Notice
Category not found
- Bookblock loose; upper hinge split. Backstrip w. tear and lower 2 cm. missing. Needs rebinding.
Blankenstein, J.C. a.o. Uniforme Leerstof boekbinden. Hoorn, Edecea, n.d. (1955?), 3rd ed., XVI,528p., num. ills., loose in quires in orig. cl. portfolio, 4to.
- Scattered owner's annot.; one leaf torn in half and professionally restored. Fine copy.
AND 9 others, mostly on bookbinding, in various languages, i.a. H. DE HAAS, De Boekbinder (Utr., 1984, 9 fold. plates, ills., unfinished binding in full brown mor., t.e.g.).
- A few sm. stains on slipcase, otherwise fine.
= Rare publication, issued in order to help finance the inventory of the types and ornaments for gilding of the collection of Elias P. van Bommel and the printing of the manual to this inventory, which were both done by Geert van Daal.
Szirmai, J.A. The Archaeology of Medieval Bookbinding. Aldershot/ Burlington, Ashgate, (1999), XVI,352p., ills., orig. giltlettered cl., 4to. - AND 7 others, all on bookbinding, in Dutch, English and French language, i.a. F. VAN DER LINDEN, In linnen gebonden. Nederlandse uitgeversbanden van 1840 tot 1940 (Veenendaal, 1987, (col.) ills., orig. cl.).
= First English translation of the ed. Paris, 1772, with images printed off the orig. plates.
- Drop of glue on lower left corner of front cover. Fine copy.
= Facs. reprint of the ed. Dordrecht, 1806.
Braay, D. de. Kort onderweijs van het boeckenbinden. Ed. K. van der Horst and C. de Wolf. Amst., N. Israel, 1977, 2 vols., LXXXVII,(1)p./ 48 leaves, col. ills., printed in 900 copies, orig. unif. wr., sm. 8vo/ 16mo, together in orig. board box.
= Vol. 2 facs. reprint of the orig. manuscript, 1658.
AND 18 others, i.a. J. CLEMENTS, Ambachtelijk boekbinden (Houten, 1991, (col.) ills., cl., 4to) and A.H.G. BLANKENSTEIN (ed.), Elementair algrafisch vakboek (Amst., 1943, (full-p.) (col.) ills., orig. giltlettered boards, sm. 4to).
- Vertical fold in frontwr. Fine copy.
Brade, L. and Winckler, E. Das illustrirte Buchbinderbuch. Vollständige Unterweisung in den Arbeiten und Kunstfertigkeiten des Buchbinders. Leipsic, O. Spamer, 1860, XVI,276p., 71 lithogr. plates, contemp. clothbacked boards.
- Owner's annot. on pastedowns; leaf edges (sl.) browned throughout; occas. (sl.) stained; some ills. w. later clumsy colouring. Backstrip worn/ soiled; boards dam.
Bogeng, G.A.E. Der Bucheinband. Ein Handbuch für Buchbinder und Büchersammler. Halle, W. Knapp, 1913, VIII,382p., ills., contemp. hcalf w. raised bands, edges gilt in corners and next to spine.
- Calf partly torn away from back cover; spine-ends rubbed.
AND 10 others on bookbinding, all German text.
= All copies of the lot in mint condition.
- Endpapers sl. foxed, otherwise internally fine. Cl. foxed w. 2 sm. stains on frontcover.
= Monographien des Kunstgewerbes Band XXI/XXII.
Szirmai, J.A. Boek. Band. Kunst: Catalogus van Boekbanden. Amst., Universiteit van Amsterdam, 1984, XI,116p., (col.) ills., orig. giltlettered cl., large 4to.
= Fine, still shrinkwrapped.
Enzinck, W. Ben Aalbers und die Kunst der Kalligrafie. Et l'art de la calligraphie. And the art of Calligraphy. Lahnstein, Calatra Press, n.d. (1991), 95p., num. (full-p.) ills., orig. pict. wr., large 4to.
= With autograph dedication and author's stamp.
