1173 - 1801 FINE PRINTING (including ILLUSTRATED BOOKS and CARICATURE)
= Reid A57; Cock-a-Hoop 185.
- Third vol. sl. stained on backcover. Otherwise fine. = SEE ILLUSTRATION PLATE XLIV.
= One of 45 copies printed on Pannekoek. Our copy numb. "XXXII", bound in purple and light grey gilt boards w. circular pink letterpiece on frontcover, matching board slipcase, laid paper endpapers by Erik Schots. Breugelmans 211: "De exemplaren op Pannekoek zijn romeins genummerd, gebonden en voorzien van een schuifhoes, waarop op de voor- en achterzijde vignet 6 in goud. Alle exemplaren zijn door de dichter gesigneerd."
= I.a. G. DUHAMEL, La Lumière (Antw. etc., 1921, printed in 565 numb. copies (500), woodcut ills. and orig. wr.); P. VAN OSTAIJEN, Brieven uit Miavoye (Antw., 1932, orig. wr. With owner's entry of C. Buddingh', dated 1940); A. KUYLE, Songs of Kahlua (Maastr., 1927, ill. J. Cantré, printed in black and red in 144 numb. copies (128), orig. wr. w. ill. on frontcover by O. van Rees); A. COOLEN, Kinderen van ons volk (Hilv., n.d., 6th ed., orig. cl. w. woodcut vignette. SIGNED in pencil); M. ARLAND, Cinq contes (Brussels, 1944, 6 plates, orig. wr. One of 10 'Hors commerce', without the suite(?)); W. MOENS, Opgangen (Antw., (1922), printed in 750 numb. copies (600), woodcut ills. and wr.); J. DE VALCKENAERE, Zonneburg (ibid., 1955, ills. and orig. boards. W. AUTOGRAPH SIGNED DEDICATION on first free endpaper); A. DEN DOOLAARD, De wilde vaart (Utr., 1928, 2nd ed., orig. boards w. dustwr.); PRISMA REEKS I-III (Utr., De Gemeenschap, 1928-1931, 3 vols., 3 ident. vignettes by J. CANTRÉ, plates, orig. unif. gilt cl. I. H. MARSMAN, De lamp van Diogenes; II. M. TER BRAAK, Cinema Militans; III. B. VERHOEVEN, De zilveren spiegel); S. VESTDIJK, Berijmd palet (Blaricum, 1933, orig. cl. w. vignette); D. KOSTER (ed.), Nieuwe geluiden (Arnh., 1924, orig, boards w. vignette and lettering); A. MUSSCHE, Aan de voet van het Belfort (Antw., 1950, ills., privately bound in black calf w. central gilt monogram "AM" for the author. With AUTOGRAPH SIGNED DEDICATION in pen and ink on htitle to Hans Roest). With B. NIMMO, Het expressionisme van Jozef Cantré (1890-1957) (Amst., 1999, 2 vols., orig. unif. ringbinder) and various works by/ on Karel van de Woestyne, A. Helman, A. Kuyle.
AND 117 issues of DE GEMEENSCHAP (Utr., 1927-1941), incl. a few duplicates, occas. w. illustrations by J. CANTRÉ.
- Two leaves loose. Otherwise very fine and attractively bound by an anonymous binder.
= Monod 2273; Carteret IV, p.91. With tipped-in AUTOGRAPH LETTER SIGNED "F. Carco" (dated "Paris 9-1-26", 1 leaf, recto only, on paper w. printed letterhead address. Accepting an invitation for a dinner) and with loosely inserted MANUSCRIPT LETTER SIGNED "Chas. Laborde" (dated "3 mars 26", 1 fold. leaf, recto only. On financial matters).
- Sl. foxed. Rebacked w. modern (facs.) cl.
Gavarni. Oeuvres Choisies. Suivies de l'oeuvre complète publiée dans Le Diable à Paris sous ce titre Les Gens de Paris. Paris, Figaro et l'Autographe, 1864, no pagination, 520 woodengr. ills., contemp. giltlettered hcl., folio.
- (Sl.) foxed throughout. Covers worn/ occas. bumped along extremities.
