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76/621 Russian avant garde  Vesch Objet Gegenstand Revue internationale de l'art moderne Year 1 no 1/2 Ed El Lissitzky and E Ehrenburg 76/621 Russian avant garde Vesch Objet Gegenstand Revue internationale de l'art moderne Year 1 no 1/2 Ed El Lissitzky and E Ehrenburg
76/621 Russian avant garde  Vesch Objet Gegenstand Revue internationale de l'art moderne Year 1 no 1/2 Ed El Lissitzky and E Ehrenburg 76/621 Russian avant garde Vesch Objet Gegenstand Revue internationale de l'art moderne Year 1 no 1/2 Ed El Lissitzky and E Ehrenburg
76/621 Russian avant garde  Vesch Objet Gegenstand Revue internationale de l'art moderne Year 1 no 1/2 Ed El Lissitzky and E Ehrenburg 76/621 Russian avant garde Vesch Objet Gegenstand Revue internationale de l'art moderne Year 1 no 1/2 Ed El Lissitzky and E Ehrenburg
76/621 Russian avant garde  Vesch Objet Gegenstand Revue internationale de l'art moderne Year 1 no 1/2 Ed El Lissitzky and E Ehrenburg 76/621 Russian avant garde Vesch Objet Gegenstand Revue internationale de l'art moderne Year 1 no 1/2 Ed El Lissitzky and E Ehrenburg
76/ 621 [Russian avant-garde]. Vesch. Objet. Gegenstand. Revue internationale de l'art moderne. Year 1, no. 1/2. Ed. El Lissitzky and E. Ehrenburg. Berlin, Scythen, 1922, 32p., ills., orig. wr. by EL LISSITZKY, 4to.

- Two lvs. loose. Some tiny stains on frontwr.; vague stamp on backwr. Otherwise a remarkably fine copy.

= Rowell/ Wye 410 and p.196; Compton, Russian Avant-Garde Books 1917-34, p52 and passim; Lissitzky-Küppers p.24: "At the beginning of 1922, Lissitzky collaborated with Ehrenburg in producing the first pro-Soviet periodical, Veshch ('Objet'), published by the Skythen-Verlag. Here Lissitzky could make his new typographical ideas become concrete facts - thanks to highly-developed printing techniques. (...) The pages of the journal were architectonically arranged, and all the resources of the type-case were employed to catch the reader's eye and to give emphasis to the contents. The striking effect made by the typographic composition of the cover (a floating Proun in red) is created by the colossal tension in which the letters are held counterpoised on the coloured background. Few cover designs produced since then bear comparison with these first fruits of Lissitzky's typographical genius." Bolliger III, 242: "Zeitschrift der russischen und europäischen avantgarde, die sich zur Aufgabe setzte: "Die in Russland Schaffenden mit der neuesten westeuropäischen Kunst bekanntzumachen und 2. Westeuropa über die russische Kunst und Literatur zu informieren"." Only 2 issues were published (no.1/2 and 3), although a fourth and a fifth were announced. SEE ILLUSTRATION PLATE XXXII.

€ (4.000-6.000)
76/622 Russian avant garde  Zhenskij zhurnal Woman's magazine  Year 1929 no 3 76/622 Russian avant garde Zhenskij zhurnal Woman's magazine Year 1929 no 3
76/622 Russian avant garde  Zhenskij zhurnal Woman's magazine  Year 1929 no 3 76/622 Russian avant garde Zhenskij zhurnal Woman's magazine Year 1929 no 3
76/ 622 [Russian avant-garde]. Zhenskij zhurnal (Woman's magazine). Year 1929, no.3. Moscow, Ogonyok, 1929, 44p., num. (col. lithogr.) ills., orig. photomontage wr., folio.

- Four sm. filing holes; lower corner frontwr. chipped.

€ (50-70)
76 623 Sandberg W 76 623 Sandberg W
76 623 Sandberg W 76 623 Sandberg W
76/ 623 Sandberg, W. Lectura sub aqua. Experimenta typografica. N.pl. (Amst., A.A. Balkema), 1943, (32)p., typography by W. SANDBERG, printed in black and red in various types in 200 numb. copies (177), orig. stereotype-stamped boards.

