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Page 12 of 1824 Results 221 - 240 of 36477
74 221 Ewals L 74 221 Ewals L
74/ 221 Ewals, L. Wim Zurné. Werk. Varik, Weideblik, 2010, 192p., num. col. (full-p.) ills., orig. hcl., 4to.

= SIGNED "Wim Zurné 2010" on title-p.

Sanders, H. Har Sanders. Ed. J. Juffermans. De Bilt, Fontein, 1974, 118,(1)p., (col.) ills. after HAR SANDERS, publ. in 260 numb. copies signed by the artist, orig. silkscreen cl. by HAR SANDERS, 4to.

- Without the silkscreen (ident. to the binding) called for in the colophon.

AND 7 others, all lavishly illustrated, all (near) fine, i.a. P. BES, Getekend licht (Amst., 1998, orig. cl. w. dustwr., large 4to) and L. EWALS, De kosmos van Ted Felen (Amst., 2002, orig. blindst. cl. w. dustwr., 4to).

€ (40-60) 40
74/222 Exhibition catalogues  Lot of 20 Dutch exhibition catalogues 74/222 Exhibition catalogues Lot of 20 Dutch exhibition catalogues
74/222 Exhibition catalogues  Lot of 20 Dutch exhibition catalogues 74/222 Exhibition catalogues Lot of 20 Dutch exhibition catalogues
74/ 222 [Exhibition catalogues]. Lot of 20 Dutch exhibition catalogues, all 20th cent., mostly richly illustrated, orig. wr., 8vo/ 4to.

= I.a. for Werkman en de Blauwe Schuit (Nijmegen, 1964); Jan Battermann (Apeldoorn, ±1965); Pat Andrea (Arnhem, 1975) and Kandinsky (Amst., 1947).

€ (80-100)
74/223 Exhibition catalogues  Lot of 30 vols 74/223 Exhibition catalogues Lot of 30 vols
74/ 223 [Exhibition catalogues]. Lot of 30 vols., all 2nd half 20th cent., all SIGNED by the respective artists, orig. wr./ boards.

= I.a. by W. Alkema, M. van den Assem, M. van den Assem, Eugène Brands, Jan Cremer (3x), Ger van Elk, F. Gribling, Panamarenko, A. Rainer (2x) and Piet Tuytel.

AND ±25 exhibition catalogues on 20th cent. photographers, mainly in orig. wr.

€ (200-300) 200
noimage
74/ 224 [Exhibition catalogues]. Large lot of over 600 exhibition catalogues and similar publications, almost all between ±1965-2015, Dutch and foreign artists, mostly in orig. wr., various sizes.

- Bindings occas. dust-/ waterstained and/ or dam.

= SOME ARTISTS: Ivor Abrahams (1973), Absalon (1994), Vito Acconci (1979). Carl Andre (1978), Carel Balth (1975), Kostana Banovic (1996), Joseph Beuys (1987), Marinus Boezem (1982), Bram Bogart (1967, 1969, 1972), Jonathan Bragdon (1982), Pieter Brattinga (1974), Günter Brus (1978), Daniel Buren (1981), Victor Burgin (1977), Alberto Burri (1959), Anthony Caro (1967), Guglielmo Achille Cavellini (1976 and 1978), César (1976), Roman Cieslewicz (1966), Enzo Cucchi (1981), Christiaan Paul Damsté (1976), Grenville Davey (1991), Ad Dekkers (1971 and 1977), (Christian Dotremont (1972), Marlene Dumas (1988), Valie Export (1980), Robert Garcet (1989), Johannes Gachnang (1971/ 1972/ Ad Gerritsen (1975), Jochen Gerz (1976), Jean Gonin (1967), Gerhard von Graevenitz (1984), Toni Grand (1976), Sigurdur Gudmundsson (1980), Otto Gutfreund (1965), Jan Henderikse (1992), Geoffrey Hendricks (1984), Eva Hesse (1979), Aad van Houwelingen (1980), Servie Janssen (1978), Jasper Johns (1977), Anselm Kiefer 1980), Edward Kienholz (1970), A.W. Kort (1981), Tetsumi Kudo (1972), Yayoi Kusama (1982 and 1993), Yvon Lambert (1972), Richard Long (1974), Raquel Maulwurf (2014, signed on verso frontwr.), Marie McClelland - Existence (1979), (197Avis Newman (1993), Ostovani (2003), Panamarenko (1975 and 1984), Giuseppe Penone (1982), Markus Raetz (1975 and 1988), Arnulf Rainer - Hiroshima (1985), Roger Raveel (1985; printed in 300 copies), Jan Theun van Rees (1997), Gerrit Jan de Rook (1975), Ulrich Rückriem (1977), Herman Lutje Schipholt (1986), Jan Schoonhoven (1971 and 1974 (with K. Schippers); dam./ frayed copy), George Segal (1972), Howard Selima (1975. Wrappers soiled), Richard Serra (1977 and 1980), Peter Smithson (1983 (Hobbs) and 1993), Daniel Spoerri (1971), Niki de Saint Phalle (1967. Wr. sl. soiled), Sylvia Steiger (1983), Tajiri (1959 and 1982), Niele Toroni (1977), Cy Twombly (1995, printed in 450 copies), Yvaral (1977), Gerard Verdijk (1980), Bill Viola (1995. With photograph by Kira Perov), Carel Visser (1973, 1985, 1978 and 1992), G. Sebastiaan Vos (Galerie Mercuur, n.d.), Lex Wechgelaar (1975), Günter Weseler (1975).