AND 13 others (incl. 1 duplicate), i.a. F. WIESE, Der Bucheindband. Einde Arbeitskunde mit Werkzeichnungen (ibid., 1983, ills., orig. wr., sm. 4to, shrinkwrapped); H.P. WILLBERG, Handbuch der Einbandgestaltung (Mainz, 1994, num. ills., various tipped-in specimin of (cl.) binding samples, orig. blindst. cl., 4to) and F. MORF, Der Bucheinband. Eine Anleitung zur Herstellung handgebundener Bucheinbände (Ravensburg, n.d., ills., orig. pict. wr.).
- Trifle browned. Cl. sl. foxed.
AND 5 others, i.a. J. LEWIS and J. BRINKLEY, Graphic Design with special reference to lettering, typography and illustration (ibid., 1954, num. ills., orig. giltlettered cl. w. dustwr.) and S. MORISON, Four centuries of fine printing (...) (ibid.,1960, num. full-p. ills., orig. giltlettered cl. w. dustwr.).
- Owner's stamp on (trifle foxed) title-p.
Preis-Liste über Buchbinder-Werkzeuge. Oos bei Baden-Baden, Badische Holzwerkzeugfabrik A.G., n.d. (±1925), 16p., num. ills., contemp. hcalf w. marbled boards (orig. wr. pres.), large 8vo.
- A few sm. (ink?)stains on backcover.
Adam, P. Das Marmorieren des Buchbinders auf Schleimbrund und im Öl und Kleisterverfahren (...). Halle, W. Knapp, 1923, VI,84,(2)p., 4 plates w. 24 col. tipped-in specimen of marbled paper, ills., orig. wr., large 8vo.
- Browned. Frontwr. trifle frayed and sl. foxed.
AND 3 others, i.a. K. LOHSE, Die Technik des Kontobuch-Einbandes im Handwerks- und im Fabrikbetrieb (ibid., 1926, ills., orig. (dam.) wr.) and H. PRALLE, Der Lederschnitt, eine Werkkunst des Buchbinders (ibid., 1927, ills., orig. wr.).
= In the style of "Amsterdamse School".
= Fine copy of this remarkable book designed by IRMA BOOM. "The diagrams printed in full colour are all derived from a detail from a famous work of art. The PMS colours used for the solids are based on the colours in the diagrams" [colophon].
AND 3 others designed by the same (studio), i.a. Represent Koninklijke Tichelaar Makkum (Rott., 2010, (col.) photogr. ills., orig. dec. boards, large 8vo) and H. BOEKHOUT, Seconds First (Amst., 1993, (col.) photogr. ills., orig. dec. boards w. dustwr., large 4to). - ADDED: a second, still shrinkwrapped copy of Kleur Colour.
- Fine copy.
= The English edition of the famous SHV-book, published to commemorate the 100th anniversary of the Steenkolen Handels Vereeniging. It was designed by Irma Boom and was awarded several prizes, but was never for sale. The production of the book took 5 years of research and design, and the result is overwhelming in its abundance of illustrations, its graphic design and ideas. The book measures 23x18 cm., is 12 cm. thick, weighs 3,5 kg. and has 8 ribbons. Its fore-edge is decorated with tulips when viewed from one side and shows a poem by Gerrit Achterberg when viewed from the other side to mention just one of the many features. "Dit is hét icoon van modern Nederlands grafisch design. Het SHV-boek is vormgegeven door Irma Boom in redactionele samenwerking met kunsthistoricus Johan Pijnappel. Paul Fentener van Vlissingen gaf hun de opdracht voor een bedrijfsboek ter gelegenheid van het honderdjarige bestaan van de Steenkolen Handels Vereeniging. Er werd niet gekozen voor een reclameachtige uitgave met tabellen en directieportretten; inspiratie en uitzonderlijkheid stonden voorop. De voorbereidingen namen vijf volle jaren in beslag; behalve het bedrijfsarchief werden interviews met medewerkers gebruikt. Boom heeft van dit boek een staalkaart van ontwerp- en drukkunst gemaakt, waarbij drukkerij Rosbeek (Nuth) tekende voor de technische prestatie. Gedrukt werd op bankbiljettenpapier, zodat voor dit boek geen bomen hoefden te worden gerooid (de basis is katoen). Het papier is op sommige plaatsen geperforeerd. Laserdruk, veelkleurendruk, geavanceerde computertechnieken en speciale rasters werden ingezet om honderden documenten en fotos te reproduceren op 2136 paginas. Bij het bladeren verandert het tulpenlandschap op de snede in een gedicht van Achterberg. De paginas bleven ongenummerd, het boek moest een reis worden, niet een naslagwerk." (Paul van Capelleveen on the website on the Dutch Royal Library, www.kb.nl).