- Covers foxed.

= No.1 of Sandberg's famous series "Experimenta Typografica". De Jong 258; Petersen/ Brattinga p.33, 35 and 198; Purvis p.186-187. The work was published w. 2 variant wrappers: of brown crêpe-paper with large woodtype cipher "1" printed in red on frontcover, and an edition with stereotype-stamped boards. With AUTOGRAPH SIGNED DEDICATION on first blank: "voor mr. b. kist - 17.5.48 sandberg". This copy marked "M", but without the fake signature ("v.d.Bosch") of Sandberg on the colophon page, as called for in the colophon for the 23 copies marked A to X.

€ (400-600) 900
76/624 Schuitema P  Links richten No 4 10 and 11/12 76/624 Schuitema P Links richten No 4 10 and 11/12
76/ 624 [Schuitema, P.]. Links richten. No.4, 10 and 11/12. Amst., Arbeiders-Schrijvers-Collectief "Links Richten", 1932-1933, 3 issues, orig. photomontage wr. by P. SCHUITEMA, large 8vo.

- No.4 wr. loose(ning). = Rare socialist literary periodical. Maan p.68.

€ (100-150) 210
76 625 Schuitema P 76 625 Schuitema P
76/ 625 Schuitema, P. De Gemeenschap, Year 6, no.3 and 6. Utr., De Gemeenschap, n.d. (1930), 2 issues, p.81-128 and 189-212, orig. (not unif.) wr. designed by PAUL SCHUITEMA, 4to.

- No. 6 wr. sl. browned; backwr. and last leaf w. tear in upper margin.

= No.3 w. nice photomontage wrappers, no.6 w. nice typography. Maan '06, p.65: "The photo, taken from Joris Ivens' film De Hef, was made by Germaine Krull."; Maan '86, p.22; Lottner p.77; cf. Purvis p.113-114.

De 8 en Opbouw. 14-daagsch tijdschrift van de architectengroep "De 8" Amsterdam en "Opbouw" Rotterdam. Year 6, no.22. Amst., Van Holkema en Warendorf, 1935, p.233-244, ills., orig. photomontage wr. by P. SCHUITEMA, 4to.

- Wrappers foxed/ soiled and spine splitting,

= Cf. Maan '06, p.64. The leading periodical of the thirties on functional architecture and related subjects, published 1932-1943.

ADDED: an odd issue of i10 (no.5, 1927, orig. wr., 4to. Wrappers waterstained along spine).

€ (100-150) 110
76 626 Schwartz G a o 76 626 Schwartz G a o
76/ 626 Schwartz, G. a.o. Rembrandt's Orient. West meets East in Dutch Art of the seventeenth Century. Munich/ London/ New York, Prestel, 328p., 2020, num. col. ills., orig. boards w. dustwr., 4to. The Green Florilegium. Introd. H.K. Poulsen. Ibid., idem, 2019, 224p., new ed., num. col. ills., orig. boards, 4to. - AND 5 others on 15th-17th cent. art, i.a. C. METZGER, Albrecht Dürer (ibid., 2019, num. col. ills., orig. boards, 4to. Shrinkwrapped); A.K. WHEELOCK, Jan Lievens. A Dutch Master Rediscovered (Washington a.o., 2008, num. col. ills., orig. cl. w. dustwr., 4to) and B. BAKKER a.o., Het landschap van Rembrandt (Bussum a.o., 1998, num. (col.) ills., orig. cl. w. dustwr., 4to).
€ (80-100)
76 627 Situationists  The Situationist Times no 2 4 5 and 6 Ed J de Jong a o 76 627 Situationists The Situationist Times no 2 4 5 and 6 Ed J de Jong a o
76/ 627 [Situationists]. The Situationist Times, no. 2, 4, 5 and 6. Ed. J. de Jong a.o. Hengelo/ Paris etc., Jacqueline de Jong, 1962-1967, 4 vols., plates/ ills. i.a. by P. ALECHINSKY, A. JORN, R. TOPOR, each printed in 1000/ 2500 copies, orig. (not unif.) wr., 4to.

