= Unnumb. copy.
- Bookblock broken.
= Kreisā Fronte (Left Front) was one of the first Latvian-language socialist periodicals, in appearance and contents comparable to Mayakovsky's LEF. Very rare. SEE ILLUSTRATION PLATE XXV.
- Wr. trifle yellowed.
Idem. Nová Oresteia. Tragedie o třech dějstvích. Ibid., Čin, 1923, 114,(5)p., orig. wr. by JIŘÍ KROHA.
- Spine-ends sl. worn.
ADDED: 4 others, all Czech, incl. 2 vols. w. wrapper des. by JOSEF ČAPEK.
- Blindst. ex-libris in first blank each.
= Both contain an oeuvre-catalogue.
AND 4 others on i.a. J.C.K. Klinkenberg, Correggio and Canaletto.
- Slipcase worn along extremities.
= The life, work and dreams of Fernand Léger as told through a compilation of hundreds of photographs of him, his family and friends; facsimile reproductions of letters, manuscripts, documents, ephemera, newspaper clippings and artworks.
- Endpapers sl. foxed/ browned. Frontcover yellowed; backcover sl. rubbed; board edges and backstrip some sl. worn spots. Still a fine copy.
= Lissitzky-Küppers p.382; Motherwell, Arp on Arp 167; Bolliger I,16; Andel p.165. SEE ILLUSTRATION PLATE XXV.
- Bookblock loose; final leaf w. sl. pink offsetting from backwr.; upper corner first leaf and frontwr. sl. chipped. Wr. trifle stained.
= Rowell/ Wye 410 and p.196; Compton, Russian Avant-Garde Books 1917-34, p52 and passim; Lissitzky-Küppers p.24: "At the beginning of 1922, Lissitzky collaborated with Ehrenburg in producing the first pro-Soviet periodical, Veshch ('Objet'), published by the Skythen-Verlag. Here Lissitzky could make his new typographical ideas become concrete facts - thanks to highly-developed printing techniques. (...) The pages of the journal were architectonically arranged, and all the resources of the type-case were employed to catch the reader's eye and to give emphasis to the contents. The striking effect made by the typographic composition of the cover (a floating Proun in red) is created by the colossal tension in which the letters are held counterpoised on the coloured background. Few cover designs produced since then bear comparison with these first fruits of Lissitzky's typographical genius." Bolliger III, 242: "Zeitschrift der russischen und europäischen avantgarde, die sich zur Aufgabe setzte: "Die in Russland Schaffenden mit der neuesten westeuropäischen Kunst bekanntzumachen und 2. Westeuropa über die russische Kunst und Literatur zu informieren"." Only 2 issues were published (no.1/2 and 3), although a fourth and a fifth were announced.
- Mediocre copy: yellowed; vertical middle fold thoughout. Lacks binding cord; wrappers soiled and worn; frontwr. sm. tear and backwr. sl. dam. on middle fold at top; backstrip dam./ broken. Sold w.a.f.
= Le Coultre 4 - 11d; Lissitzky-Küppers 70; Purvis 3-6.
- Occas. sl. dustsoiled, but generally fine.
= With typical sixties wrapper designs and plates/ ills. by i.a. Dick Elffers, Willem Sandberg and Nicolaas Wijnberg.
= Slagter 64.
- Backcover and backstrip faded. = Geh durch den Spiegel. Folge 21, 1960.
= "In deze uitgave zijn alle gedichten verzameld die Lucebert schreef voor en over andere kunstenaars gerangschikt op datum van uitgave. Daarbij is een serie tekeningen uitgezocht, eveneens op datum gerangschikt, op het thema dieren" (colophon).
AND 12 others by/ on the same, mainly smaller publications.
- With the owner's entry of R. Fuchs on first free endpaper. = SIGNED on first page.
AND 3 others by/ on the same, i.a. MARKUS LÜPERTZ. IN 'T GOD'LIJK LICHT (The Hague, 2011, ills., orig. boards, 4to).
- Yelllowed/ sl. soiled and creased; upper corner frontwr. repaired w. tape.
= Schwarz 82; cf. Bolliger III, 181 ("Die bedeutendste ungarische avantgardistische Zeitschrift. Organ des Konstruktivismus mit starken literarischen und künstlerischen Beziehungen zu den Dadaisten"). Wechsel Wirkungen, Ungarische Avantgarde in der Weimarer Republik p.68ff: "A Tett" ["Die Tat", first published in 1915, editor Lajos Kassák] wurde im Jahre 1916 wegens kriegsfeindlicher Haltung verboten, und Kassák gründete daraufhin zusammen mit Ivan Hevesy, János Mácza und Béla Uitz die Zeitschrift "MA" (Heute). (...). Nach dem Sturz der Räterepublik emigrierten viele Künstler ins Ausland, nach Wien, Berlin und ans Bauhaus (...)".