SOME TITLES: KunstLichtKunst (1966), Holanda. Ad Dekkers, Jan Schoonhoven, Peter Struycken (1967 Biennale São Paulo), Yvon Lambert - Actualité d'un bilan (1972), Film als beeldend medium (±1975), Ad Dekkers, Martin Rous, Schoonhoven, P. Struycken (1976), Einerseits - Andrerseits. 5 Hefte mit Zeichnungen von Oskar Schlemmer, Wuppertal 1938-42 (±1977. Contents loose(ning)), Oosteuropese konkrete en visuele poëzie (1978), Over wandelingen en reizen/ On Walks and Travels (1979), Croisées. Rencontres Internationales avec Gérard Verdijk - Acindino Quesada - Jean Mauboulès - Daniel Dezeuze - Jochen Gerz (1979), Die Seefahrt und der Tod (1981, 6 catalogues in orig. wrap-around band), World Wide Video Festival (1983); Eugène Dodeigne Beelden en tekeningen (1990. Plates loose).

€ (800-1.000) 1500
74 225 Fahr Becker G 74 225 Fahr Becker G
74/ 225 Fahr-Becker, G. Jugendstil. Cologne, Könemann, 1997, 1st Dutch ed., 425p., richly illustrated, orig. boards w. dustwr., folio (fine). Toman, R. De Kunst van de Barok. Architectuur. Beelhouwkunst. Schilderkunst. Ibid., idem, 1997, 503p., richly illustrated, orig. boards w. dustwr., folio (fine). - AND 5 others published by the same: The Jews; De kunst uit de Italiaanse Renaissance; Romaanse Kunst; Wenen. Kunst en architectuur; Gotiek.
€ (50-70)
74 226 Fans  Barisch M L and G 74 226 Fans Barisch M L and G
74/ 226 [Fans]. Barisch, M.-L. and G. Fächer. Spiegelbilder ihrer Zeit. Munich, Hirmer, 2003, 262p., num. col. ills., orig. cl. w. dustwr., 4to. Roberts, J. a.o. Unfolding Pictures. Fans in the Royal Collection. London, Royal Collection Publications, 2005, 223,(1)p., num. col. ills., orig. boards w. dustwr., 4to. - ADDED 1 other: LEVEN IN EEN VERZAMELING. Toegepaste kunst 1890-1940 uit de collectie Meentwijck (Laren/ Zwolle, n.d., richly illustrated, orig. cl. w. dustwr., 4to).
€ (40-60)
74 227 Fieret G P 74 227 Fieret G P
74 227 Fieret G P 74 227 Fieret G P
74/ 227 Fieret, G.P. Ik a, ik b, ik etc. Gedichten. N.pl., n.publ., 1978, (22) large photocopied lvs. (42x30 cm.), ills. by G.P. FIERET, without binding.
€ (80-100) 80
74 228 Flemming H T  74 228 Flemming H T
74/ 228 (Flemming, H.T.). Otmar Alt. Cologne, Orangerie, 1974, no pagination, 6 (5x loosely inserted) zincographs by OTMAR ALT, num. (col.) ills., orig. cl. w. dustwr., folio (fine). - AND 4 others, i.a. A. MUELLER-STAHL, Venice. Ein Amerikanisches Tagebuch (Berlin, 2005, ills., w. loosely inserted lithograph signed and numb. ''56/120'' in pencil, orig. boards w. dustwr., 4to) and G. GRASS, Radierungen und Texte 1972-1982. Vol. II (Darmstadt un Neuwied, 1984, 1 (of 2) vols., ills., loosely inserted etching by G. GRASS, signed and numb. ''6/150'' in pencil, orig. cl. w. dustwr., in board slipcase, folio).
€ (30-50) 40
74 229 Fluxus  Higgins D 74 229 Fluxus Higgins D
74/ 229 [Fluxus]. Higgins, D. Collection of ±25 TYPESCRIPT (1 autograph)/ COMPUTER PRINTED LETTERS SIGNED, all to Jan van Toorn, 1989-1986, many consisting of multiple lvs., all recto only, a few w. orig. autogr. addressed envelope. - WITH an original portrait photograph of Higgins and some cards, (computer) printed catalogues of his publications, schedules of activities etc.

= Friendly and very interesting letters by DICK HIGGINS (1938-1998), American artist, composer, poet, publisher, printmaker, co-founder of Fluxus and theorist of the concept "Intermedia" (describing various inter-disciplinary art activities that occurred between genres in the 1960s), all to JAN VAN TOORN (b.1953), founder of Slowscan Records/ Editions, an independent label dedicated to publishing audiovisual art in small editions. The letters i.a. deal with health, income, publications, recordings, contacts, activities etc.

"(...) These are very anti-intellectual times, times in which money is equated with quality but expertise is very rare (in spite of all the fancy degrees of the Herr Doktors) -- right? (...). Charlie Morrow made a splendid recording of Filliou reading his WHISPERED HISTORY OF ART. I have a cassette but Charlie has the master tapes; perhaps you shoud consider including it? I called Charlie Morrow (...) and he promised he would look for the WHISPERED HISTORY OF ART, but it is in a box somewhere, -- that is the trouble when artists have archives: the archiver can never be the artist's priority. (...) As for the STACKED DECK, it was the first opera with an electronic score, so far as I know. But after Maxfield's death I was unable to find any reasonably good tapes of it; so finally I gave up and Pauline Oliveros made a new score, which we are now trying to get performed again (it was done once in Los Angeles in late 1981) (...)" [30/11/1989]. "(...) Right now I'm finishing a residence in Canada. Here I've finished typesetting & designing a rather large book by Giordano Bruno (425 pages), has almost finished a graphic work - a BESTIARY - and am working on a hörspiel, STORM RIDERS. Keeping quite busy so I don't worry too much about silly things (how to pay the fuel bill when I get home) etc. (...)" [06/11/1990]. "(...) Please don't send me an International Money Order -- it only enriches the banks (and they benefit from the war). And I'd hate to take money from a fellow artist/artworker -- you need it for your publishing -- especially since you, like me, have to hold a factory job, etc. (...)" [09/02/1991]. "(...) Oh, that is wonderful that Shiomi is with you -- she is a very fine fluxartist. Be sure that Kuniharu Akiyama hears about your CD, since he is the main critic in Japan for Fluxus, was a friend of Maciunas, etc. (...)" [31/10/1991]. "(...) Allison and I are fresh back from a Fluxconcert at Santa Barbara where they did my Twenty Six Mountains for Viewing the Sunset From. The piece went very well, in spite of horrendous problems. (...) Next big thing is an orchestral performance in November - biggest ensemble I have ever had: a hundred voice chorus, forty strings and tubular bells. It's called Saint Columba, which is the name of a favorable old hymn. It starts in chaos, and gradually the parts of a traditional-type harmonization are heard until, at the end the hymn is heard clearly. Maybe some things are like that as we figure them out (...)" [18/10/1994]. SEE ILLUSTRATION PLATE V.