= Remarkable book designed by IRMA BOOM. "The diagrams printed in full colour are all derived from a detail from a famous work of art. The PMS colours used for the solids are based on the colours in the diagrams" [colophon].
AND 7 others des. by the same, i.a. H. JONGERIUS, Misfit (London, 2010).
= One of the rare 500 numb. and signed copies. Very fine miniature book, published on occasion of the exhibition of Irma Boom's "living archive" in the Amsterdam University Library in 2010. The illustrations show Boom's bookdesigns from 1986 until 2010, including the famous SHV Thinkbook, but also designs for logos, stamps and posters.
= Unopened copy (shrinkwrapped). Very fine miniature book, published on occasion of the exhibition of Irma Boom's "living archive" in the Amsterdam University Library in 2010. The illustrations show Boom's bookdesigns from 1986 until 2010, including the famous SHV Thinkbook, but also designs for logos, stamps and posters.
= Second edition of the book published on occasion of the exhibition of Irma Boom's "living archive" in the Amsterdam University Library in 2010. The illustrations show Boom's bookdesigns from 1986 until 2010, including the famous SHV Thinkbook, but also designs for logos, stamps and posters.
Zandvliet, R. I owe you the truth in painting. Rott., NAi, 2012, 111p., col. ills., orig. limp cl. w. wrap-around slip and box by I. BOOM, folio. - AND 6 others des. by the same.
= "Written between the lines of 1136 meticulously documented postcards, spanning ten years of travel, is the tale of the Butler family. It is a story of abandonment and love, of sickness and health, and of a marriage in transit. In this bright-yellow, 1200-page volume, world-renowned designer Irma Boom carefully and thoroughly retraces the journey of a lifetime. Her Yellow Book is a monument to book design, and an epic family portrait" (jamesjennifergeorgina.com). SEE ILLUSTRATION PLATE XI.
= Rare.
- Bookblock loose; upper hinge split. Backstrip w. tear and lower 2 cm. missing. Needs rebinding.
Blankenstein, J.C. a.o. Uniforme Leerstof boekbinden. Hoorn, Edecea, n.d. (1955?), 3rd ed., XVI,528p., num. ills., loose in quires in orig. cl. portfolio, 4to.
- Scattered owner's annot.; one leaf torn in half and professionally restored. Fine copy.
AND 9 others, mostly on bookbinding, in various languages, i.a. H. DE HAAS, De Boekbinder (Utr., 1984, 9 fold. plates, ills., unfinished binding in full brown mor., t.e.g.).
- A few sm. stains on slipcase, otherwise fine.
= Rare publication, issued in order to help finance the inventory of the types and ornaments for gilding of the collection of Elias P. van Bommel and the printing of the manual to this inventory, which were both done by Geert van Daal.
Szirmai, J.A. The Archaeology of Medieval Bookbinding. Aldershot/ Burlington, Ashgate, (1999), XVI,352p., ills., orig. giltlettered cl., 4to. - AND 7 others, all on bookbinding, in Dutch, English and French language, i.a. F. VAN DER LINDEN, In linnen gebonden. Nederlandse uitgeversbanden van 1840 tot 1940 (Veenendaal, 1987, (col.) ills., orig. cl.).
= First English translation of the ed. Paris, 1772, with images printed off the orig. plates.
- Drop of glue on lower left corner of front cover. Fine copy.
= Facs. reprint of the ed. Dordrecht, 1806.
Braay, D. de. Kort onderweijs van het boeckenbinden. Ed. K. van der Horst and C. de Wolf. Amst., N. Israel, 1977, 2 vols., LXXXVII,(1)p./ 48 leaves, col. ills., printed in 900 copies, orig. unif. wr., sm. 8vo/ 16mo, together in orig. board box.
= Vol. 2 facs. reprint of the orig. manuscript, 1658.
