76 521 Photography Giloy Hirtz P 
76 522 Photography Gräff W 
- First and last page trifle foxed. Spine-ends sl. worn. Otherwise fine.
= First edition of this classic work on modern photography. Andel p.261; Bolliger V, 137 and VI, 306: "Ein Pionierbuch der modernen Photographie". Parr/ Badger I, p.83 and 98f: "A determinedly didactic book, Es kommt der neue Fotograf! is at once showcase for diverse photo-imagery and treatise for an all-inclusive modernist photography".
76 523 Photography Heinecken R 
= "These writings began in 1974 and since that date have been exhibited as collage elements in art galleries and portfolios".
76 524 Photography Heinecken R a o 
AND 8 others by/ on Heinecken, i.a. J. ENYEART (ed.)., Heinecken (Carmel, 1980, num. col. ills., orig. embossed cl., obl. 4to) and E. RESPINI, Robert Heinecken. Object Matter (New York, 2014, richly illustrated, orig. boards w. dustwr., 4to).
76 525 Photography Heinecken R Bayar D a o 
76 526 Photography Henttonen M 
76 527 Photography Lerski H 
76 527 Photography Lerski H 
- Htitle and title loose (htitle frayed in lower blank margin). Dustwr. worn and w. dam. at extremities (partly strengthened w. tape, mainly on verso).
= Parr/ Badger, p.130: "His work consisted mainly of portraits, but whereas [August] Sander was careful to photograph his subjects in their social settings, Lerski used the studio, and focused entirely on the head, effectively de-socializing them. Using studio lights and a system of mirrors, he lit them in an intensely dramatic, hyperbolic way that reflects the Expressionist lighting of the films on which he worked, especially the psychological thrillers and horror films."
Salomon, E. Berühmte Zeitgenossen in unbewachten Augenblicken. Stuttg., J. Engelhorns Nachf., (1931), 1st ed., 46,(2)p., 104 photogr. plates w. accomp. textp. (w. text in German, English, French and Italian), orig. cl.
- Spine sl. sunned and spine-ends sl. worn. = Parr / Badger I, p.131.
76 528 Photography Loiseaux O and Fumey G 
76 529 Photography Malone L and Adams D 
= "On August 5, 1997, Laurent Malone and Dennis Adams walked non-stop from downtown Manhattan, across the Williamsbridge to JFK Airport. They followed the staightest path possible toward their destination, crossing neighbourhoods, expressways and cemeteries. The walk took 11 1/2 hours. Adams and Malone shot photographs along their destination according to an agreement to produce an undetermined number of paired images: one 35 mm camera was shared with the understanding that either person could take a photo of their own choice at any time during the walk. Who shot the photograph handed the camera to the other person, who then shot a second photo in exactly the opposite direction, with no attention to subject selection, framing, or adjustments in aperture and focus (...)" [descriptive text on backstrip, followed by the same text in French].
76 530 Photography Mentzel A and Roux A 
76 530 Photography Mentzel A and Roux A 
76 530 Photography Mentzel A and Roux A 
76 530 Photography Mentzel A and Roux A 
- Occas. sl. thumbed. Covers partly dam. at spiral, worn along extremities, yellowed and soiled/ sl. stained; backcover lacks sm. portion of 2 corners.
= SEE ILLUSTRATION PLATE XXVI.
76 531 Photography Mewes G H 
76 531 Photography Mewes G H 
76 531 Photography Mewes G H 
76 531 Photography Mewes G H 
- Backwr. w. large repaired tear; corners and spine-ends sl. worn; wr. sl. browned along fore-edge.
= Rare. Founded by George Mewes in 1926, Photographic Advertising Limited (1926-1969) was an advertising photography studio specialising in stock photography, advertising films, and commissions. SEE ILLUSTRATION PLATE XXVII.
76/532 Photography Modern Photography The Studio Annual Ed C G Holme 
- Inner hinges strengthened w. tape. Wrappers sl. dustsoiled; frontwr. 2 repaired tears; backstrip repaired w. scotch tape.
= Contains photographs by i.a. P. Zwart, Hoyningen-Huene, B. Weston, E.O. Hoppé, L. Moholy-Nagy, R. Hausmann.