Idem. Oeuvres Choisies. Études de moeurs contemporaines. Vol. 3. Le Carnaval à Paris; Paris le Matin; Les Étudiants de Paris. Paris, J. Hetzel, 1846, no pagination, num. woodengr. ills. by GAVARNI, orig. gilt cl., a.e.g.
- Both joints sl. split at top of spine.
AND 3 others similar.
= SIGNED on title-p. Herluf Bidstrup was a Danish political cartoonist and a devout communist.
- Two leaves w. sm. (1x closed) tear; trifle foxed. = Rare.
- Backcover loose(ning); spine dam.
= Rare contemp. caricature picture book of a German soldier going to war.
- Leaves occas. foxed/ sl. yellowed; a few lvs. dam. Spines worn/ sl. dam; corners showing.
- Sl. dogeared. Lacks backwr.; frontwr. foxed; spine neatly strengthened w. sellotape.
= Highly amusing and extremely rare caricatural attack on the introduction of physical training lessons in Dutch schools, for which Dutch teachers were obliged to follow an extra course in physical training. The style of the illustrations is highly influenced by that of 19th cent. Struwwelpeter books. Rare incunable of Dutch comics. SEE ILLUSTRATION PLATE XLV.
- One vol. upper hinge broken; 4 vols. w. bookplate on upper pastedown; all vols. trifle/ sl. foxed. All vols. rubbed/ worn along extremities; all vols. both covers (sl.) soiled; two vols. (foot of) spine dam.
- Partly browned/ foxed. Some bindings rubbed/ stained.
= Sold as a periodical, not subject to return.
AND 3 others, i.a. duplicates of the above.
- Occas. sl. foxed.
Bates, W. George Cruikshank: the Artist, the Humorist, and the Man (...). A Critico-Bibliographical Essay. Amst., S. Emmering, 1972, reprint of the 2nd ed., (6),94p., (full-p.) ills., orig. cl., 4to (scattered underlining in pencil). - AND 3 others on G. CRUIKSHANK and J. GILLRAY (2x).
- Top of spine dam.; slipcase worn. = Monod 10373; Carteret IV, p.365.
AND 3 others printed in the same series: SAPPHO, Ode à la bien-aimée et autres poèmes (ibid., 1926, woodcut frontisp. and vignettes by CARLÈGLE, printed in 405 numb. copies (350), orig. wr.); B. PASCAL, Discours sur les Passions de l'Amour (ibid., 1920, woodcut vignettes by CARLÈGLE, printed in 363 numb. copies (300), orig. wr. Backstrip sl. worn; wr. trifle duststained) and A. DE MUSSET, A quoi rêvent les jeunes filles (ibid., 1920, woodcut ills. by HERMANN-PAUL, printed in 426 numb. copies (370), orig. wr.).
= Typographical compositions.
Idem. Equilibrium. Ibid., idem. 1980, printed in various colours in 20 numb. copies, orig. wr., 4to. Idem. Rebellious. Ibid. idem, 1980, 10 lvs., 12 lvs., printed in 20 numb. copies, orig. wr., large 8vo. - AND 7 others, all published by the same and with typographical compositions by C. BELLAERT, i.a. Seven-Up (1973, 50 copies), Om der eenzame Wille (1980, 18 copies), bevrijde letters (1980, 20 copies), The Sinner and God's (1980, 20 copies), In plaats van het bakken van oliebollen (1979, 20 copies),
= Part 2 of the series Een kleintje typographie. The rejected woodengraving by Buckland Wright was originally intended for the publication Gedichten 1907-1934 by Jan Greshoff (in the series Folemprise).
Buckland Wright, J. Seven Book-Cover Designs. Ibid., idem, 1977, 10 lvs. w. 7 vignettes by J. BUCKLAND WRIGHT, printed in 110 numb. copies on Barchham Green, orig. wr.
= The vignettes were printed from the orginal copper type, used by A.A.M. Stols on the frontcover of his publications.
AND 4 others by the same printer, 3x by/ on A.A.M. Stols, i.a. J. VAN NIJLEN, In Sanderum (1979, 28 numb. copies. Five texts for an unpublished liber amicorum for Stols) and J. VAN KRIMPEN, Adieu, de heele bliksemsche boel! (1978, 44 numb. copies. Part 1 of the series Een kleintje typographie. Part of a letter to Stols).