= With contributions in various techniques by Elly Strik, Job Koelewijn, Wim T. Schippers, David Nuur, Kees Goudzwaard, James Becket and Henk Visch.
- Horizontal middle fold (sl. splitting at right end); spine repaired w. tape; all lvs. yellowed along margins.
= Bolliger III, 206; III, 386; VI, 805: "Bedeutende tschechische avantgardistische Zeitschift mit ausgezeichneter internationaler Information über Architektur, Film, Kunst, Literatur, Theater etc. Herausgegeben von der Grupper "Devetsil". Einflüsse von Dada und Surrealismus. Texte in Deutsch, Französisch und Tschechisch. Contains contributions by Jar. Seifert, Hans Richter, Otto Nebel and Theo van Doesburg. Rare.
- Endpapers foxed; extensive annots. on first free endpaper; owner's entry on htite. Corners sl. worn; covers sl. scratched (backcover worse).
= "How to do it" Series, no. 8.
- Some sl. foxing on verso wrappers and opposite pages. Wr. sl. soiled; rubbed along extremities; frontwr. vague fold in lower corner; spine-ends sl. dam.
= Fototek 2. Bolliger VI, 301.
- Bookplate on upper pastedown. Binding sl. dustsoiled/ foxed.
= Cf. Parr/ Badger I, p.96 (1st ed., 1928; "one of the most striking books in photographic history").
- Wrappers sl. worn along extremities (corners sl. worse, w. sm. fold in lower corner front- and backwr. and last 4 lvs.).
= First edition of Brassaï's first publication of photographs, published in the series "Réalités". Parr/ Badger I, p.134: "Brassaï's nocturnal vision of Paris is so well known, and his book Paris de nuit has been so influential (...). Paris de nuit is also a ravishing book object in a purely physical sense. The printing represents arguably the most luscious gravure ever seen, the blacks being so rich and deep that after handling the book one expects to find sooty deposits all over one's fingers. The graduation of tones is wonderfully subtle, describing an apparently infinite range of black and near-black tones. The layout, with its characteristic full-page bleeds, never more felicitously employed, takes us from image to image, from page to page, and across night-time Paris, with effortless panache." SEE ILLUSTRATION PLATE XXVI.
- Upper hinge sl. weak; bookplate on upper pastedown. Binding sl. dustsoiled.
= Vews of Berlin in the interbellum.
- Frontwr. sl. soiled.
= Dylaby was a collective of the artists Robert Rauschenberg, Martial Raysse, Niki de Saint Phalle, Daniel Spoerri, Jean Tinguely and Per Olof Ultvedt.
Fieret, G.P. Een nieuw lint. Gedichten. Haarlem, Granada, 1973, 1st ed., (80)p., orig. wr., narrow 8vo.
= With AUTOGRAPH DEDICATION and AUTOGRAPH POEM ("Wisseling") on verso htitle, signed and dated "Gerard 10 juli 1973". With autograph corrections on several pages.
AND 3 others w. photographs by ED VAN DER ELSKEN (Bagara), WINK VAN KEMPEN (De laffe nomaden) and MICHEL SZULC KRZYZANOWSKI (Neem nou Henny), all first editions.
- Title-page foxed; upper hinge weak. Upper left corner frontwr. bumped.
Kiljan, G. (1881-1961) (attrib.). (Girl sitting on a terrace). Vintage gelatin silver print, ±1935, 17,5x11,6 cm.
= Verso w. pencil annot. "belicht 8 sec./ ontw. m. [?]".
= With AUTOGRAPH SIGNED DEDICATION and a small drawing in felt-tip pen on title.
Idem. Gedichten 1970-1972. Leyden, privately published, 1974, (24) photocopied lvs., orig. wr., folio.
- Wrapper loose.
= With a large drawing in black and red felt-tip pen by G.P. FIERET on frontcover.
= With AUTOGRAPH SIGNED DEDICATION and a drawing on verso frontcover.
Idem. Een nieuw lint. Haarlem, Granada, 1973, (40) lvs., orig. wr.
= With AUTOGRAPH SIGNED DEDICATION and poem on verso frontcover.
AND 7 others by/ on the same, 3x with AUTOGRAPH SIGNED DEDICATION i.a. De trommel van de vrijbuiter en de begeerte van vijf (The Hague, 1973) and Filosofie van een vlinder (Baarn, 1976).
= With AUTOGRAPH SIGNED DEDICATION and a poem on title-p.
Idem. De lasso van de minnaar. Ibid., Nijgh en Van Ditmar, 1980, 128p., orig. wr.
= With AUTOGRAPH SIGNED DEDICATION and a poem on verso frontcover. With inserted errata leaf.
AND 4 others by the same, 3x with AUTOGRAPH SIGNED DEDICATION, 1x w. poem on title: Een nieuw lint (Haarlem, 1973) and Stem van Phylologos (The Hague, 1974).
- Carefully rebacked/ rebound; wrappers trifle worn along margins. Good/ fine copy.
= Special issue of Prisma der kunsten, on occasion of the exhbition at the Stedelijk Museum, Amsterdam. Contains essays by i.a. Paul Schuitema, L. Moholy-Nagy, Dick Elffers, Hajo Rose and Wim Brusse.
Schuitema, P. Waar Nederland trotsch op is. Hoe we tegen het water vochten en wat we er mee deden. Vol. 1. Leyden, A.W. Sijthoff, 1940, (4)textp., (col.) photogr. plates by i.a. P. SCHUITEMA, C. OORTHUYS, E. BESNYÖ, E. ANDRIESSE and P. ZWART, orig. clothbacked photomontage boards by P. SCHUITEMA, 4to.
- Covers sl. rubbed at corners/ along margins; backstrip sl. dam. = All published. Maan, p.115.
AND the facs. reprint of De 8 en Opbouw - Speciaal-nummer over de fotografie [year 7 (1936), no.3] (n.pl., 1979, ills., orig. wr., 4to).