€ (600-800) 600
74 230 Fluxus  Maciunas G 74 230 Fluxus Maciunas G
74/ 230 [Fluxus]. Maciunas, G. Diagram of historical development of Fluxus and other 4 dimentional, aural, optic, olfactory, epithelial and tactile art forms (Incomplete). Ahus, Kalejdoskop, 1979, large fold. letterpress diagram, 119x44,5 cm., recto only, loosely inserted in orig. stiff paper folder w. texts in Swedish ("Fluxus - tre versioner") and English ("Birth of Fluxus - the ultimate version"), large 8vo.

- Folder foxed and sl. soiled. = Kalejdoskop 3. Rare.

€ (100-150) 130
74 231 Fox M S  ed  74 231 Fox M S ed
74/ 231 Fox, M.S. (ed.). Picasso for Vollard. New York, H.N. Abrams, 1956, XXIIp., 100 full-p. ills., orig. pict. cl., (sl. soiled/ dam.) board slipcase, sm. 4to (fine). - AND 1 other on the same: J. RICHARDSON, A Life of Picasso. 1881-1906/ 1907-1917 (London/ New York, 1991/ 1996, 2 vols., orig. (not unif.) cl. w. dustwr., sm. 4to).
€ (60-80) 100
74 232 Frames  Thiel P J J van and Bruyn Kops C J de 74 232 Frames Thiel P J J van and Bruyn Kops C J de
74/ 232 [Frames]. Thiel, P.J.J. van and Bruyn Kops, C.J. de. Framing in the Golden Age. Picture and Frame in 17th-Century Holland. Amst., Rijksmuseum, 1995, 375p., num. (col.) ills., orig. cl. w. dustwr., folio. - ADDED: Bergvelt, E. and Kistemaker, R. (ed.). De wereld binnen handbereik. Nederlandse kunst- en rariteitenverzamelingen, 1585-1735. Zwolle/ Amst., Waanders/ Hist. Museum, 1992, 368p., num. (col.) ills., orig. cl. w. dustwr., 4to.
€ (150-250)
74 233 Freedman C and Fuchs R 74 233 Freedman C and Fuchs R
74/ 233 Freedman, C. and Fuchs, R. Tracey Emin. Works 1963-2006. New York, Rizzoli, (2006), 413,(1)p., num. (full-p.) col. ills., orig. boards w. dustwr., folio. Stich, S. Yves Klein. Stuttg., Cantz, 1994, 290,(2)p., num. (col.) ills., orig. giltlettered boards w. dustwr., folio. - AND 7 others, all richly illustrated, all but 1 hardcover (w. dustwr.), all (near) fine, i.a. T. MCEVILLEY, D. KUSPIT and R. SMITH, Lucas Samaras. Objects and subjects 1969-1986 (New York, 1988, folio); N. PAPASTERGIADIS, R.C. MORGAN and O. KWANG-SU, Park, Seo-Bo (Seoul, 2007, folio) and CHRISTO, The Accordion-Fold Book for The Umbrellas (Bedford, 1991, folio).
€ (70-90) 70
74 234 Freud L  Bernard B and Birdsall D  ed  74 234 Freud L Bernard B and Birdsall D ed
74/ 234 [Freud, L.]. Bernard, B. and Birdsall, D. (ed.). Lucian Freud. London, Jonathan Cape, 1996, 1st ed., 360p., 250 full-p. col. ills., orig. cl., cl. portfolio. Bernard, B. and Dawson, D. Freud at work. New York, A.A. Knopf, 2006, 253,(3)p., richly illustrated, orig. cl. w. dustwr., 4to. - AND 2 others on Freud, i.a. S. SMEE and L. FREUD, Lucian Freud 1996-2005 (London, 2005, col. plates, orig. cl. w. dustwr., 4to).
€ (70-90) 100
74 235 Freund J 74 235 Freund J
74/ 235 Freund, J. Das Rost-buch. Cologne, Verlag der Zeitschift "Symbol", 1988, large folding plate (67x67 cm. unfolded) in orig. limp board wr., produced in 150 numb. and signed copies.

- Stained from the proces of oxidation: the plate was entirely covered w. rust, but inevitably the rust has started to come off, leaving empty spaces.

= "(...) Jürgen Freund hat jede einzelne Buchseite[sic] mit Rost belegt, indem er Eisenspëne und Salzsäure zusammengebracht hat. Diesen Oxidationsvorgang kann er jedoch nicht beeinflussen, daher entsteht Seite für Seite ein unverwechselbare Bildfläche. Der aufgeklappte Buch- bz. Bildbogen besteht somit aus verschiedenen Rostfeldern; ein Feld erhält einen farblichen Kontrast (...)" (introd.).

