= This copy printed "in vriendschap" for Ate and Heidi Bloemsma.
Eyck, P.N. van. De tuinman en de dood. Oosterhesselen, Carlinapers, 1984, (7)p., calligraphy by P. WETSELAAR, printed in 90 numb. copies, orig. giltlettered cl., obl. 4to. - AND 3 others similar, illustrated by the same, i.a. A. VAN DER STEUR, De door Pieter Wetselaar gegraveerde portretten (Oosterhesselen, 1995, 3 engr. portraits, all signed, orig. wr.) and P. WETSELAAR, Acht exlibris (Haarlem, 1981, orig. wr.).
= Printed to celebrate the new "Corps 8 member" Henk Francino. Contains contributions by 8 different private presses, together forming Corps 8: Dick Berendes (Typografiek), Kees Baart (Het Schuurtje), Gerard Post van der Molen (De Ammoniet), Sjaklien Euwals (De Overkant), Dirk Engelen (Clio Pers), Thijs Weststrate (Zonder Dak), Silvia Zwaaneveldt (De Baaierd) en Henk Francino (De Pers Achter de Muren).
Overeem, G. Geschreven beelden. Studie's voor beelden in steen. N.pl., n.publ., 1983, (33)p., etched title, 7 plates, each w. "proefdruk" and signed by the artist in pencil, etched colophon w. "proefdruk" and signed by the artist in pen and ink, printed in 15 numb. copies, orig. wr. Korteweg, A. Van huis tot huis. Rott., Bébert, 1984, 17,(2)p., ills. by PANDORA, printed in 260 numb. copies, signed by the author and illustrator on the colophon, orig. cl. w. dustwr. - AND 28 others by Dutch (private) presses.
= One of 10 copies to which some extra proofs were added.
Kemp, P. Ik ruik het heden. Ed. by P. de Vroomen. Ibid., idem, 1981, (25)p., printed in 175 numb. copies (25).
= One of 25 Roman numb. copies bound in full cloth by Jutta Swakowski, w. ms. dedication by the printer ("Voor Serge. Den Haag, Margenacht 16 januari 1982") and signed by the binder and printer on the colophon.
AND 7 others (incl. 2 duplicates) by the Eikeldoorpers and De Lojen Deur press.
= Published on occasion of the 50th anniversary of Pim Witteveen (De Breukenpers). Contains contributions by i.a. Frans de Jong, Hester Verkruissen, Hinderickx & Winderickx, Pers No. 14, Statenhofpers and Ser Prop.
- Fine copy except for sm. owner's entry on upper pastedown.
= One of 30 hardcover copies. With AUTOGRAPH SIGNED DEDICATION and ORIG. DRAWING in col. felt-tip pen on htitle.
- Bookblock loose(ning). Wrappers vertically cracked and sl. worn along edges.
- Erased stamp and a few annots. in pen on title-p.; sm. numb. in pen on final plate; traces of bookplate on upper pastedown. Binding partly sl. discoloured and w. traces of ticket on frontcover. Otherwise a good/ fine copy.
= Rare. Rowell/ Wye 1022 and p.227 (illustration); Compton, Russian Avant-Garde Book 1917-34, p.142f: "(...) an amazing compendium of one hundred and one coloured inventions which still excite the imagination today (...). The verdict must surely be that Chernikhov's almost unlimited imagination for architectural forms provides a pattern book for modernist architecture, rather than a repertoire of viable designs". SEE ILLUSTRATION PLATE LI.
- Hinges weak; owner's entry on first free endpaper. = Study of modern architecture in fascist Italy.
- Frontwr. trifle foxed and sl. dustsoiled along upper edge. = Very rare Russian émigré edition.
- Bookblock warped. Covers yellowed; joints and spine-ends worn/ splitting. = Rowell/ Wye 921.
= The Burliuk family publishing house, run by David's wife Mary. Between 1931 and 1970 they published the periodical Color and Rhyme, devoted to the Russian avant-garde. David Davidovich Burliuk has been described as "the father of Russian Futurism."
WITH: 9 photographs, mainly col. snapshots (3x black and white), ±9x9 to 9x13 cm., all w. (sm.) annot./ identification in blue ballpoint on verso.
= I.a. "Burliuk + Joe Hampton Bays 1954", "Burliuk begins to paint Herbert Marchall 1965/66 jan (...) mrs Burliuk corrects position of models's hands", "Burliuk Jan. 1966 photo by H. Marchall" and "Mrs and Mr Burliuk in his Studio 3-4 october 1966 (Flowers on easel sold. 1000 doll)" [photo w. cut through image]".
AND 6 col. picture postcards of works by Burliuk (1x also showing the artist and his wife). - ADDED: Jerkovic, D. 333. Poema ljubavi (Love poem). Belgrade, n.publ., n.d. (1926), (3),8,(5)p., orig. wr., folio.
- Sl. creased and fingersoiled.
= With AUTOGRAPH SIGNED DEDICATION on title-p. The title refers to the number of lines in the poem.
- Occas. trifle foxed; dedication on title-p. Spine and portion of frontwr. restored.
- Vol. 6 sl. worn, occas. stained/ soiled, w. a few scattered stamps and annots. and final quire misbound (after p.32); vol. 7/ 8 occas. trifle foxed and w. dedication (by ?) on title-p.
= Rare literary and artistic émigré periodical published between 1930 and 1934, w. contributions by i.a. Zinaida Gippius and Dmitry Merezhkovsky.
= Rowell/ Wye 385. Early (first?) Russian monograph on Edgar Degas.
- Sm. owner's entry and annots. on front- and backwr.; spine-ends sl. dam.
- Sl. yellowed and frayed. Backstrip dam. and worn.
= Rowell/ Wye 337; Compton, Russian Avant-Garde Books 1917-34 p.106: "The cover and vignettes of Tairov's Notes of a Director were drawn by Aleksandra Ekster in a strongly Expressionist vein, echoing the artist's designs for the Kamerny's most recent production, Shakespeare's Romea and Juliet - a spectacular event of 1921." SEE ILLUSTRATION PLATE LI.