- Last page w. some underlining in pen and ink. Backwr. (sl.) soiled; spine partly split.
= Bolliger III, 207: "Bedeutende avantgardistische Zeitschrift (...)". Contains the surrealist group novel "L'homme qui a perdu son squelette" by H. Arp, M. Duchamp, P. Eluard, M. Ernst, G. Hugnet, H. Pastoureau and G. Prassinos, and poems by R. Hausmann, W. Kandinsky, H. Arp, K. Schwitters and G. Hugnet.
- Some vague pencil markings and annots. = Rare.
AND 3 (small) catalogues on WOBBE ALKEMA (2x) and JAN VAN DER ZEE.
= "Berigt" 11 supplied in photostat. Each "berigt" contains short notes, describing prints after drawings by Dutch masters, available for sale.
Bloys van Treslong Prins, P.C. Het geslacht Ploos van Amstel. The Hague, Centraal Bureau voor Genealogie en Heraldiek, 1911, (4),57,(1),4p., contemp. cl.
- Bookplate and library ticket on upper pastedown.
AND 3 others on the same.
- Dustwr. sl. dam. = Facs. reprint of the ed. Amst., 1853.
Someren, J.F. Beschrijvende catalogus van gegraveerde portretten van Nederlanders. Amst., F. Muller & Cie., 1888-1891, 3 vols., VII,(1),243,X,(2); VII,(1),416; VII,(1),417-809,(5),IVp., contemp. unif. hcl. w. orig. frontwr. laid down.
- All vols. owner's stamp on first free endpaper; endpapers browned. All vols. laid down frontwr. sl. dam.; backstrips browned.
= Contains 6316 entries.
AND 7 others, i.a. CATALOGUE RAISONNÉ DE PORTRAITS DE PEINTRES, GRAVEURS, ARCHITECTES (...) (Amst., 1877, contemp. boards); D. FOSKETT, British Portrait Miniatures (London etc., 1968, 2nd ed., num. ills., orig. giltlettered cl. w. dustwr. Dustwr. sl. yellowed) and EXPOSITION DE LA MINIATURE (...) BRUXELLES MARS-JULLET 1912. CATALOGUE GÉNÉRAL (Brussels, 1912, contemp. cl. w. mor. letterpiece, orig. wr. pres. Occas. sl. foxed; backstrip sunned; frontcover w. 2 dam. spots).
- Regular pencil marking; first 90p. of vol. 2 waterstained and sl. wrinkled. = Contains 6316 entries.
AND 1 other: F. MULLER, De Nederlandsche geschiedenis in platen. Beredeneerde beschrijving van Nederlandsche historieplaten, zinneprenten en historische kaarten (Amst., 1970, reprint ed., 4 parts in 3 vols., orig. unif. giltlettered cl. in slipcase. Pencil marking; joints of vol. 2 worn/ splitting).
= Cf. Arntzen/ Rainwater P383 (reprint ed. 1962): "Reproduces and describes each hallmark." Reprint of the edition Paris, 1925-28.
= Arntzen/ Rainwater P484: "A dictionary of 3,000 hallmarks of French goldsmiths from the 14th century to 1838. Reproduces and describes each hallmark." Reprint of the edition Paris, 1929.
- Spine-ends sl. bumped; sm. stain on frontcover. = Facs. reprint of the ed. London, 1935.
= Issue of the extremely rare Romanian art and literature periodical published 1924-1925, with French and Romanian language contributions. Although the periodical was subtitled "A Review of Constructivist Art", it was dedicated not only to constructivism, but also covered other forms of abstract art and had strong links to Dadaism. Cf. Bolliger III, 146. For the woodcut by Marcel Janco ("Constructie"): Ilk 70.
= Aetas Aurea VII. Contains a catalogue raisonné.
- Owner's entry on htitle; bookplate on upper pastedown. Binding rubbed/ sl. worn along extremities.
= SEE ILLUSTRATION PLATE XXVIII.
= With texts by i.a. Samuel Beckett, Paul Celan, Jean-Paul Sartre a.o
Rainer, A. Schriften. Selbstzeugnisse und ausgewählte Interviews. Ostfildern, Hatje Cantz, 2010, 359,(1)p., ills., orig. hcl. - AND 4 by/ on the same, i.a. IDEM, Übermaler (Cologne, 2015, ills., orig. pict. boards) and B. ELSEN-SCHWEDLER and S. KLEE, Arnulf Rainer (Künzelsau, 2001, ills., orig. cl., 4to).
= Standard catalogues. 1. Kurt Schwitters - Typographie und Werbestaltung; 2. Vordemberge-Gildewart. Typographie und Werbegestaltung. 3. Ring 'neue werbegestalter'. Amsterdamer Ausstellung von 1931 (without the 4th vol. Ring 'neue werbegestalter' 1928-1933. Ein Überblick).
= Alevering nul van de reeks Capita Selecta uit de Encyclopedie van zijn wereld door Fens.
AND 4 others, i.a. F. and J. ROBERT, Face to Face (Baden, 1996, photogr. ills., orig. wr., large 8vo); G. TILLIM, Second Nature (Munich/ London/ New York, 2002, col. photogr. ills., orig. cl. w. mounted plate, square sm. folio); B. CHATWIN, Photographs and Notebooks (London, 1993, col. photogr. ills., orig. boards w. dustwr., obl. sm. folio).
- Without the text vol. Lacks 3 lvs. w. 17 plates; occas. (sl.) foxed; a few plates partly loose. Boxes covers scratched/ stained/ worn; cl. dam. at spine-edges.
= Reprint of the ed. St. Petersburg, 1890.
- Sl. yellowed. Binding sl. soiled.
= Early publication entirely set in the famous typeface Futura, designed by Paul Renner.
AND 2 others by the same: Der Künstler in der mechanisierten Welt (Munich, 1977, orig. wr.) and Die Kunst der Typographie (Augsb., 2003, ills., orig. boards. Reprint of the 1st ed., 1940). - ADDED: C. BURKE, Paul Renner, The Art of Typography (London, 1998, (col.) ills., orig. wr., large 8vo).
- Fine copy.
= On the drypoint "Portrait de Berthe Morisot" (created in 1892), see Delteil 4. SEE ILLUSTRATION PLATE XXVIII.
- Spine-ends worn dam.; frontwr. trifle foxed/ duststained.
= On the drypoint "Portrait de Berthe Morisot" (created in 1892) see Delteil 4.
- Provenance: bookplate of Brand Whitlock on upper pastedown. Backstrip a few trifle rubbed spots. Fine copy.
= On the drypoint by Renoir, "Le chapeau epingle" (titled "Jeunes filles fleurissant leurs chapeaux" in the book) see Delteil 8, 2nd state (of 2). SEE ILLUSTRATION PLATE XXVIII.