Rätz, M. &u.& +&. Text by R. Geissbühler. Bern, Kunsthalle, 1977, (1),LXVI,(1),(9 advert)lvs., ills. by MARKUS RÄTZ, orig. wr. - AND 4 others, i.a. C. ANDRE, (Tischläufer) (fold. table cloth, 400x16 cm., exhibit. cat. Mönchengladbach, 1968. Lacks the textleaf; plastic lid of orig. box dam.) and M.-L. PLESSEN and D. SPOERRI, Heilrituale an bretonischen Quellen (Casti, n.d. (1980), ills., printed in 3000 numb. copies,signed by both authors, orig. cl.).

€ (70-90) 70
74 236 Fuchs R H 74 236 Fuchs R H
74/ 236 Fuchs, R.H. Jan Dibbets. Minneapolis, Walker Art Center, 1987, 156p., col. ills., orig. wr., 4to.

= With SIGNED dedication by the artist in blue pen on htitle.

Jan van Munster. Amersf., Amersfoortse Culterele Raad, 1992, tipped-in col. plates, printed in 400 numb. copies, orig. wr. w. pyrography.

= SIGNED by the artist on colophon and with his atelier stamp on back wr.

AND 9 others, incl. a few signed by the artist, i.a. by BEN AKKERMAN, JAN DIBBETS and FRANCISCO ZUÑIGA.

€ (70-90) 90
74 237 Fuchs R H  ed  74 237 Fuchs R H ed
74 237 Fuchs R H  ed  74 237 Fuchs R H ed
74 237 Fuchs R H  ed  74 237 Fuchs R H ed
74 237 Fuchs R H  ed  74 237 Fuchs R H ed
74 237 Fuchs R H  ed  74 237 Fuchs R H ed
74 237 Fuchs R H  ed  74 237 Fuchs R H ed
74/ 237 Fuchs, R.H. (ed.). Jannis Kounellis. N.pl. (Eindhoven), n.publ. (Van Abbemuseum), 1981, 112 p., (full-p.) (col.) ills., printed in 2500 copies (250), orig. blindstamped cl., 4to (one of 250 bound and numb. copies). Boer, C. de (ed.). Sjoerd Buisman. Groeiwerken 1967-1997. Den Haag/ Amst., Smits/ Uffizi, 1998, 183,(1)p., num. (full-p.) (col.) photogr. ills., printed in 1500 copies, orig. gilt cl. w. mounted plate, 4to. Kastner, J. (ed.). Land and environmental art. London, Phaidon, 1998, 304p., num. (full-p.) (col.) ills., orig. boards w. dustwr., 4to. - AND 10 others, i.a. M. ABRAMOVIC and ULAY, Relation Work and Detour (Amst., 1980, num. (full-p.) (col.) photogr. ills., orig. boards, 4to); G. BOTT, Carl Buchheister (1890-1964) (Nurnb., 1984, num. (full-p.) (col.) ills., orig. clothbacked boards, 4to) and on GERHARD MERZ/ TIVOLI, WOLS, DAVE MEIJER and DE BRANDING.
€ (50-70) 50
74 238 Furniture  Aalst L van and Hofstede A C H 74 238 Furniture Aalst L van and Hofstede A C H
74 238 Furniture  Aalst L van and Hofstede A C H 74 238 Furniture Aalst L van and Hofstede A C H
74/ 238 [Furniture]. Aalst, L. van and Hofstede, A.C.H. Noord-Nederlandse meubelen van renaissance tot vroege barok 1550-1670. Houten, HES & De Graaf, 2011, 520p., richly illustrated, orig. cl. w. dustwr., 4to (fine). Hofstede, A.C.H. Nederlandse meubelen van barok tot biedermeier 1700-1830. Zwolle, Waanders, 2004, 256p., 429 (col.) ills., orig. cl. w. dustwr., 4to (fine). - AND 2 others, i.a. P. NEMATI, The Splendor of Antique Rugs and Tapestries (New York, 2001, num. col. ills., orig. cl. w. dustwr., 4to).
€ (50-70) 50
74 239 Furniture  Aalst L van and Hofstede A C H 74 239 Furniture Aalst L van and Hofstede A C H
74/ 239 [Furniture]. Aalst, L. van and Hofstede, A.C.H. Noord-Nederlandse meubelen van renaissance tot vroege barok 1550-1670. Houten, HES & De Graaf, 2011, 520p., richly illustrated, orig. cl. w. dustwr., large 4to. Jans, E., Eiynck, A. and Piepenpott, H. Tuugkisten in Oost-Nederland. Versiering en typologie. Oldenzaal, De Bruyn, 1994, 144p., ills., orig. gilt cl. w. dustwr., 4to. Pijzel-Domisse, J. Het Hollandse pronkpoppenhuis. Interieur en huishouden in de 17de en 18de eeuw. Zwolle/ Amst., Waanders/ Rijksmus., 2000, 447,(1)p., 702 (full-p.) (col.) ills., orig. cl. w. dustwr., 4to. - AND 5 others, i.a. A. HOFSTEDE, Nederlandse meubelen van barok tot biedermeier 1700-1830 (Zwolle, 2004, (col.) ills., orig. cl. w. dustwr., 4to) and R. BAARSEN, 'De Lelijke Tijd'. Pronkstukken van Nederlandse interieurkunst 1835-1895 (Amst., 1995, (col.) ills., orig. cl. w. dustwr., 4to).
€ (60-80) 90
74 240 Furniture  Alcouffe D  Pallot B G B a o 74 240 Furniture Alcouffe D Pallot B G B a o
74/ 240 [Furniture]. Alcouffe, D., Pallot, B.G.B. a.o. Furniture Collections in the Louvre. Introd. Baron E. de Rothschild. Dijon, Éditions Faton, 1993, 2 vols., 353,(1); 209,(1)p., num. col. ills., orig. unif. cl. w. dustwr., slipcase, 4to.
€ (100-150) 100

   

Page 12 of 1824 Results 221 - 240 of 36477
74 221 Ewals L 74 221 Ewals L
74/ 221 Ewals, L. Wim Zurné. Werk. Varik, Weideblik, 2010, 192p., num. col. (full-p.) ills., orig. hcl., 4to.

