his servant, both in oriental attire, in garden, a small pagoda in the background). Drawing, pencil and watercolour, 14,5x26 cm.

- A few sm. stains; trifle thumbed; thin spot in upper right blank corner.

= Fine drawing, possibly a design for a wall painting. SEE ILLUSTRATION PLATE XCIX.

Anonymous (18th cent.). (Pastoral scene with a resting young shepherd and shepherdess). Drawing, watercolour, 14x22 cm., tipped onto contemp. mount w. border in pen and ink and grey wash.

- Two vague creases; a few sm. spots/ stains. = Fine drawing, possibly by the same artist as the above drawing.

AND 2 other anonymous drawings: an 18th cent. watercolour showing a girl in a garden hanging flower garlands around a large vase on a pedestal (14,5x11,5 cm. incl. border) and a small 19th cent. watercolour of a basket filled with flowers, hanging from a ribbon like a trophy.

€ (200-300) 450
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