- Fine copies.

= Not collated but apparently complete. All vols. from the "International (Parisian) edition".

€ (250-350) 350
76/628 Situationists  The Situationist Times no 6 Ed J de Jong 76/628 Situationists The Situationist Times no 6 Ed J de Jong
76/ 628 [Situationists]. The Situationist Times, no. 6. Ed. J. de Jong. Paris, J. de Jong, 1967, 32 orig. col. lithographs by i.a. P. ALECHINSKY, A. JORN, W. LAM, P. DE LUSSANET, A. SEGUI, A.H. SØRENSEN, Y. TABUCHI and TOPOR, printed in 2500 copies, orig. lithogr. wr. by U. TROTZIG, 4to.

- Bookblock loosening as often; a few plates loose(ning); top of spine sl. dam.

= International Parisian edition.

€ (50-70) 50
76 629 Soutine C  Georg W 76 629 Soutine C Georg W
76/ 629 [Soutine, C.]. Georg, W. Soutine. Paris, Mourlot, 1966, 13,(1),(3) textp., 8 col. lithogr. plates after paintings by CH. SOUTINE, printed in 5500 numb. copies, loose as issued in orig. cl. portfolio, large folio.

= Collection Pierre Lévy I.

€ (50-70)
76 630 Spur 6 Spur im Exil Ed D Kunzelmann and J Nash 76 630 Spur 6 Spur im Exil Ed D Kunzelmann and J Nash
76/ 630 Spur 6. Spur im Exil. Ed. D. Kunzelmann and J. Nash. Munich, Gruppe Spur, 1961, 24p. (incl. wr.), full-p. col. lithogr. ills. by i.a. H.P. ZIMMER, H. PREM, D. KUNZELMANN and H. STURM, printed in 1500 copies, orig. wr., obl. 4to.

- Mint condition.

= The artists' group SPUR was formed in 1957 and published 7 issues of their periodical. This is the only issue in colour. Disagreements over the content of this issue led to one of the longest lawsuits in the history of German publication law.

€ (80-100) 190
76 631 De Stijl 1 1917 1920/ 2 1921 1932 76 631 De Stijl 1 1917 1920/ 2 1921 1932
76/ 631 De Stijl. 1. 1917-1920/ 2. 1921-1932. Amst./ The Hague, Athenaeum, Bert Bakker, Polak & Van Gennep, 1968, 2 vols., (12),636; (12),666p., num. (full-p.) (col.) ills. and plates, orig. clothbacked dec. boards, 4to and obl. 4to.

- Sm. owner's stamps on title and fore-edge. Covers trifle rubbed/ soiled; slipcase stained and discol.

= Facsimile reprint of one of the most important and influential modernist periodicals of the 20th century. Contributions by i.a. Th. van Doesburg (I.K. Bonset, A. Camini), J.J.P. Oud, P. Mondriaan, G. Vantongerloo, Anthony Kok, T. Brugman, H. Arp, and reproductions of works by i.a. P. Mondriaan, A. Archipenko, J.J.P. Oud, G. Rietveld, Man Ray, Th. van Doesburg, C. Domela.

Jaffé, H.L.C. De Stijl. 1917-1931. The Dutch Contribution to Modern Art. Amst., J.M. Meulenhoff, 1956, VIII,293,(2)p., 48 plates, orig. cl., large 8vo.

€ (70-90) 100
76/632 De Stijl 1 1917 1920/ 2 1921 1932 76/632 De Stijl 1 1917 1920/ 2 1921 1932
76/ 632 De Stijl. 1. 1917-1920/ 2. 1921-1932. Amst./ The Hague, Athenaeum, Bert Bakker, Polak & Van Gennep, 1968, 2 vols., (12),636; (12),666p., num. (full-p.) (col.) ills. and plates, orig. clothbacked dec. boards, 4to and obl. 4to.

- A few occas. markings/ annots. Covers sl. soiled; vol. 2 weak on hinges.