= SIGNED "Wim Zurné 2010" on title-p.

Sanders, H. Har Sanders. Ed. J. Juffermans. De Bilt, Fontein, 1974, 118,(1)p., (col.) ills. after HAR SANDERS, publ. in 260 numb. copies signed by the artist, orig. silkscreen cl. by HAR SANDERS, 4to.

- Without the silkscreen (ident. to the binding) called for in the colophon.

AND 7 others, all lavishly illustrated, all (near) fine, i.a. P. BES, Getekend licht (Amst., 1998, orig. cl. w. dustwr., large 4to) and L. EWALS, De kosmos van Ted Felen (Amst., 2002, orig. blindst. cl. w. dustwr., 4to).

€ (40-60) 40
74/222 Exhibition catalogues  Lot of 20 Dutch exhibition catalogues 74/222 Exhibition catalogues Lot of 20 Dutch exhibition catalogues
74/222 Exhibition catalogues  Lot of 20 Dutch exhibition catalogues 74/222 Exhibition catalogues Lot of 20 Dutch exhibition catalogues
74/ 222 [Exhibition catalogues]. Lot of 20 Dutch exhibition catalogues, all 20th cent., mostly richly illustrated, orig. wr., 8vo/ 4to.

= I.a. for Werkman en de Blauwe Schuit (Nijmegen, 1964); Jan Battermann (Apeldoorn, ±1965); Pat Andrea (Arnhem, 1975) and Kandinsky (Amst., 1947).

€ (80-100)
74/223 Exhibition catalogues  Lot of 30 vols 74/223 Exhibition catalogues Lot of 30 vols
74/ 223 [Exhibition catalogues]. Lot of 30 vols., all 2nd half 20th cent., all SIGNED by the respective artists, orig. wr./ boards.

= I.a. by W. Alkema, M. van den Assem, M. van den Assem, Eugène Brands, Jan Cremer (3x), Ger van Elk, F. Gribling, Panamarenko, A. Rainer (2x) and Piet Tuytel.

AND ±25 exhibition catalogues on 20th cent. photographers, mainly in orig. wr.

€ (200-300) 200
noimage
74/ 224 [Exhibition catalogues]. Large lot of over 600 exhibition catalogues and similar publications, almost all between ±1965-2015, Dutch and foreign artists, mostly in orig. wr., various sizes.

- Bindings occas. dust-/ waterstained and/ or dam.

= SOME ARTISTS: Ivor Abrahams (1973), Absalon (1994), Vito Acconci (1979). Carl Andre (1978), Carel Balth (1975), Kostana Banovic (1996), Joseph Beuys (1987), Marinus Boezem (1982), Bram Bogart (1967, 1969, 1972), Jonathan Bragdon (1982), Pieter Brattinga (1974), Günter Brus (1978), Daniel Buren (1981), Victor Burgin (1977), Alberto Burri (1959), Anthony Caro (1967), Guglielmo Achille Cavellini (1976 and 1978), César (1976), Roman Cieslewicz (1966), Enzo Cucchi (1981), Christiaan Paul Damsté (1976), Grenville Davey (1991), Ad Dekkers (1971 and 1977), (Christian Dotremont (1972), Marlene Dumas (1988), Valie Export (1980), Robert Garcet (1989), Johannes Gachnang (1971/ 1972/ Ad Gerritsen (1975), Jochen Gerz (1976), Jean Gonin (1967), Gerhard von Graevenitz (1984), Toni Grand (1976), Sigurdur Gudmundsson (1980), Otto Gutfreund (1965), Jan Henderikse (1992), Geoffrey Hendricks (1984), Eva Hesse (1979), Aad van Houwelingen (1980), Servie Janssen (1978), Jasper Johns (1977), Anselm Kiefer 1980), Edward Kienholz (1970), A.W. Kort (1981), Tetsumi Kudo (1972), Yayoi Kusama (1982 and 1993), Yvon Lambert (1972), Richard Long (1974), Raquel Maulwurf (2014, signed on verso frontwr.), Marie McClelland - Existence (1979), (197Avis Newman (1993), Ostovani (2003), Panamarenko (1975 and 1984), Giuseppe Penone (1982), Markus Raetz (1975 and 1988), Arnulf Rainer - Hiroshima (1985), Roger Raveel (1985; printed in 300 copies), Jan Theun van Rees (1997), Gerrit Jan de Rook (1975), Ulrich Rückriem (1977), Herman Lutje Schipholt (1986), Jan Schoonhoven (1971 and 1974 (with K. Schippers); dam./ frayed copy), George Segal (1972), Howard Selima (1975. Wrappers soiled), Richard Serra (1977 and 1980), Peter Smithson (1983 (Hobbs) and 1993), Daniel Spoerri (1971), Niki de Saint Phalle (1967. Wr. sl. soiled), Sylvia Steiger (1983), Tajiri (1959 and 1982), Niele Toroni (1977), Cy Twombly (1995, printed in 450 copies), Yvaral (1977), Gerard Verdijk (1980), Bill Viola (1995. With photograph by Kira Perov), Carel Visser (1973, 1985, 1978 and 1992), G. Sebastiaan Vos (Galerie Mercuur, n.d.), Lex Wechgelaar (1975), Günter Weseler (1975).

