= Pronk made a watercolour of the same composition, dated 1701, with some small different details (in the collection of the Rijksmuseum).
- With (foxed) extended margins; a few sm. and vague greyish spots in sky area and in lower border outside framing lines.
= The exterior of the havezathe Boxbergen has changed significantly over the years. This watercolour shows it as it had been since it was rebuilt in the years between 1650-1653, after it was destroyed by a fire. Provenance: sold as lot 120 in the catalogue "Dessins topographiques. Collection de Feu M. - Ant. W. M. Mensing." on 18 October 1937. SEE ILLUSTRATION PLATE CX.
- Trifle yellowed; some white deposit in upper left corner.
= Provenance: the collection A.M. van den Broek, with his manuscript collector's mark on verso.
= On paper with an unidentified watermark containing the letters "A" and "I". Provenance: the collection A.M. van den Broek, with his collector's mark on verso.
- With several sm. repairs.
= Probably 19th century, perhaps late 18th century. The composition in the same direction as Rembrandt's etching, but mirrored to the grisaille painting by him (now in the National Gallery, London).
= SEE ILLUSTRATION PLATE CX.
= SEE ILLUSTRATION PLATE CX.
- Agetoned; two tiny holes in lower part.
- Chip in upper left corner; upper right corner torn off and redrawn; agetoned and w. narrow brown stains in upper part.
= Drawings by this artist are rare.
= An attractive scene.
- Large professionally repaired tear in upper part of drawing. Title supplied on verso.
= Spectacular drawing showing the incursion into Bergen op Zoom by the British army in 1814. SEE ILLUSTRATION PLATE CXI.
- Probably doubled and laid down on mount; foxed; a few small marginal tears.
= Attribution in pencil on mount.
- Slightly foxed; trifle frayed; w. a few vague brownish stains.