= Facsimile reprint of one of the most important and influential modernist periodicals of the 20th century. Contributions by i.a. Th. van Doesburg (I.K. Bonset, A. Camini), J.J.P. Oud, P. Mondriaan, G. Vantongerloo, Anthony Kok, T. Brugman, H. Arp, and reproductions of works by i.a. P. Mondriaan, A. Archipenko, J.J.P. Oud, G. Rietveld, Man Ray, Th. van Doesburg, C. Domela.

Jaffé, H.L.C. De Stijl. 1917-1931. The Dutch Contribution to Modern Art. Amst., J.M. Meulenhoff, 1956, VIII,293,(2)p., 48 plates, orig. cl. w. (sl. frayed) dustwr., large 8vo.

€ (70-90) 130
76/633 Structure Magazine on Constructionist Art Second series no 1 and 2 Ed J Baljeu 76/633 Structure Magazine on Constructionist Art Second series no 1 and 2 Ed J Baljeu
76/ 633 Structure. Magazine on Constructionist Art. Second series, no. 1 and 2. Ed. J. Baljeu. Amst., De Beuk, 1959-1960, 2 vols., 28; 29-68p., ills., layout and orig. unif. wr. by D. VAN WOERKOM.

= Bi-annual magazine, focusing on the "New Art", an outgrowth of earlier movements such as Cubism, De Stijl, and Constructivism.

€ (50-70) 60
76/634 Der Sturm Halbmonatsschrift für Kultur und die Künste Year 4 no 198/199 Ed H Walden 76/634 Der Sturm Halbmonatsschrift für Kultur und die Künste Year 4 no 198/199 Ed H Walden
76/ 634 Der Sturm. Halbmonatsschrift für Kultur und die Künste. Year 4, no.198/199. Ed. H. Walden. Berlin, Der Sturm, 1914, (8)p. (incl. wr.), woodcut ill. by E. FILLA, folio.

- Spine split (lvs. reattached w. tape); horizontal middle fold, splitting at ends; some sl. foxing/ soiling.

= Raabe 1.

ADDED 2 works w. a contribution by K. SCHWITTERS: a facs. reprint of DER STURM, Monatsschrift, Year 17 (1926), no.7, large 8vo (backwr. replaced; contains a contribution and 2 ills. by K. SCHWITTERS) and STURM-BÜHNE, Jahrbuch des Theater der Expressionisten, Achte Folge (1919), folio (badly browned, brittle w. tears and chips, partly torn/ broken on middle fold; contains "Die Merzbühne").

- The lot sold w.a.f.

€ (80-100) 325
76/635 Der Sturm Vierteljahrschrift Year 15 no 2 Ed H Walden 76/635 Der Sturm Vierteljahrschrift Year 15 no 2 Ed H Walden
76/635 Der Sturm Vierteljahrschrift Year 15 no 2 Ed H Walden 76/635 Der Sturm Vierteljahrschrift Year 15 no 2 Ed H Walden
76/635 Der Sturm Vierteljahrschrift Year 15 no 2 Ed H Walden 76/635 Der Sturm Vierteljahrschrift Year 15 no 2 Ed H Walden
76/ 635 Der Sturm. Vierteljahrschrift. Year 15, no.2. Ed. H. Walden. Berlin, Der Sturm, p.49-116, 6 plates (1 col.), (full-p.) linocut ills. by L. MOHOLY-NAGY (3x, incl. on frontwr.), L. KASSÁK (2x), H. MATTIS TEUTSCH (1x) and O. FISCHER (1x), orig. wr., 4to.

- Yellowed; sm. waterstain in lower blank margin. Wrappers browned and brittle w. chips and damages in blank margins; backstrip dam. ("repaired" w. tape at the top).

= Raabe 1. SEE ILLUSTRATION PLATE XXXIII.

€ (400-600) 1200
76/636 Der Sturm Year 15 no 3 76/636 Der Sturm Year 15 no 3
76/ 636 Der Sturm. Year 15, no.3. Berlin, H. Walden, 1924, 117-176,(4)p., plates (1 tipped-in col.) and ills. by i.a. N. BRAUN, O. NERLINGER and P. FUHRMANN, orig. wr. by BÉLA KÁDÁR, folio.