SOME TITLES: KunstLichtKunst (1966), Holanda. Ad Dekkers, Jan Schoonhoven, Peter Struycken (1967 Biennale São Paulo), Yvon Lambert - Actualité d'un bilan (1972), Film als beeldend medium (±1975), Ad Dekkers, Martin Rous, Schoonhoven, P. Struycken (1976), Einerseits - Andrerseits. 5 Hefte mit Zeichnungen von Oskar Schlemmer, Wuppertal 1938-42 (±1977. Contents loose(ning)), Oosteuropese konkrete en visuele poëzie (1978), Over wandelingen en reizen/ On Walks and Travels (1979), Croisées. Rencontres Internationales avec Gérard Verdijk - Acindino Quesada - Jean Mauboulès - Daniel Dezeuze - Jochen Gerz (1979), Die Seefahrt und der Tod (1981, 6 catalogues in orig. wrap-around band), World Wide Video Festival (1983); Eugène Dodeigne Beelden en tekeningen (1990. Plates loose).

€ (800-1.000) 1500
74 225 Fahr Becker G 74 225 Fahr Becker G
74/ 225 Fahr-Becker, G. Jugendstil. Cologne, Könemann, 1997, 1st Dutch ed., 425p., richly illustrated, orig. boards w. dustwr., folio (fine). Toman, R. De Kunst van de Barok. Architectuur. Beelhouwkunst. Schilderkunst. Ibid., idem, 1997, 503p., richly illustrated, orig. boards w. dustwr., folio (fine). - AND 5 others published by the same: The Jews; De kunst uit de Italiaanse Renaissance; Romaanse Kunst; Wenen. Kunst en architectuur; Gotiek.
€ (50-70)
74 226 Fans  Barisch M L and G 74 226 Fans Barisch M L and G
74/ 226 [Fans]. Barisch, M.-L. and G. Fächer. Spiegelbilder ihrer Zeit. Munich, Hirmer, 2003, 262p., num. col. ills., orig. cl. w. dustwr., 4to. Roberts, J. a.o. Unfolding Pictures. Fans in the Royal Collection. London, Royal Collection Publications, 2005, 223,(1)p., num. col. ills., orig. boards w. dustwr., 4to. - ADDED 1 other: LEVEN IN EEN VERZAMELING. Toegepaste kunst 1890-1940 uit de collectie Meentwijck (Laren/ Zwolle, n.d., richly illustrated, orig. cl. w. dustwr., 4to).
€ (40-60)
74 227 Fieret G P 74 227 Fieret G P
74 227 Fieret G P 74 227 Fieret G P
74/ 227 Fieret, G.P. Ik a, ik b, ik etc. Gedichten. N.pl., n.publ., 1978, (22) large photocopied lvs. (42x30 cm.), ills. by G.P. FIERET, without binding.
€ (80-100) 80
74 228 Flemming H T  74 228 Flemming H T
74/ 228 (Flemming, H.T.). Otmar Alt. Cologne, Orangerie, 1974, no pagination, 6 (5x loosely inserted) zincographs by OTMAR ALT, num. (col.) ills., orig. cl. w. dustwr., folio (fine). - AND 4 others, i.a. A. MUELLER-STAHL, Venice. Ein Amerikanisches Tagebuch (Berlin, 2005, ills., w. loosely inserted lithograph signed and numb. ''56/120'' in pencil, orig. boards w. dustwr., 4to) and G. GRASS, Radierungen und Texte 1972-1982. Vol. II (Darmstadt un Neuwied, 1984, 1 (of 2) vols., ills., loosely inserted etching by G. GRASS, signed and numb. ''6/150'' in pencil, orig. cl. w. dustwr., in board slipcase, folio).
€ (30-50) 40
74 229 Fluxus  Higgins D 74 229 Fluxus Higgins D
74/ 229 [Fluxus]. Higgins, D. Collection of ±25 TYPESCRIPT (1 autograph)/ COMPUTER PRINTED LETTERS SIGNED, all to Jan van Toorn, 1989-1986, many consisting of multiple lvs., all recto only, a few w. orig. autogr. addressed envelope. - WITH an original portrait photograph of Higgins and some cards, (computer) printed catalogues of his publications, schedules of activities etc.

= Friendly and very interesting letters by DICK HIGGINS (1938-1998), American artist, composer, poet, publisher, printmaker, co-founder of Fluxus and theorist of the concept "Intermedia" (describing various inter-disciplinary art activities that occurred between genres in the 1960s), all to JAN VAN TOORN (b.1953), founder of Slowscan Records/ Editions, an independent label dedicated to publishing audiovisual art in small editions. The letters i.a. deal with health, income, publications, recordings, contacts, activities etc.

"(...) These are very anti-intellectual times, times in which money is equated with quality but expertise is very rare (in spite of all the fancy degrees of the Herr Doktors) -- right? (...). Charlie Morrow made a splendid recording of Filliou reading his WHISPERED HISTORY OF ART. I have a cassette but Charlie has the master tapes; perhaps you shoud consider including it? I called Charlie Morrow (...) and he promised he would look for the WHISPERED HISTORY OF ART, but it is in a box somewhere, -- that is the trouble when artists have archives: the archiver can never be the artist's priority. (...) As for the STACKED DECK, it was the first opera with an electronic score, so far as I know. But after Maxfield's death I was unable to find any reasonably good tapes of it; so finally I gave up and Pauline Oliveros made a new score, which we are now trying to get performed again (it was done once in Los Angeles in late 1981) (...)" [30/11/1989]. "(...) Right now I'm finishing a residence in Canada. Here I've finished typesetting & designing a rather large book by Giordano Bruno (425 pages), has almost finished a graphic work - a BESTIARY - and am working on a hörspiel, STORM RIDERS. Keeping quite busy so I don't worry too much about silly things (how to pay the fuel bill when I get home) etc. (...)" [06/11/1990]. "(...) Please don't send me an International Money Order -- it only enriches the banks (and they benefit from the war). And I'd hate to take money from a fellow artist/artworker -- you need it for your publishing -- especially since you, like me, have to hold a factory job, etc. (...)" [09/02/1991]. "(...) Oh, that is wonderful that Shiomi is with you -- she is a very fine fluxartist. Be sure that Kuniharu Akiyama hears about your CD, since he is the main critic in Japan for Fluxus, was a friend of Maciunas, etc. (...)" [31/10/1991]. "(...) Allison and I are fresh back from a Fluxconcert at Santa Barbara where they did my Twenty Six Mountains for Viewing the Sunset From. The piece went very well, in spite of horrendous problems. (...) Next big thing is an orchestral performance in November - biggest ensemble I have ever had: a hundred voice chorus, forty strings and tubular bells. It's called Saint Columba, which is the name of a favorable old hymn. It starts in chaos, and gradually the parts of a traditional-type harmonization are heard until, at the end the hymn is heard clearly. Maybe some things are like that as we figure them out (...)" [18/10/1994]. SEE ILLUSTRATION PLATE V.