AND 18 others, i.a. J. CLEMENTS, Ambachtelijk boekbinden (Houten, 1991, (col.) ills., cl., 4to) and A.H.G. BLANKENSTEIN (ed.), Elementair algrafisch vakboek (Amst., 1943, (full-p.) (col.) ills., orig. giltlettered boards, sm. 4to).
- Vertical fold in frontwr. Fine copy.
Brade, L. and Winckler, E. Das illustrirte Buchbinderbuch. Vollständige Unterweisung in den Arbeiten und Kunstfertigkeiten des Buchbinders. Leipsic, O. Spamer, 1860, XVI,276p., 71 lithogr. plates, contemp. clothbacked boards.
- Owner's annot. on pastedowns; leaf edges (sl.) browned throughout; occas. (sl.) stained; some ills. w. later clumsy colouring. Backstrip worn/ soiled; boards dam.
Bogeng, G.A.E. Der Bucheinband. Ein Handbuch für Buchbinder und Büchersammler. Halle, W. Knapp, 1913, VIII,382p., ills., contemp. hcalf w. raised bands, edges gilt in corners and next to spine.
- Calf partly torn away from back cover; spine-ends rubbed.
AND 10 others on bookbinding, all German text.
= All copies of the lot in mint condition.
- Endpapers sl. foxed, otherwise internally fine. Cl. foxed w. 2 sm. stains on frontcover.
= Monographien des Kunstgewerbes Band XXI/XXII.
Szirmai, J.A. Boek. Band. Kunst: Catalogus van Boekbanden. Amst., Universiteit van Amsterdam, 1984, XI,116p., (col.) ills., orig. giltlettered cl., large 4to.
= Fine, still shrinkwrapped.
Enzinck, W. Ben Aalbers und die Kunst der Kalligrafie. Et l'art de la calligraphie. And the art of Calligraphy. Lahnstein, Calatra Press, n.d. (1991), 95p., num. (full-p.) ills., orig. pict. wr., large 4to.
= With autograph dedication and author's stamp.
AND 13 others (incl. 1 duplicate), i.a. F. WIESE, Der Bucheindband. Einde Arbeitskunde mit Werkzeichnungen (ibid., 1983, ills., orig. wr., sm. 4to, shrinkwrapped); H.P. WILLBERG, Handbuch der Einbandgestaltung (Mainz, 1994, num. ills., various tipped-in specimin of (cl.) binding samples, orig. blindst. cl., 4to) and F. MORF, Der Bucheinband. Eine Anleitung zur Herstellung handgebundener Bucheinbände (Ravensburg, n.d., ills., orig. pict. wr.).
- Trifle browned. Cl. sl. foxed.
AND 5 others, i.a. J. LEWIS and J. BRINKLEY, Graphic Design with special reference to lettering, typography and illustration (ibid., 1954, num. ills., orig. giltlettered cl. w. dustwr.) and S. MORISON, Four centuries of fine printing (...) (ibid.,1960, num. full-p. ills., orig. giltlettered cl. w. dustwr.).
- Owner's stamp on (trifle foxed) title-p.
Preis-Liste über Buchbinder-Werkzeuge. Oos bei Baden-Baden, Badische Holzwerkzeugfabrik A.G., n.d. (±1925), 16p., num. ills., contemp. hcalf w. marbled boards (orig. wr. pres.), large 8vo.
- A few sm. (ink?)stains on backcover.
Adam, P. Das Marmorieren des Buchbinders auf Schleimbrund und im Öl und Kleisterverfahren (...). Halle, W. Knapp, 1923, VI,84,(2)p., 4 plates w. 24 col. tipped-in specimen of marbled paper, ills., orig. wr., large 8vo.
- Browned. Frontwr. trifle frayed and sl. foxed.
AND 3 others, i.a. K. LOHSE, Die Technik des Kontobuch-Einbandes im Handwerks- und im Fabrikbetrieb (ibid., 1926, ills., orig. (dam.) wr.) and H. PRALLE, Der Lederschnitt, eine Werkkunst des Buchbinders (ibid., 1927, ills., orig. wr.).
= In the style of "Amsterdamse School".
= Fine copy of this remarkable book designed by IRMA BOOM. "The diagrams printed in full colour are all derived from a detail from a famous work of art. The PMS colours used for the solids are based on the colours in the diagrams" [colophon].
