= I.a. "Rolt zelf uw sigaretten van Van Nelle's Shagtabak" (unfolded board advertorial display, 5 copies); two calendars (1933 and 1934); "Van Nelle's gebroken thee/ Thé coupé Van Nelle" (unfolded tea packet, 20 copies); several small posters/ advertorial leaflets, i.a. "Een vrolijk voetbalboek (...)" and "Voetbal Vademecum seizoen 1932-33" (Jac. Jongert 1883-1942 'proeven is koopen' 251 and 256) and "Van Nelle's gebroken thee" (board display sign w. suspension cord; one dam. spot).
= I.a. "Van Nelle's gebroken thee"; "Van Nelle's Takel"; "Van Nelle's boei tabak"; "250 gram Raedthuysbaai"; "Van Nelle's Prisma"; "Van Nelle's Cirkel"; "Van Nelle's "Contenta" theebuiltjes" and "Van Nelle's Magneet koffie".
- Spine dustwr. sl. sunned.
Gribaudo, E. (ed.). Jorn. Cuba. Torino, Fratelli Pozzo, 1970, (45)p., (col./ photogr.) ills., orig. cl. w. dustwr., 4to (fine).
= Photographic account of Jorn at work on the murals that he designed for a Cuban banking company.
- Year 1904 some lvs. frayed/ loose(ning) and spine-ends worn. = SEE ILLUSTRATION PLATE XXIV.
- Partly yellowed (sl.) foxed.
= 1. G. Biermann, MAX PECHSTEIN (orig. dec. boards w. mounted title-piece; lacks backstrip); 13. H. von Wedderkop, PAUL KLEE (orig. dec. boards w. mounted title-piece; lacks backstrip); 21. W. Wolfradt, GEORGE GROSZ (orig. clothbacked dec. boards; spine-ends and upper joint sl. dam.); 42. W. Grohmann, WASSILY KANDINSKY (orig. clothbacked dec. boards w. mounted title-piece); 52. G. Biermann, OSKAR KOKOSCHKA (orig. clothbacked boards; spine pasted over w. cloth tape).
- Some occas. foxing. Binding thumbed/ sl. soiled.
= The first edition was published in January 1912, the second in April of the same year. Roethel 82-92 and p.443, 8. Cf. The Artist and the Book 137; Bolliger VI, 394; Jentsch 6 (1st ed.).
Marc, F. Briefe, Aufzeichnungen und Aphorismen. Berlin, P. Cassirer, 1920, 1st ed., 2 vols., text vol.: 144,(3)p., 1 double-p. col. plate; plate vol.: (6) textp., 35 monochr. plates, orig. unif. cl., modern cl. slipcase.
- First vol. upper hinge partly split; both vols. sellotape stains on endpapers and owner's entry on first free endpaper. Bindings foxed/ sl. stained; backstrips dam. and corner worn. Contents fine.
- Mediocre copy: dogeared; partly w. (narrow) stain in blank margin. Wrappers stained, vague folds, sl. frayed and gilding on frontwr. defective; backstrip lacks ±4 cm. of both ends.
= First edition of the most important early monograph covering Kandinsky's development as a painter over the period 1901-1913. From the library of Erich Wichman, with his owner's entry in green ink on the title-p. Bolliger VI, 551 and I, 128: "Im Anhang die wichtigen Schriften des Künstlers "Rückblicke" und "Notizen". Von grösster Seltenheit."
- First blank loose and dam. in inner margin; last leaf loosening; weak on hinges; a few lvs. trifle frayed in blank fore-edge margin. Spine pasted over w. cl.; wrappers sl. browned and some foxing and sm. marginal stains; frontwr. lacks tiny portion of upper blank corner; backwr. w. sm. dam. in upper blank margin; spine-ends strengthened w. scotch tape.
= Bolliger III, 8 and IV, 40. One of the major anthologies of contemp. modern art, containing illustrations of works by i.a. H. Arp, T. van Doesburg, M. Ernst, J. Gris, G. Grosz, F. Léger, El Lissitzky, L. Moholy-Nagy, P. Picasso and Man Ray. Rare. SEE ILLUSTRATION PLATE XXIV.
ADDED: a facsimile reprint of the work (Budapest, 1977, orig. wr., 4to).
= With autograph dedication on first blank "To Wous with Best Wishes, Alison".
Bol, L.J. Aart Schouman. Ingenious Painter and Draughtsman. Doornspijk, Davaco, 1991, 134p., num. (col.) ills., orig. giltlettered cl. w. dustwr., folio. - AND 3 others, all richly illustrated, all orig. cl. w. dustwr.), i.a. S. ALSTEENS, M. VAN BERGE-GERBAUD a.o., Regards sur l'art hollandais du XVIIe siècle (...) (Paris, 2004, large 4to) and C. BOSCHMA, Willem Bartel van der Kooi (1768-1836) en het tekenonderwijs in Friesland (Leeuw.,1978, 4to).
- Blindst. ex-libris in first blank.
- Fine. = Maan/ Van der Ree '90, p.60.
- Trifle creased in upper right corner; lower right corner sl. affected by silverfish; some vague foxing in upper margin. Otherwise fine.
= Dooijes/ Brattinga no.203. Cf. Purvis p.128; cf. Maan '82, p.25; cf. Maan/ Van der Ree '90, p.21; cf. Broos/ Hefting p.77 (all smaller size, w. sl. variant typography).
- Frontwr. trifle foxed in outer blank right margin.
= Maan/ Van der Ree p.30 and 62f; Purvis p.129 and ill. between p.122 and 123; Van Faassen p.43; Maan '82, p.23. "Eveneens voor PTT verscheen in 1932 een gebruiksaanwijzing voor een telefooninstallatie, waarin de mogelijkheden van de combinatie typografie/ fotomontage volledig werden uitgebuit ten behoeve van het instructieve doel. Kiljans strikt zakelijke benadering bereikte hierin de zuiverste vorm. De gelijktijdigheid van verschillende handelingen op verschillende plaatsen drukt hij uit en deelt hij op door middel van fotomontages, grafische middelen en symbolen; in één beeld geeft hij analyse en synthese." (Maan/ Van der Ree p.19f). SEE ILLUSTRATION PLATE XXIV.
= Catalogue raisonné.
= Lists 150 works, including 40 works in the Anhang that are listed as "Nicht originalgraphische Blätter" (4 works) or "Zeichnungen auf Umdruckpapier, vom Künstler als "Lithographie" bezeichnet" (36 works). One of 1400 copies w. German text.
= One of 27 numb. copies of the DELUXE edition, SIGNED by both artists, marked "Isis" and "19/27" in thick black marker on htitle, in orig. board box w. mounted and numb. title label on lid, together w. a loosely inserted paper cross (30x21 cm.) titled "Seelensaal am Hain" in black marker on recto and "19/27" in blue ballpoint on verso and w. loosely inserted original photograph (17,5x25 cm.), verso w. stamp "EK" and numb. "19/27" in pencil.