€ (600-800) 600
74 230 Fluxus  Maciunas G 74 230 Fluxus Maciunas G
74/ 230 [Fluxus]. Maciunas, G. Diagram of historical development of Fluxus and other 4 dimentional, aural, optic, olfactory, epithelial and tactile art forms (Incomplete). Ahus, Kalejdoskop, 1979, large fold. letterpress diagram, 119x44,5 cm., recto only, loosely inserted in orig. stiff paper folder w. texts in Swedish ("Fluxus - tre versioner") and English ("Birth of Fluxus - the ultimate version"), large 8vo.

- Folder foxed and sl. soiled. = Kalejdoskop 3. Rare.

€ (100-150) 130
74 231 Fox M S  ed  74 231 Fox M S ed
74/ 231 Fox, M.S. (ed.). Picasso for Vollard. New York, H.N. Abrams, 1956, XXIIp., 100 full-p. ills., orig. pict. cl., (sl. soiled/ dam.) board slipcase, sm. 4to (fine). - AND 1 other on the same: J. RICHARDSON, A Life of Picasso. 1881-1906/ 1907-1917 (London/ New York, 1991/ 1996, 2 vols., orig. (not unif.) cl. w. dustwr., sm. 4to).
€ (60-80) 100
74 232 Frames  Thiel P J J van and Bruyn Kops C J de 74 232 Frames Thiel P J J van and Bruyn Kops C J de
74/ 232 [Frames]. Thiel, P.J.J. van and Bruyn Kops, C.J. de. Framing in the Golden Age. Picture and Frame in 17th-Century Holland. Amst., Rijksmuseum, 1995, 375p., num. (col.) ills., orig. cl. w. dustwr., folio. - ADDED: Bergvelt, E. and Kistemaker, R. (ed.). De wereld binnen handbereik. Nederlandse kunst- en rariteitenverzamelingen, 1585-1735. Zwolle/ Amst., Waanders/ Hist. Museum, 1992, 368p., num. (col.) ills., orig. cl. w. dustwr., 4to.
€ (150-250)
74 233 Freedman C and Fuchs R 74 233 Freedman C and Fuchs R
74/ 233 Freedman, C. and Fuchs, R. Tracey Emin. Works 1963-2006. New York, Rizzoli, (2006), 413,(1)p., num. (full-p.) col. ills., orig. boards w. dustwr., folio. Stich, S. Yves Klein. Stuttg., Cantz, 1994, 290,(2)p., num. (col.) ills., orig. giltlettered boards w. dustwr., folio. - AND 7 others, all richly illustrated, all but 1 hardcover (w. dustwr.), all (near) fine, i.a. T. MCEVILLEY, D. KUSPIT and R. SMITH, Lucas Samaras. Objects and subjects 1969-1986 (New York, 1988, folio); N. PAPASTERGIADIS, R.C. MORGAN and O. KWANG-SU, Park, Seo-Bo (Seoul, 2007, folio) and CHRISTO, The Accordion-Fold Book for The Umbrellas (Bedford, 1991, folio).
€ (70-90) 70
74 234 Freud L  Bernard B and Birdsall D  ed  74 234 Freud L Bernard B and Birdsall D ed
74/ 234 [Freud, L.]. Bernard, B. and Birdsall, D. (ed.). Lucian Freud. London, Jonathan Cape, 1996, 1st ed., 360p., 250 full-p. col. ills., orig. cl., cl. portfolio. Bernard, B. and Dawson, D. Freud at work. New York, A.A. Knopf, 2006, 253,(3)p., richly illustrated, orig. cl. w. dustwr., 4to. - AND 2 others on Freud, i.a. S. SMEE and L. FREUD, Lucian Freud 1996-2005 (London, 2005, col. plates, orig. cl. w. dustwr., 4to).
€ (70-90) 100
74 235 Freund J 74 235 Freund J
74/ 235 Freund, J. Das Rost-buch. Cologne, Verlag der Zeitschift "Symbol", 1988, large folding plate (67x67 cm. unfolded) in orig. limp board wr., produced in 150 numb. and signed copies.

- Stained from the proces of oxidation: the plate was entirely covered w. rust, but inevitably the rust has started to come off, leaving empty spaces.

= "(...) Jürgen Freund hat jede einzelne Buchseite[sic] mit Rost belegt, indem er Eisenspëne und Salzsäure zusammengebracht hat. Diesen Oxidationsvorgang kann er jedoch nicht beeinflussen, daher entsteht Seite für Seite ein unverwechselbare Bildfläche. Der aufgeklappte Buch- bz. Bildbogen besteht somit aus verschiedenen Rostfeldern; ein Feld erhält einen farblichen Kontrast (...)" (introd.).