AND 3 others designed by the same (studio), i.a. Represent Koninklijke Tichelaar Makkum (Rott., 2010, (col.) photogr. ills., orig. dec. boards, large 8vo) and H. BOEKHOUT, Seconds First (Amst., 1993, (col.) photogr. ills., orig. dec. boards w. dustwr., large 4to). - ADDED: a second, still shrinkwrapped copy of Kleur Colour.
- Fine copy.
= The English edition of the famous SHV-book, published to commemorate the 100th anniversary of the Steenkolen Handels Vereeniging. It was designed by Irma Boom and was awarded several prizes, but was never for sale. The production of the book took 5 years of research and design, and the result is overwhelming in its abundance of illustrations, its graphic design and ideas. The book measures 23x18 cm., is 12 cm. thick, weighs 3,5 kg. and has 8 ribbons. Its fore-edge is decorated with tulips when viewed from one side and shows a poem by Gerrit Achterberg when viewed from the other side to mention just one of the many features. "Dit is hét icoon van modern Nederlands grafisch design. Het SHV-boek is vormgegeven door Irma Boom in redactionele samenwerking met kunsthistoricus Johan Pijnappel. Paul Fentener van Vlissingen gaf hun de opdracht voor een bedrijfsboek ter gelegenheid van het honderdjarige bestaan van de Steenkolen Handels Vereeniging. Er werd niet gekozen voor een reclameachtige uitgave met tabellen en directieportretten; inspiratie en uitzonderlijkheid stonden voorop. De voorbereidingen namen vijf volle jaren in beslag; behalve het bedrijfsarchief werden interviews met medewerkers gebruikt. Boom heeft van dit boek een staalkaart van ontwerp- en drukkunst gemaakt, waarbij drukkerij Rosbeek (Nuth) tekende voor de technische prestatie. Gedrukt werd op bankbiljettenpapier, zodat voor dit boek geen bomen hoefden te worden gerooid (de basis is katoen). Het papier is op sommige plaatsen geperforeerd. Laserdruk, veelkleurendruk, geavanceerde computertechnieken en speciale rasters werden ingezet om honderden documenten en fotos te reproduceren op 2136 paginas. Bij het bladeren verandert het tulpenlandschap op de snede in een gedicht van Achterberg. De paginas bleven ongenummerd, het boek moest een reis worden, niet een naslagwerk." (Paul van Capelleveen on the website on the Dutch Royal Library, www.kb.nl).
= Remarkable book designed by IRMA BOOM. "The diagrams printed in full colour are all derived from a detail from a famous work of art. The PMS colours used for the solids are based on the colours in the diagrams" [colophon].
AND 7 others des. by the same, i.a. H. JONGERIUS, Misfit (London, 2010).
= One of the rare 500 numb. and signed copies. Very fine miniature book, published on occasion of the exhibition of Irma Boom's "living archive" in the Amsterdam University Library in 2010. The illustrations show Boom's bookdesigns from 1986 until 2010, including the famous SHV Thinkbook, but also designs for logos, stamps and posters.
= Unopened copy (shrinkwrapped). Very fine miniature book, published on occasion of the exhibition of Irma Boom's "living archive" in the Amsterdam University Library in 2010. The illustrations show Boom's bookdesigns from 1986 until 2010, including the famous SHV Thinkbook, but also designs for logos, stamps and posters.
= Second edition of the book published on occasion of the exhibition of Irma Boom's "living archive" in the Amsterdam University Library in 2010. The illustrations show Boom's bookdesigns from 1986 until 2010, including the famous SHV Thinkbook, but also designs for logos, stamps and posters.
Zandvliet, R. I owe you the truth in painting. Rott., NAi, 2012, 111p., col. ills., orig. limp cl. w. wrap-around slip and box by I. BOOM, folio. - AND 6 others des. by the same.
= "Written between the lines of 1136 meticulously documented postcards, spanning ten years of travel, is the tale of the Butler family. It is a story of abandonment and love, of sickness and health, and of a marriage in transit. In this bright-yellow, 1200-page volume, world-renowned designer Irma Boom carefully and thoroughly retraces the journey of a lifetime. Her Yellow Book is a monument to book design, and an epic family portrait" (jamesjennifergeorgina.com). SEE ILLUSTRATION PLATE XI.
= Rare.