Wright, R. 12 Million Black Voices. A Folk History of the Negro in the United States. Photo-direction by E. Rosskam. New York, Viking Press, 1946, 3rd printing, 152p., num. photogr. ills., orig. cl. w. (worn/ dam.) dustwr., large 8vo. - AND 6 others, i.a. K. BLOSSFELDT, Urformen der Kunst (Berlin, 1935, photogr. ills., orig. cl., folio. Waterstained); M. BOURKE-WHITE, Shooting the Russian War (New York, 1943, 3rd ed., photogr. ills., orig. cl. w. (dam.) dustwr., large 8vo); R. CAPA, Slightly Out of Focus (New York, 1947, photogr. ills., orig. cl., large 8vo) and A. HAUS, Moholy-Nagy: Photographs and Photograms. Engl. transl. F. Samson (New York, 1989, photogr. ills., orig. boards w. dustwr., 4to).
76/533 Photography Monografieën van Nederlandse fotografen 
- Fine copies.
= 1. Sanne Sannes (1937- 1967); 4. Emmy Andriesse (1914-1953); 7. Paul Citroen (1896-1983); 8. Eduard Isaac Asser (1809-1894); 9. Eva Besnyö; 10. Jacob Olie Jbz (1834-1905); 12. Bernard F. Eilers (1878-1951).
76 534 Photography Oorthuys C 
76/535 Photography Paris Photographe Revue mensuelle illustrée Year 1 Ed P Nadar 
76/535 Photography Paris Photographe Revue mensuelle illustrée Year 1 Ed P Nadar 
- Lacks 2 albumen prints in issues no.2 and 5; lacks the 4 plates to the article "La photographie astronomique" in issue no.6; lacks the portrait of Félix Hement in issue no.7 and the portrait of Émile Bayard in issue no.9.
= The rare fiist year of this influential periodical.
76 536 Photography Profily V Vyjdou fotografové 
76 536 Photography Profily V Vyjdou fotografové 
76 536 Photography Profily V Vyjdou fotografové 
- Wr. sl worn/ dustsoiled.
= Karel Plicka (2 diff. copies, each w. 12 cards, 1x textbooklet, 1x SIGNED by the photographer on inside frontwr.); ZDENKO FEYFAR (12 photogr. cards, textbooklet); VÁCLAV JÍRU (12 cards, accomp. textbooklet); KAREL HÁJEK (11 (of 12) cards, accomp. textbooklet); JOSEF EHM (10 cards).
AND 1 other similar: "Akty. Zdenka Virta" (12 orig. gelatin silver print cards, textbooklet, loose as issued in orig. envelope shaped wr., sm. 8vo).
76 537 Photography Roh F and Tschichold J ed 
76 537 Photography Roh F and Tschichold J ed 
- Inside wr. and opposite pages foxed. Wrappers soiled/ stained and sl. dam. in lower (frontwr.) and upper (backwr.) margin; frontwr. and (dam.) backstrip w. sello-tape(?) stain along margin.
= Parr/ Badger p.98f; Bolliger II, 289/ III, 102/ IV, 315 and 316/ V, 136/ VI, 311: "Das vielleicht modernste Photobuch, das nicht nur sagen will, die Welt ist schön, sondern ebenso, sie ist erregend, grausam und absonderlich (...)".
76 538 Photography Sachsse R 
76 539 Photography Sander A 
76 539 Photography Sander A 
- Upper hinge weak; some sl. foxing (endpapers and first/ last few pages somewhat worse0. Binding sl. thumbed/ soiled; backstrip sl. discol. and trifle worn at extremities.
= Parr/ Badger I, p.124: "(...) Sander's magnum opus (whatever its roots in the dubious nineteenth-century 'science' of physiognomy) was thoroughly of the twentieth century - sceptical, objective, lucid. (...) But many of his classic images are included in this seminal photobook, and the essential qualities of Sander's vision can be seen. He took typical examples of professions, trades and social classes in Weimer Germany, and photographed them in the familiar environments in order to build up, piece by piece, a dispassionate image of the 'face' of society (...)". SEE ILLUSTRATION PLATE XXVI.
76 540 Photography Strba A and Keller W 
- All w. blindst. ex-libris.