Rätz, M. &u.& +&. Text by R. Geissbühler. Bern, Kunsthalle, 1977, (1),LXVI,(1),(9 advert)lvs., ills. by MARKUS RÄTZ, orig. wr. - AND 4 others, i.a. C. ANDRE, (Tischläufer) (fold. table cloth, 400x16 cm., exhibit. cat. Mönchengladbach, 1968. Lacks the textleaf; plastic lid of orig. box dam.) and M.-L. PLESSEN and D. SPOERRI, Heilrituale an bretonischen Quellen (Casti, n.d. (1980), ills., printed in 3000 numb. copies,signed by both authors, orig. cl.).

€ (70-90) 70
74 236 Fuchs R H 74 236 Fuchs R H
74/ 236 Fuchs, R.H. Jan Dibbets. Minneapolis, Walker Art Center, 1987, 156p., col. ills., orig. wr., 4to.

= With SIGNED dedication by the artist in blue pen on htitle.

Jan van Munster. Amersf., Amersfoortse Culterele Raad, 1992, tipped-in col. plates, printed in 400 numb. copies, orig. wr. w. pyrography.

= SIGNED by the artist on colophon and with his atelier stamp on back wr.

AND 9 others, incl. a few signed by the artist, i.a. by BEN AKKERMAN, JAN DIBBETS and FRANCISCO ZUÑIGA.

€ (70-90) 90
74 237 Fuchs R H  ed  74 237 Fuchs R H ed
74 237 Fuchs R H  ed  74 237 Fuchs R H ed
74 237 Fuchs R H  ed  74 237 Fuchs R H ed
74 237 Fuchs R H  ed  74 237 Fuchs R H ed
74 237 Fuchs R H  ed  74 237 Fuchs R H ed
74 237 Fuchs R H  ed  74 237 Fuchs R H ed
74/ 237 Fuchs, R.H. (ed.). Jannis Kounellis. N.pl. (Eindhoven), n.publ. (Van Abbemuseum), 1981, 112 p., (full-p.) (col.) ills., printed in 2500 copies (250), orig. blindstamped cl., 4to (one of 250 bound and numb. copies). Boer, C. de (ed.). Sjoerd Buisman. Groeiwerken 1967-1997. Den Haag/ Amst., Smits/ Uffizi, 1998, 183,(1)p., num. (full-p.) (col.) photogr. ills., printed in 1500 copies, orig. gilt cl. w. mounted plate, 4to. Kastner, J. (ed.). Land and environmental art. London, Phaidon, 1998, 304p., num. (full-p.) (col.) ills., orig. boards w. dustwr., 4to. - AND 10 others, i.a. M. ABRAMOVIC and ULAY, Relation Work and Detour (Amst., 1980, num. (full-p.) (col.) photogr. ills., orig. boards, 4to); G. BOTT, Carl Buchheister (1890-1964) (Nurnb., 1984, num. (full-p.) (col.) ills., orig. clothbacked boards, 4to) and on GERHARD MERZ/ TIVOLI, WOLS, DAVE MEIJER and DE BRANDING.
€ (50-70) 50
74 238 Furniture  Aalst L van and Hofstede A C H 74 238 Furniture Aalst L van and Hofstede A C H
74 238 Furniture  Aalst L van and Hofstede A C H 74 238 Furniture Aalst L van and Hofstede A C H
74/ 238 [Furniture]. Aalst, L. van and Hofstede, A.C.H. Noord-Nederlandse meubelen van renaissance tot vroege barok 1550-1670. Houten, HES & De Graaf, 2011, 520p., richly illustrated, orig. cl. w. dustwr., 4to (fine). Hofstede, A.C.H. Nederlandse meubelen van barok tot biedermeier 1700-1830. Zwolle, Waanders, 2004, 256p., 429 (col.) ills., orig. cl. w. dustwr., 4to (fine). - AND 2 others, i.a. P. NEMATI, The Splendor of Antique Rugs and Tapestries (New York, 2001, num. col. ills., orig. cl. w. dustwr., 4to).
€ (50-70) 50
74 239 Furniture  Aalst L van and Hofstede A C H 74 239 Furniture Aalst L van and Hofstede A C H
74/ 239 [Furniture]. Aalst, L. van and Hofstede, A.C.H. Noord-Nederlandse meubelen van renaissance tot vroege barok 1550-1670. Houten, HES & De Graaf, 2011, 520p., richly illustrated, orig. cl. w. dustwr., large 4to. Jans, E., Eiynck, A. and Piepenpott, H. Tuugkisten in Oost-Nederland. Versiering en typologie. Oldenzaal, De Bruyn, 1994, 144p., ills., orig. gilt cl. w. dustwr., 4to. Pijzel-Domisse, J. Het Hollandse pronkpoppenhuis. Interieur en huishouden in de 17de en 18de eeuw. Zwolle/ Amst., Waanders/ Rijksmus., 2000, 447,(1)p., 702 (full-p.) (col.) ills., orig. cl. w. dustwr., 4to. - AND 5 others, i.a. A. HOFSTEDE, Nederlandse meubelen van barok tot biedermeier 1700-1830 (Zwolle, 2004, (col.) ills., orig. cl. w. dustwr., 4to) and R. BAARSEN, 'De Lelijke Tijd'. Pronkstukken van Nederlandse interieurkunst 1835-1895 (Amst., 1995, (col.) ills., orig. cl. w. dustwr., 4to).
€ (60-80) 90
74 240 Furniture  Alcouffe D  Pallot B G B a o 74 240 Furniture Alcouffe D Pallot B G B a o
74/ 240 [Furniture]. Alcouffe, D., Pallot, B.G.B. a.o. Furniture Collections in the Louvre. Introd. Baron E. de Rothschild. Dijon, Éditions Faton, 1993, 2 vols., 353,(1); 209,(1)p., num. col. ills., orig. unif. cl. w. dustwr., slipcase, 4to.
€ (100-150) 100