- Wr. trifle spotted. Otherwise fine.

Walden, H. (= G. Levin). Einblick in Kunst. Expressionismus, Futurismus, Kubismus. Ibid., Der Sturm, 1924, 175,(1)p., num. (col.) plates, orig. hcl., 4to.

- Sl. foxed; contents loosening.

€ (70-90) 425
76 637 Sutnar L 76 637 Sutnar L
76/ 637 Sutnar, L. Visual Design in Action - Principles, Purposes. New York, Hastings House, (1961), 1st ed., no pagination, num. (col.) plates/ ills., orig. dec. cl. w. dustwr., folio.

- Spine of dustwr. sl. yellowed and sl. frayed at the top.

AND 3 others similar: E.M. GATTSCHALL, Typographic Communications Today (New York etc., 1989, num. (col.) ills., orig. cl. w. dustwr., folio); G. KEPES, Language of Vision (Chicago, 1951, ills., orig. cl. w. (sl. dam.) dustwr., large 4to); B. MUNARI, Design e comunicaziona visiva. Contributo a una metodologia didattica (Bari, 1970, 3rd rev. ed., ills., orig. boards w. (sl. dam.) dustwr.).

€ (70-90) 110
76 638 Sutnar L  Shaw G B 76 638 Sutnar L Shaw G B
76/ 638 [Sutnar, L.]. Shaw, G.B. Druhý ostrov Johna Bulla. Prague, Družstevní Prace, 1930, 232,(3)p., orig. photomontage wr. by L. SUTNAR. Idem. Člověk nikdy neví. Ibid., idem, 1931, 165,(3)p., orig. photomontage wr. by L. SUTNAR. Idem. Trakař jablek. Ibid., idem, 1932, 160,(3)p., orig. photomontage wr. by L. SUTNAR. Idem. Drobnosti II. 1933, 223,(4)p., orig. photomontage wr. by L. SUTNAR.

= Vloemans 281/ 193/ 266/ 229; Primus, Tschechische Avantgarde 1922-1940 p.132: "Auf dem zweidimensionalen typographischen Umschlag, den auch die Anwendung der Fotografie nicht zur dritten Dimension erweitern kann, versucht vor allem Ladislav Sutnar, Anfang der dreißiger Jahre, mit Hilfe geometrischer Linien und unter Anwendung von perspektivistischen Mitteln, eine 'Quasi-Dreidimensionalität' zu erzeugen".

AND 2 others by the same, w. wrapper design by the same.

= SEE ILLUSTRATION PLATE XXXIII.

€ (250-350) 275
76 639 Swertz A 76 639 Swertz A
76/ 639 Swertz, A. 265.252.859.812.191.058.636.308.480.000.000 wandelingen door Nederland. N.pl., Aldopress (= the artist), 1975, booklet w. 30 punched cards, a punched tape, together in orig. board box (23x17x3 cm.) w. mounted title-leaf on lid and w. loosely inserted numb. ("25/36") and signed fold. instruction leaf "30 faculteit wandelingen door Nederland".

- Lid of box and instruction leaf sl. foxed; lid split on corners (repaired) and vague traces on silverfish activity.

= Rare conceptual art object by the late antiquariatn bookseller André Swertz (1947-2021).

AND a second copy, without the orig. instruction leaflet (supplied in photostat) (similar defects as the above).

€ (100-150)
76 640 Tal R 76 640 Tal R
76/ 640 Tal, R. Chevalier. Leipsic, Lubok Verlag, n.d. (2009), no pagination, entirely printed in linocuts "on the 'Präsident' cylinder press by Thomas Siemon", printed in 1000 numb. copies, orig. linocut wr., 4to. - AND 5 others similar, i.a. 4 from the same publisher: Lubok Neun, Hagel Nightmare Express, Fundbüro and Zick Zack Flash vol.2 (each numb.).
€ (70-90) 70